More Random Dialogue Prompts ,

more random dialogue prompts ,

“why do you have that look on your face?”

“finish what you’re doing, we have to talk.”

“what have you done to yourself?”

“did you do something different with your hair?”

“it doesn’t do any good to get worked up.”

“when was the last time we had a real conversation.”

“are you in the witness protection program, or what?”

“there’s something wrong with me.”

“no, i don’t hate you.”

“hey stupid.”

“we’re aren’t them.”

“looks like i’ll live long enough to make you pay.”

“you know you’re wrong.”

“i don’t understand, why are you doing this?”

“now, before i say anything, promise me you’ll stay calm.”

“what makes me so special?”

“you have no idea what i’ve been through.”

“you really don’t have to do that, not for me.”

“did you really think you’d get a second chance?”

“how about we don’t do that.”

“i have a lot going for me, but humility is not one of them.”

“you’re the worst.”

“i don’t need you right now.”

“don’t just stand there, looking at me.”

“i thought you were supposed to call me.”

“take my hand.”

“i need you.”

“you’re allowed to need help sometimes.”

“for someone who doesn’t like to feel things, you sure feel a lot of it out loud.”

“when this is all over, i want it to be you and me.”

“why won’t you tell me what happened?”

“you don’t know what this means to me.

“i know it doesn’t make sense.”

“i’m trying really hard to keep it together.”

“i know you’re new, but we do things a little differently here.”

“your voice is putting me to sleep.”

“did you find what you were looking for?”

"you knew and you didn’t even warn me?”

“well, i guess that’s broken.”

“i thought it was part of the act.”

“you think u don’t know you’re only here because they sent you?”

“you promised to call me if you didn’t know what to wear.”

“you can keep a secret, can’t you?”

“how could you do this to me?”

“put the gun down, dearest. i have news!”

“i know you don’t have any reason to trust me, but you need to know something.”

“if you’re here to tell me what happened last night, someone beat you to it.”

“people think i’m weird.”

“i think i’m losing myself again.”

“you can’t be here.”

“i wish you’d come to the funeral.”

“do you know what today is?”

“so, you broke my favourite mug… and you’re breaking up with me?”

“i need to get out.”

“it’s like i’m cursed or something.”

“you are remarkably well-behaved tonight, what have you been up to?”

“you gonna eat that?”

“sir, the pony rides are for children only.”

“i don’t want you to worry about that anymore.”

“we’ll never make it in time.”

“you’d be late for your own funeral.”

“you should have seen it coming.”

“oh, good, you’re here! hold this.”

“why can’t you just be happy for me?”

“on a scale of one to ten, how do you feel about nachos right now?”

“is this how you flirt with everyone?”

“how much longer till we’re there?”

“what have you done?”

“it’s time for you to repay that debt you owe me.”

“where did you get that? who gave it to you?”

“what kind of mother has thoughts like that?”

“i know I haven’t been what you needed, but i’m here, and i wanna help.”

“i never want to hear you say that again.”

“you’re all i have.”

“i know it’s not perfect, but i did follow the recipe this time.”

“i was doing so well until you showed up.”

“don’t eat that! i made it ‘specially for our guest.”

“it’s not that i don’t like my life, it’s that i don’t have the energy to enjoy it.”

“how can you stand this place?”

“don’t take this the wrong way, but you don’t exactly blend in.”

“you need to stop.”

“i don’t like that look, what happened?”

“is that seriously your password?”

“what’s your problem?”

“you had no right to use it without asking.”

“oh, wow, you weren’t kidding.”

“i couldn’t trust my own parents to protect me.”

“i’m surprised you haven’t been arrested yet. wait, no, i’m not.”

“why do you want to help me?”

“ten bucks for that piece of crap?”

“we have to hurry, they’re coming!”

“hey, look what came in the mail!”

“do you want to get a drink or something?”

“please tell me you didn’t eat that.”

“the worst part is you didn’t even notice.”

“if i wanted help, i would have asked.”

“wanna tell me what’s going on with your grades?”

“you need to leave.”

“talk to me, okay? i need to know what’s going on.”

“i do blame you.”

“sometimes life deals you a bad hand, but you can still play your cards right and win.”

“you’re no longer useful to me.”

“i’m not good with sarcasm: if you don’t like me, just say it.”

More Posts from Wintrb0rn and Others

1 month ago
This Time When The Smile Came, It Was Easier, Intentional. He Watched The Way That Her Eyes Seemed To

this time when the smile came, it was easier, intentional. he watched the way that her eyes seemed to brighten with a challenge, an unspoken dare breathed out between them. she slipped passed him with practiced ease, light footed and smooth as silk, answering his teasing with some of her own.

he watched her for another handful of short seconds. the way she glanced back at him, how her fingers brushed over the abandoned shelves. he followed after her—something that was becoming effortless—and peaked over her shoulder as she drew pride and prejudice from one of the shelves. he remembered seeing the bright orange covers the hotel taft used to hand out to its guests like a gideon bible or a complimentary set of matches.

This Time When The Smile Came, It Was Easier, Intentional. He Watched The Way That Her Eyes Seemed To

❝ who could say no to a little jane austen to finish the night? ❞ bucky retorted as he fell into step beside her. he didn't remember much of the novel itself, bits and pieces of the narrative and the writing style trickled into the forefront of his mind as they made their way to her designated rooftop spot. ❝ in one night? that's ambitious even for you. ❞ he said, amusement lacing itself into his voice as he spoke.

Kara Let Her Smirk Linger,  the Kind That Meant Trouble In The Gentlest Way.  ❝ Alright,  no Voices,

kara let her smirk linger,  the kind that meant trouble in the gentlest way.  ❝ alright,  no voices, ❞ she conceded,  tilting her head as if weighing the terms of their unspoken deal.  ❝ but we take turns. ❞ a flicker of challenge lit her eyes as she stepped past him,  brushing close enough for the scent of old paper  &  night air to settle between them.  ❝ &  since you’re so particular about your books,  i say we start with a tree grows in brooklyn. ❞

she didn’t wait for his answer,  only cast him a glance over her shoulder,  teasing,  daring,  as she stepped toward the doorway.   her fingers skimmed along the shelves as they made their way out,  movements lazy,  absentminded — until they weren’t.  she paused,  plucking a worn copy of pride  &  prejudice from where it had been tucked between heavier,  less inviting spines.  she held it up just enough for him to see,  lips curling at the edges.  ❝for variety, ❞ she remarked,  slipping it under her arm as she pushed open the door.  ❝unless you’re afraid of a little romance.❞

Kara Let Her Smirk Linger,  the Kind That Meant Trouble In The Gentlest Way.  ❝ Alright,  no Voices,

outside,  the night air pressed cool against her skin,  the city stretching wide  &  endless beyond them.  the rooftop she’d promised loomed ahead,  waiting,  their own private escape above the world.  ❝but don’t worry,  barnes.  i’ll read the good parts. ❞ a beat.  a wicked little grin.  ❝&  by that,  i mean all of it. ❞


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1 month ago

right place, right time prompts.

so i got watching a ton of new tv shows lately, and it occurred to me that actually i do love it when characters are unexpectedly saved by someone who just happened to be exactly in the right place at precisely the correct moment, yk? and i failed to think of the right name, so the title of this list is entirely thanks to a very dear friend of mine who informed me! so here's a list, i hope you guys love it, DO NOT ADD TO THIS LIST OR EDIT IT!!! i like to edit them over time as new ideas come to me.

[ ALIBI ]: the sender provides a false alibi to protect the receiver from legal issues.

[ HAND ]: the sender suddenly arrives to grab the receiver's hand before they fall to their death

[ CAR ]: the sender arrives on scene as the impromptu getaway driver for the receiver (who hadn't been expecting it).

[ FATAL ]: the sender unwittingly arrives on scene when the receiver is being attacked, and to protect the receiver, they kill the assailant.

[ DISTRACT ]: the sender provides a diversion so the receiver can escape a dangerous situation.

[ OUT COLD ]: the sender knocks out an assailant before they can seriously wound the receiver.

[ DUNNO ]: the sender lies about the location of the receiver in order to protect them from pursuers.

[ FAKE ]: the sender, in a situation where they're forced to kill the receiver, only pretends to kill the receiver and takes their "dead" body away in the car.

[ SACRIFICE]: the sender sacrifices their life to ensure the receiver's survival.

[ BACK-UP ]: the sender arrives just in time to help the receiver in a fight.

[ EXCUSES ]: the sender provides an excuse for the receiver to stay at an event where they shouldn't be.

[ HIDDEN ]: the sender hides the receiver from pursuers.

[ SHELTER ]: the sender finds the unconscious receiver and brings them to a safe place.

[ HERO ]: the sender tackles the receiver out of the way of an attack.

[ RUN! ]: the sender tackles the attacker so the receiver can make a safe get-away.

[ FIGHT ]: the sender fights off the assailants so the receiver can flee to safety.

[ INTERCEPT ]: the sender unexpectedly emerges and stands between the receiver and a threat.

[ MISDIRECTION ]: the sender points a group of pursuers in the opposite direction to buy the receiver some time to hide.

[ SANCTUARY ]: the sender opens the door when the receiver knocks in search of help, and brings them into their home.

[ REPUTATION ]: the sender, being somewhat infamous in the area, arrives when the receiver is being hassled, causing the assailants to flee rather than risk the consequences of crossing them.

[ RECOGNIZE ]: the sender pretends to know the receiver in order to help them avoid unwanted attention.

[ AFAR ]: the sender incapacitates, distracts or kills an assailant from a distance to protect the receiver.

[ FRIENDS ]: the sender, unable to attend directly, sends friends over to protect the receiver when they encounter a threat.

[ NEGOTIATE ]: the sender intervenes in a tense situation and manages to smoothly persuade a potential threat to leave the receiver alone.

[ BRIBE ]: the sender gives a threat a significant amount of money to leave the receiver alone.

[ ANNOUNCE ]: the sender issues a declaration that the receiver is under their protection, assuring all potential attackers that any attempts will result in a brutal retaliation from them.

VERBAL PROMPTS:

" they're with me. "

" i was with them all night. "

" hey! these guys bothering you? "

" i wouldn't do that if i were you. "

" you must've really pissed those guys off, huh? "

" follow my lead... "

" don't worry. you're safe here. i won't let anyone hurt you. "

" you're lucky i found you when i did; those people were right down the street. "

" get in the car! now! "

" i'm gonna buy you as much time as i possibly can. make it count, okay? get out of here. now! "

" you can come out now. they're long gone. "

" nobody's going to hurt you like that again. "


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1 month ago
The Desert Wind Howled Like A Wounded Thing, Whipping Sand Against His Face As He Crouched At The Edge

the desert wind howled like a wounded thing, whipping sand against his face as he crouched at the edge of the excavation site. it was crawling with men, not mercenaries. not common grave robbers. trained, conditioned, battle hardened. hydra personnel moved differently than most professionals, there was always a cold lick of obsession, of mad superiority that stuck to them like a bad smell.

and that was when he saw her. a woman, dark curls, sharp brown eyes, and barely restrained contempt. a civilian, a hostage or prisoner, either way, she didn't belong there.

The Desert Wind Howled Like A Wounded Thing, Whipping Sand Against His Face As He Crouched At The Edge

bucky was already moving, switching objectives quickly as he shattered the distance between himself and her, a shadow against the sand dunes he avoided the floodgate lights, skirting patroling guardsmen unseen and unnoticed. he reached her in seconds, crouched behind a half-buried obelisk and spoke in a whisper. ❝ don't react. ❞ he said as way of greeting, ❝ can you run? ❞ // @disasteregyptologist , semi - plotted starter .


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1 month ago

listened to boots on repeat for too long and now my brain is

Listened To Boots On Repeat For Too Long And Now My Brain Is

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1 month ago
The City Skyline Loomed Like A Jagged Promise Against The Night. Towers Rising In Stark Defiance To The

the city skyline loomed like a jagged promise against the night. towers rising in stark defiance to the darkness, splayed in neon and halogen lights. the unlikely pair had a clear line of sight overlooking the flashing red and blue lights and crowd of uniformed officers that poured in and out of the warehouse below. what was left of the trafficking ring—those that could still walk at least—were escorted into armored vans in cuffs.

❝  sometimes, complexity can be exhausting. ❞

she wasn't wrong. he'd been chasing down a missing persons lead, a reasonably mundane operation that had quickly turned into something else when their paths had crossed. but the exhaustion that filled her voice ran deeper than a random night of vigilante justice.

The City Skyline Loomed Like A Jagged Promise Against The Night. Towers Rising In Stark Defiance To The

❝  so simplify it. ❞ bucky said, as if life was that easy. ❝ forget the politics, the debts. just focus on the job . . . and maybe a drink after. ❞ he added as an afterthought. // @waruins , altered carbon prompt .


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1 month ago

bucky is in tentative contact with his granddaughter kim. she reminds him a lot of rebecca. he will maul anyone that hurts her to death thanks


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1 month ago
The Safehouse Was The Kind Of Place No One Asked Questions About. Tucked Between Abandoned Buildings

the safehouse was the kind of place no one asked questions about. tucked between abandoned buildings on the outskirts of the city, it was forgotten. lost. much like them. the silence that stretched between them was tangible, the kind that felt as if it were leaving behind a sticky residue. his gaze—sharp, weary—never left her. pale blue scrutinizing the same truth he'd seen in the mirror splay out across her face.

❝ i’m afraid i had no choice in the matter. ❞

it was a familiar story and a familiar wound still bleeding beneath the surface. bucky leaned back slightly, flexing his fingers carefully, his expression neutral. then, after a long moment—maybe too long—he gave a slow nod.

The Safehouse Was The Kind Of Place No One Asked Questions About. Tucked Between Abandoned Buildings

❝ yeah, ❞ he murmured. ❝ i know. ❞ that was it. no absolution, no condemnation. just the weight of knowing what it was like to someone else's weapon. // @staticveil , altered carbon prompt .


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1 month ago
❝ You Think I Can't Walk Out Of Here Right Now? ❞ The Soldier Asked, A Trace Of A Challenge Woven

❝ you think i can't walk out of here right now? ❞ the soldier asked, a trace of a challenge woven into his voice. whatever power her bosses or their bosses' bosses thought they had was nothing more than wishful thinking. he'd taken apart more than a single police station with less. the only reason he was sitting in that interrogation room, the only reason he'd even stepped foot into the station was because he wanted to.

❝ You Think I Can't Walk Out Of Here Right Now? ❞ The Soldier Asked, A Trace Of A Challenge Woven

❝ oh? and who's they, huh? ❞ bucky asked, a humorless smile that was all teeth tugging at the corners of his mouth. he suspected she was good at her job, perhaps even an expert in her field, a shining star. but he'd come face to face with people like her over and over again. people who spoke beautifully, eloquently, who said all the right things in all the right ways. but there was always an angle. some agenda hidden inside all of the carefully interwoven hints and unspoken promises.

❝ and what's in it for you? you gonna share this information with me for what? need me to kill someone for you? destabilise a country? destroy an embassy? ❞ that humorless smile remained, as sharp as the curve of a knife, ❝ i don't work for anyone anymore. ❞

Clea’s Gaze Remained Steady,  neither Pressuring Nor Retreating,  her Words Carefully Measured.  she

clea’s gaze remained steady,  neither pressuring nor retreating,  her words carefully measured.  she saw the quiet resolve in him — the winter soldier,  a man who had been honed by pain  &  time into something beyond ordinary human limits.  she wasn’t naive enough to think she could break him,   &  there was no need to try.  he was the one who had to decide if he wanted what she had to offer.   

Clea’s Gaze Remained Steady,  neither Pressuring Nor Retreating,  her Words Carefully Measured.  she

her voice was soft,  like a gentle invitation,  but it carried weight — an offer he couldn’t ignore.  ❝no one is keeping you, ❞ she said,  her words almost soothing.  ❝but you’re already in a position where you don’t have full control,  even if you think you do.❞ she leaned forward slightly,  her expression unhurried,  as though she were discussing a simple fact of life.  ❝i’m not offering you shelter or protection.  i’m offering you information — things you need to know,  things they don’t want you to hear. ❞ she let that hang in the air for a moment,  watching him,  her eyes reflecting an understanding that was almost too knowing.  ❝you don’t have to trust me,  but you should know this: you can’t outrun what’s already hunting you.  not forever. ❞ she tilted her head slightly,  her voice lowering.  ❝i can help you avoid it.  or,  at the very least,  i can tell you how to fight back. ❞


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1 month ago
He'd Seen Cold Before, Brooklyn In January, The Hudson Iced Over, Boots Soaked Through With Slush, Hands

he'd seen cold before, brooklyn in january, the hudson iced over, boots soaked through with slush, hands stuffed into too-thin coat pockets. but this wasn't just cold. it was something meaner. it gnawed at the edges of a man, not content to freeze him but intent on hollowing him out from the inside. his nose was already raw, bright and angry form the constant drag of his sleeve across it, and his fingers had gone stiff hours ago, turning a ruddy pink that throbbed beneath layers of blood and dirt. even the gloves he'd scrounged up from a dead german didn't do much more than hold the cold in place.

bucky's mouth twisted into something caught between a grin and a grimace. eugene looked about as good as bucky felt. eyes sunken, lashes rimmed with frost, lips cracked. red nose, red hands. dirt and blood both clinging to him like a second skin, and still, he managed to toss that dry wit like it was nothing heavier than a smirk. ❝ can't blame a guy for trying, ❞ he said, stepping in closer. the pews were gone. cots now lined the nave filled with the wounded, the sick, the dying. it stank of blood, sweat, and desperation.

He'd Seen Cold Before, Brooklyn In January, The Hudson Iced Over, Boots Soaked Through With Slush, Hands

❝ no morphine, just a bullet with a nazi's name on it . . . and this, ❞ he dug into his pocket, came up with a half-eaten bar of chocolate, and slapped it gently into the good doctor's palm. his fingers lingered a second longer than they needed to—maybe for warmth, maybe because he hadn't touched another human being that wasn't screaming in what felt like years. then bucky stepped back, squinting when eugene spoke around his cigarette and chattering teeth. in war, morphine made you the wealthiest man on the battlefield.

❝ i'll ask around and keep an eye out, ❞ bucky said, ❝ word is we'll be heading out before sunrise. maybe i'll get lucky. what else you need? ❞

nose is poised in the center of face, a bright shade of red, skin angry from the continual rub of sleeve to combat the persistent sniffling that lingers in a climate only growing colder. his hands are the same way, dusted with a shade of pink that cannot be avoided, darkened only by dirt and blood encrusted beneath nails and in cuticles. fingers are stiff as they work to roll scrapped sheets collected from the village nearby that had turned their church into a place for the wounded ... and while their supplies weren't much more generous than the dwindling stock of the other men, he wasn't one to complain.

besides, anything was better than nothing at this point; torn sheets, scrapped linens, medical supplies picked off surrendered germans - long as it did the job.

Nose Is Poised In The Center Of Face, A Bright Shade Of Red, Skin Angry From The Continual Rub Of Sleeve

x ❚❙❘ how about a kiss before i go ?

Nose Is Poised In The Center Of Face, A Bright Shade Of Red, Skin Angry From The Continual Rub Of Sleeve
Nose Is Poised In The Center Of Face, A Bright Shade Of Red, Skin Angry From The Continual Rub Of Sleeve

❛ ah, sergeant barnes, 'fraid i'm all outta those. ❜ he shifts stare out toward @wintrb0rn from beneath the wide-mouthed brim of well-worn helmet. tired eyes & doe-lashes set idle on the other man as if he isn't damn near freezing and plenty in need of a good night's rest ( a good year's rest at this point ). the humor isn't lost on him, he welcomes it's chattering nature with a sort of fondness. when men were laughing, they sure as hell weren't screaming - a trade-off he'd give up damn near anything for all things considered. stained sleeve rises, it wraps tight in his fingers, hot breath blooms around the corners of mouth as he wipes at flesh before fingers move on to seeking the comfort of lucky strike poised behind ear.

❛ outta an awful lot of things, actually. ❜ cigarette roles between frigid figures; he hangs it betwixt lips, paper clamped lose between teeth. sure doesn't make him easier to understand, not that such seems to impede most of the men he works beside in making out what he's saying. ❛ you bring me some morphine, and maybe i'll find a spare. ❜


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wintrb0rn - he's a ghost story
he's a ghost story

ᵃⁿᵈ ⁱ ʷᵃˢ ᵗʳᵃᵖᵖᵉᵈ. ⁱ ᵃˡᵒⁿᵉ ʰᵃᵈ ⁿᵒ ᵇᵒᵈʸ.ⁿᵒ ˢᵉⁿˢᵉˢ. ⁿᵒ ᶠᵉᵉˡⁱⁿᵍˢ. [ . . . ] ᶠᵒʳ ᴵ ᵃᵐ ᵃᵐ. ᴵ ᵃᵐ.

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