Hello, Im Aseel from Gaza. I hope you are well. I am living in war and fear. I lost my family, my home, and everything I own. We are living in difficult circumstances. I hope you can help me by donating even a simple thing or publishing my page.
1100 Swedish krona = 100 dollars Every $5 will make a difference 🙏
My campaign was vetted by 90ghost
https://gofund.me/36072769
Please reblog
Save our lives 🚨🚨
Help me before I become another silence on this weary earth.
Thank you 🤍
SHITSHITSHIT I DIDNT READ THE CAPTION IM SORRY KAIDOU 😭
I am Omar Mazen Rabah Hammad, I am 18 years old, with my father Omar, my father is 64, my father has Sultan's disease. I live alone. I lost my family and I live with my father. I am afraid of losing my father. We have lost many members of our family and my father suffers from many diseases. If I don't help my parents, I will lose my parents. I'm afraid I'll lose my parents and stay alone. 💔☹️
I lost most of my family. I'm afraid to lose my parents. I'm younger, if I lose my brother I'll be alone at the beginning of my youth. I hope everyone stands with us. This has ruined our lives and destroyed my father with a disease that is getting worse with this war. I lost most of my family 💔💔
We suffer a lot in our lives here, no water, no healthy food, everything here needs money, and we don't have money. We had shops and we spent and live, but destroy everything there will be nothing left, my father needs medicine every three days and I won't be able to help my father's situation is bad, we need your help, support and donations so that we can overcome the purchase of medicine and food and we want to live as peacefully as we can, but my father is sick and unable to walk. We need money so that I can ruin my father, 🙏🏻
But unfortunately, our house was destroyed in this war and we are now living in tents, Dilapidated ☹️
Now we live in dilapidated tents my father is unable to walk
we are no longer able to provide the bare necessities of life
My family’s future has been completely destroyed and I can no longer live in Gaza. I want to leave it and treat my parents outside the Gaza Strip, so I need $5,000 per person.
I hope that everyone who watches my story will help me get out of Gaza and find a better treatment and life for my father and family.
I'm asking for help and,I hope you help me and donate to me to save my life from death
Donate, even if it's $20
I hope you can donate even $20, it will save my father's life ❤️🙏
Share my campaign 🙏
Donate to me please 🍉
Verified : @90-ghost
Thank you all 🍉🇵🇸
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Do you have any one piece fic recs? Mainly stuff that doesn’t really deal with romance. That sweet sweet platonic shit is calling my name
yeah, i got a ......couple!!
Luffy was raised as a marine and makes it everyone's problem (Series, spoilers for all arcs they're in sections so read up to where you are)
Luffy was raised as a marine, but now has more childhood trauma (Series, first fic is a full fledged fic, again spoilers for all arcs)
Somewhere to Belong (childhood ASL, garp strikes a deal for whitebeard to watch them for 6 months)
The Fire and the Sun (A what-if marineford fic, luffy gets hit)
I’ll keep the king (I’ll keep him safe) (a whump fic centered around luffy's injuries and his crew taking care of him, nakamaship)
sweets and chains can't keep away the king's straw hat (AU where luffy is Big Mom's son and Dragon keeps breaking in checking up on him)
There is no such thing as freedom in a cage of your own making (AU where it's found out much earlier that luffy is Dragon's son and the marines are sent after him on Dawn, Garp calls Ace to go get him first)
Dammit Garp (stop kidnapping your grandson) (Garp finds out Ace is on whitebeard's ship and throws luffy over there too)
the sky is falling (but you’re with me so there’s nowhere i’d rather be) (ok i know you said no ship, but i'm obsessed over this fic for being one of the BEST gear 5 fics out there because of how much LORE it has, Gods AU, ch 1044+ spoilers)
Treasures for a Treasure (pearls pale in your eyes) (Gods AU, luffy is the son of the sea)
Who We Were Meant To Be (Marine!Luffy AU)
Undo, Rewrite, Again (Luffy gets blasted to Baltigo instead of the Isle of women)
Smile Again (Modern AU nakamaship, the crew help luffy recover from ace's death after a crash)
Adopted By Default (Luffy gets blasted to the whitebeards instead of the isle of women)
Beginning the Next Dream (Luffy gets reincarnated as his own uncle and raises the ASL brothers lol, only gets to ace though but the fic is worth it for the luffy, dragon, and garp interactions as well as roger and shanks)
The feel of family (ASL brothers but law and corazon are there too somehow)
Boy With a Scar (luffy went missing for 4 years as a fighting ring slave, fic begins after he's been freed and returned to Dawn)
The time the ASL Brothers ran away from home because they didn't want to deal with Garp (ASL brothers become pirates instead of building their treehouse)
How it Should have Healed (Another nakamaship fic about luffy's wounds throughout their adventures)
The Past and Future King (two pirate kings accidentally meet on a weird island)
one bleached from lying in a sunny place (someone comes up to Usopp and asks to join the strawhats)
Twin Flames (Ace calls Sabo his twin when talking to jinbe in impel down, this has consequences)
across ocean tides and snow-covered hills (ace and luffy meet up on Dawn right before luffy's 2 year time limit)
What if (ace is born a few days early and Rayleigh takes him in instead, making the ASL brothers estranged)
In That Bottle, Is an Ocean Of Memories (AU where luffy is big mom's son)
The World Goes Around In Circles ("How come you're called the pirate hunter, when you're a pirate yourself?")
sea king prayers (Gods Au, series)
it's all been done before (timetravel Au but told in ace's perspective who has no idea time travel is a thing that's going on)
on brotherhood (ageswap, luffy is the older brother)
gods apparent. (gear 5 fic)
Claimed by the Sea (pirate king luffy gets kidnapped by a cult, zoro and the crew searches)
light up, light up (Ace goes missing after the fire, leaving Sabo and Luffy alone. Outlook wants Sabo back and sabo agrees only if luffy can come with him)
as the world goes on its wicked way (Luffy gets turned into a kid for a day, big brother usopp moments)
trouble is a friend of mine (Sanji gets captured)
literally anything written by taizi
the weight of you (Platonic strawhats cuddling :D)
over the course of a day (An AU in which Usopp is forced to hitchhike and meets a few concerning characters)
Like Cats and Dogs (Daemon Au)
stared at the sun and the sun smiled back and called itself pirate king (or: loyalty, on the high seas) (Crew loyalty series)
Little Monsters ( Post-Wano, some lucky (or not-so-lucky) Marines capture the still-injured Sanji and Usopp)
no gods (Gods Au/gear 5, days after the Flevance massacre but with an extra guest)
DreadLetting (gear 5 & time travel, luffy ends up back on that day ace sets sail)
All Hail The Sun God (Gods Au, Zoro offers himself as a human sacrifice so the god of the valley will return)
sky blues (little luffy and vivi meet)
to have and to hold on (Spade pirates are worried about ace and tries to recruit luffy into helping them, Deuce pov)
Pain Scale (Nakamaship, luffy gets hurt)
You Still Have Me (Ace and luffy ageswap, marineford)
It was cold without you by my side (Sabo remembers a few days sooner, just in time to break into impel down)
teacup lizards (luffy is born as dragon’s twin)
reach up to me (if you even can) (Ace reacts to gear third’s “side effect”)
Same Difference (Sabo remembers years sooner, revisits Dawn island)
You Can't Teach a Monkey to Read (Nakamaship, the crew teaches luffy how to read after the timeskip)
The Will of D Carries On (Klabautermann au)
Of pirates and touches (Nami & luffy friendship)
Seven Deadly Sins (Modern Au, Law’s new apartment is haunted)
We Set Our Wishes Upon Her Waters (Gods Au, the 4 Blues are seen as gods and these gods have their own chosen)
Captains' Flowers (a kinda soulmate/mark fic, platonic nakamaship)
Sibling Sympathies (ace’s arabasta visit, nami pov)
interviewing the Future Pirate King (REAL! NOT CLICKBAIT!) (does this one even need an explanation?)
Diving Into The Sea AND Diamond Stratosphere (Au where some people with the D name have wings, series but the fics isn’t under one for some reason?)
Overboard (A typhoon hits the Going Merry's crew harder than any of them could anticipate or accept)
Know Me Like Waves Know Shores ( When Dragon and Luffy meet face to face for the first time, Luffy doesn't recognize his father.)
of scissors and combs (usopp gives luffy a haircut)
burning rubber (Chopper worries over luffy, post marineford & timeskip)
hey, let's get lost (along the way) (Ace, Luffy, Vivi, and Nami accidentally get lost in Alabasta)
etch the ocean into my soul like a guiding light (platonic soulmates Au, zolu)
Si c'est une âme (Platonic soulmates, nakamaship)
The Experiment (The crew make a game out of Zoro’s sleeping habits)
A Chance Encounter ( After Ace get's defeated by Blackbeard, he's held at a temporary prison for a little while, and there he meets a quirky, young marine that surprisingly is related to Ace!)
the voice of all things (The ocean's all the same to everyone―but no one else can hear it quite like he can.)
Many Kisses (Nakamaship & kisses)
Bearing the heat (Modern Au, ASL, slice of life)
tumbling overboard, faces full of fear (luffy falls overboard during a storm, franky dives in after him)
a place that burns (It is then, that moment, strikingly clear, that Luffy realizes he doesn’t have a home.)
Sleep is a Beast, Polar and Bear (post marineford, luffy has trouble sleeping, zoro does what he can to help)
you gotta go the long way 'round (Robin teaches luffy how to read, timeskip)
Swimming Lessons (Thanks to Law’s bodyswap ability, Usopp teaches luffy how to swim for the first time)
take a step in mine (marineford au)
Cool! Two Zoros! (the crew somehow ends up in the past. in the east blue. zoro is there)
wish by spirit and if by yes (Sabo tracks down the whitebeard pirates)
don't bury me with gold (Wolrd noble!Sabo Au)
whatever you can still betray (Haruta is convinced Ace is a spy)
Captains Don’t Get Sick (luffy & nami nakamaship)
where the rims have ridges (Outsider POV, a girl happens to meet both roger and luffy during her life, the strawhat is what she notices)
Code of Misconduct (The crew sets down some ground rules)
I Can't Be Selfless (Pre-canon, Aokiji meets luffy in fooshia)
worn to the bones (that scene where luffy, zoro, and sanji are traveling to fishman island and get separated from the crew in bubbles)
sing songs of the sea (Luffy drowned once, series)
God's emperor (Gods Au, shanks meets luffy)
i'll fly away (Au where everyone is born with wings)
a sailor by any other name (Zoro pov, luffy is forced to join the marines at a young age)
Chasing the Remnants (Sabo goes with dragon to lougetown)
Almost Giving up Before We've Even Started (Luffy and dragon meet up, it’s awkward for them both)
Being together we are stronger than ever (ASL bodyswap)
Here There Be Dragons (Dragons Au)
Taken from Rachel’s gofundme:
“We don’t have a home anymore, despite the signed contract agreement that made the house ours. We had an attorney that was supposed to halt the eviction, but suddenly disappeared and left us out for the birds. It’s really the landlord’s son who ended our stay at the house. He had the workers stuff our belongings in black garbage bags and toss them out to the street, breaking some things in the process, despite the officer telling me to my face when I was in panic, “We are professionals and will be careful with your items.”
One of the things that blew me away is that my dad (now battling cancer) volunteered as a first responder during our time here, and yet many in the neighborhood stopped by with comments or made fun of us, and what I think I understand is that because they know that we are artists and were always making the exterior of the house look pretty and well kept, they felt high enough to insult or make fun of our situation.
From overnight to the next day, frantically hustling and carrying/dragging our belongings, even bigger than us such as furniture and whatever was left of our stuff into a couple of moving trucks, the landlord’s son also called the cops on us multiple times since we had our “trash” on the property. He did this anyway even after watching us in the direct sun, going without eating, or taking breaks for several hours, desperate to collect our things and bring them off the property to safety in the midst of his request for the Town Garbage to dispose of our belongings. Literal blood, sweat, and tears were shed that day. He destroyed a lot of furniture that I remember taking a few years for my parents to save up for. I will never forget the sound my grand piano made when I watched it be lifted into the air and drop, shattering inside that larger dump truck. We suffered bruises, scratches/cuts (due to anonymous sharp items we couldn’t see in many bags), bug bites, poison ivy, and sunburns. We are even getting sick (such as testing positive for covid) due to going and sleeping at hotels to motels, inns, etc.
In November, the landlord’s son sent workers to remove/destroy our own plants, rare shrubs, self-built wooden planters, and other of our wood framing to “clean up” the yard. He also had them destroy and take down our fence that we built too, which was supposed to enhance my brother’s safety, as he can’t help himself suffering from Asperger’s/autism. The house was poorly constructed, in which my Dad (battling cancer), has been making improvements and repairs to the house throughout the years. The lease shows that we were on a “pay to own” plan, which we've already invested for around 15 years... We paid out of pocket and were very rarely compensated to fix any issues with the house, but kicked out anyway…
At this point, I am not looking to cover the cost to replace what was ruined or lost, but we are running out of resources, going from motels to hotels, while struggling to pay for storage, as well as any other form of shelter.
Unfortunately, we live in a relatively expensive part of New York, and it would be a lot of gas to inspect houses and meet with real estate agents, including bringing our things from the storage units to the new location even if we found a more affordable, well built house in another state. I would especially like my little sister to continue her education here as well, but the market for homes here aren’t in a very sparing range.
Since middle school, it was always my biggest dream and concern to buy a house for my family; in fear that something like this would happen. I have tried so hard to find ways to make it happen, but around where I live, these corporations are either not hiring, or I am believed to be inadequate for the job, even though I applied to many fields I’ve had experience and felt confident in.
I would like to secure a final place for my family. FULLY paid off. No longer needing to worry about the greed and control from heartless and unconcerned landlords, like the many years ago growing up, and now.
Your help and contribution is abundantly appreciated.
-Rachel ( aka MW )”
I.
Often I find myself nostalgic for things that haven't disappeared yet. This feeling is enhanced by the strange conviction that once I stop looking at these things, I will never see them again, that I am living in the last moment of looking. This is sense is strongest for me in the interiors of buildings perhaps because, like items of clothing, they are of a fashionable nature, in other words, more impermanent than they probably should be.
As I get older, to stumble on something truly dated, once a drag, is now a gift. After over a decade of real estate aggregation and the havoc it's wreaked on how we as a society perceive and decorate houses, if you're going to Zillow to search for the dated (which used to be like shooting fish in a barrel), you'll be searching aimlessly, for hours, to increasingly no avail, even with all the filters engaged. (The only way to get around this is locational knowledge of datedness gleaned from the real world.) If you try to find images of the dated elsewhere on the internet, you will find that the search is not intuitive. In this day and age, you cannot simply Google "80s hotel room" anymore, what with the disintegration of the search engine ecosystem and the AI generated nonsense and the algorithmic preference for something popular (the same specific images collected over and over again on social media), recent, and usually a derivative of the original search query (in this case, finding material along the lines of r/nostalgia or the Backrooms.)
To find what one is looking for online, one must game the search engine with filters that only show content predating 2021, or, even better, use existing resources (or those previously discovered) both online and in print. In the physical world of interiors, to find what one is looking for one must also now lurk around obscure places, and often outside the realm of the domestic which is so beholden to and cursed by the churn of fashion and the logic of speculation. Our open world is rapidly closing, while, paradoxically, remaining ostensibly open. It's true, I can open Zillow. I can still search. In the curated, aggregated realm, it is becoming harder and harder to find, and ultimately, to look.
But what if, despite all these changes, datedness was never really searchable? This is a strange symmetry, one could say an obscurity, between interiors and online. It is perhaps unintentional, and it lurks in the places where searching doesn't work, one because no one is searching there, or two, because an aesthetic, for all our cataloguing, curation, aggregation, hoarding, is not inherently indexable and even if it was, there are vasts swaths of the internet and the world that are not categorized via certain - or any - parameters. The internet curator's job is to find them and aggregate them, but it becomes harder and harder to do. They can only be stumbled upon or known in an outside, offline, historical or situational way. If to index, to aggregate, is, or at least was for the last 30 years, to profit (whether monetarily or in likes), then to be dated, in many respects, is the aesthetic manifestation of barely breaking even. Of not starting, preserving, or reinventing but just doing a job.
We see this online as well. While the old-web Geocities look and later Blingee MySpace-era swag have become aestheticized and fetishized, a kind of naive art for a naive time, a great many old websites have not received the same treatment. These are no less naive but they are harder to repackage or commodify because they are simple and boring. They are not "core" enough.
As with interiors, web datedness can be found in part or as a whole. For example, sites like Imgur or Reddit are not in and of themselves dated but they are full of remnants, of 15-year old posts and their "you, sir, have won the internet" vernacular that certainly are. Other websites are dated because they were made a long time ago by and for a clientele that doesn't have a need or the skill to update (we see this often with Web 2.0 e-commerce sites that figured out how to do a basic mobile page and reckoned it was enough). The next language of datedness, like the all-white landlord-special interior, is the default, clean Squarespace restaurant page, a landing space that's the digital equivalent of a flyer, rarely gleaned unless someone needs a menu, has a food allergy or if information about the place is not available immediately from Google Maps. I say this only to maintain that there is a continuity in practices between the on- and off-line world beyond what we would immediately assume, and that we cannot blame everything on algorithms.
But now you may ask, what is, exactly, datedness? Having spent two days in a distinctly dated hotel room, I've decided to sit in utter boredom with the numinous past and try and pin it down.
II.
I am in an obscure place. I am in Saint-Georges, Quebec, Canada, on assignment. I am staying at a specific motel, the Voyageur. By my estimation the hotel was originally built in the late seventies and I'd be shocked if it was older than 1989. The hotel exterior was remodeled sometime in the 2000s with EIFS cladding and beige paint. Above is a picture of my room, which, forgive me, is in the process of being inhabited. American (and to a lesser extent Canadian) hotel rooms are some of the most churned through, renovated spaces in the world, and it's pretty rare, unless you're staying in either very small towns or are forced by economic necessity to stay at real holes in the wall, to find ones from this era. The last real hitter for me was a 90s Day's Inn in the meme-famous Breezewood, PA during the pandemic.
At first my reaction to seeing the room was cautionary. It was the last room in town, and certainly compared to other options, probably not the world's first choice. However, after staying in real, genuine European shitholes covering professional cycling I've become a class-A connoisseur of bad rooms. This one was definitively three stars. A mutter of "okay time to do a quick look through." But upon further inspection (post-bedbug paranoia) I came to the realization that maybe the always-new brainrot I'd been so critical of had seeped a teeny bit into my own subconscious and here I was snubbing my nose at a blessing in disguise. The room is not a bad room, nor is it unclean. It's just old. It's dated. We are sentimental about interiors like this now because they are disappearing, but they are for my parents what 2005 beige-core is for me and what 2010s greige will become for the generation after. When I'm writing about datedness, I'm writing in general using a previous era's examples because datedness, by its very nature, is a transitional status. Its end state is the mixed emotion of seeing things for what they are yet still appreciating them, expressed here.
Datedness is the period between vintage and contemporary. It is the sentiment between quotidian and subpar. It is uncurated and preserved only by way of inertia, not initiative. It gives us a specific feeling we don't necessarily like, one that is deliberately evoked in the media subcultures surrounding so-called "liminal" spaces: the fuguelike feeling of being spatially trapped in a time while our real time is passing. Datedness in the real world is not a curated experience, it is only what was. It is different from nostalgia because it is not deliberately remembered, yearned for or attached to sweetness. Instead, it is somehow annoying. It is like stumbling into the world of adults as a child, but now you're the adult and the child in you is disappointed. (The real child-you forgot a dull hotel room the moment something more interesting came along.) An image of my father puts his car keys on the table, looks around and says, "It'll do." We have an intolerance for datedness because it is the realization of what sufficed. Sufficiency in many ways implies lack.
However, for all its datedness, many, if not all, of the things in this room will never be seen again if the room is renovated. They will become unpurchaseable and extinct. Things like the bizarrely-patterned linoleum tile in the shower, the hose connecting to the specific faucet of the once-luxurious (or at least middling) jacuzzi tub whose jets haven't been exercised since the fall of the Berlin Wall. The wide berth of the tank on the toilet. There is nothing, really, worth saving about these things. Even the most sentimental among us wouldn't dare argue that the items and finishes in this room are particularly important from a design or historical standpoint. Not everything old has a patina. They're too cheaply made to salvage. Plastic tile. Bowed plywood. The image-artifacts of these rooms, gussied up for Booking dot com, will also, inevitably disappear, relegated to the dustheap of web caches and comments that say "it was ok kinda expensive but close to twon (sic)." You wouldn't be able to find them anyway unless you were looking for a room.
One does, of course, recognize a little bit of design in what's here. Signifiers of an era. The wood-veneer of the late 70s giving way to the pastel overtones of the 80s. Perhaps even a slow 90s. The all-in-one vanity floating above the floor, a modernist basement bathroom hallmark. White walls as a sign of cleanliness. Gestures, in the curved lines of the nightstands, towards postmodernity. Metallic lamp bases with wide-brimmed shades, a whisper of glamor. A kind of scalloped aura to the club chairs. The color teal mediated through hundreds if not thousands of shoes. Yellowing plastic, including the strips of "molding" that visually tie floor to wall. These are remnants (or are they intuitions?) of so many movements and micromovements, none of them definite enough to point to the influence of a single designer, hell, even of a single decade, just strands of past-ness accumulated into one thread, which is cheapness. Continuity exists in the materials only because everything was purchased as a set from a wholesale catalog.
In some way a hotel is supposed to be placeless. Anonymous. Everything tries to be that way now, even houses. Perhaps because we don't like the way we spy on ourselves and lease our images out to the world so we crave the specificity of hotel anonymity, of someplace we move through on our way to bigger, better or at least different things. The hotel was designed to be frictionless but because it is in a little town, it sees little use and because it sees little use, there are elements that can last far longer than they were intended and which inadvertently cause friction. (The janky door unlocks with a key. The shower hose keeps coming out of the faucet. It's deeply annoying.)
Lack of wear and lack of funds only keep them that way. Not even the paper goods of the eighties have been exhausted yet. Datedness is not a choice but an inevitability. Because it is not a choice, it is not advertised except in a utilitarian sense. It is kept subtle on the hotel websites, out of shame. Because it does not subscribe to an advertiser's economy of the now, of the curated type rather than the "here is my service" type, it disappears into the folds of the earth and cannot be searched for in the way "design" can. It can only be discovered by accident.
When I look at all of these objects and things, I do so knowing I will never see them again, at least not all here together like this, as a cohesive whole assembled for a specific purpose. I don't think I'll ever have reason to come back to this town or this place, which has given me an unexpected experience of being peevish in my father's time. Whenever I end up in a place like this, where all is as it was, I get the sense that it will take a very long time for others to experience this sensation again with the things my generation has made. The machinations of fashion work rapaciously to make sure that nothing is ever old, not people, not rooms, not items, not furniture, not fabrics, not even design, that old matron who loves to wax poetic about futurity and timelessness. The plastic-veneered particleboard used here is now the bedrock of countless landfills. Eventually it will become the chemical-laced soil upon which we build our condos. It is possible that we are standing now at the very last frontier of our prior datedness. The next one has not yet elided. It's a special place. Spend a night. Take pictures.
Don’t forget you daily click!
I’m once again appealing on behalf of my friend Othman to please consider sharing and donating to his campaign. He’s only 23 years old, and is trying to raise money just to feed his family. They’re currently homeless, sheltering from bombs that have been dropping so close to where they’re staying, and Othman needs to travel outside of Gaza for medical treatment, which is extremely difficult given the current conditions and lack of funds to do so.
I know a lot of people don’t have the means to help, but even just $5 will be greatly appreciated and it will all add up eventually. He’s so close to €500 and I really want him to reach €1,000 by next week. If you can’t donate, please share. He is such a good person, and a good friend, and I don’t want to lose him. He deserves his life back just like every Palestinian going through the atrocities of Israel’s genocide. I feel like I have to convince people to care about him, when no one should need a reason to help Palestinians. It should already be a given.
His fundraiser has been vetted by @gazavetters (#567 on their list) and you can follow @othmanjehad2 to support him even further.
Please help however you can. Thank you ❤️
I have to open a comms, cause atm I have no money at all so I can’t even afford a ride to university and soon need to go to another city qwq
W/o bg:
Headshot — 10$
Halfbody — 20$
Fulbody — 30$*
*you can ask for sketched bg!
With background, fullbody, all rendered— 60$
For additional character — +50%
Payment via paypal, no strict deadline unless asked. Usually it takes me around 2 months to finish fully rendered picrure but atm I think I might stretch deadline to 3-4 months cause of exams and trip :(
Dm me or comment under this post if interested!
My name is Hanin from Gaza, a mother of two children, Mohammed, four years old, and Abdul Rahman, one and a half years old.
We have been suffering from the war for more than 560 days.
My children are suffering from hunger because of the closure of the crossings.
We have been displaced dozens of times.
We fled from the missiles and bombs that were above us. I lost many of my relatives under the rubble due to missiles and the bombing of houses.
I now live in a tent that does not protect us from the cold or the heat. My children sleep on the sand. We have no source of livelihood.
We lost our jobs, our homes, and our lives were destroyed. Please help my family.
Do not leave us to die in Gaza.
Hanin Mohammed
“𝘉𝘦𝘤𝘢𝘶𝘴𝘦 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘊𝘩𝘦𝘴𝘴𝘣𝘰𝘢𝘳𝘥, 𝘊𝘩𝘦𝘤𝘬𝘮𝘢𝘵𝘦 𝘪𝘴 𝘯𝘰𝘵 𝘸𝘩𝘦𝘳𝘦 𝘵𝘩𝘦 𝘨𝘢𝘮𝘦 𝘦𝘯𝘥𝘴.”
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