There’s No Way He’s Not Her Father. I Love The Little, Quiet Moments. I Read A Fic Once Where She

There’s no way he’s not her father. I love the little, quiet moments. I read a fic once where she forced him to tie up his hair because it was messy, which was adorable. A very strict, no nonsense six year old Frannie is a very cute image. And, of course, Cedric would have to humour her.

If They Could Have Father Daughter Moment

If they could have father daughter moment

More Posts from The-blue-countess and Others

6 months ago
Manderlay In Flammen  Rebecca (Vienna 2022)
Manderlay In Flammen  Rebecca (Vienna 2022)
Manderlay In Flammen  Rebecca (Vienna 2022)

Manderlay in Flammen  Rebecca (Vienna 2022)


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2 months ago

This is totally my experience. Every piercing that I’ve had (I’ve been going since I was nine) has gotten infected - never terribly, and it’s always calmed down after a while and eventually heals, but it’s still an annoying process. I follow the instructions, and clean it, I don’t sleep on it, and still my ears hate me…

I bet my body fucking hates it whenever I get a piercing. Poor thing is like HEY THERE'S A PUNCTURE WOUND. IN THE FACE. A FOREIGN OBJECT IN THE PUNCTURE WOUND. And I'm like oh yeah lmao I know, it's there on purpose. THE FUCK YOU MEAN IT'S THERE ON PURPOSE?? Yeah I got it put there on purpose, just heal around it. THE FUCK YOU MEAN IT'S THERE ON PURPOSE. WHY IS THERE A PUNCTURE WOUND WITH AN OBJECT IN IT. ON PURPOSE.

And I'm like chill, it's sterile, we're gonna clean it twice a day so it won't get infected. I DON'T FUCKING CARE THAT IT'S STERILE. And I'm like wow the fuck you mean you don't care? Do you want it to get infected?

YOU KNOW WHAT WOULD ALSO MAKE IT NOT GET INFECTED? NOT. HAVING. WOUNDS. WITH. FOREIGN. OBJECTS. IN THEM.


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3 months ago

Highly emotional about Skug's reaction to the empty world in Theatre Of Shadows.

Highly Emotional About Skug's Reaction To The Empty World In Theatre Of Shadows.
Highly Emotional About Skug's Reaction To The Empty World In Theatre Of Shadows.
Highly Emotional About Skug's Reaction To The Empty World In Theatre Of Shadows.

Like. This is a man who has spent hundreds of years stripped bare like an exposed nerve to sensory input. He can't close his eyes. He can't put his fingers in his ears. He can't sleep. He's "learned to" sort-of sleep by meditating, but he has no way to fully turn off to the world around him.

He's also massively ADHD-coded, a condition associated with sensory processing issues - specifically, hypersensitivity to sensory stimuli, leading to sensory overload.

Add to that, that Necromancers all seem to have a heightened sort of sensory perception - they can all sense the echoes of negative emotions like fear, despair and misery. At a certain power level - which Melancholia reaches in DB - their entire way of processing sensory stimuli, the way they see the world, changes.

Skug is a natural Necromancer. He developed his abilities long before he joined the Temple as Lord Vile, and Vile very quickly outpaced the most advanced teacher they had for him. So he's probably had very little - if any - training in how to deal with those added sensitivities or tune them out. As a dead person commanding death magic - and someone so powerful he can use highly unstable Necromancy without his channelling object - he's probably more sensitive to these things than your average Necromancer.

So in Vile, you have an immensely traumatised torture survivor who's lost all human ways to cope with his pain (he can't comfort eat, he can't get drunk, he can't lose himself in sex, he can't sleep, he's lost his loved ones, he has no way of recovering at all), who's also already hypersensitive to how bright and noisy and Too Much the world is, and now has no way of disconnecting from all that stress, while his senses have been dialled up to 11.

So? Those random, pointless little solo expeditions into dead universes? Were actually probably a desperate man's last resort in trying to decompress, to find somewhere he could get some fucking peace and quiet. Somewhere to just make all the lights and the noise and the emotions that aren't his go away, to make it stop. The only outlet he had, to escape a world that was still hurting him. The only place he could relax.

Anyway vile needs rainymood.com and a lie down in a nice dark room thanks for coming to my ted talk


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4 months ago

I agree. I love Hordak, but can accept that he did terrible things and should help rebuild what he destroyed - eg. assist with Beast Island like in canon.

What I cannot stand is when people let Catra get off scott-free because of her trauma, only to damn Hordak for the same reasons! If Hordak goes free, then of course so does Catra - that’s fair. But if Catra is immediately accepted into the rebellion with only a couple of glares, but Hordak supposedly deserves to burn in Etherian Hell, you have a case of favouritism.

I don’t even hate Catra! I can enjoy her quips and believe her to be fun. But I do draw the line at calling her a ‘girlboss’ when she exploits his disabilities while she manipulates him. While this is typical villain behaviour, no one seems to be able to critique her actions while liking her - she’s a traumatised child (unless she’s being hot, in which case she’s most certainly an adult), incapable of intentionally causing harm, no matter how gleefully she does it.

The fact that the writers take Hordak’s trauma and give it to Catra to illustrate its horrific consequences - which Catra fans will use to enable her - while condemning Hordak, is so very frustrating.

It is a bizarre way to view the show, considering how similar the two characters are.

Starting from now on, everytime someone says they can’t forgive Hordak and his background is no excuse, I will be like

“Oh so you think Catra has to suffer for her crimes too, right?”

Or even “Oh so you must want Catra to apologize for the things she said while chipped, right?”

Because I still can’t believe there are people in the fandom who completely excuse Catra’s actions but the moment Hordak does the same thing he has to suffer and doesn’t deserve redemption.


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1 month ago

Lesbianism and polyamory in my Disney show? Yes please. I also need more of Maleficent with her hair down / out.

That scene between Regina and Mal in her castle was was more gay than it had any right to be…

Honestly, as tropey and lazy as this season is, this arc is so fun because it’s basically mean (lesbian) women making fun of Rumpelstiltskin to his face. I also adore the scenes in which he is talking to a woman who is taller than him - the fact that Anna was taller makes my day. Can you tell that I love the fact that he’s short? It kind of validates me as a short fellow myself.

the queens of darkness arc is a lot more entertaining if you view it in the perspective that they used to be couples who went on double dates but now they've both broken up and have to spend time together for work.


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8 months ago

Queer Horror Stories to Celebrate Mary Shelley’s Birthday!

A graphic (1 of 3) on a crimson background. Bleeding lettering reads "Queer Horror Books for Frankenstein Day," and six grapshing hands reach eerily from the bottom, each a different color from the rainbow. There are also four book covers on the graphic: The Luminous Dead by Caitlin Starling; The Devourers by Indra Das; Someone You Can Build a Nest In by John Wiswell; and Into the Drowning Deep by Mira Grant.
A graphic (2 of 3) on a crimson background. It features twelve book covers. The books are: What Moves the Dead by T. Kingfisher; Bury Your Gays by Chuck Tingle; Camp Damascus by Chuck Tingle; I Feed Her to the Beast and the Beast Is Me by Jamison Shea; Sixteen Souls by Rosie Talbot; The Honeys by Ryan La Sala; The Taking of Jack Livingston by Ryan Douglass; Kaleidoscope of Death by Xi Zi Xu; The Dead and the Dark by Courtney Gould; Alice Isn't Dead by Joseph Fink; Squad by Maggie Tokuda-Hall and Lisa Sterle; and The Hills of Estrella Roja by Ashley Robin Franklin.
A graphic (3 of 3) on a crimson background. It features twelve book covers. The books are: The Vampire Lestat by Anne Rich; The Picture of Dorian Gray by Oscar Wilde; The Summer Hikaru Died by Mokumokuren; Petshop of Horrors by Akino Matsuri; Your Shadow Half Remains by Sunny Moiraine; The Deep Sky by Yume Kitasei; Make the Exorcist Fall in Love by Aruma Arima; Hell Followed With Us by Andrew Joseph White; Summer Sons by Lee Mandelo; Fate/Stay Night by Datto Nishiwaki; Umineko When They Cry by Ryukishi07; and Case )): The Cannibal Boy from Sounding Stone.

Today, August 30th, is Frankenstein Day and Mary Shelley’s Birthday! To celebrate the first horror novel, we decided to ask our contributors about their favorite queer horror novels and ended up with 28 titles for a very spooky end of summer. Contributors to this list are: Shadaras, D.V. Morse, Nova Mason, Terra P. Waters, Rhosyn Goodfellow, Nina Waters, Meera S., Shea Sullivan, Owl Outerbridge, Sanne, Tris Lawrence, boneturtle and an anonymous contributor.

The Luminous Dead by Caitlin Starling

Someone You Can Build a Nest In by John Wiswell

The Devourers by Indra Das

Into the Drowning Deep & Rolling in the Deep (Rolling in the Deep series) by Mira Grant

What Moves the Dead (Sworn Soldier series) by T. Kingfisher

Bury Your Gays by Chuck Tingle

Camp Damascus by Chuck Tingle

I Feed Her to the Beast and the Beast Is Me by Jamison Shea

Sixteen Souls by Rosie Talbot

The Honeys by Ryan La Sala

The Taking of Jake Livingston by Ryan Douglass

Kaleidoscope of Death by Xi Zi Xu

The Dead and the Dark by Courtney Gould

Alice Isn’t Dead by Joseph Fink

Squad by Maggie Tokuda-Hall

The Hills of Estrella Roja by Ashley Robin Franklin

The Vampire Lestat (The Vampire Chronicles series) by Anne Rice

The Picture of Dorian Gray by Oscar Wilde

The Summer Hikaru Died by Mokumokuren

Pet Shop of Horrors by Matsuri Akino

Your Shadow Half Remains by Sunny Moraine

The Deep Sky by Yume Kitasei

Make the Exorcist Fall in Love by Aruma Arima & Masuku Fukayama

Hell Followed With Us by Andrew Joseph White

Summer Sons by Lee Mandelo

Fate/Stay Night by Type-Moon

Umineko When They Cry by Ryukishi07

Case 00: The Cannibal Boy from Sounding Stone

Welcome to Night Vale

The Silt Verses

What are your favorite queer horror novels? Tell us in the comments!

Want to chat your favorite reads with us? Join our Book Lover’s Discord server!

Update your Goodreads TBR with any of these books by visiting our queer horror shelf on Goodreads!! Or, jump onto Bookshop.org and browse these books on our queer horror list!


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3 months ago

I understand this. I love how Allison isn’t the modern goth stereotype - she feels, and isn’t afraid to admit she cares. She isn’t a content loner, she wants friends - she doesn’t want to be ignored.

Leaving school recently, I’ve found myself lost. I am sometimes afraid my heart has already died. Everyone else seems excited about what adulthood will bring, but I’m just lost and sad. I have every privilege in the world, but can’t make anything of myself. Can I revive my heart?

The Breakfast Club (1985) Dir. John Hughes
The Breakfast Club (1985) Dir. John Hughes
The Breakfast Club (1985) Dir. John Hughes
The Breakfast Club (1985) Dir. John Hughes
The Breakfast Club (1985) Dir. John Hughes
The Breakfast Club (1985) Dir. John Hughes

The Breakfast Club (1985) dir. John Hughes


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He/him and she/her. Genderfluid, Aromantic and asexual. Level 18

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