You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.
Hey btw, if you're doing worldbuilding on something, and you're scared of writing ~unrealistic~ things into it out of fear that it'll sound lazy and ripped-out-of-your-ass, but you also don't want to do all the back-breaking research on coming up with depressingly boring, but practical and ~realistic~ solutions, have a rule:
Just give the thing two layers of explanation. One to explain the specific problem, and another one explaining the explanation. Have an example:
Plot hole 1: If the vampires can't stand daylight, why couldn't they just move around underground?
Solution 1: They can't go underground, the sewer system of the city is full of giant alligators who would eat them.
Well, that's a very quick and simple explanation, which sure opens up additional questions.
Plot hole 2: How and why the fuck are there alligators in the sewers? How do they survive, what do they eat down there when there's no vampires?
Solution 2: The nuns of the Underground Monastery feed and take care of them as a part of their sacred duties.
It takes exactly two layers to create an illusion that every question has an answer - that it's just turtles all the way down. And if you're lucky, you might even find that the second question's answer loops right back into the first one, filling up the plot hole entirely:
Plot hole 3: Who the fuck are the sewer nuns and what's their point and purpose?
Solution 3: The sewer nuns live underground in order to feed the alligators, in order to make sure that the vampires don't try to move around via the sewer system.
When you're just making things up, you don't need to have an answer for everything - just two layers is enough to create the illusion of infinite depth. Answer the question that looms behind the answer of the first question, and a normal reader won't bother to dig around for a 3rd question.
friendly reminder that Harry didn't know his mother's maiden name until he saw it in Snape's memory :)
does anyone else still think about the fact that Appa has five stomachs?
Ten types of fuckery that stop you from writing the thing:
You think you're not good enough or everyone else is better than you and you're just winging it AKA ye olde imposter syndrome bullshit. Yeah nah you're fine. No really, you're exactly where you need to be right now, and you'll keep getting better and better so long as you don't stop. Chances are, if you're filled with doubt about your abilities it means you've actually improved to the point where you can really start to understand what makes good writing. It means you know where you wanna end up and goshdarn it you're gonna get there.
Read this: 4 tips to kick imposter syndrome in the face and also genitals
And also this: How to silence the inner critic
Yeah, us too. It fuckin sucks. BUT. Not all rejections are equal. And rejection is a necessary part of the process. Sometimes it takes a rejection to realise that a story isn't ready. Sometimes a rejection is entirely subjective and has ZERO reflection on the quality of your work. But shying away from the very idea of possibly maybe hypothetically getting rejected is only going to hold you back from even trying. And knowing why you got rejected and how to learn from it is one of the most valuable writing skills.
Read this: The different types of rejection (and how to deal with 'em)
Then read this: How to cope with rejection
And also this: Writing lessons from Groundhog Day
Leaping into a new story with nothing but a glimmer of an idea is exciting as heck (and can sometimes be a great way to begin) but at some point you're gonna need some sort of outline or plan to keep you on track. HOWEVER. Planning your story to within an inch of its life can also sometimes be a hindrance - leaving you stuck in the hypothetical stage of the process where your story doesn't quite exist yet (and therefore avoiding the prospect of it sucking). The sweet spot is in the middle. Having just enough of a plan to know where tf you're going, but enough freedom and flexibility to let the story lead the way...
Read this: Planning vs pantsing
Then read this: Five plotting techniques
And also this: The perils of overplanning
Sometimes things just fall flat. Sometimes you work on the same story for yeeeeears and then it just kinda... dies. Sometimes you have the best plans (see above) and the best intentions and things still don't work out. Sometimes it's just time to move on. And sometimes it's not! Sometimes a story can be revived, fixed or changed. Sometimes you just need time. Sometimes YOU'RE the one that's changed and this isn't the story you need to be writing right now. Many variables. Muchly personal. Read the things below for more advice cos this is a big question:
Read this: What to do when your WIP isn't working
And also this: Give it space - how to grow a story in your head
Or how about this? Editing 101
Ah the irony of writing being the thing you love/want to do most of all AND YET the thing you procrastinate over and avoid and shove to the very bottom of your to-do list all the freakin' time. Maybe it's the comodification of art destroying our freedom to create without pressure. Maybe it's late capitalism sucking up all our available time and energy. Maybe it's a lack of self-belief subconsciously telling us our 'little hobby' doesn't really matter. Maybe it's maybelline. Whatever it is, you have the power to reclaim and revalue your writing. To say, "I'm a fucking writer, goddamnit!" and mean it. To ringfence your creative time so nothing and nobody gets to interrupt it. To do that thing you love.
Read this: Prioritise your writing
Read this: How to write in 30 second bursts
You know that feeling when you're just getting stuck into a writing project and then — SQUIRREL! — you get distracted by another, better, more shiny writing project? Or maybe you're deep in the editing phase and your current WIP just isn't feeling very shiny at all and pretty much ANYTHING seems more exciting? Or you simply can't decide which of the many squirrelly writing ideas to actually start? You, fine writerperson, may be suffering from Shiny Thing Syndrome (STS). But fear not! There are a few ways to combat it, depending on the cause, and most of them involve embracing the squirrel-brain and injecting a bit of fun into your writing, like so:
Read this: Shiny thing syndrome - a writer's malady
Aaaand read this: Get excited about your writing again
And also this: Write like a kid
Look. Writing is scary as shit. What if someone READS it? What if they don't like it? What if they see into your soul and gain a deeper understanding of you through your words? Writing your truth, being vulnerable, smearing your heart juice all over the page? No thank you. But also, that's where the good shit is, so actually yes please. Just make sure you smear responsibly. And rest assured, even the most 'successful' and experienced writers ALSO feel like this sometimes, so you're in good company. It's just part of the art, bruh.
Read this: Why writing is scary (and why that's a good thing)
Read this: Beginning a story - what stops us starting?
And also this: Get out of your own way
Oh godddd the blank page. It should be an exciting palimseset of possibility but is somehow also the most terrifying thing known to humankind. You wanna write something but where to start? HOW to start? You type that first line and immediately delete it. You watch the cursor blinking at you—taunting you—until you just give up and shut your laptop again. It's probably tied up with a bunch of things we've already covered so far: perfectionism, imposter syndrome, fear of failure, maybe a lack of planning or faith in your story or whatever. But it doesn't have to be this way. A blank page IS exciting and full of possibility. We just have to get over ourselves and learn to embrace the unknown...
Read this: Don't fear the blank page
And also this: The moaning method
Dude, same x 1000. But you don't have to get up at 5am, do hot yoga, drink a kale smoothie and write a thousand words before sunrise to be a Proper Writer. You don't even have to write every day. But what you can do is hack your writing brain and figure out when, where, how, and why you write most effectively. Then tweak your schedule, your habits, and your attitude to ensure you're making the most of your time. Productivity is a big ol' lie but finding the secret to getting in your own personal writing zone is actual MAGIC.
Read this: Maximise your writing time
And also this: Get in the writing zone
And also unto this: The Writers' HQ Guide to Productivity
Got the writing morbs? In need of some literary sudafed? Stuck as a pig in a poke? Writing is a whole puzzle of a process—and to be honest that's what makes it so fun and exciting and addictive, because your writing brain is hardwired to both create AND solve the wordy puzzles within your story. Sometimes the answer is time. Sometimes it's a second opinion or a fresh eye. Sometimes a totally different approach or just a hefty kick up the bum. But whatever the problem, there IS a solution. You just gotta keep going and trust that you'll find it...
Read this: Troubleshoot your writing - why are you stuck?
And also this: Break through the writing blockage
And also also this: Write yourself into a pit (and then dig your way out again)
~~~~~~~~~~~~~~~
Alright, that's it for today. Now go write, you flithy animals.
(And if we missed anything, stick a question in our ask box or check out the rest of our shit here)
So, do you like girls or do you like boys? (Ha-ah, ha-ah)
Oh, uhm, I mean, uh, yes?
When my friends ask me 'bout my sexuality
I choke up and joke that the answer's not easy
Like I'm watching a Disney movie and the couple gets it on
But who should I look at, is it Shang or Mulan?
I like boys and girls, but I still don't know why
I couldn't get either one if I really try
I'm switching my preference like an on and off switch
If I had a dime for every crush, I've had I'd be rich
Like boy bi
Girl, hi
New guy
I'm bi?
I cry every time
I try to decide
I guess you're right, I'm bi just without the sexual
I'm too scared to date, so I've just been by myself
Like I'm watching a Disney movie and I slowly start to sweat
Is it Jasmine's dancing or Aladdin's open vest?
Oh, it sucks sometimes to be right in the in-between
I'm too gay for girls, too straight to be a drag queen
I'm just playing, I'm just saying, I'd like to be clear
I don't know what the hell is going on here
And love can be hard
For someone who doesn't know what they want
I'm missing a part
For all of my life got a hole in my heart
And love could be
A winning game to those who are straight, but
I'm perfectly complete
One, two, three
Like boy bi (boy bi)
Girl, hi (girl, hi)
New guy (new guy)
I'm bi? (I'm bi)
I cry (I cry) every time
I try to decide
Boy bi - mad tsai
In TEN WHOLE DAYS, the first event that we're running is starting! It's called the twelve days of nicercy christmas and is based on the Christmas classic The Twelve Days of Christmas.
Tag us ( @percico-nicercy-events ) and tag your creation #12daysofperciconicercy and #percico-nicercy events so that we can reblog your work!
Artemis Fowl
Simon Snow
Trials of Apollo
Heroes of Olympus
Magnus Chase
Percy Jackson
Harry Potter
Kane Chronicles
Demon Road
Keeper of The Lost Cities
Blackwell Pages
Power of Five
Dragonwatch
Fablehaven
Septimus Heap
Inheritance Cycle
Spiderwick Chronicles
The Giver Quartet
The Love Interest
Aristotle and Dante Discover The Secrets of The Universe
I Wish You All The Best
You Know Me Well
Highly illogical Behaviour
Before I Let Go
One Of Us Is Lying
Two Can Keep A Secret
Among The Beasts and Briars
Parrotfish
The Hate You Give
There's Someone Inside Your House
Language of Thorns
Anger Is A Gift
The Tarot Sequence
That Way Madness Lies : 15 of Shakespeare‘s Most Notable Works Reimagined
A Boy Worth Knowing
The Cousins
Prince Of Air And Darkness
The Summer Of Everything
When Life Gives You Mangoes
The Dangerous Art Of Blending In
Dress Coded
Six Of Crows Duology
The Killing Joke
The Court Of Owls
On Earth We're Briefly Gorgeous
I Kissed Shara Wheeler
The Great Gatsby
The Picture Of Dorian Gray
No Longer Human
“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something