YES. It feels like so many people entirely miss the point of Dead Apple, saying "it's not that important but Dazai and Chuuya." Like, the entire point of the movie is the fact that the whole time, Atsushi doesn't want to kill anyone. He doesn't understand why they'd have to resolve to killing, and more importantly, his power wouldn't come back to him because he hasn't truly accepted it. And then, he learns that he did kill, as a matter of fact. He killed because of the power of the tiger. He killed because he wanted to survive, something which has always been a main point of Atsushi's character. And only after that does he become ok with his power and what it did for him, and only after that is he ok with killing Shibusawa. But noooooo, the entire movie is just about that one scene.
Half the fandom overlooking Atsushis lore for that one skk scene
(Atsushi lore repost because I know how to tag now)
It's objectively hysterical that it took Kunikida so long to figure out Dazai was in the Mafia.
For starters, the entire Entrance Exam light novel, he and the president were commenting on how suspicious it was that this man just seemingly had no past at all. and stated numerous times that he thought he was some sort of criminal.
And then there's this scene:
Dazai *randomly gives a detailed run down of the organ trafficking business*
Kunikida: how do you know that??
Dazai: Oh i heard two people talking about it once.
Kunikida:
Kunikida: yes that makes sense.
Or that time when he ran into Akutagawa and electrocuted him:
Aku: yes you are worthy of being Dazai's partner.
Kunikida: "worthy of...?" Do I know you?? Does Dazai know you??
Aku:
Aku: goodbye now.
Like all the clues were there but Kunikida just thought this man was too lazy to have ever really been a professional criminal.
I'm starting to think that Atsushi's real character arc is him slowly becoming more and more ok with murder.
Since there won't be a season six anytime soon, I decided that they should make a season 5.5 where they animate both Stormbringer and 55 Minutes and title it Bungou Stray Dogs: Nobody Likes French People.
Thinking back to that interview with Asagiri a bit ago, where he mentioned how Chuuya slowly overtook Kunikida as Dazai's partner since he became so popular, and it got me thinking. Because while I love skk as much as the next person, Chuuya on his own is such an interesting character that I don't think his interactions need to be solely limited to Dazai. One thing I love about Stormbringer is how many new, different characters we got to see Chuuya interact with, apart from just Dazai. I don't want to see him replace Kunikida, I want to see him interact with Kunikida (not just that one scene). I want to see him team up with other members of the Agency, like Atsushi, or Kenji. I want to see him with Akutagawa, since despite how much people assume things about their relationship, we've only ever seen them interact with each other in one freaking scene. And it wasn't even the manga, it was the movie (there are the drama cds, of course, but those are questionably canon). It's possible for anime onlys, there may not be as much to his character outside of Dazai, but as someone whose read the lns, I just feel like his character is interesting enough on his own, and I hate that he's always reduced to being one half of skk, as opposed to Dazai, who is seen as more than that. Basically what I'm saying is, let Chuuya interact with the rest of the cast! Screw Dazai! (with love)
I know I already made a post about this, but I wanted to expound on it a bit, because I'm still obsessed with the idea of Dazai being a bad person on the good side, and Chuuya being a good person on the bad side.
Because in essence, the fact that Dazai's in the Agency helping people is because he's selfish, and Chuuya stayed with the Mafia because he's selfless. Contrary to what a lot of people say, Dazai didn't leave the Mafia for Odasaku. He never promised him, never said "I'll do it for you," never did it because Odasaku wanted him to be good. He did it for himself. Odasaku tells him that he'll always be alone, something Dazai fears and knows deep down, and asks what he's supposed to do now. Odasaku then gives him advice, tells him that being on the side that saves people will make his world a bit brighter, and so Dazai agrees to leave the Mafia for himself. And once Dazai agreed to this, then Odasaku says "Man lives to save himself..." Further cementing the idea that Dazai is doing this for his sake and his sake alone. He wants his own life to be better, and if helping people will make it a bit brighter, then he's willing to try doing that.
Chuuya, however, would never leave the Port Mafia because he's the opposite. He cares more about other people than he does his own self. From youth, he became the leader of a child gang in order to protect them, because he felt he was fulfilling his duty as someone with power to protect those who took him in. And even after they betray him, Chuuya still joins the Mafia in order to protect them. To protect the kids who just stabbed him in the back because he would never betray those who did good to him. And the Mafia did that. They took him in, gave him a place to live, a job, a purpose, a family. He actively seeks to make connections with those around him, and once they have his loyalty, it never leaves. In Stormbringer, the detective wanted him to betray the Mafia, and he wouldn't do it, yet later, when the detective dies, Chuuya mourns his death and the loss of opportunity for him to leave the Mafia. It shows that he did, in fact, wish to leave, but he never would. Because why would he hurt those around him who've done good to him? It's very obvious that he's selfless and self-sacrificial, as seen in Fifteen, Stormbringer (where he gave up ever knowing if he was human in order to protect the city), and Dead Apple where he risked his own life to protect the city. The fact that he's still with the Port Mafia, still actively being a bad person, is because he never would and never could leave them, and would do anything to protect them, no matter how bad they'd treat him. Because he cares more about others than his own happiness.
And it's because of that their dynamic is the way it is now. Dazai's one of "the good guys" and Chuuya's one of "the bad guys," but the lines become much more blurred when they're together. Who's the better person in the dynamic? Someone who's doing bad for others or doing good for himself? Either way, both are morally gray characters who blur the lines of morality when they're together.
While I'm grateful bsd doesn't do the "As you know..." type of exposition, it's crazy how much worldbuilding there is like. in the shadows of everything. Like, what's up with the Great War? This isn't even so evident if you don't read the light novels, but there was literally a world war that ended less than fifteen years before the start of the main timeline. It's because of the war that there are so many orphans in the universe. It's because of the war that ability users have faded into a myth, and why they have to get special permits to work and usually gravitate towards underground organizations. It's because of the war why world relations are so shaky, why the government strictly monitors all ability users, and yet all of this is sort of like...in the background? Season four is the first time we ever even get a real flashback and actual exposition about it in the anime, even though it's been vaguely referenced as early as season two with Mimic. They literally did experiments on children, hence Chuuya. So much of the world and the violence and the tripartite framework all came into existence because of the war. And until the most recent arc, where it's being brought to the forefront with both Fukuchi and Fyodor's plan to eradicate ability users, it's sort of just in the background.
And don't even get me started on the lore behind the Dragon Head Conflict because like-
remembered this line from Beast and now I have to kill myself
Happy birthday, chuuya!🧡🎉
In the latest chapters of Bungo Stray Dogs, Akutagawa Ryuunosuke’s character arc has reached a profound turning point (well it usually does, he has a slow and gradual and good development.) After losing his memories or so it seems, he only regains them in the wake of Atsushi’s self-sacrifice, an event that carries immense weight given their history. This development not only ties back to recurring themes in Akutagawa’s story but also resonates with Asagiri’s earlier work on him, particularly the short story The Heartless Cur. The significance of this title alone—"cur" referring to a stray dog, an outcast—echoes his core struggle with identity, worth, and the pursuit of strength. Now, with the latest manga title, A Mysterious Thing Called "The Heart", we see the final steps of this journey: the realization of what it means to protect, to be selfless, and to truly understand one’s own heart.
Akutagawa has long been plagued by the idea that only the strong have value. His harsh upbringing in the slums and Dazai’s ruthless mentorship reinforced this belief, leading him to adopt a mindset where power dictated one’s worth. The Heartless Cur explores this concept deeply, portraying Akutagawa as someone whose existence is defined by violence and survival. The title itself suggests a being without purpose beyond its primal instincts—an apt metaphor for the way Akutagawa saw himself.
Yet, in the present timeline, something shifts. Akutagawa’s repeated confrontations with Atsushi force him to acknowledge a different kind of strength—one rooted not in destruction and not just in protection, but from within oneself. This realization is crucial, as it reframes his view on what it means to live and fight, and importantly get rid of the Dazai obsession to which I am glad he lost that coat, which to me in a way is like the "watch" in beast for Atsushi. The title of the newest chapter, A Mysterious Thing Called "The Heart", directly contrasts his previous mindset. Where once he believed himself heartless, unworthy, and merely a weapon, he now finds himself understanding the weight of sacrifice, the worth of another’s life, and, ultimately, the meaning of his own (hopefully asagiri doesn't mess this up, but I believe in him so I'm sure all will turn out great just with a lot of lore dump and excessive plot armor with no deaths until wayyy later on. Ahem, but anyways.)
One of the most striking aspects of Akutagawa’s sacrifice is how it mirrors Atsushi’s own. Both characters have operated on deeply ingrained selfish desires—Akutagawa seeking validation through strength, Atsushi yearning for affirmation that he deserves to live through saving. Now I know I mentioned this before, and I keep mentioning it, because to me its important to add. Their growth has always been intertwined, clashing and evolving through their battles. However, the defining moment of Akutagawa’s return to consciousness—when Atsushi sacrifices himself and repeats Akutagawa’s words—highlights a crucial transformation: their shift from selfishness to selflessness. In both of them in a way, even if Atsushi has put his life on the line to save others before it was not quite like he did here, without activating his ability (we're not sure if he really could or couldn't in the moment but lets add that here anyways.) to save Akutagawa at the expense of his own life and survival just as Akutagawa did for him, sacrificing his own life, his own selfish need for survival even if he stated he does not mind death for the knowing the value of anothers' life. I know I said this before too but just let me write.
It’s a moment of complete reversal and similarity as these Yin-Yang boys have always shown, proving that the rival enemies have truly come to understand each other. Akutagawa regaining his memories at this precise moment reinforces the idea that it was just that big of a deal and how impactful his own sacrifice and development was and it shows the same for Atsushi.
Rashomon has always been more than just an offensive ability. While it is known for its terrifying destructive power, its defensive capabilities reveal another side of Akutagawa’s character. This duality—destruction and protection—mirrors his own self. Initially, he wielded Rashomon purely as a weapon of aggression, but as he evolved, so too did his ability’s purpose. When he shields not just Rashomon shielding himself but when he raises his blade for others, this is a huge change - though I believe Knight Aku has much to explain especially I hope asagiri tells us if this is a singularity of bram and akutagawa or not. Which may take months.Â
This theme of protection is not new. In 55 Minutes, after dying in flames, Akutagawa retained memories that should have been erased—a testament to how deeply certain experiences impact him. Likewise, in his vampire state, he still exhibited a sense of control, sparing Aya and ultimately keeping his promise despite being under mind control. Now I know when it said the heartless dog/emotionless child felt emotion for the first time it was hatred before going on that killing spree. But after all this it does show. These moments underscore a crucial truth: Akutagawa has always had a heart, even when he believed himself heartless or is shown to be. (I will write more on this in another post, I know I keep saying that too, but it will happen and it will have to do with an interesting thing of Akutagawa's character being written and possibly shown in the "Rashomon Effect" you can research it if you don't know it already.)
Akutagawa’s theme song, From the Trembling Dark World, captures the essence of his character’s struggles at least what they used to be. The lyrics paint a picture of someone who has always been fighting—against the world, against himself, against the fear of being weak:
"A longing as strong asÂ
A reason to live even when I’m unable to breathe
From the trembling dark world, always." It may not specifically be his reason to live but this says its "a longing as strong as a reason to live."Â This reflects the pain and determination that have defined his journey. The idea of pressing forward despite suffering is central to his story, but not just that but it shows just how important again that longing for approval and to be told he is strong and worthy to live is, which we all know funnily enough is what he mocked atsushi for before. Though they are so the same and different and I could go on forever about every little detail of their sentences to each other but not now, unfortunately. Another significant line is:
"Unreachable no matter how much I writhe."
Dazai’s influence is evident here (when is it not when it comes to Akutagawa?). Akutagawa was shaped by the expectation that he had to be strong to matter, that to stop moving forward was to be left behind. Yet, the lyrics also suggest a yearning for something beyond this endless struggle.
The song’s repetitive line is particularly poignant:
"Weak, weak and it's not enough."
This shows us a lot, or well kind of, within the last chapter in the manga and besides his endless yearning for strength and Dazais acknowledgement which is meant by this line in the song back probably around 8 or more years ago... His willingness to die not for power or recognition but for someone else’s survival is the ultimate proof that he has changed. The once "heartless cur" has found his heart—not in words, but in action. Funnily enough before he died he had a nice conversation with Fukuchi on what his last words would be, and he said he prefers actions, but what do we get... "Away with you...you fool."Â
Lets also not forget how important this cycles and webs are of connection, manipulation, abuse etc. But considering that, remember how Akutagawa threatened Kyouka with getting thrown into a dark world/slums? How he described it... Well I need to re-read and get a better perspective or coherent thoughts on it but I'm sure it was said that Dazai threatened him with the same thing, to be sent back if he didn't do good. Which would of course make Akutagawa all the more "grateful" for being taken in and trained to be "strong" because like he's seen all his life only the strong survive, and the worthy get to live at the "top" of the world. Its funny how this kind of even gets added into his likes as the things he likes are very refined so to say, to show he is no longer down there. But I see how Dazai probably saw a piece of himself in Akutagawa, killing, empty eyes, looking for a reason to live - and decided to try and give him one in the way he knew too. At that time Dazai was in the Port Mafia he was a very different Dazai from the ADA one, his methods and his ideas...all quite different that its obvious what happened there with him and Akutagawa. And how Akutagawa saw himself in Kyoula (interesting she was 11 or around there when she joined wasn't it or was it 12-13? similarly to when dazai found Akutagawa) he said he saw the same eyes he knows, because he too had the same eyes. But now she has found the light, and a reason for living besides killing, a place to belong that doesn't hurt her constantly. (While he got that yes, but the place he belonged was void of the person he was waiting for approval from, and it definitely did not help in his mental state and health or help him much in any ways as the ADA did for Kyouka as we see his eyes are still the same, dark but now with determination.
Also a random mention to later chapters just because Akutagawas eyes are important to me (as everything in his character is important to me.)Â
And perhaps, in the end, he was never truly heartless—he just needed someone to remind him that his heart was always there, waiting to be acknowledged. Kind of like Yosano who was used for her ability, but never had her kindness acknowledged until Ranpo invited her to the Agency.Â
(Also random thing to add but I enjoy canon way too much to consume too much fanon content so I prefer keeping away most of the time so I can keep my thoughts and theories/analysis of things clear and to do with canon so things don't get blurred or messed up or have mischaracterization or information errors. But if you do find any or have anything to say about it please do.)
I wrote before about his eyes in another post probably twice or more times as I always like mentioning it... But just to add:
On a side note I feel like Harukawa was talking about Tanizaki who we know will soon probably have more relevance with Naomi or something.
His eyes always turn completely dark. And he was said to be good enough to be in the mafia before. Not to mention when Yosano said she wouldn't go back he offered to go. And reading back Harukawa said that mostly those in the PM are like this. But anyways. Hope the rambling ended up alright, I'll end the series of thoughts and analyzing for now.
~ Hope your brain isn't as fried as mine, end of The Akutagawa Fan, Charkoala, Caldera posting until the next few hours.
The interview part 1 with shin soukoku that you wrote? Please. Part 2. I'M ON MY KNEES PLEASE ðŸ˜ðŸ˜ðŸ˜ AHHAHSJSJSKAKAKAKKSKSJSJSJSJSJSNSNSNSNSNSNSNSN it's fucking ADDICTING I LOVE IT
I'm so happy you love it!
Sorry it took so long to respond, been kinda busy, but I just posted part two! Hope you enjoy :)