The name is a bit misleading, since Gawain and Guinevere (here referred to as Dame Gaynour) feature more in the story. The first part concerns their lakeside encounter with the terrifying ghost of Guinevere’s mother, who bemoans her fate, gives Guinevere advice, and doles out prophecies of doom, predicting the death of Gawain and the fall of Camelot to Mordred. The second part is about a fight between Gawain and Galeron, which is more mundane in subject but suggests some of the factors which will make the ghost’s prophecies come to pass.
Since my last post seemed to be helpful to a lot of people, I thought I’d make another to share some additional resources. This list includes a bunch of stuff, meant for Jewish people in general. I would definitely encourage you to explore them! There’s a lot of useful stuff here. Goyim are welcome to reblog, just please be respectful if you’re adding tags or comments. Jewish Multiracial Network, an organization for multiracial Jewish families and Jews of Color Sefaria, a free virtual library of Jewish texts Sephardic Studies Digital Library Museum “The SSDC includes key books, archival documents, and audio recordings that illuminate the history, culture, literature, politics, customs, music, and cuisine of Sephardic Jews all expressed in their own language, Ladino.” (from their website) The SMQN, an organization for LGBTQ+ Sephardic and Mizrahi Jews Keshet, a group for LGBTQ+ Jews JQY, a group for LGBTQ+ Jews with a focus on those in Orthodox communities Queer Jews of Color Resource List (note: this list is way more than just resources, there’s a LOT there) JQ International: “JQ celebrates the lives of LGBTQ+ Jews and their allies by transforming Jewish communities and ensuring inclusion through community building, educational programs, and support and wellness services, promoting the healthy integration of LGBTQ+ and Jewish identities.” (from their website) Jews of Color Initiative, an organization dedicated to teaching about intersectionality in the Jewish community, focuses on research, philanthropy, field building, and community education Nonbinary Hebrew Project: It’s hard to describe, but they’re working to find/create/add suffixes that represent nonbinary genders in Hebrew. If you speak Hebrew/another gendered language, you might know what I mean about gendered suffixes. Jewish Mysticism Reading List (These are related to our closed practices, goyim should NOT be practicing these things) Ritualwell (you can find prayers and blessings related to specific things here, I personally like that they have blessings related to gender identity) Guimel, an LGBTQ+ support group for the Jewish Community in Mexico. The site is in Spanish. I’m not a native speaker, but I was still able to read a little bit of it. SVARA: “SVARA’s mission is to empower queer and trans people to expand Torah and tradition through the spiritual practice of Talmud study.” (From their website) TransTorah is definitely an older website, but there are still some miscellaneous pdfs and resources up on the “Resources” page. Jewish Disabilities Advocates: “The JFS Jewish Disabilities Advocates program was created to raise awareness and further inclusion of people with disabilities within Jewish organizations and the larger Jewish community.” (from their website) Jewish Food Society (recipes, have not spent a lot of time browsing here but maybe I should in the future) Jewish Blind & Disabled, an organization that operates mainly in providing accessible housing and living. Jewish Braille Institute International: “The JBI Library provides individuals who are blind, visually impaired, physically handicapped or reading disabled with books, magazines and special publications of Jewish and general interest in Audio, Large Print and Braille formats.” (from their website) Their services are free!)
Those are fabulous. I’ll add an old and terrible meta-theory and expand on it to apply it to Grimwald:
The whole series was a dream Billy Raven had or took place in his imagination as a way of coping with his terrible circumstances. Lord Grimwald symbolized Harold Bloor. He was never a real person, or, if he was, he only visited Bloor’s once.
I am a truther for a lot of things, but my biggest truth is that Dagbert is agender. Why? If Lord Grimwald had no first son, then Lysander could kill him all day every day no problem. He/They Dagbert who doesn't identify as a man or son or boy but actually just doesn't care
I hadn’t noticed that, but I think that you’re right and that that was the artist’s way of reminding us it’s made of Percival’s sister’s hair. Neat. Or not neat. There’s a lot to be said of hair belts as a fashion choice and most of it is negative, but you can’t say it’s not bold.
The Grail Heroine leading Galahad to the ship, where Percival and Bors wait
Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel
Happy late ace day!
Here are a few characters who I interpret as aspec:
Dinadan!!! He is an absolute aroace icon. In a source whose name has slipped my mind, Isolde comments on how he ought to be in a relationship and his reaction is something along the lines of, “Yeah, hard pass. How’s that working out for you, by the way?” (Read it with sarcasm).
Galahad, Bors, and the Grail Heroine all seem quite happy about the eternal chastity thing. None of them have any close calls with demon ladies, unlike poor Percival, the one allo person in the friend group. (Yes, Bors has a son, but a cursed ring was involved there, which is why as much as I do not stand Bors’ Morte misogyny, I will always pity him).
Kay is very rarely ascribed romantic relationships, and in one Welsh source, his father prophesies that Kay’s heart will be “eternally cold”, which could be interpreted as never enflamed by love.
Any others who come to mind?
On the one hand, his powers exceed Merlin’s—Merlin describes himself as “second only to Taliesin” (in “Ymddiddan Myrtin a Talyessin”), and Taliesin claims to have profound knowledge of the cosmos dating back to Creation (he says poetic inspiration was created at the same time as fresh milk, dew, and acorns). He knows everything and can shapeshift into pretty much anything, if the catalogues he gives are anything to go by. He survived being swallowed alive, being thrown in the sea ("Ystoria Taliesin"), and (it seems) going on a raid of the Otherworld during which all but seven of Arthur’s many warriors died ("Preiddeu Annwn"). Then or at some other point while he was in Annwn, he pierced 8,000 men with spears he got from Heaven ("Cad Goddeu"). That puts his casualty count above that of anyone else I can think of in Arthurian legend (They fall "by the hundred" to Bedwyr--"Pa Gur"--but by "forty score hundred" to Taliesin). For all we know, he's indestructible; from what he claims, he's omniscient.
On the other hand, he sometimes seems like Sir Kay Xtreme Bard Edition with Extra Arrogance. In The Book of Taliesin, he has a really bitter (one-sided?) feud with other scholars and monks (some variant on "pathetic men of letters” appears many a time), who he accuses of ignorance because they don’t know the answers to various questions he never gives the answers to himself, and he loses or alienates everyone until the only person who visits him is a dude named “Goronwy, from the dales of Edrywy” ("Cad Goddeu"). Not much is known about this Goronwy, though it’s been speculated that he’s the speaker in “Claf Abercuawg”, in which case he’s an ailing societal outcast and probably couldn’t get anyone to talk to him except Taliesin. There’s a strong pathos to this—time, and maybe hubris, came with a fall, leaving him somewhat like a washed-up starlet or a burned-out wunderkind, abandoned now that he’s no longer the shiny new thing.
On the third hand, which I don't have but Taliesin could probably manage if he felt like it, much of this is from his point of view, and we have no way to prove he's telling the truth. When he tells his own origin story, he claims that he was Frankensteined together by enchanters at the dawn of time. This flatly contradicts "Ystoria Taliesin", so either there are multiple canons for his life story, he's talking as the Awen rather than as himself (in which case he's still contradicting himself--he also says it's a creation of the Lord), or he's lying about some of it. Why he would want to is anyone's guess, since he is quite powerful regardless.
If we don't take Taliesin at his word about his ability to kaiju battle giant toad monsters ("Cad Goddeu"), or take it with a grain of salt, then what are his accomplishments apart from self-preservation and repaying a life debt to Elphin? I am by no means an expert on him, but in what I've read, he does almost nothing in anyone else's story. It's almost like, apart from one or two times, he isn't able to find a way to use his powers for anyone else's good.
Then again, what is his primary power? Shapeshifting seems obvious (too obvious). He uses it for self-preservation (which is valid), for the heck of it (maybe), and/or for really dubious ends (see "Angar Kyfundawt" if you really must know, but trust me, you don't want to). Fighting is a less talked about ability of his. He can cause a lot of destruction (according to himself). It's not really clear what he fights for, though the various legendary kings he hangs out with are probably implied. Then, there's...
...the Awen. Inspiration. Poetry. He can do poetry, and he can do it very well. That is what he boasts about the most, and his boasts seem pretty justified. He’s Taliesin Ben Beirdd, Taliesin “Chief of Bards”, not Taliesin “the Shapeshifter” or Taliesin “Best of Warriors”, even though he may be both of those things. Shapeshifting only benefits him, and he's seen the horrors of war more than most people: his close friend Merlin killed his own nephew in a battle. When Taliesin fights, he kills terrifying numbers of people, maybe without full control (whether he's fully cognizant while he's using his powers is an interesting question which I won't get into right now). Perhaps that's why he doesn't interfere with others' adventures much: he is too powerful to do less harm than good for the people around him and for the narrative tension. Or maybe he just doesn't feel like it, or he was in the wrong place at the wrong time, or they just don't want him there anymore, or his role as a teller of stories is more important than his role as a person in them.
(Credit to @wandrenowle (awesome person) who gave me this excerpt from a recent translation of The Book of Taliesin)
A few points to make:
There's a certain ambiguity about whether or not the narrator here really is Uther Pendragon himself.
The part where Uther is named "Shining Armor" - I believe this is the translation for the original word in the poem, "Gorlassar". From what I can research online, "Gorlassar" could also mean "Bright Blue/Very Blue" or even "Higher than the sky". I've heard some theories online before that Geoffrey of Monmouth created the character "Duke Gorlois of Cornwall" from this epithet of Uther's.
If so, that means the possibility of Igraine always having been Uther's wife and Igraine only ever had one husband. Huh.
Wow, apparently Arthur is not as badass as his dad, being only a ninth of Uther's prowess. This is the very same Arthur who, in Welsh Myth, can destroy armies by the hundreds, go toe-to-toe with giants and is the standard of comparison for warrior excellence ("...although he was no Arthur"). This elegy implies Uther is leagues more powerful than that.
It reminds of Sir Branor, the Dragon Knight, from Palamedes, a 120-year old knight of the Round Table from Uther's era. When he shows up to Arthur's court, he challenges everyone in Camelot, including Lancelot, Gawain and Tristan, and soundly kicks their asses. The general impression is that however OP King Arthur and his knights are, Uther and his boys are waaaaaay more OP. Very Anime.
(It also has shades of Nestor from the Iliad, talking about how the heroes of the "Seven against Thebes" would kick anyone's ass in the Trojan War)
The part where Uther boasts of his Poetic Prowess - "as great as that, of seven score poets". This, in particular, fascinates me. See, in an older translation, that particular segment is phrased as such:
There is a tradition Uther Pendragon really does magical abilities:
In the new translation, Uther is primarily hyping his skills in the Bardic arts, but personally, I think that doesn't preclude Uther's magic powers.
In Celtic Myth, Bards, because their status as lore-keepers, often had magical powers, like Prophecy, shapeshifting (Taliesin and Myrddin/Merlin) or having the power to harm and curse using satires:
I believe there's even a term for Bardic Prophecy in Welsh: "Canu Darogan".
This sort of loops back to "Uther>Arthur" again, seeing as how Arthur is one of "the Three Frivolous Bards of the Island of Britain"
Jeez, can imagine being at your death bed, and like, decide " I'm gonna write an entire poem about how awesome I am and how my prophesized, magic son ain't shit compared to me"
@usedtobeaduchess Triad 20 is where Arthur as Terror of the Sod comes from.
From The Welsh Triads
From Layamon's Brut
From Don Quixote. (Too bad its Post-Camlann...)
Extra Points:
Propaganda:
I generally interpret Galahad as aroace. That being said, if he wasn’t and Galadred were a thing, I think it could save the Round Table. Being in a relationship might stop Galahad from going on the Grail quest, which would stop a great number of people from dying, and having a very Catholic boyfriend might stop Mordred from participating in some of his more dubious hobbies, like plotting murder.
I can’t decide which knight is saying this, but it explains a lot.
( A comment on “i accidentally read the worst book of the year so far” by The Book Leo, beginning with a quote from the video)
Edit: Never mind. Knights kiss all the time in some texts. Most of the Arthurian texts I’ve read are weird and random (Gawain plays tennis, Galahad gets married, Guinevere’s mother’s ghost issues prophecies of doom…) and gave the impression that being turned into a murder-dog was more common than physical affection.
In which I ramble about poetry, Arthuriana, aroace stuff, etc. In theory. In practice, it's almost all Arthuriana.
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