Just wanted to say I love your EPIC header, that line has been stuck in my head for days now :)
ANOTHER EPIC FAN! I’m obsessed with the new saga aaaaa
hello hello! it's me, rach!
as the new year approaches, many of us set goals and resolutions - myself included. one of my goals for 2024 is to write a novel (I've been procrastinating on this for quite a long time now). i assume that some of you might have the same goal, that's why I'm writing this post today.
over 2023 i've been releasing some freebies for authors just like me, so I thought I could compile my favorites in this post. hope you find this useful :)
this workbook has over 60 exercises to help you develop characters, scenarios, etc. if you're ever stuck, I'm pretty sure this workbook will be your best friend.
this is the most downloaded freebie in my shop! it is a notion dashboard with everything you need to organize your writing and has some templates included (like scrivener)!!
this one has two themes you can choose from: cottage-core and dark academia. they're very similar to the previous template, but this one is more recent and I added some new features. feel free to explore both and pick the one you like the most.
this is a cute printable with 20 pages that will help you stay on track and manage your social media accounts as a writer who shares their work online. you can also register what you're currently writing and your personal research and resources.
this is a 6-page printable for you to fill out and plan your book easily and effectively.
this is a simple excel sheet, but it is very effective for keeping track of your tasks & word-count of your novels. also, it is 100% customizable to your liking!
that's all for now! feel free to explore my gumroad shop where I have plenty of freebies to grab! also, don't forget to subscribe so that you never miss any opportunity to get a goodie for free :)
hope this post was useful!
have a nice day,
rach
Remember: the more difficult you make it for them to realize a report is false, the more useless you make the portal.
@ everyone who likes rambling about their favorite characters :)
tagged by @evergreen-lyricist
rules: list your top ten favourite female characters, then let your followers pick one!
tagging @blueskiesandstarrynights @zannolin @crashed-wing and anyone else who wants to!
Hey there! I just came across this blog and im wondering if I could get some advice. I have a lot of trouble keeping motivation for a story. I'll have a new idea that im really excited about, ill write 10-20 pages of it, and then get bored of writing it. Any tips on how to keep myself invested in writing my own stories?
It's not uncommon for writers to lose interest in their WIP. Staying on track, or getting back on track, are skills you'll acquire with time. Here are some of the reasons you might have lost interest in your WIP:
#1 - You're Not Sure Where the Story is Going. When you figure out a way into a story you're excited about, the beginning can be a piece of cake. It's all set up and inciting incident, which can be really really fun to write. But if you're not sure what needs to happen after the inciting incident, you can find yourself meandering and get bored quickly.
Fix - If you're writing a story that is plot-driven or a combination of plot-driven and character-driven (as most stories are these days), it may help to familiarize yourself with Basic Story Structure and also have a look at my post about How to Move a Story Forward.If you're writing a character-driven story, you can adhere to basic story structure or a more loose structure, but your character's arc will be the focus of the story. If you think plot and structure may be what's holding you back, you might spend time on my Plot & Story Structure post master list to read some of the other posts there.
#2 - Something Isn't Working. Stories are often like a house of cards in that one misplaced "card" can bring the whole thing crashing down. Sometimes you lose interest because an element or event didn't quite work, and you can feel in your gut that something's not right, so your brain interprets that as losing motivation. It's not really that you've lost interest in the story... it's that you've lost interest in the dead end path it's on.
Fix - Go back through what you’ve already written and look for something that’s not pulling its weight. It could be an unnecessary character dragging the story down, a subplot that is cluttering up the story or drawing attention away from the main plot, or it could be a scene/scenes that don’t add to the story. It could even be a combination of these things. If you can find it and fix it, your motivation may return.
#3 - You're Just Not in the Mood to Write. It could be that your interest in your WIP is just fine, you're just not in the mood to write. Our brains aren't always great at interpreting signals from our bodies, including other parts of our brain. The thirst signal is sometimes misinterpreted as hunger, which is why if you're feeling hungry when you shouldn't, you should try drinking a glass of water. Sometimes, in the same way, we're just not in the mood to write and our brains misinterpret that as a loss of interest in our WIP.
Fix - Consider what's going on in your life at the moment. Are you stressed? Are you distracted? Are you not feeling well? Sometimes you just need to give yourself a few days or weeks to let things resolve, and then you'll find your motivation has returned. Try doing things to Fill Your Creative Well in the meantime, or try some of the exercises in this post: Getting Unstuck: Motivation Beyond Mood Boards & Playlists
#4 - You're Overly Focused on Quality. One of the biggest WIP interest/motivation zappers is focusing too much on quality in your early drafts. If you're fixated on things like description, flow, theme, symbolism, grammar, etc. in your first draft, you're going to mentally
Fix - Remember, your early drafts should be more about getting the story down and working out the kinks. Don't worry so much about things like description, grammar, details, etc. until you've got all of that hammered out. And remember that the whole point of editing and revision is to polish your draft. You get the story down and make it pretty later.
#5 - You're Letting Yourself Get Distracted by New Ideas. The thrill of coming up with a new idea is part of the fun of being a writer. One of the pitfalls of being a writer is new ideas sometimes distract you from your WIP. We can be completely into our WIP, then a new idea comes along and our brains say, "Ooo! Look at the shiny pretty!" And off we go. Some writers, particularly seasoned ones, are able to work on multiple WIPs at once, but you should focus on one WIP at a time if you commonly lose interest before they're finished.
Fix - When you get a new idea, write it down in a notebook and/or in a document on your device. Once the idea is "down on paper," just forget about it. Imagine that it vanishes once it's recorded and you close the notebook/document. It takes practice, but you'll get better at ignoring the pull of a new idea.
Here are some posts from my Motivation post master list that might also help:
Guide: How to Rekindle Your Motivation to Write Feeling Unmotivated with WIP Getting Unstuck: Motivation Beyond Mood Boards & Playlists Getting Excited About Your Story Again
Have fun with your story!
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How do I figure out what motions/handlings to write? (Hand gestures, moving in the scene, etc).
I am autistic and have never paid much attention to the way people move. I only do so now because I have been reading and noticed it was missing from my own writing. I never see anyone struggle with this, so I feel like I am missing some understanding on how to structure a scene
Body language is the process of communicating nonverbally through conscious or unconscious movements of the body.
Th four types of body language:
-- Facial Expressions -- Posture -- Hand Gestures -- Body Movement
Facial Expressions communicate thought and emotion using the features of the face, such as eyes, mouth, nose, and eyebrows. Some examples of facial expressions are:
-- an upturned mouth -- dimples -- a raised eyebrow -- flushed cheeks -- a scrunched nose -- rolling eyes -- gaping jaw -- eye signals (winking, narrowed eyes, twinkling eyes, etc.)
Posture communicates thought and emotion using the positioning of the body, head, and limbs. Some examples of posture:
-- sitting up straight -- slouching -- leaning toward someone -- hugging oneself -- crossed arms -- hands on hips -- slumped shoulders
Hand gestures communicate thought and emotion using intentional movements of the hand. Some examples of hand gestures:
-- pointing -- "face palm" -- waving -- beckoning with hand or finger -- thumbs up -- middle finger -- clenched fists -- covering mouth with hand -- placing hand over heart -- gesturing at someone/something -- clapping
Body movements communicate thought and emotion using bigger actions, like gestures using the head/neck or limbs, or moving the entire body. Some examples of body movements:
-- jumping up and down -- cowering -- flinching -- bowing/curtsying -- handshakes/hugs -- hitting/kicking/pushing -- taking a step back -- moving toward -- shrugging -- shaking head/nodding -- tipping head back -- dancing in place Choosing Body Language to Show Emotion
A character's thoughts and emotions can be conveyed using a combination of different body language signals. Every body language signal (such as a wink, smile, frown, shrug, wave, etc.) has a bunch of emotions it can be tied to.
For example, we all know that smiling is typically a sign of positive emotions like happiness, joy, satisfaction, triumph, and affection. Shrugging is usually an indication of indifference or not knowing something. However, we can also modify body language using adjectives. For example, a "nervous smile" or a "sad smile" tells us something very different from just a regular smile. An "apathetic shrug" clarifies indifference, whereas an "enthusiastic shrug" implies excitement about something but not having all the answers or facts.
Sometimes, choosing the right emotion to illustrate a character's thoughts and feelings is as simple as considering what you yourself might do in that moment. Or, perhaps someone you know who is like your character. Other times, it can be beneficial to research which body language signals are typically indicative of a particular emotion. For that, I would strongly recommend purchasing a copy of The Emotion Thesaurus by Becca Puglisi and Angela Ackerman. This handy reference lists a variety of emotions along with the body language that often indicate them, and it goes even further in that it also describes the internal sensations that often go with these emotions, which is handy when you're writing in first-person or third-person close/limited. The book is available for purchase in print and e-book, and you can find samples by searching for "One Stop for Writers Emotion Thesaurus."
I hope that helps!
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Do you ever find yourself over-using the word “said” in your writing? Try using these words/phrases instead:
stated
commented
declared
spoke
responded
voiced
noted
uttered
iterated
explained
remarked
acknowledged
mentioned
announced
shouted
expressed
articulated
exclaimed
proclaimed
whispered
babbled
observed
deadpanned
joked
hinted
informed
coaxed
offered
cried
affirmed
vocalized
laughed
ordered
suggested
admitted
verbalized
indicated
confirmed
apologized
muttered
proposed
chatted
lied
rambled
talked
pointed out
blurted out
chimed in
brought up
wondered aloud
(NOTE: Keep in mind that all of these words have slightly different meanings and are associated with different emotions/scenarios.)
never underestimate my ability to platonicaly yearn for somebody
KITTY TRIES TO SUMMON BARTIMAEUS AFTER PTOLEMY'S GATE
“You don’t need me here."
He looks exactly as she remembers him, or rather exactly as she remembers him. Same stupid coat, same long fingers and pale skin with the ink under the fingernails, the same bags under his eyes. (Except his eyes, instead of brown, they’re black, the same black of Ptolemy’s eyes, black you could fall into and never hit the bottom.)
She chokes on her words, so carefully prepared, that rebuilding is a lot fucking harder than it should be, that a sudden influx of Polish immigrants has everyone on edge, petitions being signed for the previous government back, the good old days. a tenth of the city, including rebecca piper, has come down with a strain of the flu that’s left doctors baffled. kitty hasn’t slept more than three hours a night for the last week and there’s a pain in her chest that she’s been staunchly ignoring for too long now. and, most of all, people look up to her, people depend on her, and she’s helpless to help them.
"i just missed you is all,” she says, shocked by how small her voice is. (shocked and angry. she’s better than this.)
bartimaeus gives her a small smile, and suddenly half of nathaniel’s side is drenched in blood, his leg is twisted at the wrong angle, his hair is matted with dirt and sweat. (he’s still in better condition than when they found him.) “i’m tired, kitty. let me go.”
she does. she hears — or at least pretends she hears — before he leaves: “but i’ve missed you, too.”
Here are my best tips to write your opening chapter in your novel like a pro.
Start in a peculiar situation What is a situation that’s totally unexpected to your readers, but an everyday occurrence to your characters? Start there!
Make sure you cover all these elements 💜 Introducing your protagonist 💜 And their flaw 💜 And what they struggle with 💜 Build a first look at the atmosphere of your book 💜 Signal your genre 💜 Establish your narrative position
Keep it all about the intrigue! It’s very tempting to unload everything onto your reader in the first chapter, because you just want them to know everything. But the more you can hold back, the more intrigue you will create, and therefore - more reason for the reader to keep flipping pages.
Don’t forget to hint at your story question Now this is a really important step that a lot of writers leave out and their first chapter suffers for it. It has to do with your hero’s flaw. This will be closely connected to the story question you’re asking. Make sure you include a quick hint at the bigger conflict that your story will be exploring and how your hero’s flaw might play into it.
Your characters are key Absolutely the most crucial thing about your first few chapters is to establish a connection with your characters. Character empathy is what drives readers’ interest. Don’t go in with a whole character backstory, but instead show us who they are right now, and why we should care about what happens to them.
Things to avoid ❌ Info-dumping! ❌ Introducing too much about your world all at once ❌ Introducing too many characters ❌ Giving your readers answers instead of questions
Want fully customizable templates for your writing? Character sheets, outlines, chapter treatments, world-building, questionnaires and more?
Grab our 3 E-books for writers through the [link here] or below! They each come with 40 pages of easy theory and resources.
The Plotter’s Almanac
The Character Bible
The World Builder’s Chronicle
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