Ghidorah’s Entrance Rescored With “diavolo”, “la Battaglia Finale”, And “lotta Feroce”

Nature has an order. A power to restore balance, I believe he is that power.

Dr. Ishiro Serizawa

Imago Mothra’s Awakening rescored with “The Legend Exists” by Steve Jablonsky from Transformers: Age of Extinction.

Because I don’t think there is a track made by Mick Gordon from any of the DOOM games that sounded as angelic and beautiful as Mothra’s theme, I decided to use one of Steve Jablonsky’s tracks from the Transformers live-action film series to rescore this scene.

Credit to The Toho Society on Twitter for the musicless scene.

Rodan Dog Fight rescored with “Hell on Earth” by Mick Gordon from DOOM Eternal.

Credit to The Toho Society on Twitter for the musicless scene.

Here's neat detail: The Gutterman that appears during the ambush in the ruined exit section does not have its coffin, which means it is the very same Gutterman that coffin we found in the ceiling alcove in the tram station initially belonged to.

(Screenshot not mine)

I have so many thoughts after the 7-2 poem...

They’re fucking sentient. This one specifically writes prose about the love it has for its battery, and the hatred it has for itself. This went from being strapped into a death machine to being strapped inside a death machine that can think and hates itself and its purpose as much as you hate it.

And what the fuck does this mean about the other machines? Do sentries cherish the ability to see the world for what it is while everyone else sees it as pixels? Do guttertanks hate guttermen or do they feel pity for the beings they were made to destroy? Do earthmovers care for the cities living atop them? What the fuck does this mean for V1?!?!?! I always thought it was purely nonsentient, since I remember reading that somewhere. But...

We see other machines showing some form of emotions like V2’s sportsmanship and spite as well as the Mindflayers' protectiveness of their bodies that they themselves made at the cost of materials, and the Swordsmachines finding themselves beautiful and hoarding old scrap, seemingly for the sentimentality of it. But this is like the first confirmation of sentience other then the terminals. Do these machines feel pity for the sinners? Do they sympathize with the demons, created to fill out a single purpose and unable to deviate from it? Is V1 sentient or an exception? What does it think of Hell’s monologues? Does it enjoy being Hell’s favorite gladiator or does it hate that role? I’m going crazy over this! Were there machines that willingly died because they couldn’t stomach the idea of fighting their brethren for blood? Are the people in the Guttermen dead because the life support failed over time... Or was it because the Guttermen disconnected it themselves as a form of mercy?

-Bobby

The morning of your average, kingly Joe.

If you look closely, you can see that Kong is about the shove the bottom handle of his axe down into the Big G’s throat. Old habits live on.

Better punch him quick, Kong!

Steve....craafting table...Thee Overworld...endeeer puuurl...minecraft....BLOcks (metal pipe dropping sfx)...steve...BUCKET...creative survival..elytra..endeeer puurl..WATER BUCKET!..thee overworld...savethe world...flint...and STEEl...the nether...wither...ChicKen JocKEY!!!

Ghidorah’s Entrance with “Those Chosen by the Planet” and “One-Winged Angel - Rebirth” by Nobuo Uematsu from Final Fantasy VII Remake.

I never actually played any of the Final Fantasy games, although I did listen to some of their tracks, entirely from FF7, FF7: Advent Children, and FF7 Remake. They do look amazingly good though, I won’t lie.

Credit to The Toho Society on Twitter for the musicless scene.

Link: https://twitter.com/thetohosociety/status/1171643674670841857?s=21

I cannot believe the fact that the perfect tall, pretty, beautiful, and sexy scalie waifu, based on the Egyptian demon of the same name, is from the Marvel Cinematic Universe, of all things.

Still, that ain’t going to stop me from using this.

Moon Knight | 1.06 “Gods and Monsters”

Have you ever thought in that one scene from Super Smash Bros. Brawl that Galleom’s transformation would be cooler if it was redubbed with sound effects from the Transformers live-action series by Erik Aadahl? Well, time to make that thought into a reality.

Credit to Jojo’s Bizarre Sound Design for the sound effects by Yasumasa Koyama, which I also used in this SFX redub.