Like If You Want Jorge To Pay For Your Therapy Bills

EPIC THE THUNDER SAGA IS COMING OUT ON JULY FOURTH!!!

Also, I love the Troy Saga came out on xmas 2022, Ocean Saga xmas 2023, Circe Saga on Valentines, and now the Thunder Saga on July fourth.

Meanwhile, the Cyclops and Underworld Saga be released on the randomest dates to ever date, Jan 27th and April 26th:

ArE wE NoT sPeCiAL

Every bsd ship ever

The two best reasons to ship anything are:

1.Incredible, deep and detailed narrative themes. The parallels that seem to hit just right, the narrative foils that they can be to each other, the intricate dynamic that's both extremely complex and easily understood. The juxtaposition between something that's harsh and undoubtedly toxic, with the softer undertones, the parts where you read in-between the lines and find a mutual feeling of loneliness from both parts, their intrinsic understanding of each other comes from the mere fact that they're each others mirrored reflections and shadows. In the end both sides will be together forever, and you as an audience can clearly see their tragedy laid out before in a path that blurs pure anguish and tender romance

2.It would be so fucking funny

Been a bit busy recently, but for those who want it, here's part two of the concept I had mentioned about the sskk interview. | Part One. It also ended up around 1.8k, so it's under the cut. Enjoy! Perhaps I'll do a part three if anyone wants it.

The next few days were much of the same for Atsushi. He'd come to work, be dragged off by Kunikida who would hand him a paper with all the questions they were going to ask and made him memorize each answer. Then eventually Dazai would arrive (a few hours late, as usual), and after sitting through Kunikida's lecture on tardiness and the importance of punctuality, and after Dazai would make a few comments that would only infuriate the detective more, his mentor would work on having him not sound like a cold machine when he spoke. Because apparently, he did not do well with memorization.

The training wouldn't have been so bad, really, if not for the fact that Kunikida and Dazai seemed to disagree about everything. Kunikida wanted him to appear formal as a true representative of the Agency, while Dazai thought he'd appeal to the audience more if he came across as some sort of Idol—relaxed manner, permanent smile, the works. Unfortunately, Atsushi was too nervous to truly do either, and every time he tried to implement one of his superior's advice and whenever he thought he might actually be starting to do a good job, the other would completely admonish him and tell him to the opposite.

And if Atsushi had to endure this for one more day, he may not have enough sanity left to even do the interview in the first place.

But somehow, by some miracle, he was actually improving. He had managed to find some sort of middle ground between the two philosophies—professional, but friendly enough to appear easygoing and relatable as he calmly told the interviewer (Kyouka, who had been roped into this) about his experience on the Moby Dick and defeating the American before the city was destroyed (the amended version that was arranged and agreed upon with the Port Mafia)

Of course, he couldn't help but feel he might lose all his progress when in front of an actual camera, but one problem at a time.

And speaking of problems...

It was time for his practices with Akutagawa.

With luck, the mafioso would kill him, and he could get out of doing the interview.

"C'mon, it'll be fine," Dazai assured him with a lazy grin. The two were on their way to the practice, which unfortunately had to be in Mafia territory. Atsushi protested against this, numerous times in fact, but it was beginning to dawn on him that no one actually had any consideration for what he wanted in this instance. Dazai had explained that their premises would be much more accommodating to the task, and there wasn't much else to say on the matter. Even Kunikida had voiced a mild objection, but being as there was some tentative form of truce, and that the organizations were attempting to work together for their mutual benefits, there wasn't any choice.

When they arrived at the agreed upon tower—the southern one, if Atsushi was correct, they were greeted by two grunts who escorted them to the fifteenth floor, where there was apparently an open space available for this. Dazai even chatted with one of them on the way up, casually asking about his wife and kids, and the man, for the most part, just seemed confused but answered honestly.

For some reason, it hadn't occurred to him that there would be someone else helping Akutagawa until they were led into a large, open area with a small stage setup, and aside from Akutagawa standing off to the side, there was a short mafioso with a black hat sitting cross-legged on a folding chair, his face scowling in irritation the moment he spotted Dazai. For what it's worth, the brunet's face twisted in revulsion when he spotted the man as well.

"Really?!" The ginger practically spat, standing up so quickly the chair knocked into the ground. "Of everyone who it could be, it had to be you?! Couldn't they get a literal trash can to do the job instead?! Not much of a difference, but at least one knows how to shut up."

Atsushi blinked at the harsh words aimed at his mentor. Dazai, however, merely upturned his nose like some kind of critic whose opinion was actually warranted.

"And they should have hired a hatrack to do yours—at least it has more uses than you. And how exactly do you expect to make Akutagawa camera ready when the only thing you would accomplish by appearing in public is to go from the Wanted list to Unwanted."

"Dazai..." Atsushi tried, ever the peacemaker.

"And all you're accomplishing is contaminating your student with your filth," Chuuya retorted. "You'll make the whole country reek of Mackerel."

"I take it back. Perhaps they should have gone with a dog—at least they're more loveable than you."

Chuuya scrunched up his nose. "You hate dogs."

"Exactly."

There was a pause before the executive's eyes widened, and he suddenly glowed red. "You bastard! I oughta punch you right in the—"

"Uh uh uh." Suddenly, Atsushi found himself being yanked in front of Dazai, to be used as a human shield. "You wouldn't want to mess up our one of our stars' faces, would you?" taunted his mentor with a maliciously sweet grin.

"I think you could," commented Akutagawa.

"Nobody asked you!" Atsushi snapped back.

Chuuya glanced between student and mentor and sighed exaggeratingly, dragging a gloved hand across his face. "Whatever, we've wasted enough time."

Since Atsushi apparently came across as very yankable, Chuuya suddenly reached out and grabbed Atsushi's arm, dragging him away from Dazai and towards Akutagawa.

"Uhm, Chuuya?" Atsushi began timidly. He tried to tug his arm out of the mafioso's grasp. It didn't work.

"Shut up," spat the executive, and Atsushi decided to do that. Not because he was scared of Chuuya who could crush him in an instant, but because it seemed like a very smart idea. Because Chuuya could crush him in an instant.

Akutagawa's eyes widened suddenly as his superior approached him, grabbed him with his free arm, and commenced dragging the two of them over to the stage while the Future Stars­™ stumbled along behind him. Atsushi caught Akutagawa's gaze. The latter rolled his eyes at him. The former stuck out his tongue in retaliation.

Chuuya marched onto the stage with them in tow, shoved Akutagawa into a chair that had been set up on the left, and then Atsushi into the other one a few feet to the right.

"Alright," he said, crossing his arms and staring down at the two of them like one might stare at five year olds who have been misbehaving. "We're starting. Now. I don't wanna hear any fighting between you two, got it?"

"Understood sir, sir, yes sir," Atsushi stammered under the piercing gaze. Akutagawa, who was likely more used to this treatment from the ginger, merely nodded, although he didn't appear all too happy about it.

"He's right, boys, you have to play nice." Dazai strolled onto the stage leisurely with his hands behind his back and and a grin. "Think we can keep the bickering to a minimum?"

"You guys are fighting more than we are," Atsushi pointed out dryly. Akutagawa made a sound akin to a stifled snort. Chuuya's eye twitched. Dazai's lips twitched. Neither man made any effort to deny it.

"Let's just try to get through this, can we do that?" Chuuya asked. He sounded really tired.

"Fine by me," Atsushi replied.

Akutagawa nodded. "There should be no problems as long as the Weretiger doesn't mess this up."

"Excuse me?" Atsushi exclaimed, turning to the man. "You think I'm going to mess this up?! Who came to kill who, remind me—"

"Yes, and I almost didn't have to, because you were ten seconds away from becoming a cripple. If I hadn't been there, you would have allowed the whole city to go up in flames."

"Well, you—"

"Enough!" Chuuya flicked Atsushi between the eyes, hard enough for his entire chair to fall backwards and send the boy sprawling to the floor. He then walked over to Akutagawa, who merely sighed in resignation as he too was sent to the floor.

"Next time either of you say anything that isn't rehearsed, I'm gonna kick each of your butts so hard, you're gonna do the interview and the rest of your lives standing, you got that?!" Chuuya growled as he glared down at the black and white heaps on the floor. Akutagawa had managed to land somewhat gracefully while said butt of Atsushi was sticking up in the air. At the threat, he quickly reigned it in and sat up rigidly.

"I didn't hear a response," said Chuuya, glowing red.

"Yes!"

"Understood." Accompanied by two coughs.

"Now now, Chuuya," Dazai laughed. He placed a hand on the ginger's shoulder, dispelling the red glow that surrounded him. "You shouldn't be so stressed all the time; at this rate, you really will get a bald patch before you're twenty-five."

Chuuya scowled and wheeled on the man. "Yeah, well at least someone's putting in any effort into this interview. They're your students that you grabbed off the streets, why don't you act like a responsible teacher for once?!"

"But that's no funnn," Dazai whined. "It's way more entertaining to watch this instead."

"Wait, how'd you know Dazai found me on the streets?" Atsushi asked.

Chuuya made a face. "Lucky guess."

"I pulled you from the streets, remember?" Dazai draped his arm over Chuuya and brought him close with a light grin. "I remember, you reeked the first time I met you—"

Dazai was on in his back in the space of a single blink. The stage beneath him was slightly cracked. Chuuya's fists were clenched.

"I'll have you know that I was perfectly clean, thank you very much!" he stated loudly, "unlike a certain slimy fish I could mention whose hair was a rats' nest and whose personal hygiene rivalled that of a monkey's."

Dazai looked up at him from the floor with a twinkle in his eye. "It's funny you say that when, last I checked, you were the one hanging around farm animals—"

Chuuya pounced on him before Dazai could even finish, slapping him and shouting while Dazai merely cackled wrestled back surprisingly well, throwing in a jab or two to keep it going. Chuuya eventually got the upper hand though, and he managed to strangle Dazai hard enough for the man to pass out, all while maintaining a blissful expression.

Two pairs of eyes followed the executive as he calmly rose from the ground and brushed off his vest like nothing happened. "Now that one nuisance has been taken care of, let's get on with it."

Atsushi glanced over at Akutagawa, who didn't seem perturbed in the least. Atsushi sighed.

And so, practice began.

beast dazai is considered a tragic character for all the obvious reasons: carried the weight of the memories of his other selves and using that knowledge to save oda from his fate even if it meant dying/killing himself in the end. This sympathetic narrative allows you to ignore the utter selfishness and immaturity of beast dazai and how he runs away from grief and pain, and I mean this in the best way possible.

The real tragedy of beast is that unlike all the other dazais, beast dazai never got the chance to meet and know oda, thence allowing him a new perspective to grow. In The day I picked up Dazai , dazai shows personal growth by the end of the novel, hence why he respects oda a lot. He is treated as a human being who still doesn't know much, and that brings comfort to someone deemed a demon prodigy. In side b of the same novel, beast dazai makes an effort to not know or bond with oda; yes this is because he wanted to ensure his survival by steering him away from the port mafia, but that event is what fundamentally changed dazai- gave him a better understanding of his own humanity.

Despite having all that knowledge of his other selves, of how each universe's timeline will play out, beast dazai didn't seem to grasp that it is grief that allowed the other dazai to grow and be a better person. He didn't understand that in the end, it is the time he (the other dazai) spent with oda that made living worthwhile, not his life. His state of living, the state of perfection in beast dazai's eyes, will still cause him more suffering than the act of losing a good friend.

Because if he had only wanted him to live, then he wouldn't have been so shocked when oda refused to indulge in a friendly conversation, not when he clearly went out of his way to antagonize himself in oda's eyes in tdipud. It's because the realization hit him: he wanted his time with oda to not be cut short.

Having memories of another oda is clearly not enough, he needed his own intimate friendship with his own oda. But with this elaborate plan and his reaction to being rejected, it's clear that beast dazai was trying to avoid pain. He could not accept the grief and pain of loss that he's seen and felt in his other selves, ignoring what came after: growth and satisfaction of ever having oda in their lives at all.

Pain is inherently human and by ignoring and rejecting it, beast dazai rejects his own humanity. Or runs away from it, because it catches up to him regardless. He still ignores it throughout the rest of the story, especially in other characters.

Beast dazai, as we all know, eventually takes his own life. While there is a reason as to why he did it, but it was still part of his plan from the beginning. Meaning, he knew this near fruitless pursuit would still have him unable to handle grief. It's an inherently selfish goal with an inherently selfish way out under the guise of "leaving the rest in atsushi and akutagawa's hands"

(Note: I do not mean in any way that suicide is selfish, but rather the narrative and character of dazai in beast alludes to this. Both concepts can co-exist in a fictional setting)

Despite seemingly helping other characters, beast dazai also trampled on both akutagawa and atsushi's self worth. This made them easier to manipulate for his grand plan, but ignores the damage he's done to them and other characters after his death.

For akutagawa it is the loss of his sister and convincing him of his monstrosity due to Dazai's meddling. For atsushi, someone he conditioned into severe fear and dependency on him, was left alone watching the person he cared so much for fall from the building. And yes, he left him in mori's care afterwards, but dazai should know more than anyone the damage the death of a loved one has, unless it doesn't apply to him.

In the epilogue, mori openly mourns dazai's death along with atsushi. Due to being free of his rigid responsibility as the pm boss, he had the liberty of finally being the caretaker he's always wanted to be but at the cost of the person he considered his son (in comparing dazai to atsushi, who he then calls his son + all the other stances where mori treated dazai like a son etc)

The thing that beast dazai, or dazai in general, tends to not fully understand or accept, is that he is also loved, and his death will cause others pain as well. I am by no means saying he should've thought of others before dying, but it is the lives of others that dazai from the main manga also cherishes after oda's death. Beast dazai made it his entire life goal to essentially protect oda, realize its not the only thing he's wanted from him and gave his raison d'etre a flimsy excuse of meaning in life. It's inherently selfish.

Selfishness is a common theme in bsd, and beast dazai fits right in. Atsushi's selfish desire to save people to give himself a justification to be alive, Sigma's inherently selfish nature of self preservation and identity and so on.

I've probably ranted for much longer than anticipated, but the point is: beast dazai's purpose is a selfish desire to escape pain and loss when it's crucial to the human experience. Dazai in the main manga seems to grasp this much better than beast dazai, it's something the latter is "missing", refusing to grow out of his selfishness and it makes his character more of a cautionary tale.

Ok, I'm convinced at this point that instead of teaching English, schools should just start getting their students into bsd, because honestly, the effects are about the same.

Like, what is this fandom??? As far as anime go, it's sort of known, but it's not even close to mainstream, and then you join the fandom to discover that it's actually huge.

-The fans will write five thousand word analyses, complete with textual evidence, about anything and everything, and they'll all be more well written and deeper than their thematic essay for English class.

-They won't even think twice about reading a bunch of classics to understand their favorite characters, and then they'll happily write you an analysis of a Japanese classic written in the mid-twentieth century and how it connects to their favorite character. They'll casually read Crime and Punishment, a book english teachers have no hope of having their students read in general, let alone for fun, and they'll do it and then give their theories about how it may connect to the villain's powers. They also end up just getting into classic literature in general.

-Ask them to give a summary of the book they had to read, they'll stare at you blankly, but ask them about the chain of abuse vs the savoir chain and you will hear a psychological breakdown on the concept of abuse, and how different characters treat others differently because etc etc etc.

-Not even the top criminal defense lawyer could compete with a bungou stray dogs fan explaining why Chuuya Nakahara, a man who is an executive in the Mafia, a man who has killed many people, has gotten involved in smuggling and all sorts of illegal activities, is actually a good person and deserves all the sunlight and happiness in the world.

-And the art that comes out of it??? The fanfictions, the fanart, the edits- I've read fanfiction that made me feel more than a published book ever will. Seen fanart that belongs in a museum, and the edits are some of the coolest stuff known to man.

-And they're just so low key??? Like seriously, don't teach English, teach bungou stray dogs. You'd get better results that way.

Listening to the Thunder Saga, as well as the new and improved Troy and Cyclops Saga, and. . . JAY NEEDS TO BECOME A PROFESSIONAL VOICE ACTOR WHO'S WITH ME ON THIS???? FUNIMATION NEEDS TO HIRE THIS MAN I MEAN REALLY-

I love bsd with all my heart. I really do. But it is not a detective anime, nor has it ever really been a detective anime, and the people who don't like it are the ones who expect it to be this supernatural detective anime when it's kind of just....not

A cute detail I love about the Agency's office is that everyone else's desks have files and laptops on it while Ranpo's just has a singular phone because it's the only thing he needs to do his job; get calls and go detective. And then come home and snack

(Ranpo's desk is the one in the center)

The thread from twitter I did about my interpretations on Verlaine, rereading this some parts might sounds a little redundant but i think it gets the point across.

People have a lot of opinions on Verlaine but I think this one line in particular goes hard & does alot to explain his view of humanity as well as the conversation a the end of SB.

“Sometimes creating is far more sinister than killing.”

I think Verlaine views his creation as an ‘act of humanity’. But to normal people, an act of humanity means kindness, right? Showing compassion or empathy. But from Verlaine’s POV it is the *opposite* of that. Humanity is not kind nor compassionate. It’s dark, twisted, & selfish.

Humanity to Verlaine is *only* the darkest and worst parts of human nature because that’s all he ever knew. He was created with the sole purpose of being controlled & used to kill & destroy. That was his entire world until Rimbaud rescued him & gave him some control for the first time.

Verlaine despises how he was created, that he was created in the first place. In his mind, humans used their capacity to create to make something that only serves to destroy & also, cruelly, allowed that creation to suffer all alone. They let him suffer and never treated him as a human, just a tool. A weapon. So he came to resent humans & humanity itself.

To Verlaine, humanity represents everything sinister in the world. Not any of the good that, say, Chuuya sees. Rimbaud was an exception to this, however, & I believe it’s why Verlaine pushed Rimbaud away. Because his existence & treatment of Verlaine was challenging this world view. Then when Rimbaud sides against him when he wanted to take Chuuya to safety, that was the confirmation Verlaine needed that Rimbaud was just like the rest. Even if Verlaine knew deep down that wasn’t really true.

Humanity disgusts him because of the way he was created & his lack of real purpose. He couldn’t find a reason he *should* exist, given that the original purpose of his creation was sinister. Because of that I think he believes no good can come from humanity so he thinks of them as monsters.

It’s why he believes creating is more sinister than killing. Humanity created him out of selfishness & with no compassion what so ever. He resents his very existence & his loneliness. He believes someone would have to be sinister to create Verlaine as he is, completely alone, no real purpose, only to be used by others.

So he thinks of the people who made him (& by extension Chuuya) as the worst monsters, more monstrous than he could ever be. It’s this dark view of humanity that I believe leads to Verlaine to thinking of killing as a thrill to him & also a tool.

Nothing about humanity is salvageable to him, at least not until the end of SB. In his own words he’s “the soul of a man who couldn’t trust the world or its people like you do.” As he says to Chuuya at the end of the book when he comes to realize, through Chuuya, his view may be wrong/incomplete.

Verlaine was incapable of trusting that humans could be more, that they were more than their darkest parts. He wasn’t able to trust that darkness was only a singular part of humanity & that the good wasn’t only a mask they would hide their darkness with. Though some do hide behind masks of kindness, it’s not all of humanity. Genuine people do exist. Caring people do exist.

But to Verlaine, killing humans isn’t a monstrous act. It’s almost an act of mercy or even a punishment. But Verlaine is also just desperately lonely because of his loathing of humanity. How he separates himself from it. That’s why when he learns of Chuuya, someone that existed that he felt might share his pain & might actually understand his POV, all he wants to do is protect him. To bring him to his side so he doesn’t have to be so lonely anymore & he can still serve humanity the “justice” for lack of a better word he thinks they deserve through killing.

He wanted to protect Chuuya from humanity itself because to him, humanity is the villain. He believed everyone around Chuuya was only using him because to him that’s all humans do. Aside Rimbaud, who he ended up fighting, he never had anyone to show him other things humanity has to offer

To him all humans do is use & abused & are selfish & twisted. That’s why Verlaine doesn’t even think twice about killing the flags, for example. Surely they were just using Chuuya like everyone else. Humans are the monsters, not him & Chuuya, despite the purposes of their creation.

Now, in the end, Chuuya & Verlaine come to understand more of each others POVs. That’s why Verlaine taught Chuuya how to defeat him. Because even while Verlaine still doesn’t quite believe humanity has value, he sees Chuuya’s conviction in his belief that humanity *is*valuable. People can be worth it.

Chuuya knows humanity is more complex than Verlaine believes & despite the darkness that exists there *is* light too. Humans are more than their worst sides. Chuuya has always believed people were worth living for, that they were worth suffering for.

But he also knows he could have easily gone down the dark path Verlaine did. As Chuuya says “You rolled the dice and lost. It was a stroke of bad luck, and you rolled a one. But the pips came out different when I rolled. I was blessed with wonderful friends. That’s all.”

Verlaine, in the end, I believe, *wants* to believe in what Chuuya believes about the world. As Chuuya says to him:

“Besides, what you have isn’t just hatred. You don’t actually despise the world. That’s why you showed me that memory. You taught me how to defeat Guivre.”

Chuuya is his opposite essentially. Chuuya, even while suffering at the hand of the coldness and cruelty that humanity is capable of, can still see the good and light of human nature. Chuuya has always known there is more to humanity than cruelty & Verlaine never was able to see that before.

Chuuya contributes this essentially to always having friends, people he cared about around him. But Chuuya does *understand* why Verlaine is the way he is. Why Verlaine thinks the way he does & Chuuya, being who he is, essentially forgives him in the end. It’s why he’s able to have that “final” conversation with him.

Humanity, what it *means* to be human, is really the entire theme of Storm Bringer & everyone showcases us a different perspective of this. Chuuya, Adam & Verlaine (Dazai somewhat as well) as show us different aspects of humanity and ones struggles with it. Verlaine’s view is dark. It showcases the impact a *lack* of humanity being shown to others can have on us.

I am also not saying anything Verlaine did was alright or justifying what he did because of his broken view on life. What he tried to do by killing everyone Chuuya knew was wrong. But he *does care* about Chuuya. But he couldn’t express that in any healthy way. He didn’t know how, didn’t know it was wrong in the first place.

Anyway, this is just my interpretation of Verlaine as a character and everyone can have their own interpretations! These are just my thoughts. I hope they made sense, I’m not super sure I was able to articulate everything well. I think I I kinda rambled but oh well.