Dindrane: claimed I could remember my unborn sibling from Heaven, then gave a description of said sibling which turned out to be accurate
Taliesin: went outside during a lightning storm and tried to fly away by using a Mary Poppins umbrella to catch the wind while making dramatic poetic declarations (I got about two feet in the air)
Sebile: tried to practice necromancy to talk to a dead Monarch butterfly
.
This isn’t something I did, but an evangelical organization once showed up at my family’s house to see whether one of us was the Messiah, and that seems pretty Galahad-esque.
Arthur: created clubs for the sole purpose of making myself in charge of them
Guinevere: played barbies, but the plot of the game was that they were fighting in world war iii
Lancelot: pretended to be an exterminator by spraying actual hornets with a hose, and somehow not getting stung, against all odds
Gawain: held stair-jumping competitions, and regularly jumped down around 10 stairs at a time
Merlin: designated a particular tree branch for reading and refused to let anyone climb this branch
Gaheris: held ‘screaming contests’ in my backyard to which invited my friends (this is exactly what it sounds like and it was banned by my mother immediately)
Dinadan: eaten spaghetti while riding a bike
Galahad: made a graveyard for bugs
Morgana: recruited a friend’s little brother to spy on said friend because she wasn’t talking to me
Mordred: accidentally made a gallon of poison
Wait a minute, I might have read a short story like that. If I can’t find it, I’m writing one. If I can find it, I’m still probably writing one.
Made fancy tea for my mom for Mother's Day. Mom served as the model for Mrs. Whitaker in my adaptation of Neil Gaiman's CHIVALRY graphic novel You can also see the china I used in the book. It's my favorite pattern.
On the one hand, his powers exceed Merlin’s—Merlin describes himself as “second only to Taliesin” (in “Ymddiddan Myrtin a Talyessin”), and Taliesin claims to have profound knowledge of the cosmos dating back to Creation (he says poetic inspiration was created at the same time as fresh milk, dew, and acorns). He knows everything and can shapeshift into pretty much anything, if the catalogues he gives are anything to go by. He survived being swallowed alive, being thrown in the sea ("Ystoria Taliesin"), and (it seems) going on a raid of the Otherworld during which all but seven of Arthur’s many warriors died ("Preiddeu Annwn"). Then or at some other point while he was in Annwn, he pierced 8,000 men with spears he got from Heaven ("Cad Goddeu"). That puts his casualty count above that of anyone else I can think of in Arthurian legend (They fall "by the hundred" to Bedwyr--"Pa Gur"--but by "forty score hundred" to Taliesin). For all we know, he's indestructible; from what he claims, he's omniscient.
On the other hand, he sometimes seems like Sir Kay Xtreme Bard Edition with Extra Arrogance. In The Book of Taliesin, he has a really bitter (one-sided?) feud with other scholars and monks (some variant on "pathetic men of letters” appears many a time), who he accuses of ignorance because they don’t know the answers to various questions he never gives the answers to himself, and he loses or alienates everyone until the only person who visits him is a dude named “Goronwy, from the dales of Edrywy” ("Cad Goddeu"). Not much is known about this Goronwy, though it’s been speculated that he’s the speaker in “Claf Abercuawg”, in which case he’s an ailing societal outcast and probably couldn’t get anyone to talk to him except Taliesin. There’s a strong pathos to this—time, and maybe hubris, came with a fall, leaving him somewhat like a washed-up starlet or a burned-out wunderkind, abandoned now that he’s no longer the shiny new thing.
On the third hand, which I don't have but Taliesin could probably manage if he felt like it, much of this is from his point of view, and we have no way to prove he's telling the truth. When he tells his own origin story, he claims that he was Frankensteined together by enchanters at the dawn of time. This flatly contradicts "Ystoria Taliesin", so either there are multiple canons for his life story, he's talking as the Awen rather than as himself (in which case he's still contradicting himself--he also says it's a creation of the Lord), or he's lying about some of it. Why he would want to is anyone's guess, since he is quite powerful regardless.
If we don't take Taliesin at his word about his ability to kaiju battle giant toad monsters ("Cad Goddeu"), or take it with a grain of salt, then what are his accomplishments apart from self-preservation and repaying a life debt to Elphin? I am by no means an expert on him, but in what I've read, he does almost nothing in anyone else's story. It's almost like, apart from one or two times, he isn't able to find a way to use his powers for anyone else's good.
Then again, what is his primary power? Shapeshifting seems obvious (too obvious). He uses it for self-preservation (which is valid), for the heck of it (maybe), and/or for really dubious ends (see "Angar Kyfundawt" if you really must know, but trust me, you don't want to). Fighting is a less talked about ability of his. He can cause a lot of destruction (according to himself). It's not really clear what he fights for, though the various legendary kings he hangs out with are probably implied. Then, there's...
...the Awen. Inspiration. Poetry. He can do poetry, and he can do it very well. That is what he boasts about the most, and his boasts seem pretty justified. He’s Taliesin Ben Beirdd, Taliesin “Chief of Bards”, not Taliesin “the Shapeshifter” or Taliesin “Best of Warriors”, even though he may be both of those things. Shapeshifting only benefits him, and he's seen the horrors of war more than most people: his close friend Merlin killed his own nephew in a battle. When Taliesin fights, he kills terrifying numbers of people, maybe without full control (whether he's fully cognizant while he's using his powers is an interesting question which I won't get into right now). Perhaps that's why he doesn't interfere with others' adventures much: he is too powerful to do less harm than good for the people around him and for the narrative tension. Or maybe he just doesn't feel like it, or he was in the wrong place at the wrong time, or they just don't want him there anymore, or his role as a teller of stories is more important than his role as a person in them.
Odin and Frey: drawings by Sir Edward Coley Burne-Jones and the stained glass they inspired by Brian James Waugh and Lux Fournier
bc why not
♘ Favourite Knight/King
🫅Favorite Lady/Damsol/Queen
💚 Favorite Quest/Story Arc
✒A Medieval Text You Like
📚A Retelling/Modern Work You Like
📽Recommend a book/movie/tv show etc
💛A Sibling Group/Dynamic That IS NOT The Orkneys
🏴Okay Now You Can Talk About Orkneys
😤Your Most Specific Nitpick About Your Fave (anything from "Gareth would not have a beard" to "this is basically a different guy")
🥰An Arthuriana Headcanon
😏Gawain?
🥖Favorite French/du lac (Lancelot, Hector de Maris, Bors, Lionel, Galahad, ect)
👨👦Favorite Parent
🗡️Who Are You Betting On In This Month's Tournament?
🙏Pick A Grail Knight
🏴Pick A Pelli Spawn (Percival, Aglovale, Tor, Lamorak, Aylane, Dindrane, Donar, ect)
💏Crack Ship (s)
🫂Platonic Ship(s)
The Melora + Orlando ship should be called Valor. I can think of a few reasons why:
It’s a biblical reference, which seems in keeping with the story’s themes, considering that Melora has the Lance of Longinus. “A woman of valor who can find? She is to be valued above rubies” is quite fitting, given Melora’s association with a carbuncle (another red stone).
Both of their names contain “or”.
Melorlando is a bit of a mouthful. Valor, on the other hand, is easy to say and sounds adventurous.
The Burne-Jones agenda: Gawain had an emo phase
Griflet also gets a flower crown, but his is ambiguous.
happy lancelot and his crown of roses day to all who celebrate :)
I once saw a crossover between BBC Merlin and The Hitchhiker’s Guide to the Galaxy, presumably based around the fact that both have characters named Arthur. It worked well—there are more overlaps—but in general it seems like bad policy. If we keep on mashing up television shows with classic literature based on names, sooner or later, the world will end up with Gilligan’s Wake, and what will we all do then?
In which I ramble about poetry, Arthuriana, aroace stuff, etc. In theory. In practice, it's almost all Arthuriana.
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