WIP: Godlings

Thanks to @inkingfireplace for tagging me!

1.     Name: Anthea

2.     Nickname: Ann

3.     Star Sign: scorpio

4.     Prefered pronouns: she/her

5.     Sexuality: lesbian

6.     Favourite Color: blue

7.     Time Right Now:  14:59

8.     Average Hours of Sleep: seven hours

9.     Lucky Number(s): nine

10.  Last Thing I Googled: corona universities

11.  Number of Blankets: one

12.  Favourite Fictional Character: Luna Lovegood

13.  What are you wearing: green jeans and a grey sweater

14.  Favorite Book: Aristotle and Dante discover the secrets of the universe by Benjamin Alire Saénz

15.  Favorite Musician(s): Coldplay, Muse, Racoon, U2

16.  Dream Job: astrophysicist or writer

17.  Number of Followers: 33

18.  When Did You Create Your Blog: a few months ago

19.  What Do You Mostly Post: things about my wips or about writing in general

20.  What Made You Decide to Get a Tumblr: I thought it would be fun

21.  When Did Your Blog Reach Its Peak: not yet I guess

22.  Do You Get Asks on a Daily Basis: no

23.  Why Did You Choose Your URL: I wanted a username related to writing and this one wasn’t taken yet.

Tagging: @dowings, @myhusbandsasemni, @poeticparchment, @inklingsoflaura, @epicpoetry

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Acing pacing in your writing

I’ve read too many books and watched too many shows where pacing has ruined a good story. So, here are some of my tips for getting pacing right:

1. Don’t take too long to get to the inciting incident

Look, showing the ordinary life of your protagonist might be interesting if there’s something strange about their life, but readers want stuff to happen.

At least with genre fiction, you shouldn’t take too long to get to the action - the event that gets the story going.

If you can do it well and have readers invested from the start, you can start with the inciting incident. However, for most works I would recommend having it in the second chapter.

Your readers want to know what the story is about, not what the character thinks of his English teacher

2. Keep it moving, but don’t rush

Action is important. It drives the story and it’s interesting. You should make sure to put enough action in your work. Things should be happening.

BUT a novel is not a play or a movie or a comic. What makes reading a full-length novel so entertaining is the detail. The in-depth characterisation and description. The emotion and thought processes.

So, keep it moving, but don’t sacrifice the juicy details. Don’t skip from one action or dialogue scene to the next without taking your readers deeper into the intricacies of the story and characters.

It’s a delicate balance that can only truly be found by reading a lot and practicing.

3. Avoid a sagging middle

Your beginning is solid. Your end is exciting. But the middle is a chaotic mess that bores the reader. Trust me, it happens more than you might believe.

Sagging middle syndrome is a thing, and the only way to avoid it is to plan.

Look, I like pantsing, but planning the middle of your novel will help your pacing exponentially.

Make a rough outline of what needs to happen to get your characters to the climax. Add a few lighter/character-driven scenes where there are too many action scenes in the sequence. Remove events which are unnecessary. And make sure that everything makes sense!

This counts for second books in series as well. It should be good on its own, not just as a filler.

4. Don’t fast forward to the end

I’m looking at you, Game of Thrones.

If you’ve built up the story and set up everything for the final big bang, you have to deliver.

Keep the pacing somewhat similar to that of the rest of the story. Your readers have gotten used to it. And if they’re still reading at that point, they probably like that pace. Don’t write a relatively slow book and then have the climax be over in three pages.

I know you want the climax to be exciting. So, yes, make it a little more fast-paced than the middle. But not massively different.

5. Trust your characters

As with every aspect of creative writing, character is most important.

Is your character experiencing the scene quickly and choppily? Or are they slowing down and taking in everything?

If you stick with what your characters are feeling, you will get it right.

Look, exams have fried my brain. So, this isn’t the most well-formulated post I’ve made. But I hope that it can be helpful.

Reblog if you found these tips useful. Comment with your own pacing tips. Follow me for similar content.

For those who need some words of encouragement in the face of uncertainty and confusion

“I wish it need not have happened in my time,” said Frodo. “So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”

WriterofthePrompts Ultimate Ask Masterlist 2 (Updated)

Wow, first of all I just want to say THANK YOU SO MUCH for all the support on the First Ask Masterlist! Obviously I had to make a second one with all the asks I’ve answered since then so here you go. You can also check out my list of Random Writing Tips. As last time, some of these posts have notes from lovely people who have added onto my answers with their advice and you can also help out fellow writers by adding your tips or ideas to the posts in the replies or by reblogging. Hope you enjoy! 😊

Writing Tips

Writing unnecessary scenes with your characters just for fun

Can’t think of what to write for a scene? Cut it.

The “organized chaos” form of outlining

Resources for writing a story synopsis

Can a comedy also have a good message?

Writing a fantasy fit for most ages (also under Fantasy)

When you’ve got an idea but don’t know how to expand it

Building on your story yourself  

Will posting writing online hurt publishing chances?

Using a prompt for a series

Ways to give information to a character

Dialogue tips

Coming up with a title (expanded)

Making the real villain a plot twist 

GRAMMAR CHEAT SHEET

Some resources for creating a language

Coming up with villains

How to decide if you want a good or sad ending (Also, how not to screw up an ending) (Also, why the GoT ending makes me sad)

Story Structure Tips

Travelling scenes: when to skip and how to make them impactful

Writing a sloooow carriage ride without being boring 

Moving back and forth in time in the story

difference between inciting incident and plot point 1

Blending backstory with present to further the plot

Writing scenes with a lot of characters

Writing a story as a journal or video log style

Third or first person?

Writing a long series

Connecting your ideas

When to introduce major and minor conflicts

Motivation and Positivity

Worrying about “originality” with your writing

Staying focused on writing

Turning off the editor voice

starting to write and keeping motivation

quick tip on writing down inspiration in the moment

How do you know you are cut out to be a writer?

When you feel your plot isn’t exciting enough*

When you think your idea is stupid (it’s not)

Character Development

Tips for writing a fully-fledged peppy girl

Teen raised by twenty-year-old family member

Mentor/Mentee relationship

Describing nature the way a nature-lover would

Showing a dead family member’s impact on the MC

Writing about a character losing loved one

Ways to show a character’s disgust 

Why a “good” character would switch to the bad side

Why the “White Saviour” thing is a cliche and sucks

Villains who do things like “killing the dog”

Good and bad reasons to kill off a character

Character exercise when you lose their voice

Resources for learning more for a Jewish character (in the notes)

A reason a character might feel cliche

Representations of Gluttony and Laziness as humans

Writing Types of Characters

Writing a good guy MC who turns out to be the villain

Bad guy turning good and making them sympathetic

Dr. Doof: how to write a great villain

A character raised by a computer

Bilingual character tip

Interracial couples

Some negative traits for someone in a zombie apocalypse

Flaws for a Gary Stu type 

a character trying to learn the language on a new world (also under World Building)

Good guy vs bad guy stories aren’t a cliche

Writing a CIA/FBI/Military character (also under Thriller)

writing a drunk character with some heartfelt moments and humour

Why NOT having diversity in your story cast is odd

A character with diabetes

Fictional races where one is “superior” to the other

Writing a serial killer as your main character (also under Thriller/Crime)

Writing a good Strong Female Character™

World Building

Creating a creation myth

History research post

Making an acronym from an organization

Naming world building aspects 

strange weather ideas

ideas for ridiculous rules to join an excuse club

Why someone would put on a massive tournament

a character trying to learn the language on a new world (also under Types of Characters)

Making a magical setting exciting (also under fantasy/paranormal)

When you have too much information for an expansive world

Weaving a complex magic system into your story (also under fantasy/paranormal)

Using words referring to our world in a fictional world

Fantasy/Paranormal

Why gods would abandon their world

Aphrodite, Hephaestus and Ares: the original love triangle

basing gods on multiple gods

Why someone would control dreams

Dark fantasy with a dream shop

Conflicts for someone with the power to share dreams with others 

Ways to break the curse to get the Prince out of the tower

Prince/ss of one kingdom raised by another king

why a princess would run away

Prompts for a King or Queen getting assassinated 

Why a villain would overthrow a royal family 

Reasons two Kings would marry each other 

which fairytales deserve retellings

Writing a fantasy fit for most ages (also under Writing Tips)

Vampire and human couple meeting

Angel and ex-demon hanging out together

demons that feed on love and joy?

mythical kids meeting humans

Sword fight resources

Using an axe as a weapon

Haunted house story from ghost’s perspective

A family moves in to a house that is alive 

Does the afterlife have to include religious aspects?

Witch sisters with unequal powers 

Reasons a village would be afraid of a kind wizard

Making a magical setting exciting (also under world building) 

Weaving a complex magic system into your story (also under world building) 

Things a magic council would use money for 

Prompts about cities that are always in night 

Prompts about a changeling

Coming up with a good curse for your character

Reasons a magical world would need a saviour 

mirroring strengths and weaknesses for magic manipulation

How an immortal could die under mysterious circumstances

How to get regular folk involved in a magical world

“Underused" fantasy settings

Thriller/Crime (aka I-swear-I’m-not-a-criminal-just-a-writer asks):

writing assassins

Clues that would make a character suspect another for murder

Writing a CIA/FBI/Military character (also under Types of Characters)

Serial/mass murder…causes?

Quick reasons why genocide doesn’t just happen overnight

tests to get into secret organization

Writing a serial killer as your main character (also under Writing Types of Characters)

Tips for writing a consistent murder mystery

Murder mystery party prompts (humorous)

Superheroes and Super Villains

Sidekick wanting to be a superhero

Super villain cause ideas

Sidekick and villain falling in love (also under Romance)

Superhero story originality

How a super villain can get notoriety

Woman unknowingly falls in love a super villain

World building ideas for superhero stories

Effects of the power of intangibility

Romance

How a princess and a pirate fall in love

two exes who end up working together

How two random kids could meet at school

Sidekick and villain falling in love (also under Superheroes)

Cliches in romance scene?

Original ways that a couple could break up

How to introduce a living girl and ghost love interests

Miscellaneous

Prompts about being abandoned

Character who has never danced in pressured into it

Futuristic space pirates

The best ask ever

MC and sister get kicked out of clan. What next? 

Reasons characters would hate another (a concubine)

How to tell who is the clone and who is the original

Artifacts curious aliens would steal from Earth

A disturbing cultish 1950’s-esque town

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I love that excerpt!

cocaine, a car wreck, and an apple pie recipe. 

a modern retelling of sophocles’ ajax, wintersong is 18-year-old and terribly wayward hollis knox’s aching love letter to all the good in the world: grocery store aisles’ uneven green-and-white flecked tiles, shared secrets behind calloused hands, and little brothers’ sunday morning swim meets. all the good that atrophies too fast. 

goal words: 50,000

current words: 21,000

weheartit board

here’s an excerpt from the first chapter:

let me know what you think!

p.s. i follow from studylikeathena. 

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tried writing, ran out of ideas, please have this snippet until I conjure up motivation to finish it

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WHAT THEY CALL GOD.

Cain sighs heavily, the cigarette held loosely between his fingers as he rests his forehead against my bare chest. “God, Dima,” he murmurs, his voice thick with self-loathing. “I fucking hate myself.” 

“Good,” I mumble, fumbling with the bottle of vodka. The bed is soft under me as I lift it up to my lips and take a long draught. My other arm goes around his shoulders and presses him to me. “You should. You’re a fucking asshole, Cain. You’re unlovable. No one loves you, and no one ever will. You’re lucky that I let you love me.” 

“I care for no man on earth, and no man on earth cares for me,” Cain quotes, almost dreamily, as he presses a kiss to my chest.

“Christ, I fucking hate you.”

taglist: @just-george-here​ @whorizcn​ @semblanche​ @emdrabbles​ @aepreall​ @sol-writes​ @agnodice-writes​ @farrradays​ @nallthatjazz​ @birdquils​ @latrantem​ @sunlight-and-starskies​ @vandorens​ @asherscribbles​ @romanticsrn​

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"But my Plot isn’t UNIQUE or BIG enough!”

One thing that I worry about is that my plot isn’t good enough. I know lots of other writers who have had this issue in the past as well, and it’s all about having confidence in yourself and your ability to tell a tale. 

The plot doesn’t have to be groundbreaking, just think of how many people get fed up of Shyamalan twist-endings. They’re clever sometimes, yes, but they’re also not what everyone ever is looking for, and when they are forced into a piece of work it is painfully obvious to anyone who really values what you’ve written. 

What matters is the telling of the story. Your plot can be exceptionally simple, and you might write one of the most compelling books of our era. 

I found one thing that helped was to look at other works, and try and break them down into their very, very simplistic terms - the bare bones, the things the author would have decided up front perhaps. The things that… if told without the wonder of the story, might have been boring. 

Like A Song of Ice and Fire, for example, which tells the stories of Political struggle against a backdrop of Ice creatures who can raise the dead and force them to attack you. It’s basically a Socio-Political zombie apocalypse, with dragons. That could have gone either way; as it was, it went amazingly. Because Martin is a master of making every character a person, and building such a rich, colourful world that we believe it. 

So, what I’ve done is looked at a very popular work that spans multiple books. Harry Potter is widely known, so this should be useful to as many people as possible. It is also praised as one of the most in depth and atmospheric works for children, young people, adults, or just about anyone, having been translated, adapted and studied over and over. 

                           HARRY POTTER BREAKDOWN

Bread and Butter

So, when I asked Google what the heck the plot of Harry Potter was, I got this;

This is what I’m going to call the BREAD AND BUTTER of the story. It’s what happens in the day-to-day of the story. It’s perhaps the introduction J. K. would have given when first sending in her manuscript. It’s also a hugely unoriginal idea. 

The concept of a young Witch or Wizard attending a magical school where they can learn their abilities has been done before, a lot. It is basically the prmise of books like EarthSea and the Worst Witch. 

So next time you think your premise is overdone or uninspired, remember that it doesn’t matter. It’s not the premise that counts, it’s what you do with it. What Rowling did with it was create an in-depth world, full of structures and rules, populated by characters we all loved, hated, felt sorry for or routed for. She also made sure to include a way for us to learn more about the world, so she made her protagonist just as unaware of the wonder and horror as all of us. 

Tea

In this case, tea is gonna’ be the conflict of the story. The main arc. Because going to a Wizard School is freaking awesome and everything, but this story needs risk. Our characters need to be in danger, and they need something to overcome. Often writers get stuck here. They have a wonderful setting and they really want to write about their character doing this or that, but what’s the main goal? What is there to overcome? 

Very simply, Rowling’s villain is a man who wishes to purify the progression of magic by weeding out those who’s blood he see’s as tainted. He is a Hitler-figure, who himself should be ‘tainted’ in his own view. That’s the villain’s GOAL. It’s clear, and simple. 

If you think your villains goal is too simple, just look at Voldemort’s goal. What makes it more complex are the many twists and turns he and Harry both have to adapt too. His many failures, as well. 

Voldemort fits into many tropes, including the bad guy ‘selling his soul’ to achieve a vain goal, the bad guy murdering the heroes’ parents, the ‘more like you than you think’ trope, where a Villain and a hero are quite similar. I especailly like that last one, because J. K. played with it. Yes, she included it, and yes she gave a magical reason as to why. 

That just shows that unique elements can be added on to overdone ideas, to make them wonderful. 

Jam and Cream

This is where Rowling turns her simple ideas into something beautiful. Whether an idea is original or not, it will not matter if the depth is not there. Jam and Cream stands for all the little things. 

The fact one of the most hated antagonists was only a prime player in one book but left such an impression, the fact Hermione was disliked by the main characters at first, the fact Neville was the cowardly laughing stock of the group for years. Let’s see… The fact Sybil was right about almost all of her predictions and no one believed her, thus linking her with the Mythological figure Cassandra. 

The use of diversion and tension in The Prisoner of Azkaban, the fact that Harry’s own father was rather arrogant and mean at times, yet still a good person. The moral ambiguity of characters like Dumbledore or Snape. 

And…

That isn’t even naming the things the books got wrong. Because every author makes mistakes. Yes! You’re allowed too! J. K. has Dumbledore play the ‘I’m going to withhold information from you for the sake of the plot,’ card. We are also supposed to believe Harry forgave everything Snape ever did and named his son after him because he rather fancied his mother. Many issues are left unaddressed, such as the disinterest/damn right rudeness towards Hagrid in the final years, or the silly quest over the fake Sword. 

But in the end, if the story is told masterfully, no one is going to care. 

Basically, what I’m trying to say is, if you plot is overdone, don’t worry about it. If your world feels familiar, do more to make it your own. If your villain feels like a trope, give them more twists and turns, and maybe a reason for the trope that fits your world alone. If your characters feel stale, give them more scenes that address their personality. 

You’re doing fine, and your manuscript is totally fine. If you believe in it, there’s gonna’ be at least a hundred more people who would too. 

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Contemporary F/F Audio Books

Here’s a list of contemporary wlw books you can listen to on audiobooks.com. You can also check my list of sci-fi & fantasy audio books.

Everything Leads to You by Nina LaCour

It’s Not Like It’s a Secret by Misa Sugiura

The Brightsiders by Jen Wilde

Winning by Lara Deloza

Annie on My Mind by Nancy Garden

We Are Okay by Nina LaCour

You Know Me Well by Nina LaCour & David Levithan

Leah on the Offbeat by Becky Albertalli

Lies My Girlfriend Told Me by Julie Anne Peters

Her Name in the Sky by Kelly Quindlen

Girl Mans Up by M-E Girard

Not Your Sidekick by C.B. Lee 

Ask the Passengers by A.S. King

The Summer of Jordi Perez by Amy Spalding

People Like Us by Dana Mele

Happy listening~ 🎧 

An Excerpt

Lessons in Humanity from a Future Physicist, Morgan S.

Taglist: @aelenko​, @keen2meecha​, @magic-is-something-we-create​, @emdrabbles​, @yourwriters​, @lordfenric​, & @quenvicky​

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