I watched the first three episodes of Marvelous Mrs. Maisel season 5.
I…Eh…
First of all, where is the Gaslight? We haven’t seen it in so long.
Second, I’m sad to see that there’s still a lack of long stand-up performances…in this show about a comedienne. This was a problem in season 4, and I hope they fix it as S5 goes on.
I’m so glad season 4 Midge is mostly gone. I hated how insufferable she was in Season 4 and that Susie was never able to get through to her. That’s the core of their relationship, and I don’t like that it took so long for her to get over herself.
The flash forward openings were…weird. On one hand, Miriam being kind of an absentee mother makes some sort of sense, but seeing her as another version of Rose is kind of disappointing.
As is the reveal that she’s apparently been married four more times. Like, why can’t she find happiness? I never liked the arc about ending up alone, but I was willing to accept it as Midge putting romantic relationships on hold for a bit after putting it ahead of everything for so long.
But apparently she no longer speaks to Susie either? I HATE the explanation they give too. Their whole “we’re not friends, we’re coworkers” finished midway through the second season, and was a huge and endearing bit of Susie’s growth. I’m sure they’ll expand on it, but it’s just sad. And they showed the inverse of it mostly effectively in Season 3.
I hate that this show seems to really be doubling down on its message of “you have to be alone and distant from literally anyone to achieve your dreams.”
Season 1 and Season 2 (barring the finale) were about finding personal growth by pursuing your own ambitions.
Season 3, which I didn’t enjoy as much, is where the “ending up alone to succeed” stuff really started after being seeded in the Season 2 finale. Yeah, it’s hinted at in the S2 premiere, but it’s more about the final end of Midge and Joel specifically. The plot line with Ben is also more about Midge opening up with a potential romantic partner, and how perhaps she isn’t ready or compatible with someone in that moment enough to settle down.
She’s only about a year out from her divorce, so it makes sense that she realizes that she isn’t ready to settle down again.
I don’t really get why she decided that one failed relationship automatically equals alone forever. I guess it’s because she’s also super influenced by Lenny’s performance, but…that’s another problem. Her idolization of him is just such a weird step in the wrong direction for her character.
She’s putting him on a pedestal the same way she did with Joel, and it’s him that is the one to get her out of her self-destructive phase.
Susie once told her “You do not need a … man at your side to do this”. Except she does.
I hate some of the messaging in this show, but hopefully the final episodes will make up for the stuff I didn’t like just like the Lenny and Midge blue room scene did last season.
Remember that whole strike thing? What the fuck was that for again?
There’s no going back once you open that gate. This is fucking depressing.
this is from a real diary by a 13-year-old girl in 1870. teenage girls are awesome and they’ve always been that way.
So I’m doing a Marvelous Mrs. Maisel rewatch (to remind myself of when the show was good). I got to the Season 2 episodes with Benjamin and… I don’t like him. I always thought he was kind of boring, but had a few good moments with Midge, but now…
From the beginning, he’s just so unnecessarily rude to Midge, and only after she riffs along to the radio and proves herself sufficiently “weird” that he shows any interest in her.
Their relationship seems rushed too. We don’t see their first kiss or him meeting the family.
He springs marriage on her out of nowhere, after ambushing her at the park. The man is a doctor and supposedly very smart, I don’t know why he would think this was a good idea. He hadn’t met Joel but he’s proposing? Even Abe points out how rushed their relationship is.
Then there’s Midge, who falls back into old habits. She bends over backwards to meet Benjamin’s desires, even if it means putting herself at risk. She feels like she has to put makeup on in the mornings. She didn’t even mention Benjamin to Susie.
It’s later revealed that he bought a townhouse for himself and Midge, but didn’t consult her about it, because she apparently didn’t even know about it.
Even from their first date there are signs that Benjamin is never going to be enough for Midge. First of all, she knows immediately when and where Lenny’s show is, and it is her first instinct to go to him. Once Lenny is onstage, Midge is captivated. She only looks at Benjamin to gauge his reaction to Lenny. Her approval of Benjamin hinges on his approval of Lenny. (Personally, my favorite part is when Benjamin spends less than a minute watching Lenny and Midge interact and he is immediately like, “Did they…?”)
But the most interesting interactions come in S2E7: Look, She Made a Hat. Benjamin takes Miriam to an art show, something he knows she has no interest in. Now, yes I think you should try to take an interest in your partner’s hobbies, but the thing is, Benjamin keeps leaving to go brag or get drinks, and makes no effort to include her.
Now, contrast that with Lenny in S3E5: It’s Comedy or Cabbage. Lenny says he has a “work thing” which he brings Midge to, which turns out to be an appearance on Miami After Dark. He could’ve easily dumped Midge backstage for the entire show. But does he? Of course not. He brings her out to do a bit, have fun, and get her some exposure. He does this over the objections of the crew, because he loves her.
Returning to 2.7, Midge finds a painting she likes and buys it. She returns to Benjamin excitedly to show it off, but he demeans it. “That’s where they put the very minor artists. Or the mops.” Then he tells her that she overpaid and Midge feels the need to justify her purchase.
After the show, they head to the Cedar Tavern and Midge expressly tells Benjamin that he isn’t paying attention to her. Then, Declan Howell is introduced and Midge is captivated. Here is a man, an artist, who talks dirtier than he looks and can hold a crowd’s attention and make them laugh. And Benjamin is hesitant for Miriam to be around him.
Benjamin abandons Midge again in a situation that he thinks could be dangerous (yes he’s on call but still). And Declan gives Midge his complete attention. He is no longer dismissive, but attentive.
He asks her why she bought the painting she showed him yesterday. He remembered. She seems taken aback by the question, and even more shocked when he doesn’t accept her flippant response. She realizes he isn’t asking to make her feel bad.
When she finally gives her answer, “…She knows a joke that I don’t…” (Midge likes art that is warm and full of laughter which is a piece of characterization that I love), he is staring at her intently, and realizes she is worth showing his life’s work to, being vulnerable in front of. He listens to her answer.
Like Lenny does. Yup. It’s time to talk about The Blue Room.
Lenny stares at Midge like Declan does (but more because it’s Lenny). Lenny was listening to her, he always listens to her, and proves it by quoting her act.
“You are more important than God.”
“You were listening?” Midge asks this like it’s something she’s unaccustomed to (because it is).
“To you? Always.”
Men like Declan, men like Lenny, hold Midge’s interest for a reason: they listen to her. They make an effort to understand her. They show interest in things she likes without real judgement. They are real with her when no one else is. And that’s why it didn’t work with Benjamin. Because he just wanted someone to bum a light.
Midge needs someone who will give her the last puff.
Season 2 Spoilers Below!
Okay, unpopular opinion, but I kind of understand why Aziraphale may think Crowley would want to be an angel again, if we put aside the queer allegory of conformity for a moment.
Aziraphale probably remembers the first time he met Crowley (then Rafael) when Crowley was building the stars. Crowley had such a look of genuine joy and wonder on his face.
Aziraphale thinks he is being kind. Obviously, yes he still wants to fix Heaven, which is a futile pipe dream.
But, Aziraphale wants to give Crowley the stars again, and he thinks bringing him back to heaven is the only way to do that.
Aziraphale wants to save Crowley from an existence of eternal damnation. To forever protect Crowley from Hell which he sees as the only source of evil and torture. He still has his blinders on and doesn’t realize this about Heaven.
He just doesn’t realize that Crowley doesn’t need the stars and he doesn’t need saving.
At least that’s what I’m telling myself to cope.
The Jedi Fallen Order recap is like:
Trilla: We seek a dangerous fugitive.
Then it hard cuts to a cute ginger with shaggy hair, freckles, and a poncho who has a little smile, a droid best friend, and who gave their lightsaber to a nightsister who was threatening him five minutes earlier.
Y’all there’s Jazz version of “Uptown Girl” by the Cooltrane Quartet.
The second story in my “Domestic Burlesque” series is complete! Please check it out and let me know what you think!
Princess and the Scoundrel Thoughts
Spoilers ahead:
First of all, the title and cover of this book are ridiculous. The art is pretty, but the pose looks like a cheesy romance. I think they’re paying homage to Courtship of Princess Leia, which while that story is hilarious, is one of the worst Star Wars books ever. But we get the Dathomir witches so it’s fine I guess.
On the other hand, Princess and the Scoundrel, is one of the best Star Wars books. Despite everything, despite all of the obstacles this book had from the beginning, it succeeds as having some of the best and most subtle character work in the entire franchise. Which is hilarious, because this book literally only exists to market a hotel. But Beth Revis said, “yeah, but what if it was good and I actually tried?”
Now, Beth Revis has clearly read COPL. You can tell and it’s kind of hilarious. For example, in COPL, there is a really long scene where Han plays sabacc (space poker) during a bout of insecurity and wins a planet to give to Leia and he uses THE MILLENNIUM FALCON for collateral. Han Solo would never do this. Now in PatS, Han plays sabacc while Leia is working to help her out by gathering intelligence. One of the players mentions that he wants to kidnap Leia (not knowing who Han is), and Han almost murders the guy. It’s awesome.
Here’s the thing, you can tell when Leia is being written by a woman instead of a man. In COPL, there is one moment where it’s brought up that if Leia marries Isolder there will be a planet for the survivors of the Alderaani genocide, but it’s only mentioned a few times and not by Leia. So any opportunity for a duty vs love internal conflict is not used. Her conflict is “Han and I are distant and space Fabio is hot so…”. Then HAN KIDNAPS LEIA USING A MIND CONTROL GUN. And she doesn’t murder him. So…I don’t care about this relationship anymore because both of them suck and it isn’t even clear why Leia falls in love with Han all over again.
Beth Revis gives Leia a very multi faceted internal conflict. Part of it is her dealing with her feelings about Vader, about being part of a team, and her guilt over Alderaan. It doesn’t take up too much time, but they inform a lot of her character.
Now, in a different canon book, that came out previously, it was mentioned in passing that Han and Leia got married on Endor. Now, at that point in both the EU and Canon, Han and Leia have been forcibly separated for a year and only actually got together a little bit before that. So, that’s really weird. But Revis is stuck with this. So she says to herself, “Why would they do this? Why would they move this quickly?”
And she remembers that this is Star Wars. They are living through war, they all almost died, and just spent a year forcibly separated. And they’ve decided that they’re done wasting time. Han just kind of…proposes and Leia (in typical fashion) debates for a second before deciding to take a leap of faith for love. It’s genuinely very, very sweet. Despite the title and cover this is not a romance book. There is no “will they won’t they” bullshit. Thank. God. They just get married and it’s really happy and Lando pranks Han into dressing nice, and it’s great. Then it’s a Star Wars adventure featuring Han and Leia.
That’s not to say Han and Leia don’t have any tension between them. The difference is it’s interesting. Han and Leia, especially her, do not know how to fully let each other into their lives. It isn’t that Han forgets for a bit that he married a very driven woman. He absolutely knows. His frustration stems from the fact that they are literally on their honeymoon, and Leia keeps leaving to work, because that is all she knows how to do. It is how she has coped with her trauma for three years. On the other hand, Leia feels like she is solely responsible for saving the galaxy, and that Han doesn’t understand that. Both sides of this argument are understandable. The book switches between Han and Leia’s perspectives. There are no stupid cutaways to Luke or space Fabio, there are no space witches. It is a focused relationship/ character study of Han and Leia while they’re on a decently interesting mission.
And the build up to the fight they end up having, is great. It’s a slow build up, you can feel their mutual frustration, and once they have the fight it is very cathartic. They don’t fight for the entire book either. They flirt and tease and have real conversations too.
So, after this huge fight, Leia is trying to divert the cruiser they’re on to this other planet, and Han finds out and helps her. Together, they succeed, but Leia is confused. They haven’t made up from their fight yet, and she asks why he helped her fight to go on a mission that’s going to take up more of their time. And Han says, “You’re my wife. If you’re running a con, I’m going to help you.”
Now, this might just be one of my favorite lines. Beth Revis understands that Han Solo is very loyal to the few people he cares about. He loves Leia, it’s why he goes back for her on Hoth at his own risk, why he saves Luke at Yavin and on Hoth. (She also understands the little bit of dorkiness Han Solo has beneath the posturing, up to the point that she gives him a sweet tooth.) Neither of them are overly mushy, they just love and respect each other.
There’s this great symbolism with their wedding rings. They’re made of hardened amber by the ewoks, and their fragility is a constant reminder of Han and Leia’s issues. They crack under pressure, and have to be maintained carefully. They eventually end up breaking under immense water pressure, but Han gives Leia a new ring (the one she wears in the sequels) reminiscent of the amber ones, symbolizing that they’re coming out stronger. It’s so sweet, and while it’s a little bit on the nose, it’s a great literary technique.
He’s acknowledging that he recognizes this part of Leia’s character, Leia realizes she needs to also put him first. In the aftermath, they both feel bad, apologize, and resolve to work on their issues together. And when they make-up, it feels real. This runs through the entire book, and the way it ends is really satisfying. Now, we know what happens to them in the sequels, so we can see how this conflict may come back into play later and lead to their eventual separation in canon. But, it’s also easy to see a different path where they work through these issues and live happily ever after. It’s just ambiguous enough to be read as either a prelude to eventual tragedy or the beginning of a long, happy life between two complex people. (I prefer the first one, but whatever).
Other things I liked:
- Han proposing. It’s literally that “I want you” “For what?” “A really long time.” quote on the internet.
Han: I want you.
Leia: Me? For what?
Han: Forever. Marry me.
- Leia tells Han about her true parentage and he just does not care. Like, he’s sympathetic towards her feelings, but is like, “why would this impact my love for you?”
- Leia finally lets herself do something spontaneous.
- Luke and Mon Mothma ship it.
- This quote:
Leia: About time.
Han: For what?
Leia: You once promised me a good kiss. I’ve been waiting.
- The conflict on Madurs is also pretty interesting. Leia is unwilling to let another planet die, giving an insight into Leia’s feelings about Alderaan, especially since Madurs values art like Alderaan.
Honestly, I want Beth Revis to write the canon “trip to Bespin” book.
Also…
This book kind of implies that Leia is bi? There’s a scene where Leia is remembering a conversation with her mother. So, when Alderaanian royals get married, their parent straps the ceremonial Rhindon sword (also used during their coronation) around their waist before the wedding.
In the flashback, Breha specifically says “whoever you marry” and “your husband or wife”…
Some people may say that it’s just ‘forced inclusion’ but that’s boring. Now, in the EU, fanon, and canon, Leia always puts emphasis on how close she and her parents were. This is something that I don’t think is ever particularly well illustrated, especially in canon. In parts the Kenobi series (she gets better later) and Leia, Princess of Alderaan, Breha in particular comes off as really unlikable.
But, if Leia isn’t over romanticizing (and there’s no indication that she is), she was really close to her parents. So, it stands to reason that her mother would know her sexuality. They at least seem really accepting in this passage, so it doesn’t seem like something Leia would keep from them.
I have no other evidence, and as far as I know, Leia is always seen in romances with men in both canon and legends, but in this context, it is a very interesting hint of something new about her character.
Write it shitty, write it scared, write it without a clue but don't you be so spineless and have an AI write fanfic for you.