lol I was rereading Untold Origins, and the whole thing about Ranpo believing he's an ability user is actually so funny, cause the whole time in the present it's sort of made out to be this mystery why he thinks that, what's the deal with the glasses, why did the President, a man who is really calm and wise in our timeline, tell him he was an ability user, there must be some sort of deep explanation for this.
And then Untold Origins is just Fukuzawa have five mental breakdowns, just barely containing himself from tossing Ranpo into the ocean multiple times, and he was literally making schtuff up as he went along. He told Ranpo his "ability" could only be activated through some object, but didn't get far enough as to what it would be. Told him they were more or less "magic" when he got them for cheap from some store, literally knocked him out and went "behold, you are in a new world. Everyone else is stupid. They're babies. You and you alone are smart" and immediately gave this fourteen year old boy a god complex, and every moment afterwards he's just sitting there like "kill me, please someone kill me." Was about to tell him the truth but then Ranpo started blabbering about it to everyone and Fukuzawa was like "ok, I guess I'm taking this secret to my grave now." He's so underratedly funny.
You know, after this arc, the detective agency is really going to have to kick up their marketing skills to get clients back.
So I've decided to make an ad to help start them off. Ehem:
*deep voice here* Do you have a problem too difficult for the police to handle? Cases you need solved, people you need to disappear? Problems with the Port Mafia who we definitely hate and do not like at all? Well, we're the people for you! Come to the Armed Detective Agency *insert picture of the Agency's mascot here* Members include:
~one dude that's actually armed
~one dude that's actually a detective
~a furry
~a super chill guy named Tanizaki. Just don't go near his sister, like, ever
~his sister
~a 14 year old farmboy who is either hungry or sleepy (can move mountains, confirmed)
~a 14 year old former assassin (she's changed now swearsies)
~a former mafioso/torture specialist. Moonlights as a suicide romantic
~a doctor who can heal all (fatal) wounds*
*if wound is not fatal, it must be made fatal for her to heal it
Does not include:
~anyone who gives a frick about the law
The Armed Detective Agency has taken on a great number of cases, and someone there has probably saved your life (or taken the life of one of your loved ones) at some point in time. Come show your appreciation! Led by, you guessed it, another former assassin, this group of fundamentally messed up individuals can solve your toughest cases!
PS we swear we're not terrorists.
....on second thought, this might not be such a good idea.
While I'm grateful bsd doesn't do the "As you know..." type of exposition, it's crazy how much worldbuilding there is like. in the shadows of everything. Like, what's up with the Great War? This isn't even so evident if you don't read the light novels, but there was literally a world war that ended less than fifteen years before the start of the main timeline. It's because of the war that there are so many orphans in the universe. It's because of the war that ability users have faded into a myth, and why they have to get special permits to work and usually gravitate towards underground organizations. It's because of the war why world relations are so shaky, why the government strictly monitors all ability users, and yet all of this is sort of like...in the background? Season four is the first time we ever even get a real flashback and actual exposition about it in the anime, even though it's been vaguely referenced as early as season two with Mimic. They literally did experiments on children, hence Chuuya. So much of the world and the violence and the tripartite framework all came into existence because of the war. And until the most recent arc, where it's being brought to the forefront with both Fukuchi and Fyodor's plan to eradicate ability users, it's sort of just in the background.
And don't even get me started on the lore behind the Dragon Head Conflict because like-
Me, in real life: I really hope I didn't say anything to offend them I mean I don't think I did but maybe when they looked away they were hurt god I hope I didn't make them feel the least particle of sadness.
Me, as a writer: Is this emotionally damaging enough? I really hope I can completely and utterly wreck this random person, make them ugly sob into their pillow, absolutely ruin their day in as little words as possible.
Literally. The second the finale aired, the whole arc suddenly turned from tragedy to comedy. And suddenly, Chuuya was very justified for shooting Dazai an extra few times.
EXTREMELY funny Chuuya frame in retrospect
Beast is seriously insane from Akutagawa's perspective because like. Imagine a man showing up in your darkest moment of revenge, only to completely call you out on all your deeply sensitive flaws and everything that's wrong with you, kidnap your sister, and ask for a rematch without actually leaving a way to find him again and you're just like, "hello do I know you??"
And then some four and half years later you actually find him again only to learn he's like actually the Mafia boss, he for some reason deeply wants you to fight this other guy who you barely know, you get completely wrapped up in his ridiculous scheme for some reason or another, he compliments your fight with said stranger by comparing it to another fight with said stranger that has never existed in your mind, casually reveals the most crazy, existential crisis inducing information, appoints you and stranger who you just met to be "guardians" of something you barely understand when all you want is to find your sister and be a detective, and then you're forced to watch as the man who again, you've met exactly one (1) time before in your life, casually throws himself off a roof and you're just like. "ok???"
I'm trying to prove a point.
Too busy for a full analysis, but I'm just gonna drop this here and leave.
(Quote is from Stormbringer, the first time Chuuya uses his corruption.)
I just learned about the Untold Origins getting a manga, and while I'm not complaining, I just have to ask like...how. How in the world does Asagiri have so many people making manga of his works like????? I have no idea how mainstream bsd considered in Japan, but what is this, manga number seven? Eight? Every day it gets harder and harder to introduce new people into this fandom.
Every so often Ashihara makes it abundantly obvious that Borders fighting force is purely made up of teenagers and young adults. And I Love It.
They're all so goofy...
The thread from twitter I did about my interpretations on Verlaine, rereading this some parts might sounds a little redundant but i think it gets the point across.
People have a lot of opinions on Verlaine but I think this one line in particular goes hard & does alot to explain his view of humanity as well as the conversation a the end of SB.
“Sometimes creating is far more sinister than killing.”
I think Verlaine views his creation as an ‘act of humanity’. But to normal people, an act of humanity means kindness, right? Showing compassion or empathy. But from Verlaine’s POV it is the *opposite* of that. Humanity is not kind nor compassionate. It’s dark, twisted, & selfish.
Humanity to Verlaine is *only* the darkest and worst parts of human nature because that’s all he ever knew. He was created with the sole purpose of being controlled & used to kill & destroy. That was his entire world until Rimbaud rescued him & gave him some control for the first time.
Verlaine despises how he was created, that he was created in the first place. In his mind, humans used their capacity to create to make something that only serves to destroy & also, cruelly, allowed that creation to suffer all alone. They let him suffer and never treated him as a human, just a tool. A weapon. So he came to resent humans & humanity itself.
To Verlaine, humanity represents everything sinister in the world. Not any of the good that, say, Chuuya sees. Rimbaud was an exception to this, however, & I believe it’s why Verlaine pushed Rimbaud away. Because his existence & treatment of Verlaine was challenging this world view. Then when Rimbaud sides against him when he wanted to take Chuuya to safety, that was the confirmation Verlaine needed that Rimbaud was just like the rest. Even if Verlaine knew deep down that wasn’t really true.
Humanity disgusts him because of the way he was created & his lack of real purpose. He couldn’t find a reason he *should* exist, given that the original purpose of his creation was sinister. Because of that I think he believes no good can come from humanity so he thinks of them as monsters.
It’s why he believes creating is more sinister than killing. Humanity created him out of selfishness & with no compassion what so ever. He resents his very existence & his loneliness. He believes someone would have to be sinister to create Verlaine as he is, completely alone, no real purpose, only to be used by others.
So he thinks of the people who made him (& by extension Chuuya) as the worst monsters, more monstrous than he could ever be. It’s this dark view of humanity that I believe leads to Verlaine to thinking of killing as a thrill to him & also a tool.
Nothing about humanity is salvageable to him, at least not until the end of SB. In his own words he’s “the soul of a man who couldn’t trust the world or its people like you do.” As he says to Chuuya at the end of the book when he comes to realize, through Chuuya, his view may be wrong/incomplete.
Verlaine was incapable of trusting that humans could be more, that they were more than their darkest parts. He wasn’t able to trust that darkness was only a singular part of humanity & that the good wasn’t only a mask they would hide their darkness with. Though some do hide behind masks of kindness, it’s not all of humanity. Genuine people do exist. Caring people do exist.
But to Verlaine, killing humans isn’t a monstrous act. It’s almost an act of mercy or even a punishment. But Verlaine is also just desperately lonely because of his loathing of humanity. How he separates himself from it. That’s why when he learns of Chuuya, someone that existed that he felt might share his pain & might actually understand his POV, all he wants to do is protect him. To bring him to his side so he doesn’t have to be so lonely anymore & he can still serve humanity the “justice” for lack of a better word he thinks they deserve through killing.
He wanted to protect Chuuya from humanity itself because to him, humanity is the villain. He believed everyone around Chuuya was only using him because to him that’s all humans do. Aside Rimbaud, who he ended up fighting, he never had anyone to show him other things humanity has to offer
To him all humans do is use & abused & are selfish & twisted. That’s why Verlaine doesn’t even think twice about killing the flags, for example. Surely they were just using Chuuya like everyone else. Humans are the monsters, not him & Chuuya, despite the purposes of their creation.
Now, in the end, Chuuya & Verlaine come to understand more of each others POVs. That’s why Verlaine taught Chuuya how to defeat him. Because even while Verlaine still doesn’t quite believe humanity has value, he sees Chuuya’s conviction in his belief that humanity *is*valuable. People can be worth it.
Chuuya knows humanity is more complex than Verlaine believes & despite the darkness that exists there *is* light too. Humans are more than their worst sides. Chuuya has always believed people were worth living for, that they were worth suffering for.
But he also knows he could have easily gone down the dark path Verlaine did. As Chuuya says “You rolled the dice and lost. It was a stroke of bad luck, and you rolled a one. But the pips came out different when I rolled. I was blessed with wonderful friends. That’s all.”
Verlaine, in the end, I believe, *wants* to believe in what Chuuya believes about the world. As Chuuya says to him:
“Besides, what you have isn’t just hatred. You don’t actually despise the world. That’s why you showed me that memory. You taught me how to defeat Guivre.”
Chuuya is his opposite essentially. Chuuya, even while suffering at the hand of the coldness and cruelty that humanity is capable of, can still see the good and light of human nature. Chuuya has always known there is more to humanity than cruelty & Verlaine never was able to see that before.
Chuuya contributes this essentially to always having friends, people he cared about around him. But Chuuya does *understand* why Verlaine is the way he is. Why Verlaine thinks the way he does & Chuuya, being who he is, essentially forgives him in the end. It’s why he’s able to have that “final” conversation with him.
Humanity, what it *means* to be human, is really the entire theme of Storm Bringer & everyone showcases us a different perspective of this. Chuuya, Adam & Verlaine (Dazai somewhat as well) as show us different aspects of humanity and ones struggles with it. Verlaine’s view is dark. It showcases the impact a *lack* of humanity being shown to others can have on us.
I am also not saying anything Verlaine did was alright or justifying what he did because of his broken view on life. What he tried to do by killing everyone Chuuya knew was wrong. But he *does care* about Chuuya. But he couldn’t express that in any healthy way. He didn’t know how, didn’t know it was wrong in the first place.
Anyway, this is just my interpretation of Verlaine as a character and everyone can have their own interpretations! These are just my thoughts. I hope they made sense, I’m not super sure I was able to articulate everything well. I think I I kinda rambled but oh well.