some of my favorite cards from the death note tarot set i made. which you can get here, by the way
your honor who gives a fuck. like for real
something about looking at your hands to understand if you are dreaming or not + also looking at them to understand if an image is ai generated or not
Bro, my unyielding loyalty towards you is totally normal and healthy, I swear. It's just that it's definitely my duty to rip out your enemies throats with my bare teeth. You are the love of my life and I am your most valuable tool. Each night, I fantasize about dying in your arms, covered in blood, and then I close my eyes one final time, satisfied because I can feel your fingers on my face as I take my last breath. Haha anyways
sea, swallow me
bloom in the abyss
Oda wanted to die. . . . I, above all other men, felt and understood deeply the sadness of Oda. The first time I met him on the Ginza, I thought, "God, what an unhappy man," and I could scarcely bear the pain. He gave the vivid impression that there was across his path nothing but the wall of death. He wanted to die. But there was nothing I could do. A big-brotherly warning - what hateful hypocrisy. There was nothing to do but watch. The "adults" of the world will probably criticize him smugly, saying he didn't have enough self-respect. But how dare they think they have the right! Yesterday I found record in Mr. Tatsuno [Yutaka]'s introductory essay on Senancour the following words: "People say it is a sin to flee by throwing life away. However, these same sophists who forbid me death often expose me to the presence of death, force me to proceed toward death. The various innovations they think up increase the opportunities for death around me, their preaching leads me toward death, and the laws they establish present me with death." You are the ones who killed Oda, aren't you? His recent sudden death was a poem of his final, sorry resistance. Oda! You did well.
Dazai’s published eulogy for Odasaku. I found it in The Saga of Dazai Osamu: A Critical Study and Translation by Phyllis I. Lyons, pages 49-50.