The Evening News, Harrisburg, Pennsylvania, July 31, 1926

reblog this if im allowed to harass u (in a friend way) in ur ask box and tag u in random posts

our flag means death + reductress headlines (1/?)

Mercs having a selfie with demo

this is a part 2 of my previous sfm poster have a look

Charlie Chaplin’s brilliant disguise in A Woman (1915)

Thank you, ma

Bits and pieces, Kleine Abschnitte der Skizze

I have been quite busy with school recently so these are some older drawings from my sketch book

Just so we’re clear where this blog stands in light of recent events:

Trans Rights are Human rights

Black lives matter

Abortions should be legal and safe

Healthcare needs to be free

This isn’t even really about politics anymore, because if you disagree on any of these points, our views and moral compasses are so fundamentally different that I want nothing to do with you.

And this isn’t about “earning brownie points” or coming across as woke or some other bullshit.

This is pest control

He he, I like this spunky idiot

Welles study

“Coney Island, shot on location on a busy day in Luna Park in 1917, may be the one in which his character displays the widest emotional range. In the first scene he shimmies up a pole to watch a Mardi Gras parade, laughs, and tries to applaud—causing him to lose his grip on the pole and fall onto his date for the day (Alice Mann). Buster also weeps theatrically to the camera when the girl deserts him at the entrance to a boardwalk ride called the Witching Waves. Later he laughs some more, doubling over in mirth at the plight of poor Roscoe, whom Buster has just inadvertently knocked down with a giant mallet at a “test-your-strength” booth. In the second reel, feeling his oats in a brand-new lifeguard uniform, Buster executes an impeccable standing backflip, for no other apparent reason than because he can. He even preens for a beat or two afterward, puffing up his chest before exiting the frame in an attitude of manly resolve.”

Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century by Dana Stevens