THAT HUSBANDS DRAWING THO. OMG what brushes did you use?????
I’m so happy you liked it! I only used one on Clip Studio, it’s the soft pencil one (under the hard pencil???? dunno the names in english????), I play with the density and the opacity and options in it!
Some of the drawings parts where it was used:
That brush alone is good enough to make all these textures :)
The day I forget this video is the day I die.
for all the artists out there, here are my favorite resources i use to learn!
The Complete Famous Artist Course
Art Books and Resources
Art, Anatomy, and Color Books
PDF Files of Art Books
My YouTube Playlist of Tutorials
How to Draw Facial Features
Drawing and Art Advice
Drawing Lessons
Art Fundamentals
Anatomy of the Human Body
2D Animation
Perspective Drawing
Pinterest Board for Poses
Another Pinterest Board for Poses
Reference Angle
Figurosity
Sketch Daily
Human Anatomy
Animal Photo References
Humanae - Angélica Dass
Fine Art - Jimmy Nelson
Character Design References
CDR's Twitter Account
iamagco's Twitter Account
taco1704's Twitter Account
takuya_kakikata's Twitter Account
EtheringtonBro's Twitter Account
Drawabox
Color Wheel
Color Palette Cinema
Free Images and Pictures
Free Stock Photos
FILMGRAB
Screen Musings
William Nguyen Light Reference Tool
Animation References - sakugabooru
Animation References - Bodies in Motion
Read more here:
THIS IS THE ONLY ACCEPTABLE BRUCE CHARACTERISATION
anoosha syed (foxville_art) on Twitter made a really interesting tutorial on how to colour non-white skin in illustrations that I thought people who follow this blog might find useful (:
(resposted with permission)
NOW. #pascalcampion
girl you look like a Mariusz Lewandowski painting (complimentary)
I forgot I made a couple of mini vine compilations when they announced the end of vine
“Untitled” (Portrait of Ross in L.A.) is a 1991 piece by Felix Gonzalez-Torres in the collection of the Art Institute of Chicago. It’s a spilled pile of candy.
The pile of candy consists of commercially available, shiny wrapped confections. The physical form of the work changes depending on the way it is installed. The work ideally weighs 175 pounds (161 kg) at installation, which is the average body weight of an adult male. “Untitled” (Portrait of Ross in L.A.) represents a specific body, that of Ross Laycock, Gonzalez-Torres’ partner who died of AIDS in 1991. This piece of art serves as an “allegorical portrait,” of Laycock’s life.
Visitors are invited to take a piece of candy from the work. Gonzalez-Torres grew up Roman Catholic and taking candy is a symbolic act of communion, but instead of taking a piece of Christ, the participant partakes of the “sweetness” of Ross. As the patrons take candy, they are participants in the art. Each piece of candy consumed is like the illness that ate away at Ross’s body.
Multiple art museums around the world have installed this piece.
Per Gonzalez-Torres’ parameters, it is up to the museum how often the pile is restocked, or whether it is restocked at all. Whether, instead, it is permitted to deplete to nothing. If the pile is replenished, it is metaphorically granting perpetual life to Ross.
In 1991, public funding of the arts and public funding for AIDS research were both hot issues. HIV-positive male artists were being targeted for censorship. Part of the logic of “Untitled” (Portrait of Ross in L.A.) is you can’t censor free candy without looking ridiculous, and the ease of replicability of the piece in other museums makes it virtually indestructible.