Ladies Of MARVEL 👊👊

ATTENTION WRITERS

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You just upload your manuscript, write out some questions for your beta readers to answer in each chapter, and invite readers to check out your book!

It’s SO easy!

You can even track your readers! It tells you when they last read, and what chapter they read!

Your beta readers can even highlight and react to the text!!!

There’s also this thing where you can search the website for available readers best suited for YOUR book!

Seriously guys, BetaBooks is the most useful website in the whole world when it comes to beta reading, and… IT’S FREE.

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Reblog this doodleflopper and her cinnamon fluff tummy and you will have the best fortune

Fantasy Guide to Worldbuilding

Language and Culture

You have your land and your people. Now onto what kind of people they are and what they sound like. Culture is the greatest worldbuilding tool you need to master. Language is extra spice.

Culture

Culture is a collection of customs and attitudes formed over time. Culture forms around a land, metaphorical cling film if you will. Land influences culture.

Entertainment: What amuses your people? Bull fighting? Gladiators? Tasteful plays?

Food and drink: What food is common? Is there a delicacy popular in the region? Pasta is Italy’s delicacy. Beer is a common drink in Germany

Taboo: The no-no of society. What can’t be spoken about or done? In Harry Potter, the name of Voldemort is taboo. In our world, for most of us anyway, incest and cannibalism are the major taboos

Myths: Are stories that explain things without evidence from science. The Egyptians thought that a dung-beatle rolled the sun across the sky. Celtic cultures believe that a death is sounded by the scream of a banshee.

Games: What games are played by children or adults? Are card games popular or board games? Is it popular to watch games or gamble on them? How often are they fixed?

Traditions: What do your people do? Do they have holidays? In Incan tradition, human sacrifices were common. On a light note, the Greeks held the Olympics ever few years. Is there traditional ceremonies or words one says on a daily basis?

Values: The Spartans valued Spartan behaviour. Renaissance culture valued skill and honour. What is the important concepts of your people? Strength? Honour? Intelligence? Do people get treated differently when they don’t follow the values of the land?

Meeting and greeting: How do people say hello? Is there a word or saying? A signal? And goodbye?

Language

Language is the heart of a land. You don’t need to create a large lexicon of made up words and rules. You can. I did once, it was fun. You don’t need to show the language in every line. A word here and there can add spice to a story. Language effects accents and way of speaking.

Side note: “Tír gan teanga, tír gan anam.” A country without a language is a country without a soul. Ireland is a county with two main languages: Irish (Gaelige) and English. Colonization almost stamped out the language. The Irish language is difficult to learn but it brings pride to me as Irish girl to know parts of it. It breaks my heart not to be fluent in my native language. Language is not just words. It is the heart and soul of a land.

Chocolate Teacake High-Hat Cupcake (x)

Want to learn something new in 2022??

Absolute beginner adult ballet series (fabulous beginning teacher)

40 piano lessons for beginners (some of the best explanations for piano I’ve ever seen)

Excellent basic crochet video series

Basic knitting (probably the best how to knit video out there)

Pre-Free Figure Skate Levels A-D guides and practice activities (each video builds up with exercises to the actual moves!)

How to draw character faces video (very funny, surprisingly instructive?)

Another drawing character faces video

Literally my favorite art pose hack

Tutorial of how to make a whole ass Stardew Valley esque farming game in Gamemaker Studios 2??

Introduction to flying small aircrafts

French/Dutch/Fishtail braiding

Playing the guitar for beginners (well paced and excellent instructor)

Playing the violin for beginners (really good practical tips mixed in)

Color theory in digital art (not of the children’s hospital variety)

Retake classes you hated but now there’s zero stakes:

Calculus 1 (full semester class)

Learn basic statistics (free textbook)

Introduction to college physics (free textbook)

Introduction to accounting (free textbook)

Learn a language:

Ancient Greek

Latin

Spanish

German

Japanese (grammar guide) (for dummies)

French

Russian (pretty good cyrillic guide!)

Should You Take the Cryptid on a Roadtrip?

Mothman: Sure, as long as you avoid the Las Vegas strip.  We don’t need a repeat of the last time.

Bigfoot: Definitely, they make an excellent camping companion and are an avid bird watcher. Just be prepared for lots of your vacation photos to turn out blurry.

Loch Ness Monster:  I mean, if you can figure out how to transport a giant lake monster safely down I-80, go for it.

Chupacabra: Has this weird thing where it only wants to stay at B&Bs, particularly ones attached to farms.

Fresno Nightcrawler: It will literally pay you to take it somewhere else. Have you seen Fresno?

Flatwoods Monster: Super into glamping, really wants someone to share their gourmet s’more recipes with. Just don’t let them wander into nearby campsites, it seems to freak people out.

Jersey Devil: Keeps saying they know a great campsite deep in the pine barrens. It’s just a little farther. Don’t worry that the forest seems to be getting darker. It’ll be fine.

Jackalope: It will mimic the voice of your GPS and send you off a cliff or worse, to Fresno. Better not.

Beast of Bray Road:  NO

Two years?! I’m in!

self-editing for fiction writers

Showing vs Telling

Do you have any narrative summary, or are you bouncing from scene to scene without pausing for breath?

Characterization & Exposition

What information do your readers need in order to understand your story? At what point in the story do they need to know it?

How are you getting this info across to your readers? Is it all at once through a writer-to-reader lecture?

If exposition comes out through dialogue, is it through dialogue your characters would actually speak even if your readers didn’t have to know the information? In other words, does the dialogue exist only to put the information across?

Point of View

Look at your descriptions. Can you tell how your viewpoint character feels about what you’re describing?

Proportion

Look at descriptions. Are the details you give the ones your viewpoint character would notice?

Reread your first fifty pages, paying attention to what you spend your time on. Are the characters you develop most fully important to the ending? Do you use the locations you develop in detail later in the story? Do any of the characters play a surprising role in the ending? Could readers guess this from the amount of time you spend on them?

Dialogue

Can you get rid of some of your speaker attributions entirely? Try replacing some with beats. 

How often have you paragrapher your dialogue?Try paragraphing a little more often. 

See How it Sounds

Read your dialogue aloud. At some point, read aloud every word you write.

Be on the lookout for places where you are tempted to change the wording. 

How well do your characters understand each other? Do they ever mislead on another? Any outright lies? 

Interior Monologue

First, how much interior monologue do you have? If you seem to have a lot, check to see whether some is actually dialogue description in disguise. Are you using interior monologue to show things that should be told?

Do you have thinker attributions you should get rid of (by  recasting into 3rd person, by setting the interior monologue off in its own paragraph or in italics, or by simply dropping the attribution)

Do your mechanics match your narrative distance?(Thinker attributions, italics, first person when your narrative is in third?)

Easy Beats

How many beats do you have? How often do you interrupt your dialogue?

What are your beats describing? Familiar every day actions, such as dialling a telephone or buying groceries? How often do you repeat a beat? Are your characters always looking out of windows or lighting cigarettes? 

Do your beats help illuminate your characters? Are they individual or general actions anyone might do under just about any circumstances?

Do your beats fit the rhythm of your dialogue? Read it aloud and find out

Breaking up is easy to do

Look for white space. How much is there? Do you have paragraphs that go on as much as a page in length? 

Do you have scenes with NO longer paragraphs? Remember what you’re after is the right balance. 

Have your characters made little speeches to one another? 

If you’re writing a novel, are all your scenes or chapters exactly the same length? -> brief scenes or chapters can give you more control over your story. They can add to your story’s tension. Longer chapters can give it a more leisurely feels. If scene or chapter length remains steady while the tension of the story varies considerably, your are passing up the chance to reinforce the tension. 

Once is usually enough

Reread your manuscript, keeping in mind what you are trying to do with each paragraph–what character point you’re trying to establish, what sort of mood you’re trying to create, what background you’re trying to suggest. In how many different ways are you accomplishing each of these ends?

If more than one way, try reading the passage without the weakest approach and see if it itsn’t more effective. 

How about on a chapter level? Do you have more than one chapter that accomplishes the same thing?

Is there a plot device or stylistic effect you are particularly pleased with? How often do you use it?

Keep on the lookout for unintentional word repeats. The more striking a word or phrase is, the more jarring it will be if repeated 

Sophistication 

How many -ing and as phrases do you write? The only ones that count are the ones that place a bit of action in a subordinate clause

How about -ly adverbs?

Do you have a lot of short sentences, both within your dialogue and within your description and narration? Try stringing some of them together with commas