This Is A Poem

tender love

thomas merton // “eurydice” sarah ruhl // ernest hemingway // anis mojgani “in the pockets of small gods” // lemony snicket // franz kafka “the castle” // @fridayiminlovemp3 (mitski “strawberry blonde”) // mitski “pink in the night” // khalil gibran // gustave flaubert from a letter to george sand, 1876 // danez smith “acknowledgments” // “love freely” E.C. @desultory-suggestions

OP turned off reblogs (and I understand why) but I wanted this on my dash

I’ve been thinking about Howl’s Moving Castle and how Sophie’s curse is a physical symbol of her self belief of being romantically unlovable (especially after growing up with beautiful, sought after women in her family.) How Howl tries to undo the curse the moment she steps into his castle but he *cant* because Sophie doesn’t want it to be broken. How, in the film, Sophie gets so close to breaking the curse in the field, but hearing Howl call her beautiful went against her self views, so she reinforces her sense of self by turning 90 again.

And the way that her love and kindness make her younger again and again. How film Sophie sacrifices her long hair, perhaps what past Sophie would have seen as her only beauty, for Howl but she’s grown so much that she still remains young, perhaps even confident about her grey hair, showing that Sophie no longer links her appearance to her lovability or worth and she learned to accept herself as she is. In this essay I-

The Australian Ballet in The Dream, 1969

I’m pretending all the time to be, kinder, stronger, funnier, more sociable than I am. I guess we’re all like that but it just feels so inadequate.

They live in my head rent free. Drop your headcanons in the reblogg tags

i love doing apologism for fictional characters. yes he killed people and ruined everything but thats ok bc i like him and hes my little baby. so who cares

Elaine Castillo, America Is Not The Heart Jeanette Winterson, Oranges Are Not the Only Fruit Ijeoma Umebinyuo, ‘Confessions’, Questions for Ada Mohamad Hafez, Baggage series Evelyn Waugh, Brideshead Revisited Anne Carson, ‘The Glass Essay’, Glass, Irony, and God Margaret Atwood, ‘November’, You Are Happy Richard Siken, ‘Boot Theory’, Crush

non-confrontational cowboy that wont turn around after the 10 paces