"Puis comence le iengleor Bloys
Deslaiaux de mort du roy:
Mais porquoi on dit.
Sanz fin james laisser çi."
I
"The sun sank red, the moon as red
As blood did rise o'er Caerbrë town;
The King," he sang. "But Bloys," I said,
"Come tell me where is Caerbrë town?"
II
"The Haut King, red with blood, returned
From Barendown's fire, and came therein
To die," he sang. "What in him burned,
Dark Mordred's death? or Gwenevere's sin?"
III
"They buried in his blood the dead;
But One bore water there to save
The King," he sang. "But Bloys," I said,
"Where lies indeed the Haut King's grave?"
The hero tapestries at the Metropolitan Museum of Art Cloisters in New York City, NY
Since I posted this, another of my closest friends came out as aroace.
I’m quickly running out of allo people I know more than tangentially.
I‘ve been wondering about something. Last year, I found out that being asexual was a thing, not just a quirk of mine… then realized that five of my friends already privately or publicly identified as such. Consider that: asexuals are estimated to make up about 1% of the population yet account for about 40% of my friends. Is that just a weird coincidence, are ace people more likely to gravitate toward each other (due to their likely disinterest in certain topics of conversation or general vibes or goodness knows what), did the experts significantly underestimate how many asexuals there are, or some combination of the three? I suspect it’s the third but I’m not sure to what extent each thing is a factor. Any thoughts?
Wikipedia, most definitely.
For several years, nearly all of my Arthurian knowledge came from Wikipedia, because I (rather oddly) decided to try to get a comprehensive idea of Arthuriana as a whole before actually diving into medieval literature. This was probably because, despite having absorbed my very eccentric great-grandfather's belief that we were descendants of Merlin, I wasn't really into Arthuriana before I was given a prompt to write an alliterative paragraph featuring the letter G, started writing about Gawain, never came to a conclusion, decided to make it a novel, decided I needed to do research to write a novel, etc. This led my seventh grade self to a lot of bad takes, particularly about Lancelot, and very random headcanons. On the other hand, the assumptions I made about Agravaine, while based purely on his name, were mostly accurate.
I can spot at least four possible morals to this story and there are probably more, but I'll leave them to the reader.
Anyway enough King Arthur flour asks time to talk about Ragnelle.
do any of my beautiful mutuals know if kay is called cai wyn anywhere other than in culhwch and olwen? what does wyn mean?? is it a surname or an epithet or like a place of origin or something?
From what I’ve seen, Kay/Gaheris sometimes seems to go along with Balan/Bedivere, which could point to whatever source material there may be or be a testament to the lack thereof.
I’ve seen a few writers on Ao3 shipping Kay with Gaheris, which strikes me as a little random, though I haven’t read much about Gaheris and could be missing something. What do you think the rationale/source material behind that ship is?
i have legit no idea anon ive seen it too and i do not understand my only guess is that they interacted in an adaptation ?? if anyone knows tell me im curious now
A post of mine from several months ago about the Perlesvaus self-rearranging forest just wandered across my dash again and made me think about it some more, so I wanted to talk about it a bit.
Perlesvaus, for those who don’t know, is a 13th-century French Arthurian romance. It’s intended to be a continuation of Chretien de Troyes’s Perceval, but it’s mostly known for being completely batshit when it’s known at all. (There’s an old book on Arthurian texts that dedicates a chapter to Perlesvaus and repeatedly speculates that the anonymous author had Something Wrong With Him. This is the longest scholarly treatment of Perlesvaus I’ve been able to find & read.)
Anyway, there’s an odd worldbuilding detail in the text. See, it’s a Thing in chivalric romances that the questing knights happen upon castles & lords & damsels & such that are unfamiliar to them and have to be explained. You know, “this is the Castle of Such-and-Such, where the local custom is as follows. It’s ruled by Lady So-and-So, whose character I shall now describe to you.”
This is a genre convention that largely goes unquestioned, but it’s a bit odd if you think about it. All these knights are at least minor nobility. They don’t know the other nobles in their region? They don’t know what castles are where? Don’t they have, like, diplomatic relations with these people or at least attend the same tournaments? Even if they’re all fully committed to the knight-errant lifestyle and don’t really engage in courtly diplomacy, you’d think they would share information with each other and get the lay of the land. But instead, to use TTRPG terminology, it’s like they’re all on a hexcrawl that was randomly generated just for them to have these adventures.
The author of Perlesvaus decides to address this. In what’s kind of a throwaway paragraph late in the text, he explains that God moves things around so knights always have new quests to do (and, presumably, is also making sure they always arrive at the right narratively-significant moment). So the reason they’re always encountering people & places they have no knowledge of is because those people & places really weren’t there yesterday. They didn’t know about the Castle of Such-and-Such because it’s normally a thousand miles away and the forest path they followed to get there used to lead somewhere else.
And I think that would be a really interesting thing to stick into a novel or a TTRPG or something. When a knight rides into the forest with the intent of Going On A Quest, at some point they go around a bend in the path, cross an invisible barrier, and wind up in the Forest of Narrative. This is a vast forest with no set geography, filled with winding paths and populated almost entirely with questing knights, damsels in search of questing knights, friendly hermits, strange creatures, and allegorical set-pieces. Then, at the narratively-appropriate time, they cross back over the invisible barrier back into the regular world, and find themselves wherever the Narrative has decided they need to be. This could be a different country, a different continent, or a different world entirely.
Whether anyone involved is actually aware that this is how it works is… optional, really. Though if it’s not a Known Phenomenon, the people whose jobs it is to handle trade & diplomacy & god forbid, maps, are going to end up tearing their hair out in frustration.
Less than a day left. Wow, this blew up (by my standards). I guess a lot of people have opinions about how they’d die if they were knights. As some have pointed out in the tags, Lancelot and Gawain should probably be statistically higher, and (evil) magic ladies should be lower. I find the current highest statistic kind of funny; apparently, I am one of few who would be killed by their own family blood feud instead of someone else’s. Were it a question of my Tumblr namesake, the answer would be different. I’m no expert, but I don’t know of any account of Taliesin’s death, apart from an implicit death in the Battle of Camlann if he’s still alive then. Then again, he’s a bard, not a knight, unlike his son, who is definitely set to die at Camlann.
Camlann. I forgot to include being killed at Camlann (or in any battle against people other than Lancelot, Breuse, and the Orkneys) as an option. Despite the fact that that’s how a very large number of the knights die.
Darn.
New headcanon that Gareth's hair color changed dramatically as he grew up and by the time he sees his older brothers again he resembles a different relative than whoever he used to look most like, so they don't recognize him but he seems eerily familiar to them
Gawain: You know, you remind me of my younger brother... Gareth [mentally]: He recognizes me! Gawain:...Gaheris. Gareth [mentally]: Facepalms
thinking about the atrocious 1970s vampire musical movie produced by beatles drummer ringo starr in which ringo plays merlin the wizard and it's sort of not explained why merlin is even in a vampire movie in the first place
In which I ramble about poetry, Arthuriana, aroace stuff, etc. In theory. In practice, it's almost all Arthuriana.
215 posts