Tsuyushuu - T S U Y U

no more cold and calculating i want warm and calculating. i want characters who use deductive reasoning to figure out whether their friend would like a wool or cotton quilt based off of their lifestyle, career, hobbies, and habits. i want "your nails are often chipped because you work for a law firm as a typist for this company which notoriously underbudgets their IT department, so ive bought you a keyboard cover that will not only prevent manicure damage but is also sensory friendly because I know you dislike certain clicking noises". i want characters who figure out their friends entire schedules and social battery levels just by examining who only use that info to know when the best time is to hang out with them. i want characters who create elaborate, supervillain level schemes just to get their hands on some collectible they know their best friend wants. most of all i want characters who do not use intelligence and reasoning skills as a reason to be cruel but as a means to be kind

Helloo @aphunitedstates Im so sorry if this is late;; college is crazy!  but surprise mon!! i got you as my recipient for the summer exchange! heres the mermaid au you have requested!! ;D

A Yuuji I did the other day bc I just wanted to draw without thinking too hard :D

=))))

Are You There, God? It's Me, Draco

read it on the AO3 at http://ift.tt/2olt32I

by floweringjudas (manipulant)

Harry Potter and Draco Malfoy are straight Aurors. Then they’re gay teachers. It makes sense, in context.

Words: 23425, Chapters: 1/1, Language: English

Fandoms: Harry Potter - J. K. Rowling

Rating: Mature

Warnings: No Archive Warnings Apply

Categories: M/M

Characters: Draco Malfoy, Harry Potter, Various Hogwarts Teachers, Percy Weasley, Kingsley Shacklebolt

Relationships: Draco Malfoy/Harry Potter

Additional Tags: Banshees, disparaging references to religions, Aurors, wizarding government

read it on the AO3 at http://ift.tt/2olt32I

It took a lot for me to mature enough to accept a lot of the time you just don’t get closure like ill never understand why certain things happened or ever receive an apology or talk to certain people again or know the answers to questions I can’t ask and people die or leave or drift away sometimes and there’s no answer. and this is actually starting to sound like some doomer shit but im not joking when i say it actually became way easier to move on with my life when I accepted sometimes things will just be left wrong and can’t be made right and there’s no point in wasting any more of my time on it

Kudos to fanfiction writers for writing about all the trauma and emotional and mental turmoil that the original content creators dont acknowledge when putting characters through hell

has anyone else noticed that the writers were absolutely reluctant to fully commit to the darker implications of piltover's actions? like the gas attack on zaun? but tbh the writers' self-sabotaging of arcane's potential as social commentary is not what's really frustrating, it's that it's not just a missed opportunity, it’s a deliberate avoidance. the writers couldn't make piltover that bad, at least not through the characters we have to follow.

with the gas attack, what we get are scattered hints: a single man coughing, kids praying to janna in a song (in a way that’s super easy to miss), and worship of a painting of janna. but the show never fully depicts the suffering caused by the gas. it never commits to the atrocity and by refusing to depict the actual impact, the show softens piltover’s culpability and allows a big part of the audience to either overlook or justify it.

but the gas attack aside, the writers had two opportunities to make an explicit statement about systemic oppression, environmental racism, and the true cost of unchecked industrial power but they avoided doing so. and those two clearest instances of this avoidance are in how the show handles viktor and orianna:

in season 2, viktor’s story is literally warped to avoid blaming piltover. viktor, a character who should represent the suffering zaunites endure because of piltover’s neglect, is instead pushed into the role of an irredeemable villain for a marvelesque shit show. his transformation discards his humanity so blatantly that the audience is distracted from the actual injustice: he was dying because of piltover.

his ending is framed around jayce’s “beauty in imperfection” speech as if he should have just accepted his disability rather than seeking a cure, when the reality is, he wasn’t just disabled, he was dying because of the system piltover built. that was his entire struggle in season 1, but by season 2’s end, the narrative no longer engages with it to protect piltover.

as for orianna, she is reduced to an easter egg as a gift to league of legends fans (which is funny because the show ruined her lore for them), but more importantly, to avoid critiquing piltover.

her lore was an explicit condemnation of piltover’s disregard for zaunite lives. she was a little girl who helped zaunites, got sick due to piltover’s pollution, and had to slowly replace her own body with machinery until she lost all humanity. but arcane erases this. she’s barely a cameo, and the audience isn’t even told how she died. the show doesn’t just sideline her suffering, it removes it entirely, sanitizing piltover’s guilt in the process.

more importantly, all of this lets a big part of the audience defend piltover. for instance, by never showing the gas’s impact, the show gives certain viewers the option to ignore it: no bodies, no long-term sickness, no undeniable, inescapable horror. and i'm sure we've all seen how this allows for interpretations that justify piltover’s actions in the fandom, whether that means erasing the gas attack’s consequences or framing it as acceptable because the victims are zaunites (who are often conveniently portrayed as violent criminals).

also, ekko’s line about rescuing more people because of gang fighting is a perfect example of how the show subtly misdirects the audience. yes, gang violence is an issue, but it’s not the only crisis. the gas remains, it spreads, it poisons the people, especially the children working in factories. those are also people the firelights must have rescued. but the show chooses to highlight one crisis over another, and we know why ...

anyway, it's sad that the writers had no balls. they let so many people feel comfortable not thinking too hard about piltover’s crimes, and comfortable enough to insult anyone who criticizes characters participating in those crimes, especially caitlyn and her squad.