Jet Li, Mike Lambert - Unleashed Aka Danny The Dog (2005)

HEADCANON : early deployment .

Late 1941, following the attack on Pearl Harbor, Bucky voluntarily enlisted in the U.S. Army, driven by a sense of duty responsibility. He completed basic training at Camp Lehigh, where his natural athleticism and sharpshooting abilities quickly gained recognition. After completing advanced infantry and marksman training, Bucky was promoted to Sergeant due to his leadership skills.

In early 1943, the 107th Infantry Regiment was reorganized and reassigned to the 3rd Infantry Division, deploying to North Africa as part of the Tunisian Campaign. After landing in Algeria, the regiment was attached to U.S. II Corps and pushed eastward into Tunisia, engaging German forces in the Kasserine Pass and El Guettar. As a marksman and reconnaissance specialist, Bucky was frequently tasked with scouting enemy positions, providing overwatch for advancing infantry, and neutralizing high-value targets.

After North Africa, the 107th participated in the Allied invasion of Sicily (Operation Husky, July 1943), landing with the U.S. Seventh Army at Gela. Bucky and his unit took up defensive positions to support the landings, providing long-range fire and helping repel the Hermann Göring Panzer Division's counterattacks. Throughout the Sicilian campaign, he refined his mountain warfare, urban sniping, and small-unit tactics, often working alongside British Commandos, Free French Forces, and Italian partisans.

Following the capture of Sicily, the 107th joined the invasion of mainland Italy in September 1943, landing at Salerno. The fighting was brutal as German forces launched counterattacks to push the Allies back into the sea. During one engagement, Bucky’s unit was sent ahead to secure a strategic pass in the mountains, only to find themselves cut off and forced into a guerrilla-style fight, linking up with Italian resistance fighters to sabotage enemy supply lines.

By October 1943, the 107th was assigned a high-priority operation near Azzano, unaware of the Hydra experiments on Allied POWs in the area. While securing a strategic position, they were ambushed by Hydra forces wielding experimental weapons, leading to their capture and imprisonment in a Hydra weapons facility.

seven deadly sins manifestation .

[ WRATH ] — he's always embodied wrath most naturally, before Hydra and before even the war, he has always been filled with fury towards those who abuse their power, who bully and belittle, and who harm. His wrath has only grown and become harsher, more precise and more person. He doesn’t just fight; he punishes. His control can slip, and the Winter Soldier’s brutality can emerge. Beneath this is another kind of anger—self-directed. He hates himself for what he did and for what he became.

[ SLOTH ] — he struggles with motivation, not because he doesn't care, but because caring hurts. There are days when he feels numb, when the weight of his past makes getting up and existing unbearable. He tries to force himself to act, to fight, but he rarely lets himself live. His sloth manifests in how he avoids emotional connections and vulnerability. He keeps people at arms length, afraid to form bonds, convincing himself he's better off alone to avoid the pain of attachment. At his lowest, sloth manifests as self-neglect—skipping meals, avoiding sleep, refusing to take care of himself because, at times, he doesn't see the point.

[ GREED ] — he doesn't and has never sought material wealth, his greed manifests in hoarding whatever peace he can find. He doesn’t trust easily, so when he does find something safe—a quiet corner of a city, a person who doesn’t look at him with fear, a cafe he feels comfortable—he clings to it. Similarly, he clings to sentimental objects and items, carries remnants of his past life as if letting go of them would erase what little he has left. His dog tags, Steve's old notebook and vinyls, letters from his sister stolen from the Smithsonian.

[ PRIDE ] — his pride is a double-edged sword. On one hand, he refuses help, believing he must atone for his past alone. He resists leaning on others, convinced that his redemption is his burden alone to carry which manifests in his lone-wolf vigilantism—he doesn’t want others involved, fearing they’ll get hurt or that they’ll see him as beyond saving. On the other hand, he struggles to accept kindness because, deep down, he doesn’t believe he deserves it. He seems constantly at odds with himself, proud of his skills and his abilities but ashamed of how he learned them.

[ ENVY ] — he struggles with envy. Feels it for those who live ordinary lives, who haven't experienced war, who retain innocence and optimism, who hold true to idealism and believe in humanity, kindness, love. He feels removed from these things, undeserving, robbed of being capable of it all and it can taint his interactions with people. He doesn't resent them, but there's a deep ache in him, a longing for a life he feels he'll never have.

[ GLUTTONY ] — isn't about food or indulgence with Bucky, instead it's about excess as a coping mechanism. He pushes himself too hard—training until his body aches, throwing himself into fights as if pain can make up for the past. He overindulges in isolation, in punishment, in guilt. He engages in violence not just for justice but because, in the heat of a fight, he feels something. His gluttony is about extremes—pushing himself too far, taking too much responsibility, refusing to allow himself balance.

[ LUST ] — It took a long time for Bucky to remember what desire really felt like, and even longer to let himself feel it without resistance. Lust for Bucky is about craving connection but fearing it at the same time. He wants closeness, but intimacy requires vulnerability, and vulnerability is dangerous. He yearns for it but when faced with the chance, he pulls away. His lust, then, is suppressed, redirected. He fights instead of embracing. He runs instead of reaching out. And in the rare moments he allows himself closeness, he does so like a man expecting it to be ripped away.

tagged by : @sangiusd3vil ♡ tagging : @memuntos ( zahra ), @staticveil , @disasteregyptologist , @kenosky , @d4ughter , @executiioner , @ru5t , @skiesfield and anyone else that would like to do it ♡

he didn't have to stay. arguably, it would have been smarter if he'd disappeared before the shooter arrived, circled back, and observed from a distance. but the shooter hadn't been targetting him, therefore, they must have been after the gangs. enemy of mine enemy, or something like that. bucky was crouched over one of the survivors, rummaging through his pockets for anything useful.

❝ only loose cash and bullets, ❞ he said, looking up as the shooter approached. there was something off about him, the same way there was something off about bucky. not broken, not exactly, but set wrong. more like a jaw that had been knocked out of place and healed without care. too hard. too tight. and the eyes, he'd seen eyes like that reflected back at him in the mirror too many times.

❝ i didn't call the cops. it's not a hit. and lately . . . i've been doing this a lot. don't really have a name for it. ❞ whatever this was, he was still figuring it out. bucky stood slowly, watching as the shooter dug his foot into one of the goons sides hard enough to make him whimper and twitch. bucky made no move to stop him. ❝ half of them work for la fierra. she's been supplying the coast with guns and explosives. didn't know about the women. ❞ and wasn't that a fucking oversight on his part. bucky's expression hardened, jaw tight, angry. pale gaze swept the area, inspecting the faces of the men that he'd bound and disarmed until he spotted the straw buyer.

❝ if anyone's gonna know where their boss is, it's him. ❞ bucky pointed. ❝ cops'll be here sooner rather than later. i've got a container on highland drive. ❞ the implication was clear: bucky was willing and able to help secure the women intended for utah.

"Got anything on our guest?" Frank radioed Micro again.

[ Nope. Got nothing. Which is really saying something, Frank. I'll keep looking, but so far I'm just getting weird garbage.]

"What do you mean?"

[ Well...the kind of stories people in the community tell each other to even scare us. Undying assassins, spooky disappearances, unknown and forgotten government projects that still run in some zombiefied way. This guy, his training, he should be known, but I'm not finding a damn thing, Frank. Someone's hiding him, or he gets help from someone and they are way up there in a very big chain. ]

"Alright, I get it. We don't know jack shit about him." Frank grunted and lowered the volume on his radio. Didn't want Micro's voice to come out while he's talking to the man. One thing for sure is that he's got some kind of code or strict guidelines because he didn't come rushing towards him after he shot and killed one of those assholes.

"Got anything good?" Frank asks, walking towards the man. He can see now that a few of the bastards are still alive, there's a twitch on his face, his trigger finger tapping, but he doesn't say anything about it. The way this man moved, he wouldn't get a shot off to kill the rest before hitting the sand like these idiots did.

"First: did you call the cops? Second: is this a hit? Third: I don't do this shit often. I don't even know what the fuck the protocol even is at this point. I doubt it involves us sticking around here for long. I'm trimming down the family tree. I just needed one of these assholes," his foot started digging into the side of one of the men who were bound," to tell me where their boss is. They were bringing a shipment of women from down south up to a cult in Utah. This is one of their stops before they make the handover. I need to know where those women are."

❝ i think we've found enough books for one night, ❞ bucky said, ❝ we can always come back. this place doesn't look like it's going anywhere anytime soon. ❞ he added. her second option had bucky releasing a breath that wasn't quite a laugh but had the shape of one, something easy, something light.

❝ reckless, huh? ❞ the word rolled past his lips with ease. he leaned in just a fraction, a movement that wasn't meant to intimidate, but to tease.

❝ you want me to read to you, palamas? ❞ his voice was low, edged with something almost smug, but warm all the same. the tease came almost effortlessly, easier than it should've. a year ago, hell, even a few months ago, he would've let the silence settle there, but not now.

❝ if we're gonna do this, you should know—i don't do voices. ❞

kara watched the way his fingers curled around the book,  the deliberate care of it.  like he was holding something fragile,  something that mattered.   &  maybe it did.  maybe it was more than paper  &  ink,  more than a story — it was a bridge,  a tether to a past that hadn’t been entirely stolen.  she didn’t say anything,  just let the silence stretch,  let him have the moment.  some things didn’t need words.   

but when he looked at her,  something different flickered in his expression — lighter,  a ghost of something unburdened.  it made her chest ache,  just a little,  the way it always did when she caught glimpses of what could have been,  what still might be.  he tucked the book into his pocket,   &  she tilted her head,  considering his challenge.   

❝next adventure … right,❞ she exhaled a quiet laugh,  glancing around at the hollowed-out remains of forgotten stories.  ❝well,  we could always stick around,  find the weirdest book title in the place. ❞ her gaze flickered back to his,  something warm beneath the teasing.  ❝or i know a rooftop,  one of those places no one’s supposed to go but everyone does anyway.  good view,  bad idea.  but we could read there,  if you’re feeling reckless.❞

HEADCANON : relationship with violence .

Bucky Barnes experiences his most vivid sense of self when engaged in combat. Fighting provides him with clarity—free from guilt, doubt, or horror, he exists solely in the moment, absorbed in the simplicity of violence. Unlike the intricate moral dilemmas that plague his daily existence, combat offers a straightforward equation: him versus his opponent. It is within these moments that he is most open, most expressive, and paradoxically, most talkative. The physicality of battle is a release, a channel for emotions too tangled to unravel through words alone. He grins, laughs, and embraces the fight with a raw, unfiltered intensity. Yet, this momentary freedom comes at a cost.

The aftermath of combat is where the exhaustion sets in, not just physically but emotionally. The clarity that violence provides fades into the murky waters of introspection. Bucky is left questioning himself: Does he enjoy fighting because it is inherently satisfying, or has he been conditioned to enjoy it? The doubt creeps in—did his opponent deserve the extent of his aggression? Was the violence necessary, or was it an instinct honed by years of programming? Even his own thought processes become suspect. When he deliberates whether he should have sought a second opinion before acting, he is unsure if this is a natural ethical impulse or a remnant of his conditioning—an ingrained need to take orders rather than make decisions autonomously.

Bucky’s struggle extends to identifying what exactly he derives from violence. Is it the act itself? The escape from his own mind? The power he exerts? The thrill of dominance? These questions drive his inner turmoil, leading to moments of emotional collapse as he grapples with the implications of his own desires. The answer, ultimately, is not singular. His relationship with violence is multifaceted.

Simplicity and Escape: In a fight, the world reduces to its most basic form—winner and loser, attack and defense. This absolves him, momentarily, of the crushing guilt that permeates his existence.

Power and Control: Having spent years as a puppet stripped of free will, there is an undeniable satisfaction in regaining agency, in overpowering an opponent. This newfound control is intoxicating but also troubling, as it blurs the line between reclaiming strength and becoming an aggressor.

Conditioning and Instinct: Bucky’s past as the Winter Soldier complicates his ability to trust his own instincts. Does he fight because he wants to, or because he was programmed to? This question haunts him, making each fight a battle not just against an opponent, but against himself.

While combat provides temporary relief, it is invariably followed by a devastating emotional crash. The pleasure of victory is undercut by the resurgence of guilt and self-doubt. The knowledge that he enjoys aspects of violence—especially the dominance and control it affords—deepens his internal conflict. This cycle of exhilaration and remorse becomes its own form of psychological torment, leaving Bucky to question not only his actions but the very nature of his identity.

Bucky Barnes' relationship with violence is deeply complex, rooted in both trauma and survival. It is an outlet, an escape, a source of power, but also a source of guilt and self-doubt. His struggle lies in disentangling his own desires from the conditioning imposed upon him. As he continues to reclaim his autonomy, the greatest battle he faces is not with an external enemy, but within himself.

the rain had turned the alley into a maze of shallow rivers, a forensics nightmare as it swept away any evidence that might have been left behind. he'd promised his neighbor to look into their missing kid. twenty-one, barely more than a name on a grainy photo, and gone without a trace. bucky crouched beside the warehouse door, the padlock was new, but the scratches around it weren't. someone had forced their way in before.

bucky grasped the lock and it shattered like plastic in his hand. it was the smell he noticed first as he slipped inside. the air was thick with the scent of oil and metallic—machinery or blood. a single work light hummed in the far corner, illuminating a table stacked with what looked like documents and some kind of ledger. he reached for the ledger just as he heard a pair of footsteps behind him.

he froze, gloved hand hovering over the ledger as he took in the sight of the stranger at the door he'd just broken into. // @d4ughter , a semi - plotted starter .

                 CARRD PROMPTS HEADCANONS

#WINTRB0RN : BARNES , B.UCKY . independent  b.ucky  b.arnes  roleplay  account,  mcu  based  / 616  inspiration, before interacting please read divergences page here . formerly found at @ghststry & @rprgrmmd-a ( lost login details ) . dead dove, do not eat . h.ydra t.rash p.arty dni .

so . . . that was the game. a challenge made—she leaned into his knife, reckless and with no fear of injury, nor pain, nor death—and answered. he reached, cybernetic fingers wrapping like a vice around her wrist and forced the sai's fang away from his neck. ❝ you're not my target. ❞ he made no motion to stab her, but nor did he remove his knife from where it lingered against her stomach. ❝ and if i was yours, you wouldn't waste your time talking. ❞

The blade kissing into her skin elicits a grin from the assassin. She anticipated such a reaction. She had never been face-to-face with the Winter Soldier before, but she was not unaware of him. It was a matter of time before the top assassins for Hydra and the Hand found themselves atop the same rooftop. "The same could be said for you. You left my heart beating." She pulls herself into his blade, feeling the cold metal cut a little further into her skin. The assassin doesn't flinch. Her expression as cold as the Soldier's.

Elektra is no stranger to death. Death is a second home with the first being far beyond reach now.

❝ you think i can't walk out of here right now? ❞ the soldier asked, a trace of a challenge woven into his voice. whatever power her bosses or their bosses' bosses thought they had was nothing more than wishful thinking. he'd taken apart more than a single police station with less. the only reason he was sitting in that interrogation room, the only reason he'd even stepped foot into the station was because he wanted to.

❝ oh? and who's they, huh? ❞ bucky asked, a humorless smile that was all teeth tugging at the corners of his mouth. he suspected she was good at her job, perhaps even an expert in her field, a shining star. but he'd come face to face with people like her over and over again. people who spoke beautifully, eloquently, who said all the right things in all the right ways. but there was always an angle. some agenda hidden inside all of the carefully interwoven hints and unspoken promises.

❝ and what's in it for you? you gonna share this information with me for what? need me to kill someone for you? destabilise a country? destroy an embassy? ❞ that humorless smile remained, as sharp as the curve of a knife, ❝ i don't work for anyone anymore. ❞

clea’s gaze remained steady,  neither pressuring nor retreating,  her words carefully measured.  she saw the quiet resolve in him — the winter soldier,  a man who had been honed by pain  &  time into something beyond ordinary human limits.  she wasn’t naive enough to think she could break him,   &  there was no need to try.  he was the one who had to decide if he wanted what she had to offer.   

her voice was soft,  like a gentle invitation,  but it carried weight — an offer he couldn’t ignore.  ❝no one is keeping you, ❞ she said,  her words almost soothing.  ❝but you’re already in a position where you don’t have full control,  even if you think you do.❞ she leaned forward slightly,  her expression unhurried,  as though she were discussing a simple fact of life.  ❝i’m not offering you shelter or protection.  i’m offering you information — things you need to know,  things they don’t want you to hear. ❞ she let that hang in the air for a moment,  watching him,  her eyes reflecting an understanding that was almost too knowing.  ❝you don’t have to trust me,  but you should know this: you can’t outrun what’s already hunting you.  not forever. ❞ she tilted her head slightly,  her voice lowering.  ❝i can help you avoid it.  or,  at the very least,  i can tell you how to fight back. ❞

[π] person of interest quarantine rewatch ➥ 1x04 cura te ipsum