HEY DISCORD USERS!!

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”

how much do the demigods really know about Percy?

Frank and Hazel first knew him as just a guy who showed up with a goddess on his back. everything he does from that point onward is equally bizarre, and certainly impressive, but perhaps not exactly legend-worthy. by the time they’ve won the battle against Polybotes at New Rome, their experience with him confirms he’s a badass, but the hints and jokes he drops about his past can’t all be real, right?

Jason, Leo, and Piper would have been showered in stories at Camp Half-Blood. did you know, Percy fought and killed a Kindly One and the Minotaur before he even got to Camp the first time? did you know, he was the first one on our side to suspect Kronos was rising? did you know, he revealed who poisoned Thalia’s Tree? did you know, he and Annabeth held the sky? did you know he crashed his own funeral? did you know he made a hurricane?

did you know, did you know, did you know?

but how many of Percy’s stories do the campers really know? what did Annabeth and Percy keep to themselves in their retellings? do they know Luke forced Percy to fight to the death in an arena? were they told Percy actively chose to be the subject of the prophecy to protect Nico, who almost certainly hated him at that point? do they know Percy was the reason Mount Saint Helens erupted? do they know he fought Hades and his army, and won?

the campers all think Percy is a legend, but when they find out there’s more? that’s when they start to think of him as a god.

WHY IS WRITING IS SO FUCKING HARD?

Ten types of fuckery that stop you from writing the thing:

1. Imposter syndrome

You think you're not good enough or everyone else is better than you and you're just winging it AKA ye olde imposter syndrome bullshit. Yeah nah you're fine. No really, you're exactly where you need to be right now, and you'll keep getting better and better so long as you don't stop. Chances are, if you're filled with doubt about your abilities it means you've actually improved to the point where you can really start to understand what makes good writing. It means you know where you wanna end up and goshdarn it you're gonna get there.

Read this: 4 tips to kick imposter syndrome in the face and also genitals

And also this: How to silence the inner critic

2. Fear of rejection and/or failure

Yeah, us too. It fuckin sucks. BUT. Not all rejections are equal. And rejection is a necessary part of the process. Sometimes it takes a rejection to realise that a story isn't ready. Sometimes a rejection is entirely subjective and has ZERO reflection on the quality of your work. But shying away from the very idea of possibly maybe hypothetically getting rejected is only going to hold you back from even trying. And knowing why you got rejected and how to learn from it is one of the most valuable writing skills.

Read this: The different types of rejection (and how to deal with 'em)

Then read this: How to cope with rejection

And also this: Writing lessons from Groundhog Day

3. Not enough planning / too much planning

Leaping into a new story with nothing but a glimmer of an idea is exciting as heck (and can sometimes be a great way to begin) but at some point you're gonna need some sort of outline or plan to keep you on track. HOWEVER. Planning your story to within an inch of its life can also sometimes be a hindrance - leaving you stuck in the hypothetical stage of the process where your story doesn't quite exist yet (and therefore avoiding the prospect of it sucking). The sweet spot is in the middle. Having just enough of a plan to know where tf you're going, but enough freedom and flexibility to let the story lead the way...

Read this: Planning vs pantsing

Then read this: Five plotting techniques

And also this: The perils of overplanning

4. Your WIP just isn't working

Sometimes things just fall flat. Sometimes you work on the same story for yeeeeears and then it just kinda... dies. Sometimes you have the best plans (see above) and the best intentions and things still don't work out. Sometimes it's just time to move on. And sometimes it's not! Sometimes a story can be revived, fixed or changed. Sometimes you just need time. Sometimes YOU'RE the one that's changed and this isn't the story you need to be writing right now. Many variables. Muchly personal. Read the things below for more advice cos this is a big question:

Read this: What to do when your WIP isn't working

And also this: Give it space - how to grow a story in your head

Or how about this? Editing 101

5. You keep deprioritising it

Ah the irony of writing being the thing you love/want to do most of all AND YET the thing you procrastinate over and avoid and shove to the very bottom of your to-do list all the freakin' time. Maybe it's the comodification of art destroying our freedom to create without pressure. Maybe it's late capitalism sucking up all our available time and energy. Maybe it's a lack of self-belief subconsciously telling us our 'little hobby' doesn't really matter. Maybe it's maybelline. Whatever it is, you have the power to reclaim and revalue your writing. To say, "I'm a fucking writer, goddamnit!" and mean it. To ringfence your creative time so nothing and nobody gets to interrupt it. To do that thing you love.

Read this: Prioritise your writing

Read this: How to write in 30 second bursts

6. Shiny Thing Syndrome

You know that feeling when you're just getting stuck into a writing project and then — SQUIRREL! — you get distracted by another, better, more shiny writing project? Or maybe you're deep in the editing phase and your current WIP just isn't feeling very shiny at all and pretty much ANYTHING seems more exciting? Or you simply can't decide which of the many squirrelly writing ideas to actually start? You, fine writerperson, may be suffering from Shiny Thing Syndrome (STS). But fear not! There are a few ways to combat it, depending on the cause, and most of them involve embracing the squirrel-brain and injecting a bit of fun into your writing, like so:

Read this: Shiny thing syndrome - a writer's malady

Aaaand read this: Get excited about your writing again

And also this: Write like a kid

7. Perfectionism/self-sabotage

Look. Writing is scary as shit. What if someone READS it? What if they don't like it? What if they see into your soul and gain a deeper understanding of you through your words? Writing your truth, being vulnerable, smearing your heart juice all over the page? No thank you. But also, that's where the good shit is, so actually yes please. Just make sure you smear responsibly. And rest assured, even the most 'successful' and experienced writers ALSO feel like this sometimes, so you're in good company. It's just part of the art, bruh.

Read this: Why writing is scary (and why that's a good thing)

Read this: Beginning a story - what stops us starting?

And also this: Get out of your own way

8. The dreaded blank page

Oh godddd the blank page. It should be an exciting palimseset of possibility but is somehow also the most terrifying thing known to humankind. You wanna write something but where to start? HOW to start? You type that first line and immediately delete it. You watch the cursor blinking at you—taunting you—until you just give up and shut your laptop again. It's probably tied up with a bunch of things we've already covered so far: perfectionism, imposter syndrome, fear of failure, maybe a lack of planning or faith in your story or whatever. But it doesn't have to be this way. A blank page IS exciting and full of possibility. We just have to get over ourselves and learn to embrace the unknown...

Read this: Don't fear the blank page

And also this: The moaning method

9. Not enough time/energy/motivation/gnuuuughh

Dude, same x 1000. But you don't have to get up at 5am, do hot yoga, drink a kale smoothie and write a thousand words before sunrise to be a Proper Writer. You don't even have to write every day. But what you can do is hack your writing brain and figure out when, where, how, and why you write most effectively. Then tweak your schedule, your habits, and your attitude to ensure you're making the most of your time. Productivity is a big ol' lie but finding the secret to getting in your own personal writing zone is actual MAGIC.

Read this: Maximise your writing time

And also this: Get in the writing zone

And also unto this: The Writers' HQ Guide to Productivity

10. You're just fucken stuck

Got the writing morbs? In need of some literary sudafed? Stuck as a pig in a poke? Writing is a whole puzzle of a process—and to be honest that's what makes it so fun and exciting and addictive, because your writing brain is hardwired to both create AND solve the wordy puzzles within your story. Sometimes the answer is time. Sometimes it's a second opinion or a fresh eye. Sometimes a totally different approach or just a hefty kick up the bum. But whatever the problem, there IS a solution. You just gotta keep going and trust that you'll find it...

Read this: Troubleshoot your writing - why are you stuck?

And also this: Break through the writing blockage

And also also this: Write yourself into a pit (and then dig your way out again)

~~~~~~~~~~~~~~~

Alright, that's it for today. Now go write, you flithy animals.

(And if we missed anything, stick a question in our ask box or check out the rest of our shit here)

Creating a magical system is sooo hard 😭 Does anyone have any advice that can help me?

You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.

i've come to realize there are only two kinds of tragedies: preventable and inevitable. preventable tragedies are the kind where everything could have maybe worked out if only. if only romeo had gotten the second letter. if only juliet had woken up earlier. if only creon had changed his mind about antigone sooner. if only orpheus hadn't turned around.

inevitable tragedies are the kind where everything was always going to end terribly. of course macbeth gets deposed, he murdered his way to the throne. of course oedipus goes mad, he married his own mother. of course achilles dies in the war, he had to fulfill the prophecy in order to avenge his lover.

both kinds have their merits. the first is more emotionally impactful, letting the audience cling to hope until the very end, when it's snatched away all at once leaving nothing but a void. the second is more thematically resonant, tracking an inherent fatal flaw in its hero to a natural and understandable conclusion, making it abundantly clear why everything has to happen the way it does.

Body Language

When someone is...

Sad

Face/Body:

Avoidant/reduced eye contact

Drooping eyelids

Downcast eyes

Frowning

Raised inner ends of eyebrows

Dropped or furrowed eyebrows

Quivering lip/biting lip

Wrinkled nose

Voice:

Soft pitch

Low lone

Pauses/hesitant speech

Quiet/breathy

Slow speech

Voice cracks/breaking voice

Gestures/Posture:

Slouching/lowered head

Rigid/tense posture

Half formed/slow movement

Fidgeting or clasped hands

Sniffing or heavy swallows

Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)

Light: Do you take constructive criticism?

Misa: I only take cash or credit.

L and Misa played rock paper scissor over who has to tell Light that he's gay