Alzheimer's Disease Linked To The Metabolism Of Unsaturated Fats

Talent 2030 hosts an annual competition for girls aged 11-18 in the UK to involve themselves in the future of engineering. This year I entered with an essay on the use of engineering to cure cancer, and thought I’d provide the article links I used for research. It’s actually a really interesting topic to delve into if you’re curious 

http://www.popsci.com/fda-approves-first-drug-that-treats-cancer-with-an-engineered-virus

http://fusion.net/story/155183/herpes-fights-cancer-virotherapy-measles-smallpox-cure-cancer/

https://www.standup2cancer.org/dream_teams/view/bioengineering_and_clinical_applications_of_circulating_tumor_cell_chip

https://www.scientificamerican.com/article/a-chip-against-cancer/

Brexit 'will enhance' UK wildlife laws - Gove - BBC News

Any Brexit changes to the UK's wildlife laws will increase - not reduce - environmental protection, Michael Gove has pledged.

The only good thing I can see coming out of Brexit (if they actually deliver beyond a speech)

Different States of Matter: [submission]

that new theme feel (@themecloset the babes)

December 17, 1972 – On the return trans-Earth trip back home, Apollo 17 astronaut Gene Cernan tries a little zero-gravity dining.

(NASA)

apply for jobs you’re not qualified for! audit upper-level classes! get drunk with your TAs! see that poster advertising that lecture series? go there take notes and ask questions! thank the presenter for talking about this topic you love! if the class is full before you register, email the professor and ask if they can squeeze you in! RAISE YOUR HAND! tell the disability accomodation office to do their goddamn job! ask for help! file complaints! go to class in your pajamas and destroy the reading! you got this! you KNOW you got this! be arrogant enough to learn EVERYTHING! take your meds! punch a velociraptor in the dick! fear is useless and temporary! glory is forever! shed your skin and erupt angel wings! help out! spread your sun!

i had a really good morning! you deserve a really good morning! kill anyone who says you don’t and build a throne from their bones!

I struggle to understand why other white people refuse to realise they're racist. You can be at every rally, supporting every cause, it doesn't matter. We were raised to be inherently racist, and the sooner you face up to that the sooner you can actually work on solving the problems. Prejudice is automatic in most of our upbringings, and if you're living your life saying 'oh but I'm not racist', you're never actually gonna get rid of those prejudices.

Actually a really good example to wake you up from this is what you picture in your head when I say terrorist. And then remember that white people have been terrorising the world for a lot longer than the people who you probably imagine.

I struggle to understand why other white people refuse to realise they’re racist. You can be at every rally, supporting every cause, it doesn’t matter. We were raised to be inherently racist, and the sooner you face up to that the sooner you can actually work on solving the problems.

Prejudice is automatic in most of our upbringings, and if you’re living your life saying ‘oh but I’m not racist’, you’re never actually gonna get rid of those prejudices.

In early 1971, Kay Brown, Dindga McCannon, and Faith Ringgold gathered a group of black women at McCannon’s Brooklyn home to discuss their common frustrations in trying to build their careers as artists. Excluded from the largely white downtown art world, as well as from the male-dominated black art world, the women found juggling their creative ambitions with their roles as mothers and working heads of households left little time to make and promote their art.

Out of this initial gathering came one of the first exhibitions of professional black women artists. “Where We At”—Black Women Artists, 1971, opened at Acts of Art Gallery in the West Village that June. Adopting the show’s title as their name, the collective began meeting at members’ homes and studios, building support systems for making their work, while assisting each other with personal matters such as childcare.

Influenced by the Black Arts Movement, members worked largely in figurative styles, emphasizing black subjects. While the group engaged politically with racism, their work also spoke to personal experiences of sexism, and members contributed to publications including the Feminist Art Journal and Heresies. Though the group’s mission was not explicitly feminist, Where We At recognized the power of collectivity—empowering black women by creating a network to help attain their professional goals as artists.

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