I would be a morning person, if morning happened around 1pm
You are probably going to be a very successful computer person. But you’re going to go through life thinking that girls don’t like you because you’re a nerd. And I want you to know, from the bottom of my heart, that that won’t be true. It’ll be because you’re an asshole.
The Social Network (2010) dir. David Fincher
There is a phrase used to describe people, often strangers, as “ships passing in the night.” The phrase is meant to describe how fleeting the intersection of two lives can be, how briefly people we don’t know can flicker in and out of our lives.
But when I read about the Titanic, I think we can push the phrase further. Because sometimes, as you pass another ship in the night, you may hear a cry in the dark. A person in danger. A shout for help. Distress rockets and SOS signals wailing into the night. A stranger in crisis.
And in those fleeting moments as your ship passes theirs, you get to make the choice- are you the Californian, the closest ship to the Titanic, which saw the distress rockets and saw the lights on the horizon and sat and did nothing; or are you the Carpathia, turning on a dime, pushing all steam to the engines, racing to help.
We can not say for sure what caused the Californian to not help the Titanic in that night of crisis. Whether is was apathy or incompetence or fear, we don’t know.
But we know that every single soul who survived the Titanic survived because of the Carpathia. Because the crew and the passengers of that ship raced nearly 60 miles through ice fields above their maximum speed in the dead of night, readying life boats, readying triage, to pull them from the water.
So, yes, we are ships passing in the night, and when given the chance to turn away or do good, always err on the side of reckless compassion.
A masterpiece.
Pan’s Labyrinth (2006) dir. Guillermo del Toro
The Subtle Art of Not Giving a F*ck 👌🏻 a must read.
“The more you desperately want to be rich, the more poor and unworthy you feel, regardless of how much money you make. The more you desperately want to be sexy or desired, the uglier you come to see yourself, regardless of your actual appearance. The more you desperately want to be happy and loved, the lonelier and more afraid you become, regardless of those who surround you. The more you want to be spiritually enlightened, the more self-centered and shallow you become in trying to get there. You will never be happy if you continue to search for what happiness consists of. You will never live if you are looking for the meaning of life”. – an excerpt from Mark Manson’s book, “The Subtle Art of Not Giving a F*ck”. I’m only 10 pages in and my mood has improved significantly. 👌🏼
Not to be that person but I feel like sometimes Shrek being so memeable prevents people from seeing how truly revolutionary and radical the first two films really were. A children’s fairy tale that argues that no, ugliness does not mean bad and beautiful does not mean good. A fairy tale that argues that everyone deserves love, even those cast out of the margins of society. A fairy tale that dares to have a female protagonist not be conventionally attractive or helpless. A fairy tale that argues that love does not happen at first sight, but is grown through mutual respect and interest. That’s pretty fucking sick if you ask me
Shot size is an important part of cinematography. It can show off a location, make a character seem small or powerful, highlight emotion or distance the audience. These shot sizes have basic definitions, but the specifics can vary from filmmaker to filmmaker. Below is a list of shot sizes, their general descriptions, abbreviations, alternate names, and effects.
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Having a vision for what you want is not enough! ….“Vision without execution is hallucination” Thomas Edison
nothing is awkward or cheesy if you dont give a fuck. im on this earth to have a good time not to be seen as cool
About Time (2013) dir. Richard Curtis
Wanderer, there is no way, you make the way as you go... Just a wanderer enjoying the rollercoaster.
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