Mysterious Masquerade: A Fairy Tale

Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.

“One of the biggest, and possibly the biggest, obstacle to becoming a writer… is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you’re going to manage to get down on paper. So you have to learn to live with the fact that you’re never going to write well enough. Of course that’s what keeps you trying – trying as hard as you can – which is a good thing.”

— Robin McKinley

WHAT THEY CALL GOD.

Cain sighs heavily, the cigarette held loosely between his fingers as he rests his forehead against my bare chest. “God, Dima,” he murmurs, his voice thick with self-loathing. “I fucking hate myself.” 

“Good,” I mumble, fumbling with the bottle of vodka. The bed is soft under me as I lift it up to my lips and take a long draught. My other arm goes around his shoulders and presses him to me. “You should. You’re a fucking asshole, Cain. You’re unlovable. No one loves you, and no one ever will. You’re lucky that I let you love me.” 

“I care for no man on earth, and no man on earth cares for me,” Cain quotes, almost dreamily, as he presses a kiss to my chest.

“Christ, I fucking hate you.”

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2 Tips for Adding Emotional Weight to Your Story

As writers, we want our work to hold weight — for our characters’ actions, emotions, and desires to resonate with and impact our readers. But how do we make that happen?

The most helpful advice, in my experience, has been to:

Make the internal become external, and

Make the external become internal.

Let’s talk about what that means and how these tips can help you add emotional weight to your story.

1. Make the internal become external

To “make the internal become external” is to take the interior aspects of your character (their fears, desires, pains, and epiphanies) and find ways to express them with external actions. For example:

If Marcos realizes his girlfriend doesn’t truly love him, don’t just make him mope; have him throw the engagement ring he purchased into the river.

If Amelia feels overworked and stressed at her new job, don’t just show her exhausted in bed; show her bailing on plans with the people she cares about or giving up her favorite pastimes.

If Kara is afraid to get onstage and perform as Lady Macbeth, don’t just have her wait in fear; make her run out on the show on opening night.

By expressing your character’s emotions and realizations through clear external actions, you add weight to what they’re going through.

2. Make the external become internal

The goal here is similar, but reversed. Where before you were taking an internal emotion and accentuating it with action, now you’re taking the external elements of your story (plot, character actions, external conflicts, etc.) and making them have internal ramifications for your characters. For example:

If Thomas gets slapped by his older sister during a disagreement, don’t just move on like it never happened; make it change the dynamic of their relationship for the rest of the story.

If Davy’s new boyfriend excessively dotes upon him, don’t just have him awkwardly brush him off; make Davy tentative and uncertain because he’s never been in a healthy relationship before.

If Anna loses the championship match of a tennis tournament, don’t just have her grudgingly accept defeat; make her feel crushed because of her impossibly high expectations for herself.

By taking external actions or events and tying them to your character’s deepfelt emotions and, when possible, their core struggle, you add weight to what happens in your story. Everything starts to matter, and that makes for captivating storytelling.

A Final Word

I want to clarify that I’m not telling you to make your characters act and react in ways that don’t make sense for them. Always stay true to your characters. 

But I do encourage you to always look for opportunities to merge the internal and external aspects of your story — because that’s the key to telling stories with true emotional weight.

Good luck, and good writing, everybody. :)

— — —

Everyone has stories worth telling, including you. For helpful writing tips and advice, check out the rest of my blog.

Quick And Dirty Tips For Creating Subplots

– Not everyone should love the hero.

– The more antagonists you have the more conflicts you create.

– Real life should happen to the characters, even if they are saving the world they have jobs and responsibilities.

– Give the character interests and friends outside of work.

– Multiple point of views aren’t a bad thing if you know how to juggle them.

– It all needs to come together at the end.

– Not every antagonist needs to be vanquished at the end.

– – Give us more than one character to love– (from Diantha)

— Make each and every character count — (from Diantha)

Stories need subplots. Make sure yours has one.

hello i changed my nano wip pls support my terrible decision and equally terrible characters

blooming blossom: lockdown

@flashfictionfridayofficial

the world is silenced by a virus it is scarily quiet in my town even the station is calm because of the lockdown on the road I see only an empty bus   my whole world is turned upside down captured between these walls I feel lifeless how do you stay all right in such a crisis? so alone and so scared of this new crown   but through my window I see the blossoms of my cherry tree even now not everything is wrong I take a picture to remember nature is still growing normally   I send it to my sister, who works in a hospital all day long I send it to my grandma, who I now cannot visit safely I send it to you, I hope you stay safe and fine and strong

Writing Tip February 26th

33 Ways to Write Stronger Characters (Part 1/3)

To Give:

1. Give them a goal. A strong goal not only gives your character purpose, it helps you map out your plot with ease.

2. Give them a motivation. Something is driving your character to chase down their goal. It could be a negative emotion like fear, guilt, or regret; a negative trait like pride, vanity, or greed; or a positive emotion like love, determination, or passion. Whatever the case, giving your character a motivation will make the actions they take to achieve their goal seem realistic and relatable.

3. Give them purpose. Consider how your character adds to the story. Do they create conflict or undergo emotional development? If not, your character will seem pointless.

4. Give them a fear. Fear is an emotion that all humans feel. It leads to insecurity, impatience, and conflict, which is why fear is the perfect emotion to include in your story. It both hooks readers and drives the plot forward. Just don’t let your characters cower in fear for long; make sure that they take action, too.

5. Give them a flaw. Perfection is boring. Imperfection is human. Write a human story by giving your character flaws. Go beyond the physical and give your character a poor personality trait, bad standing in society, or an unpleasant circumstance to live in.

6. Give them a history. Allow your character’s past to shape who they become. Give your character a rich history that will affect their present-day decisions.

7. Give them a present story. Don’t drown your novel in backstory. Give your character a present-day story, a quest or a journey that will shape and grow them.

8. Give them a personality. Don’t let your character have a dull, flat personality. Make your character complex by giving them contradictory traits and avoiding clichés at all costs.

9. Give them interests. A character that doesn’t like anything simply isn’t interesting. Give your character a passion, even if it’s one your readers will hate. Fervor breeds interest, no matter the subject.

10. Give them a quirk. Everyone has their strange habits. And strange is just as interesting as passionate. Give your character a quirk to help them stand out from the crowd.

11. Give them a name. More specifically, give your character a name with purpose. Showcase a time period, foreshadow their actions, or hint at their interests. Give your character’s name a role in your story.

12. Give them a desire. Desires are powerful motivators. Some desires may lead your character to accomplish their goal while others may lead your character away.

13. Give them a love. How can your readers love your character if your character loves no one? Your character doesn’t have to be all hugs and smiles, but they do need to hold love for at least one person if you want your readers to like them.

-She’s Novel Blog

(Idk where to ask this so if you cant do you know anyone that can?) Im new to creating ocs and im overwhelmed w all the resources...I have basic appearance down but i feel i dont know my characters at all. I feel picking personality traits/background will be like throwing darts at random and wont come together like theyre an authentic, real person. Any advice? Thx.

This is a common thing for writers, artists, and character designers, so no worries! You’re completely on the right track! It can take months or even years to flesh out a character! I’ve found the best method of working through this is the use of OC interviews!

What are those you ask? They’re questionnaires made specifically for your OC’s to answer! It’s one of the quickest and easiest ways to start getting to know your characters. It’s like you’re asking them the question, and they’re answering. It gives you a sense of how they may talk, form their sentences, or even respond to such a question.  

Ask yourself one simple question when working on character personalities: Why? Why do they like this specific color? Why do they behave this way? Questions like these help the characters flesh out more. You need to ask yourself these questions because your audience will be expecting answers to them. 

A few more ways to develop characters: from experience, I found that roleplaying, making AU’s (alternate universes), and writing oneshots about them are the most effective!

Here are some resources for fleshing out character personalities:

Antagonist OC Interview

How to Write Diverse Characters

OC Interview: Through Another Character’s Eyes

5 Minute OC Interview

Foolproof Ways to Flesh Out Your Characters

8 Other Ways of Fleshing Out Characters

Character Profile Sheet

Character Traits

Archetypes to Avoid in Character Creation

Strong Female Characters: How to

Characterization Ask Game

Five Traps When Creating Characters (and tips on how to improve!)

Traumatized Character Profile

So you want to make an OC? (Masterpost)

30 Uncommon Character Development Questions

The Importance of Weaknesses in Your Characters

Qualities of Realistic Characters

Ultimate Guide to Creating Authentic Villians

If anyone has any more resources feel free to add to this list! I hope this helps you out! 

PREPPING YOUR NOVEL.

if you want to start your novel but you’re not sure where to start, i’ve collected a bunch of resources to help you along! this includes characterization, plotting, worldbuilding, etc. @made-of-sunlight-moonlight

CHARACTERS.

name generator: this one is pretty handy. it has a bunch of different generators based on language, gods, fantasy, medieval, archetypes, etc.

➥ reedsy name generator

personality types: this is just the standard mbti personality list. it lists the strengths and weaknesses of each type, as well as how they do in relationships, etc.

➥ mbti 16 personalities

enneagram: the enneagram personality types. this may help with characterization because it has “levels of development.” it also lists common fears, desires, and how each type interacts with one another.

➥ enneagram types

emotional wound: your character should have something they believe about themselves that isn’t true. (ex: i’m worthless, i’m powerless.) this should start with an “origin” scene from their past, where something happens to create the wound. then there are three “crossroads” scenes to brainstorm, where things could have gone right for your character, but didn’t due to the wound, and because of that strengthened their belief in the wound. this helps you figure out why your character acts like they do. this is a really important one!!!

➥ emotional wound explained

WORLDBUILDING.

worldbuilding template: this is a pretty good template / guide about how to build your world. it talks about geography, people, civilizations, magic, technology, economy, and politics. (you have to download this through email though.)

➥ reedsy worldbuilding template

world anvil: if you really really want to go in-depth — this website is for you. there is so much you can do with this; i can’t list it all. history, timelines, important objects, cities, species — you name it, it’s probably on there.

➥ world anvil website

worldbuilding bible: this is just a general list on things to think about when worldbuilding.

➥ ellen brock’s worldbuilding bible

world creator: this website generates an entire planet. you can play around with the amount of land, as well as climate, although i’m not sure since i haven’t used it too much. here is the link if needed, though!

➥ donjin fractal world generator

inkarnate: this is a really commonly used one. it’s free and makes good quality maps. you can lay out cities, landmarks, regions, and they even have little dragon drawings you can put on your map.

➥ inkarnate website

a tip: don’t over-worldbuild! you’ll end up spending a lot of time on things you won’t need. focus mainly on the things that you will use!

PLOT.

plot generator: this one’s kind of nice because you can lock elements of the plot that you like. that way you can get rid of the ones you don’t like while keeping the ones you do.

➥ reedsy plot generator

writing exercises: this one has a couple different generators, including one that gives you a situation, characters, and themes.

➥ writing exercises

plot cheat sheet: this lists a whole bunch of plotting methods and their basic steps. i would play around with them and see which one works best for your method.

➥ plot cheat sheet by ea deverell

plot formula: this is mentioned on the cheat sheet, but it lists a bunch of beats and scenes which you might want to consider for those beats. kind of fill-in-the-blank-ish sort of thing?

➥ plot formula by ea deverell

save the cat: a method of plotting also on the plot cheat sheet above, but i wanted to point it out. i have been using this recently by taking a giant piece of paper, laying it out onto the floor, and making a timeline. pivotal scenes go on the right (ex: catalyst), while the bulk of scenes go on the left (ex: fun and games). i didn’t really have a website on this, but here is one that explains the beats. (i might make a post about this later, though?)

➥ save the cat explained

ETC.

story planner: this basically has a lot of templates that cover everything up there. the problem is that you get a free trial for a little while where you get as many documents as you want, then you have to pay for it. (although you can get around this by copying and pasting into a doc...?)

➥ story planner website

describing / related words: these kind of go hand in hand. if you put a word intothese websites, they will give you either a list of related words or adjectives respectively.

➥ describing words website

➥ related words website

ea deverell: i've pulled a lot of stuff from this website to put in this post, but there's a lot more that can be used. Like a lot on basically anything — plot, character, world, outlining, writing itself.

➥ ea deverell website

reedsy: again, i've pulled a lot of stuff from them to put in this post, but there's much more. it's similar to the ea deverell one.

➥ reedsy website

canva: this is more for making aesthetics and covers. (this thing is really helpful —and free!) although if you use this, i'd suggest pulling pictures off a website like unsplash; that way the pictures are free to use.

➥ canva website

i hope you found this helpful!! :) happy writing!!