Here’s the link to my acatar essay
https://www.tumblr.com/emdop/637161988981768192/an-essay-on-why-i-hate-this-book-but-will-still
Also, if you search “ya essay” on my blog, I believe the other essays will show up.
Hope you like my rants. I have plenty other random specific opinions on books too lol
Ohoho, I'm gonna have fun with this. Thank you kindly
Oh, for my mobile babes here's the link
Astarion's ascension is extremely popular, despite it clearly being the designed bad ending for him.
So many fans of this version want to argue that it's a "valid" path to choose if you enjoy his character, or that it's equally good as his Spawn ending. The "it's what he wants" argument is the hegemonic justification in question.
But is wanting something better than needing another thing? Yes, he talks about ascension ever since he finds out about the ritual.
Yes, when push comes to shove he's still committed to ascend. But is this enough? Should we support his choice, even when everything but his words tell us not to? Should we trust the judgment of a deeply traumatized man about the best way for him to feel better?
This may sound harsh, but the answer is no.
Because in many circumstances, we see Astarion behaving unhealthily as a result of his trauma: he's hypersexual at the beginning of the game, using sex as a survival mechanism. He's yet to learn what his boundaries should be, what it means not to be an object, to see himself as a person that deserves respect and has so much more to offer than just his body. His trauma is still fresh. And he's so scared of losing his freedom, being trapped under slavery again.
We can't blame him being so desperate to feel safe that he will trade everything he is for it.
Because that's what the ritual means, Cazador says so himself: despite gaining the ritual's power, Astarion is still part of the bargain for said power. He still loses his soul in the process, and that is clear once we see how he acts post-ascension.
Of course, someone that is still suffering from the consequences of 200 years of abuse wouldn't care if he became less of himself, in the process of becoming untouchable ever again. Astarion's behaviour towards himself highlights that he doesn't care for the person he is because that person is, sadly, the product of those centuries of abuse.
He doesn't want to be that person anymore: even better, he doesn't want to be a person anymore: people suffer, people get taken advantage of, people are submitted by more powerful beings. He is willing to give this up not despite losing everything he is, but because of it. And that's what happens after his ascension: he retains his body, which becomes an empty shell of who he once was, with someone else inside of it to fill the void left by his soul.
This situation is a perfect, brutal metaphor of an abused person that later in life becomes the abuser himself, a thing that often happens to male victims of SA.
This is what is fundamentally wrong with Astarion's ascension: he's choosing power, his abuser's tool, over healing. Instead of learning to feel like a person again, to deal with his trauma to life after having endured it, he chooses to not feel anymore, while letting thousands of spawns (like he was) be consumed to get what he wants.
This terribly selfish act is the first instance of Astarion behaving like Cazador, considering the spawns as lesser beings, as nothing but his tools, like all vampire lords do. In this process he also sees himself, the person he gives up being, as a tool. He isn't healing. He's losing all of himself entirely.
Why would someone see this sacrifice as not only necessary to leave his trauma behind, but also preferable to healing from it?
The fan-favourite characteristic of Ascended Astarion is his behaviour towards Tav: in this version of "himself", he clearly is even more sexual than he was in his first days with the tadpole. And this expression of his sexuality is drastically different from the one we got to know prior to this point.
He is dominant, prevaricating, demanding in his avances: he enjoys being in a position of power even in his relationship.
This isn't the Astarion that slowly learns to trust his partner, to build a real loving relationship with someone who sees him as equal and truly cares for him.
Everything that he learns during his romance and his plot gets nullified by his ascension; and yet, this gets overlooked in favour of this more sexually appealing version of him. For people that claim to love his character because of his complexity, Ascended Astarion fans seem to only truly love him when he's less of himself than ever.
When all that's left of him is his body, and he behaves more like the toxic love interest from a young adult romance book, a great number of his fans get wild. Is this all that they want from him? The husk of the funny, sarcastic, dramatic and complex character, filled with this more traditionally masculine attitude, replacing what he used to be? An Astarion that never heals from his trauma, choosing to leave behind everything he was instead? Who resembles his abuser more than ever?
Do his fans who like his ascended version so much to genuinely think this is the best outcome for him, or do they just enjoy being able to project this "macho" fantasy on a physically attractive male character, that otherwise isn't anything like this prototype of man?
We can't help but think that appreciating Ascended Astarion is the same as believing in, if not loving, his hypersexual facade: it's overlooking his humanity in favour of sexualising him.
Which is the biggest disservice one could ever do to his character.
Pen companies that label their pens as 0.3 mm when they really mean 0.5 mm are pure evil
R*wling shows throughout the series that she believes that bad things are only bad when they're done by the Bad Guys. However, if one of the designated Good Guys does the same thing it's not bad.
For example, use of the Unforgivable Curses. When the Bad Guys use them it's horrific, evil, one of the Worst Things Ever. But when Harry uses them, with alarming frequency, it's fine. He's not a Bad Guy, so the things he does can't be bad.
Then there's Snape. He's awful. Just awful. He's an incel creep. He's racist. He bullies young children just because he can, and is outright abusive to them if he didn't like their parents (even when said parents died when the kid was an infant). And oh yeah, he's an incel creep who became obsessed with a girl who did not return his feelings, called her slurs, and was a-okay with her husband and infant son being murdered. You cannot tell me that he wasn't hoping to swoop in and try to manipulate her into a relationship when she was vulnerable due to extreme grief. But, because she for some bizarre reason unwilling to stand aside quietly during the murder of her family, he started working for the Good Guys, which totally means that he's a Good Guy and none of the horrible things he did actually matter.
And then there's Dumbledore! Oh boy, I could write at least an Order of the Phoenix sized book about all the terrible things he did. But I'll keep it short here. He knowingly left a particularly vulnerable child in an abusive situation, and didn't even bother to actually check in on him now and again to make sure that he wasn't being, you know, abused or anything like that. He also left the baby in a basket, outside, for hours, because that was for some reason better than knocking at the door? He then manipulated a young child into basically becoming his private soldier against an evil wizard so powerful that the entire magical world pissed themselves at the mention of his name. But all this gets glossed over and is forgiven as easily as if he had just lost a pen someone had lent him. Because, after all, he's the ultimate Good Guy. And a Good Guy can't do bad things. Therefore, none of the things he did were actually bad.
This got a lot longer than I intended it to be. The views on morality in this series really bother me.
Sometimes I just sit around and think about ways to improve the Harry Potter books. Not even in a fix-it fic way. Just like...there are some seriously dropped threads in Deathly Hallows especially.
Do y'all ever think about the thing with Griphook? Harry choosing to deceive him about the sword of Gryffindor? Well, I do. It bothers me that there are no negative consequences for this. Because oop- Griphook double-crossed them too! So we never have to think about Harry making that choice. And the characterization of Griphook is squicky, man. He relishes the idea of weak creatures suffering, he's obnoxious. We can't even REALLY examine wizard/goblin relations because Griphook is such an uncomplicated little asshole. Did Gryffindor steal the sword from the goblin king??? Harry is uncomfy about it for like two seconds and then oop--guess we never need to think about it again. It's a bad writing choice and when I think about a book like Terry Pratchett's Feet of Clay--a book that complexly and carefully and humanely examines racism--i feel super disappointed in the way the Harry Potter series just like...lets some things go.
This is, I think, one example of a handful of moments when Harry does a Bad Thing: lies, uses unforgivable curses etc. But there's no real examination of it. She nods at it a little like "harry was becoming as reckless a godfather and Sirius was to him" but then it just gets...dropped. There isn't even a "this is war; there is no moral high ground" moment. R*wling just seems to have no plan at all to examine any moral complexity in that final book. It makes me nuts.
So, I, uh, found these in the road in front of my house.
Just a bunch of unfired bullets just in the road.
I'm so confused right now
Few things in life are more irritating to me than someone recommending something to me and then constantly bugging me until I check it out.
Them: "Hey, I heard this song I think you'd like, here's the link for it." Me: "Okay, I'll listen to it later." The rest of the damn day Them: "Have you listened to it yet? Have you listened to it yet? Hey, I sent you that song, you should totally listen to it. Listen to the song! Why haven't you listened to it yet? I just sent the link again, you should totally listen to it."
people are absolutely EVIL about the boundaries of “picky eaters”. no, they do not have to try it. yes, they can know they don’t like it without having eaten it before. no, they probably have not suddenly grown a taste for the food they’ve said they hate. no, they probably are not going to like it in the Special Way This One Place Cooks It. yes, you are being a bad friend if you try to “trick” them into eating it anyway
Can we talk about Star Lord's grandfather for a moment?
The dude watches his daughter die, and then his grandson, who he was supposed to take in, just fucking disappears immediately after. And he never sees him again.
They never address this. The poor man. He lost fucking everything in the space of seconds.
I need to see a reunion here, please.
so the academy is reviewing whether or not to remove Will Smith’s award and here are some interesting tweets about that :)
I love it too and I want more of it. Might Blaze that post again to get some more
I got this book, "The Girl Who Drank The Moon" by Kelly Smith. It made me SO mad. It's super well written, the plot makes sense. It has poetry and the poetry is nice too. You root for the characters. But it randomly switches perspectives between the two storylines endlessly and discombobulates you so bad you lose all momentum. Now all of sudden you can't read. In the end I had to just skim the fight sequences cause my brain stopped brain-ing thanks to the sheer amount of perspective shifts suddenly colliding into one.
10/10 would recommend.
It's always disappointing when there are multiple perspectives, but only one of them is actually interesting. Especially when they're very disconnected from each other
Messy bi who dresses like a four-year-old despite being in my 30s
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