What If Skk Got Caught In A Bank Holdup

The thread from twitter I did about my interpretations on Verlaine, rereading this some parts might sounds a little redundant but i think it gets the point across.

People have a lot of opinions on Verlaine but I think this one line in particular goes hard & does alot to explain his view of humanity as well as the conversation a the end of SB.

“Sometimes creating is far more sinister than killing.”

I think Verlaine views his creation as an ‘act of humanity’. But to normal people, an act of humanity means kindness, right? Showing compassion or empathy. But from Verlaine’s POV it is the *opposite* of that. Humanity is not kind nor compassionate. It’s dark, twisted, & selfish.

Humanity to Verlaine is *only* the darkest and worst parts of human nature because that’s all he ever knew. He was created with the sole purpose of being controlled & used to kill & destroy. That was his entire world until Rimbaud rescued him & gave him some control for the first time.

Verlaine despises how he was created, that he was created in the first place. In his mind, humans used their capacity to create to make something that only serves to destroy & also, cruelly, allowed that creation to suffer all alone. They let him suffer and never treated him as a human, just a tool. A weapon. So he came to resent humans & humanity itself.

To Verlaine, humanity represents everything sinister in the world. Not any of the good that, say, Chuuya sees. Rimbaud was an exception to this, however, & I believe it’s why Verlaine pushed Rimbaud away. Because his existence & treatment of Verlaine was challenging this world view. Then when Rimbaud sides against him when he wanted to take Chuuya to safety, that was the confirmation Verlaine needed that Rimbaud was just like the rest. Even if Verlaine knew deep down that wasn’t really true.

Humanity disgusts him because of the way he was created & his lack of real purpose. He couldn’t find a reason he *should* exist, given that the original purpose of his creation was sinister. Because of that I think he believes no good can come from humanity so he thinks of them as monsters.

It’s why he believes creating is more sinister than killing. Humanity created him out of selfishness & with no compassion what so ever. He resents his very existence & his loneliness. He believes someone would have to be sinister to create Verlaine as he is, completely alone, no real purpose, only to be used by others.

So he thinks of the people who made him (& by extension Chuuya) as the worst monsters, more monstrous than he could ever be. It’s this dark view of humanity that I believe leads to Verlaine to thinking of killing as a thrill to him & also a tool.

Nothing about humanity is salvageable to him, at least not until the end of SB. In his own words he’s “the soul of a man who couldn’t trust the world or its people like you do.” As he says to Chuuya at the end of the book when he comes to realize, through Chuuya, his view may be wrong/incomplete.

Verlaine was incapable of trusting that humans could be more, that they were more than their darkest parts. He wasn’t able to trust that darkness was only a singular part of humanity & that the good wasn’t only a mask they would hide their darkness with. Though some do hide behind masks of kindness, it’s not all of humanity. Genuine people do exist. Caring people do exist.

But to Verlaine, killing humans isn’t a monstrous act. It’s almost an act of mercy or even a punishment. But Verlaine is also just desperately lonely because of his loathing of humanity. How he separates himself from it. That’s why when he learns of Chuuya, someone that existed that he felt might share his pain & might actually understand his POV, all he wants to do is protect him. To bring him to his side so he doesn’t have to be so lonely anymore & he can still serve humanity the “justice” for lack of a better word he thinks they deserve through killing.

He wanted to protect Chuuya from humanity itself because to him, humanity is the villain. He believed everyone around Chuuya was only using him because to him that’s all humans do. Aside Rimbaud, who he ended up fighting, he never had anyone to show him other things humanity has to offer

To him all humans do is use & abused & are selfish & twisted. That’s why Verlaine doesn’t even think twice about killing the flags, for example. Surely they were just using Chuuya like everyone else. Humans are the monsters, not him & Chuuya, despite the purposes of their creation.

Now, in the end, Chuuya & Verlaine come to understand more of each others POVs. That’s why Verlaine taught Chuuya how to defeat him. Because even while Verlaine still doesn’t quite believe humanity has value, he sees Chuuya’s conviction in his belief that humanity *is*valuable. People can be worth it.

Chuuya knows humanity is more complex than Verlaine believes & despite the darkness that exists there *is* light too. Humans are more than their worst sides. Chuuya has always believed people were worth living for, that they were worth suffering for.

But he also knows he could have easily gone down the dark path Verlaine did. As Chuuya says “You rolled the dice and lost. It was a stroke of bad luck, and you rolled a one. But the pips came out different when I rolled. I was blessed with wonderful friends. That’s all.”

Verlaine, in the end, I believe, *wants* to believe in what Chuuya believes about the world. As Chuuya says to him:

“Besides, what you have isn’t just hatred. You don’t actually despise the world. That’s why you showed me that memory. You taught me how to defeat Guivre.”

Chuuya is his opposite essentially. Chuuya, even while suffering at the hand of the coldness and cruelty that humanity is capable of, can still see the good and light of human nature. Chuuya has always known there is more to humanity than cruelty & Verlaine never was able to see that before.

Chuuya contributes this essentially to always having friends, people he cared about around him. But Chuuya does *understand* why Verlaine is the way he is. Why Verlaine thinks the way he does & Chuuya, being who he is, essentially forgives him in the end. It’s why he’s able to have that “final” conversation with him.

Humanity, what it *means* to be human, is really the entire theme of Storm Bringer & everyone showcases us a different perspective of this. Chuuya, Adam & Verlaine (Dazai somewhat as well) as show us different aspects of humanity and ones struggles with it. Verlaine’s view is dark. It showcases the impact a *lack* of humanity being shown to others can have on us.

I am also not saying anything Verlaine did was alright or justifying what he did because of his broken view on life. What he tried to do by killing everyone Chuuya knew was wrong. But he *does care* about Chuuya. But he couldn’t express that in any healthy way. He didn’t know how, didn’t know it was wrong in the first place.

Anyway, this is just my interpretation of Verlaine as a character and everyone can have their own interpretations! These are just my thoughts. I hope they made sense, I’m not super sure I was able to articulate everything well. I think I I kinda rambled but oh well.

As a writer, this hits home so much. I love reading the afterwards of the novels so much, because aside from just in general being really interesting, I really love how Asagiri talks about writing and engaging in media.

And yeah, both sides of the Day I Picked Up Dazai hurt.

[Translation] Asagiri Kafka's afterwords for The Day I Picked up Dazai novel

Normally, afterwords would be the last thing I read in a novel, but as there are not many changes to the published novel this time compared to the movie bonus version, I was able to skim through the text quickly and get to this. And to be honest, despite not being a writer myself, I was so moved by Asagiri's views about writing and his characters that he shared in the afterwords, that I had to sit down and translate it right away.

This is just my crappy translation, as usual, but I hope it gave you a short, interesting look into the author and the characters. And please do not forget to buy the novel if you have the chance.

The translation is under the cut, thank you!

It has been a while. This is Asagiri Kafka.

Have you been enjoying Bungou Stray Dogs?

This novel, “The Day I Picked up Dazai”, is a compilation of the first week’s bonus novel “The Day I Picked up Dazai – Side A” and the second week’s bonus novel “The Day I Picked up Dazai – Side B” for the screening of “Bungou Stray Dogs BEAST” movie (hereinafter referred to as “BEAST”).

Normally, it is difficult to publish a bonus like this, but since "BEAST” and “Fifteen” that were published earlier by BEANS Bunko were originally bonus novels too, "The Day I Picked up Dazai” was also published in the same way, thanks to the efforts of all parties involved in the Bungou Stray Dogs series.

It is the story of Dazai and Odasaku’s first meeting, where Dazai who wants to die, collapsed in front of Odasaku’s place, who is neither a mafioso nor a hit man.

Why are there two different stores, Side A and Sode B? Regarding this question, please read the novel and see for yourself. If you keep in mind that this is the bonus for the BEAST movie, I think you will be able to understand it better.

Let me reminisce a little bit here.

This story was actually suggested to me by Igarashi Takuya, Director of the Bungou Stray Dogs anime.

Shortly before BEAST movie premiered, I was struggling. It was because I was asked to write a bonus novel for movie-goers again. I said “again” because, as I mentioned earlier, BEAST itself was a bonus novel for the Bungou Stray Dogs DEAD APPLE movie. I remembered having a hard time writing it, because I let myself run wild and wrote a total of 190 pages instead of 50 pages as requested.

But I had learnt my lesson after the last rampage. I can’t just write whatever I want anymore. I have to wrap the story in a reasonable length, like a pro should do.

A proper, professional story.

Huh?

My pen stopped right there. I stopped, looked around, feeling lost.

What is a proper story?

The act of writing novel is quite different in character compared to other types of media such as writing manga, anime scripts, or game scenarios. You can say it is almost a different thing. Writing novels, rather than narrating an event, is more like putting the flow of emotions into specific sentences. You use the sequence of letters to create rhythms, create flows, and create emotions. If anything, it might be closer to composing a song than writing a story.

Therefore, you have to decide “what kind of emotion will be put in this novel” from the very beginning, or you can’t start writing. That is the only and absolute rule.

Now, however, that is where the condition of a “proper story” hung over me.

A proper novel, of a proper volume, with a proper content for a bonus.

In other words, a proper emotion.

I searched through the drawers inside my head. For a proper emotion that is waiting to be brought out.

There was nothing but emptiness there.

A professional story teller is one with the skill to move the readers’ emotions. When people find the chance to move their own emotions, they will happily be paying for it. Human-being is that kind of creature.

And writers are ones who create and sell those kinds of emotions: the fear, the excitement, the heart throb etc., those that make you think. It is that kind of job.

It is supposed to be that kind of job.

Yet I became unable to move forward.

A good story is a story that moves people. I know that. Then what kind of emotion I should put in the story to make it "proper"?

How do I find that emotion?

I mean, how did I even write novels until now?

I stood still. My legs stiffened, my knees froze, unable to take even a step forward.

I then tried to at least pretend that I was moving forward, by listening to music, by taking a walk around the neighborhood at night. But as good as the night breeze felt, I didn’t manage to reach a single story that I needed to write.

What if I stayed like this forever, what would I do?

I felt a chill plunging into my back.

Then I realized, that stories, or probably emotions too, are not things you can search for or come up with. You have no choice but to patiently wait for it to come your way. You have no choice but to humbly and earnestly sit and wait for the story’s visit.

I got that, but the "proper 50-page story” still refused to come.

It was not long before one week passed. Then two weeks.

I was doing other work, while keeping my heart’s door open, waiting for the story to come to me.

At that time, I had an online meeting with the anime staff. I casually asked Director Igarashi, “Do you have any story you want to see?”

The Director gave it a little thought then told me, "I want to see the story of Dazai and Oda’s encounter”.

At that very moment, the story rushed in through my door, like a bang. I could hear that sound very clearly.

Two stories. Odasaku, and the two Dazais. A story where they met, and a story where they couldn’t meet. A story of gain and a story of loss. If I can portray the gain and loss side by side, the amplitude of the heart will be doubled and rise up in front of us.

That was a momentary event. Rather than pushing my way forward, I felt as if something was pulling my hand. Before I noticed, I have already finished the stories.

I came to realize.

It is not the writer who searches for the story. It is the story that chooses its writer, and at some point it will come our way. A professional writer is no more than someone with the ability to catch that call.

Also, this is the most important thing: there is no such thing as a “proper emotion”. Because after all, the feelings of other people belong to them only. That is why there is no guarantee that a novel can move others “properly”. However, you can move your own emotions. You know what kind of novel can and how it will move you. If you do, you can write just that. That’s the only way. That is the truly professional attitude. That’s what I thought.

Well then.

It is a little bit off topic, but as we are talking about “stories that come our way”, let’s talk about Odasaku’s first-person narrative.

Odasaku is a special character. For me, he is exclusively a novel character, and I have never portrayed him in the manga.

He first appeared as the narrator in “Dazai Osamu and The Dark Era”, then “BEAST” and now this “The Day I Picked up Dazai”. All are novels. That’s why for me, Odasaku doesn’t live inside the pictures, he lives inside the first-person narrative passages.

He is an eccentric guy. Even if you prepare the place and tell him to speak, he won’t speak to you that easily. His way of thinking is rather unique, that if I write his narrative after writing other characters’ first-person narrative, I would stumble for sure. Odasaku doesn’t speak. He just sits there in silence, while I can do nothing but sitting in front of my blank manuscript paper, trying to talk to him, like “What’s up?”, “Here, here”. However, he is a guy who won’t speak when it is not necessary. Sometimes it goes days or even weeks without him saying a word. Why did such a character come to me...?

During such time, there is only one thing I can do. That is, of course, to stay with him, sit patiently, and simply wait.

Finally he will start speaking. In his unique rhythm, word by word. His words have the power to cut through the world from a certain angle. That special cross-section is full of things I have never seen before and it never fails to surprise me.

And then when he finishes telling his story, he will swiftly disappear. To a dark and quiet place somewhere – probably, I can only imagine, somewhere like a bar. He will sit there calmly and keep his own time to himself. After that, it will be hard to call him again. It is a backbreaking task to me, but in the end, that is the type of guy Odasaku is, and if I am allowed to sound self-conscious, that is Odasaku's charm.

This story was written in such a way. There is a chance that he will come back again. And when he does, I will patiently listen to his voice again.

This story was completed and published thanks to the help of many people: in the Bungou Stray Dogs BEAST movie’s Production Committee, the anime staff, Young Ace’s Editorial Department, BEANS Bunko’s Editorial Department, and the many people who were involved in the publication of the book. Thank you very much. It is all thanks to you that the book was published without any problem this time as well.

Well then, see you in the next story.

Asagiri Kafka.

Thinking back to that interview with Asagiri a bit ago, where he mentioned how Chuuya slowly overtook Kunikida as Dazai's partner since he became so popular, and it got me thinking. Because while I love skk as much as the next person, Chuuya on his own is such an interesting character that I don't think his interactions need to be solely limited to Dazai. One thing I love about Stormbringer is how many new, different characters we got to see Chuuya interact with, apart from just Dazai. I don't want to see him replace Kunikida, I want to see him interact with Kunikida (not just that one scene). I want to see him team up with other members of the Agency, like Atsushi, or Kenji. I want to see him with Akutagawa, since despite how much people assume things about their relationship, we've only ever seen them interact with each other in one freaking scene. And it wasn't even the manga, it was the movie (there are the drama cds, of course, but those are questionably canon). It's possible for anime onlys, there may not be as much to his character outside of Dazai, but as someone whose read the lns, I just feel like his character is interesting enough on his own, and I hate that he's always reduced to being one half of skk, as opposed to Dazai, who is seen as more than that. Basically what I'm saying is, let Chuuya interact with the rest of the cast! Screw Dazai! (with love)

Look. I'm sure Dazai acts like the most annoying person alive to everyone he works with so they'll push him away and hate him, but he also flat out admitted to Sigma that he just likes doing strange and annoying things to get a rise out of people. It's not that it's a dysfunctional defense mechanism, it's because he has a dysfunctional personality.

Atsushi Trivia From the Guidebooks

"What color would you compare yourself to?" "White, because my hair is white and it's also the furthest color from Akutagawa."

Man, I love this kid so much

Listening to the Thunder Saga, as well as the new and improved Troy and Cyclops Saga, and. . . JAY NEEDS TO BECOME A PROFESSIONAL VOICE ACTOR WHO'S WITH ME ON THIS???? FUNIMATION NEEDS TO HIRE THIS MAN I MEAN REALLY-

Chuuya can't tie a tie. This is canon, you won't convince me otherwise.

He grew up on the streets. When he was sixteen, he wore the usual Mafia getup, but no tie. In his usual outfit, he wears a bolo tie.

Therefore, it is scientifically proven that Chuuya cannot, in fact, tie a tie.

Dark era vs Beast

"This story is a tragedy because it didn't have to end this way."

vs

"This story is a tragedy because it was always going to end this way."

I always find it funny how the Port Mafia was introduced like they were the ultimate evil and at this point, they're practically the good guys. The Agency and Port Mafia's relationship truly is the embodiment of "The enemy of my enemy is my Thematic Parallel™"

The first episode of bsd is actually so fitting, because it really sets the tone of the show. It goes from a ramble about food to suicide prevention to suicide enablezation to detectives to tigers to "no homo". And it's beautiful