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Several million real ass human occupations paying 3 crisp dollars and a pat on the ass to experience literal sisyphean torture and live in a cardboard box and you spent several small countries in money to build a robot that can shit out badly written books that nobody has the money to buy, the time to read, or the learned intellectual capacity to analyze critique and learn from

The next person who tells me to save time with an AI crapbasket is getting a Canon LS-100TS 10 digit calculator shoved up their ass

wait whats wrong with chatgpt :(

just the minor little issue of it actively killing the planet, draining the creative marrow from everything it touches, and posing an existential threat to workers, responsibility, national security, and, oh yeah, privacy.

imagine a machine that not only guzzles electricity but also flattens human expression into soulless, regurgitated slop while quietly replacing entire industries. and let’s not forget. every word it generates is a tiny little middle finger to the concept of accountability. so, yeah. nothing major. just a slow-motion apocalypse wrapped in a shiny, user-friendly interface

No actually.

First of all, Joel. He cheated on his pregnant wife. That’s the first thing we learn about him. But that’s not why I dislike him. I have way bigger issues. We learn that Midge said no when he asked her out, and he didn’t accept this. He tells her that their song is “You Belong to Me” which is so creepy. He judges her drink choice, saying he’ll “fix it”. Amaretto sours are known for not having a lot of alcohol, so it’s kind of concerning that he’s judging her for something that doesn’t lower her inhibitions. He criticizes Midge for things that aren’t her fault (show sweater, him bombing). He introduces the kids to Penny without Midge’s permission, then gets mad at her when Benjamin surprises her at the park. The first thing Midge says is that she needs to clear it with Joel, but Joel doesn’t believe her and just yells at her and accusing her of leaving him. The audacity and double standards are unbelievable.

He lies to her about having no money and not owning their apartment.

He plans to move across the country, knowing that he won’t see the kids. He brings his very young children to live in a factory which he himself points out is full of dangerous, flammable chemicals and sharp, heavy machinery. He doesn’t want Ethan to see a therapist when he’s having sleeping problems. Everyone forgets about these events, which bothers me because everyone rags on Midge’s parenting but never Joel’s.

He never apologizes for what he did. After he and Midge sleep together in 1.8, he acknowledges that he didn’t apologize, but never actually does. Then he has the gall to say that he left because she was “a lot” and claim that he “never really left”.

What’s also concerning is that the minute after Midge puts her rings back on, she starts measuring herself. Part of this is definitely just the time period and definitely her mother’s influence, but it’s interesting how the two correlate.

Deep down, Joel is an insecure child who can’t let his partner be better than him. That’s why he has that fight with Mei about the liquor license. He says in season 3, that he knows he likes “conductors” but then gets upset when they act like conductors.

When he sees Midge perform for the first time, he throws a fit because Midge is good. She tries to work it out, but he just walks away, then refuses to get back together because he’s insecure. To be fair, I do absolutely understand his position here, I just don’t like how he left Midge in limbo about it. (She mentions that he won’t return her calls). Yet, he still tries to tell her where to live because he’s controlling.

Now, I like him considerably better in seasons 3 and 4. His Catskills characterization is actually really great. His support of Midge in court is actually really nice, and I like that he comes to her defense with the panty pose picture. His support of her career is actually really great and his relationship with Mei is really interesting and does a lot to make me like him.

Then we get to the Vegas episode. They wake up together and he feels guilty because of his relationship with Mei. To be fair, I don’t think that this is cheating because it’s clear they haven’t had the exclusivity discussion. I also understand why he is frustrated with the situation, however none of that is any excuse for how he treats Midge. Midge is joking about the situation, since there’s obviously nothing they can do about it now. He tries to slut shame her for “entertaining herself on the road”. Now, Midge isn’t doing that, but even if she was, that is her business. And he is no position to judge promiscuity after having flings with all of the factory models in season 2. Once again, the double standards are absolutely ridiculous.

I do wish he had told Midge about the money situation with Susie, and I blame both of their characters for keeping this serious issue hidden.

In season Season 4, I like him. I like that he wants to support Mei. This is really when I started to engage with Joel. He has great moments in season 2&3, but Season 4 has them on display more often.

Then…we get season 5. He blames Midge for Mei leaving and ending the pregnancy, something that I already analyzed earlier. He acts like he deserves a medal for being concerned that Midge is owned by the mob. He’s trading pictures of his ex-wife (specifically revealing ones where she looks younger. Ew). But the thing that bothers me most, is the set that he does at the beginning of 5.2.

He degrades her onstage, mocking her for not spending enough time on his jockey shorts. She was busy raising your children and cooking your brisket asshole. The worst part is, he does it for revenge. He says “turnabout is fair play”. Midge never talked about him for revenge. She did it because she was sad and embarrassed and needed a way to vent, because there’s not a whole lot of people in Midge’s life that actually listen to her.

All that said, I think Joel is really interesting. Michael Zegen does a great job portraying Joel with complexity and humanity, and people who send him hate mail are…rude to say the least.

However, the reason I hate Joel from a narrative standpoint, is because Midge is never able to truly get over him. He is not good for Midge, and deep down, he’s a selfish, spoiled brat who is only happy when everything is perfect for him.

Yes I’m a huge MidgexLenny fan, but I knew that wasn’t going to work. I wanted to see Midge happy yes, but not in such a reductive way. I wanted to see her stop her dependence on Joel, see her independent and thriving. That’s why Joel’s double standards bother me. He doesn’t want to be with her, but he also doesn’t want her to move on. He can move on, but she can’t.

Secondly, I hate what they did with Susie.

The gambling thing resurfacing made no sense to me. It was never even implied that she started gambling again after she lost all of Midge’s money in season 3.

I hate the fact that she went to Joel she never told Midge about it.

I hate the way she wasn’t the one to get Midge out from the mob and never told Midge about the situation. I don’t like the direction they went in with Nicky and Frank. I liked it better when they were actually supportive of another Rockaways kid. I’m not saying that they couldn’t have asked to get a taste, but they could’ve done it another way.

I hate that Susie couldn’t get through to Midge in season 4. Susie from seasons 1-2 would never have let Midge tank her career like this.

Once again, Alex Borstein is phenomenal as the character. My issues come from how the characters are being written.

I have a lot of issues with Midge in seasons 4-5. Like a lot of people, I am disappointed with the current trajectory of the show.

However, when I share my thoughts, whether they’re positive or negative, I am doing so because I have opinions that I want to share. I am not trying to diminish anyone else’s enjoyment, but rather engage critically with media I care about.

Season 5 Episode 6 spoilers below:

Gotta love how Joel went behind Midge’s back to solve the problem with the mobsters. He could’ve shown her the book or went back to her to raise his concerns again now that he had tangible proof. But no. It’s Joel, so he has to lie and go behind her back about stuff that pertains to her own life. This man has learned absolutely nothing.

Also hate that he’s trading pictures of her in prison. He specifically asks for the panty pose picture which is so gross. He got mad at someone for having it in S3 but whatever.

I almost rage-quit when Midge said she was still in love with Joel. I still hate her romance plots this season. Gordon is gross. The stalker guy is gross. Joel still sucks. The guy literally blamed Midge for Mei leaving and ending the pregnancy. Yeah Midge was probably still a little jealous since Joel was such a huge part of her life, but there’s a lot of concern for her children driving it as well. “I don’t want them calling you mom.” Is a line that especially has a lot of insecurity behind it.

I guess the rest of the episode was okay. Unsurprisingly, Alex Borstein was great, but I am totally on Midge’s side in regards to her fight with Susie. Susie should’ve told Midge the truth.

I almost cried at the ending.

I miss Lenny. But that’s why we have fanfic.

Also, I know it was a joke, but Midge says she and Susie had sex in Pensacola and refers to their fight as a “break-up”…so…I want to see that story.

Church on Ruby Road

Vs

Okay… I liked that!

There were so many better, more organic ways to introduce Ruby’s search for answers about her bio family then that awkward time skip/ clip show. It could have just been two days. But that interview is just such a blatant excuse to dump her name, age, education level, the fact that she

Because here’s the thing…everything I liked about Ruby, I learned watching her go about her life. I liked watching her with her friends, be a real person. All of the other character work happened once she got to the house and I watched her with her mom and Cherry. We learn very naturally that she’s looking for her bio family, that she’s upset about not getting answers, but also is clearly happy with her family as it is. Her reaction throughout the entire kidnapping is weird, there’s not enough urgency on her behalf.

The gloves are cool? Like in theory, they’re cool, but I do think they get a bit marvel-ish at the end.n

The goblin ship design and interior set are cool, just doesn’t feel very Doctor Who. I like the explanation of how the goblins work though.

Doctor, I have seen you untie ropes with your sonic.

“I am learning the vocabulary of rope!”

The goblins are kinda unthreatening, they just let the Doctor and Ruby stand there. The goblins look good though, they did a good job combining practical and digital effects.

I wish that maybe Ruby felt guilty for being distracted that Lulubelle was kidnapped, (not that she should feel guilty, it would just give more emotional depth to her).

At first I didn’t like how rushed Ruby’s disappearance is, but I think it gives more disorientation to the episode. I love the lighting switch, how everything becomes desaturated. It’s very subtle and I didn’t notice it the first time. Carla’s sudden switch is horrifying.

The Doctor’s tears…I love how much compassion he has. This is the Doctor I love, that I’ve missed. I do wish that he and Ruby had gotten a quieter moment to bond, just to make this feel a little more desperate, and the reunion even sweeter.

The episode does feel like it has two climaxes, Lulubelle’s rescue and baby Ruby’s rescue. The rescue of Ruby does feel rushed and I still don’t understand the crack in the ceiling or why the ship just disappears.

Okay…Ruby Sunday. Millie Gibson is really fun. Her dramatic moments are also really well-acted. But…I was really hoping we’d be going back to the type of companion that’s just a person. Like Rory, Rose, Donna, Martha, and Bill. They all have extraordinary things happen to them yes, but they aren’t introduced as mysteries. That’s my least favorite type of companion, because their character is always secondary to the plot. And, I’m going to be honest, I don’t care who Ruby’s parents are. But…oh well.

I do love the scene of Ruby piecing together that the Doctor is a time traveller, and she just thinks that’s cool and wants to go see it, but like…most companions are like that to some degree. At least she has a family though, which is one of my favorite parts of companion stories.

Mrs. Flood could be a cool mystery.

Alright…Ncuti Gatwa is tied with my beloved Ninth doctor. He’s fun and flirty and heroic and empathetic. His theme music rocks. He can do angsty moments really well. I like how the Timeless child is being handled.

All in all, I’m excited for what’s coming.

On the Nina and Maggie Parallels

Good Omens Season 2 Spoilers Below:

I love Nina and Maggie, and love everything they say in their final scene. But they got one thing wrong.

Yes Aziraphale does believe in magic. That he can fix a system beyond repair. But he’s nothing like Maggie aside from aesthetic. He does not show his emotions, not really. Not when it counts. Maggie tackles emotional issues head on while Aziraphale is the literal embodiment of repression.

Crowley isn’t an exact parallel to Nina, because he’s never actually opened himself up. Despite all of the atrocities he’s seen, he’s still got a bit of hope and optimism.

For all of his hard edges, Crowley believes in magic too. He believes in love confessions in the rain, in looking into someone’s eyes and knowing it’s meant to be. That “one good kiss” means happily ever after.

Remember that whole strike thing? What the fuck was that for again?

There’s no going back once you open that gate. This is fucking depressing.

Good Omens Incorrect Quotes 4

Not mine but still fun

Aziraphale : There is no future. There is no past. Don't you see? Time is simultaneous, an intricately structured jewel that humans insist on viewing one edge at a time, when the whole design is visible in every fact.

Crowley : ...All I asked was if you wanted to cut your birthday cake first.

*

Aziraphale : Why are you on fire?

Crowley : This is just how my day is going.

*

Crowley : What do you call a dictionary on drugs?

Aziraphale : If you say "addict-ionary" I swear I will smite you.

Crowley : I was actually going to say "high definition", but your answer's much better.

Aziraphale : ...

*

Crowley , answering the phone: Hello?

Aziraphale : It’s Aziraphale .

Crowley : What did they do this time?

Aziraphale : No, it’s me, Aziraphale . It’s actually me.

Crowley : What did you do this time?

*

Aziraphale : You have your weirdly sincere humility.

Crowley : I prefer the term "self-loathing", actually.

*

Aziraphale , opening a Capri Sun: Guess I'll drink my sorrows away.

*

Aziraphale : I hate you.

Crowley : Well, according to this picture I drew of us holding hands, that is untrue.

*

Aziraphale , skipping rocks on a lake with Crowley : It’s such a beautiful evening.

Crowley : Yeah, it is.

Crowley : *whispering* Take that you fucking lake.

*

Crowley : I'm gonna get my pilot's license. I've already got a driver's license and a cosmetology license, that's two of the big five licenses.

Aziraphale : The big five licenses?

Crowley : Driver's license, cosmetology license, pilot's license, fishing license, and… license to kill! I can't wait to get that one.

*

Aziraphale : Are you trying to seduce me?

Crowley : Why, are you seducible?

*

Aziraphale : I’d like to live through a week that’s not a whole new verse of “We Didn’t Start the Fire.”

*

Crowley : I’m having salad for dinner!

Aziraphale :

Crowley : Well, fruit salad.

Crowley : Actually, it’s mostly grapes.

Aziraphale :

Crowley : Okay, it’s all grapes.

Crowley : Fermented grapes.

Aziraphale :

Crowley :

Aziraphale :

Crowley : It’s wine.

Crowley : I’m having wine for dinner.

*

Crowley : I think I should be allowed on ghost hunter tv shows.

Aziraphale : I think that would be dangerous for the ghosts.

*

Crowley : If we don’t get out of this alive… If we’re both about to die… I love you, Aziraphale !

*Neither of them die*

Aziraphale : …

Crowley : …

Aziraphale : So do you wanna talk about somethi-

Crowley : No thank you.

*

Crowley on Monday: *glues 5p to the sidewalk* Heh heh heh.

Crowley on Wednesday: *walking down the street* Ooh hey! 5p!

*

Aziraphale : You use humor to deflect your trauma.

Crowley : Awww, thanks-

Aziraphale : That’s not a good thing.

Crowley : All I’m hearing is that you think I’m funny.

*

Aziraphale : When do you usually go to sleep?

Crowley : Whenever I collapse is entirely up to the gods.

*

*Crowley is fighting a monster*

Aziraphale : Just stay calm! You already have everything you need to beat it!

Crowley : The power to believe in myself!?

Aziraphale : No, a knife! Stab it!

*

Crowley , grinning: I have a knife!

Aziraphale : Put it down, Crowley .

Crowley : Make me! *sprints away*

*

Aziraphale : Pick a card, any card.

Crowley : Fine.

Aziraphale : Wait, that's my credit card!

Crowley : You said any card.

I’m thinking about how one of Leia’s love languages is most likely touch. For all of her reputation as an ice princess, she is very physically affectionate.

We see this on the Death Star when she kisses Luke for luck, and again when she hugs Han after surviving the trash compactor. She hugs both Han and Luke and does not let go after they return.

Then, in Empire, you see Leia being very unafraid to enter Han’s physical space. If you notice in the med-center on Hoth, it isn’t Han putting his arm around her that makes her pull away, it’s the words coming out of his mouth that make her jerk away. Then, we get to the big kiss on the Falcon, and once again, Leia (despite her protests) doesn’t actually seem all that uncomfortable with his proximity, rather the feelings she has for him. But the kiss happens, and suddenly it’s zero to 100.

For real, Han probably got whiplash. All of the sudden after three years of dancing around each other to the point that he was almost going to give up, suddenly Leia is everywhere. Putting her hand on his shoulder, kissing his cheek. And he also registers this, because on Cloud City he is always reaching out to hold her hand, give easily give her forehead kisses. The moment there’s danger, the first thing he does is reach for her. Then after he returns from what is probably the worst first meeting with your girlfriend’s dad EVER, the first thing Leia does is just start stroking his hair. The last thing she does before the carbon freeze is kiss him. The movie ends with her in Luke’s embrace, seeking comfort when she is vulnerable.

Then, there’s ROTJ. From the minute they’re reunited, Leia is always physically affectionate with Han. We get another shoulder touch in the shuttle. On Endor, he picks her up and spins her before kissing her after he doesn’t get eaten by Ewoks, she curls up to him during story-time. After Luke drops the bombshell and dips the only thing she asks Han to do is hold her. Leading to the end of the film, where there’s that shot of him just cocooning her in his arms.

Anyway, just some thoughts on my favorite rebel princess and her nerf-herder.

Write it shitty, write it scared, write it without a clue but don't you be so spineless and have an AI write fanfic for you.

I will forever choose to believe that the metacrisis lets Donna and Rose Noble stay immortal with Fourteen forever.

This has no impact on anything. They still have family dinners and forever take low-key trips through time and space.

No more angst. Just family and magic and happiness and the Doctor in the Tardis with his best friend and his niece.