Looking back on this, I’m baffled that I managed to leave out Bedivere. I’m in this very weird writing rut where I keep starting stories using the canon where Griflet is the one who throws the sword in the lake and those stories end up devolving into vaguely metaphysical Bedivere-death-centric angst. Even when Bedivere is theoretically a minor character, it happens. It happened in a reincarnation fic where the Green Knight makes them all sing karaoke and the Palug Cat is Guinevere’s Maine Coon, for goodness’ sake. I think the problem is that there are about fifteen knights who I would offhandedly say are in my top five. Anyway, apologies to Bedivere.
To anyone who loves Arthurian legends, who’s your fav knight? Mine has been Sir Palomides and Sir Gareth lately.
Happy Passover to all my fellow Jews. May your holiday be peaceful and meaningful. I hope you got rid of your chametz at a non-stressful time.
Let my people know.
Memes of Judaism
💚😏🗡️ <for arthuriana ask game =)
Favorite quest/story arc:
That’s a tough one. Basic as it is, one of my favorites would have to be the Grail quest. It’s been told in so many different ways, it has so much potential for interpretation and reinterpretation, and if you look around, its influence is everywhere in pop culture. I also really like Galahad, Percival, and the Grail Heroine (though reading T. H. White left me with an anti-Bors bias I’ve never been able to shake).
Gawain:
The way I got into Arthuriana was a seventh-grade GVC assignment where I had to write an alliterative paragraph, drew “G” out of a hat, started writing about Gawain, never got to a stopping point, decided to write a novel, decided I had to do research for the novel…you get the idea. He isn’t my all-time favorite, but I like Gawain. I find his revenge quest interesting when it’s done well, but I think that it’s become too ubiquitous. There are so many stories about him and there’s so much more to him than the man in The Once and Future King whose main traits are “angry” and “Scottish” (though I do love it when he calls Galahad “yon lily laddie”).
Who Are You Betting On In This Month's Tournament?
I think it depends on which canon it is and who’s in town. If I could choose from every Arthurian character I know of, I would say the Knight of the Lantern, hands down. At the start of The Story of the Crop-Eared Dog, he defeats and ties up everyone on Arthur’s hunting trip who he thinks is worth fighting—which adds up to well over seven thousand knights—in one afternoon. Later on, he’s defeated by his older brother Alastrann (who’s in monster-dog form), but when their father dies, Alastrann becomes the King of India, and he can’t very well casually jaunt over to the far end of another continent when he has a country to run. The Knight of the Lantern also returns to India, but he has unparalleled magical powers and less responsibility, so he could probably swing by for a tournament.
Thanks for the ask!
This is what happens when you mash together a revenge quest, a slasher movie, a buddy road trip, a bildungsroman, a fantasy epic, and a shaggy dog story and set it in medieval times. Because there aren’t many Irish Arthurian texts, whether Bhalbhuaidh, the protagonist, is meant to be Gawain or Galahad is controversial. His name and titles could point to either and his life situation seems more like Gawain’s, but I will refer to him Galahad because I find the idea of a Galahad AU where he’s pagan and gallivants around with a prince who was turned into a giant dog and lost all qualms about murder along the way entertaining. It starts when Arthur, who inexplicably holds the title of King of the World, convenes a hunt in the Dangerous Forest on the Plain of Wonders and the mysterious Knight of the Lantern does what any antagonistic knight worth his salt would do: gatecrash and ask for violence. It gets less normal very rapidly from there. Abhlach the druidess is at least as awesome as she is wicked, Galahad may or may not have a magical music-making sword, and the fact that there’s an Island of Naked Monks is never given any explanation because it’s only mentioned in passing when the dog tells Galahad he killed them all.
Yeah, it’s a fun read.
Here’s a link to the translation I read:
could you tell me about arthur's bastard (and legitimate) children?
(Word of Caution: For various reasons, including inaccessibility of source materials, I am not fully read up on all the details of the source materials involving the following characters. Nor am I aware of all known children of Arthur. Therefore, I should advice discretion)
Mordred - Originally a nephew by Arthur's full sister Anna/Morgause in Historia Regum Britanniae, Mordred is later converted into Arthur's bastard son, conceived incestuously, in Vulgate Cycle. The Welsh Dream of Rhonabwy suggests that Mordred was fostered by Arthur (a normal practice of both Romans and Celts)
Loholt/Ilinot - First appeared in Erec and Enide and apparently based on the Welsh character of Llacheu, Loholt was originally a Legitimate son of Arthur by Guinevere in Perlesvaus and the German Tradition. But Vulgate Cycle alters this so that Loholt is instead another bastard son by a certain Lisanor prior to Arthur's marriage to Guinevere.
Amr/Amhar - Son of Arthur mentioned in Historum Brittonum as being killed by Arthur himself. His grave is described as naturally changing size with every look, implying supernatural influence. He is also mentioned in the Welsh Geraint, as one of Arthur's Four Chamberlains
Gwydre - Son of Arthur mentioned only in Culhwch and Olwen. He is killed by Twrch Trwyth alongside two maternal uncles of Arthur.
Llacheu - The most celebrated of the Welsh sons of Arthur, with mentions in Pa Gur, The Welsh Triads and other Welsh Poetic Material. Is usually identified with Loholt, with the Welsh adaptation of Perlesvaus - Y Seint Grail - being the most notable in that regard.
Duran - Son of Arthur only found in a 15th Century Welsh Manuscript, where he is said to have perished during the Battle of Camlann
Archfedd - Daughter of Arthur, found in the Welsh genealogical work Bonedd Y Saint, where she is said to have married Llawfrodedd, one of Arthur's warriors, and bore two children, Efadier and Gwrial
Apollonius, Iron and Hilde - Two sons and a daughter found in the 13th Century Icelandic Thidrekssaga.
Aristes - Son of Arthur mentioned in the Old Norse Mottuls saga
Samson the Fair and Grega - Son and Daughter of Arthur by his wife, Queen Silvia. Both found in the Norse Samson saga fraga
Adeluf III, Morgan the Black and Patrick the Red - Three sons of Arthur, from Eldest to Youngest, from Rauf de Boun's 14th century chronicle, Petit Brut. Presumbly, sons of Queen Guinevere, but Rauf de Boun fails to mention the name of Arthur's wife. However, Adeluf III is made heir and assumes the Throne of England whilst Patrick and Morgan are given sizable inheritances in the form of Scotland and Wales. (Note: Wikipedia claims they're Arthur's sons by a fairy queen, but the cited source does not say so. Link to source HERE)
Seleucia - Daughter of Arthur by his first wife, Liscanor (Lisanor), in Jorge Ferreira de Vasconcelos' 16th century Portugese novel Memorial das Proezas da Segunda Tavola Redonda. (*This technically makes her the full sister of Lisanor!Loholt) She married Arthur's successor, Sagramor Constantino (a combination of Sir Sagramore and Constantine, son of Cador) and may have even bore a daughter, Princess Licorida
Huncamunca - Daughter of Arthur and his wife, Queen Dollalolla, from Henry Fielding's 1730 Tom Thumb play
Melora - Daughter of Arthur and Guinevere from the Irish romance Eachtra Mhelóra agus Orlando. One of the more well-known daughters of Arthur and one of the very few warrior women in Arthuriana.
Merevie/Smerbe/Smerviemore - Son of Arthur by his second marriage to a french princess, Elizabeth. Figures primarily in the genealogical legends of Scottish Clan Campbell, who claim descent from Arthur through Smervie.
Rowland, Ellen and Two unnamed older brothers - Certain versions of the Ballad of Childe Rowland and Burd Ellen portray them as the sons and daughter of Arthur and Guinevere, apparently due to the mention of Merlin.
Tryphine's son and daughter - A certain mystery play collected by François-Marie Luzel in 1863 merges Saint Tryphine from the Conomor legend with aspects of Queen Guinevere, with the primary antagonist being the lady's brother Kervoura. The two children are unnamed, but the son goes by an alias, "the Malouin"
Iduna - Daughter of Arthur and Guinevere from Edgar (1839), by Adolph Schutt
Blandine - Daughter of Arthur and Guinevere from Les Chevaliers de la Table Ronde (1937), by Jean Cocteau
Kyduan/Cydfan - Son of Arthur by Eleich ferch Iaen. Mentioned in Culhwch and Olwen and Bonedd yr Arwyr
Arthur le Petit - Son of Arthur from Post-Vulgate, born of Arthur's deliberate rape of a daughter of Sir Tanas. Arthur le Petit serves as a "good" counterpart to Sir Mordred. He loyally serves his father incognito for many years and despises Lancelot's faction for causing the destruction of Logres. He is slain by Sir Bleoberis.
Tom a Lincoln - Eponymous hero of the 16th century romance Tom a Lincoln, by Richard Johnson. Son of Arthur by Angelica, a daughter of the Mayor of London. Fathers two additional characters, the Black Knight and the Faerie Knight.
Gyneth - Daughter of Arthur by a half-genie named Guendolen. From Walter Scott's The Bridal of Triermain (1813). A huntress whose Marriage competition results in the death of many knights including Vanoc, who is implied to be Merlin's son. As a result, Merlin puts her into an enchanted sleep for many centuries until her true love awakens her with a kiss.
Nathalia - a supposed daughter of Arthur who accompanied St. Ursula according to De Sancta Ursula: De undecim milibus Virginum martirum (1183), by Herman Joseph
Baeddo - Wife of the Visigothic Spanish king Reccared. Claimed to be a daughter of Arthur by Compendio Historial, by Esteban de Garibay y Zamalloa
Tortolina - a daughter of Arthur according to Pantochronachanon (1652), by Thomas Urquhart
*(Additional Source link about the Daughters of King Arthur: HERE)
this is honestly so endearing
really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.
Arthurian Mirror/Role Reversal AU, where Morgan is the Once and Future Queen, leader of the Dames of the Round Table, who search for the Holy Clau or Holy Rood.
Meanwhile Arthur becomes the Supernatural Raider/Wild Man called "Arthur la Guivre", who terrorizes Morgan's kingdom but ultimately rescues his sister after the final battle, bringing her over to his Otherworldly realm under a Mountain.
Sebile becomes the Sir Kay of this AU.
Going from left to right and down, the symbols stand for Galahad, Percival, Ragnell, Blanchefleur, the Grail Heroine, the Lady of the Lake who gives Arthur Excalibur, Guinier, Gawain, Dinadan, Ector de Maris, Morgan le Fay, Caradoc Briefbras, Griflet, Isolde, Vivian, Taliesin, Tristan, Brunnisend, the Nine Witches, Laudine, the Three Queens or Morgause, Kay, Dagonet, Merlin, Palamedes, Sebile, Guinevere, Igraine, Melora, Yvain, Mordred, and Arthur.
If you’re confused about some or all of them, here’s my rationale/what the symbols are:
Galahad and Percival have slightly different Grails. I think Ragnell is found sitting under a tree, and another story has Gawain in a relationship with the queen of Avalon, isle of the apples. Blanchefleur means “white flower”. The square with the spiral in it is the Grail Heroine’s box of hair. The sword under the wave is fairly obvious. That is the drinking horn from Guinier’s chastity test. Gawain’s is a SGatGK reference. Dinadan’s is an aro ring. Ector de Maris, Griflet, Kay, and Palamedes all have symbols or patterns from their attributed arms. Morgan le Fay takes Arthur to Avalon on a boat. Caradoc has to be saved from a serpent which is wound around his arm. The torch is a Wagner reference. Nimue traps Merlin, whose symbol is the bird who shares his name, so she is represented by a birdcage. Taliesin got his wisdom from a cauldron, and there’s a cauldron in the Preideu Annwfn. Tristan plays a harp. The formation of the relationship between Brunnisend and her eventual husband is defined by their dire yet mutually exclusive needs for a good night’s sleep. The Nine Witches’ symbol seemed cool and has a threefold element. Laudine has a magic fountain. The evolution of the nature and deeds of Anna/Morcades/Morgause/etc. seemed to sort of go with the Maiden, Matron, Crone archetype and I really couldn’t think of anything else. Dagonet eventually became a jester. Yblis, who has a magic mantle, is Sybil scrambled, and there is a strong modern association between magic and capes. Guinevere is sometimes given authority over the knights of the vergescu. My justification for Igraine’s is particularly weak and would take too long to explain. Melora wields the Lance of Longinus. Yvain befriends a lion. Mordred has a broken table because he helped break the Round Table. Arthur is King.
The difference between old Welsh literature and old Irish literature is very simple. In old Welsh literature, there are five page runs of names. In old Irish literature, there are five page runs of adjectives.
okay sorry thinking about false guinevere again and I think I get it now. like if you were raised alongside your beautiful sister, the beautiful daughter of the king, and she gets everything and everyone loves her and she marries the guy who pulls the sword out of the stone and she’s the queen now and everyone’s looking to her and knights are dying for her and you look exactly like her and you have her same face, your father’s face, but the man who raised you isn’t him because no one can talk about what the king did to your mom and everyone pretends it’s normal but actually they all know you were born from violence and you were never supposed to be born and there she is, your sister, with your same name, your same face, the most desired woman alive, and she is everything you’re not. i might also do something evil tbh
In which I ramble about poetry, Arthuriana, aroace stuff, etc. In theory. In practice, it's almost all Arthuriana.
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