Sancho I, king of Leon in the north of Spain, was overthrown by rebel nobels in 958 CE. In what is likely a never-before-and-never again accusation in history, the nobles accused Sancho of being unable to rule because he was too fat. His grandmother, Queen Toda Aznar of Navarra, sought help from the Muslim caliphate Cordoba in southern Spain. Again, extremely oddly, Queen Toda asked for two things: military aid to regain the throne, and medicinal aid to “cure” her grandson’s morbid obesity. Jewish physician Hisdai ibn Shaprut put ex-king Sancho on a strict diet. Once he was slim enough to ride a horse properly, Sancho reclaimed his throne with Muslim troops’ aid. (The portrait above is probably based on his post-diet look.) In short: a king was deposed because he was too fat, and got his throne back because he lost enough weight! Truth is stranger than fiction.
James Norton, presenter, with Gillian Anderson, winner of the Bazaar Television Icon Award 2016
Today was a day of “War and peace” ❤️❤️❤️
We won’t have a solar eclipse until Aug. 21, 2017, but observers in central Africa will see an annular eclipse, where the moon covers most but not all of the sun, on Sept. 1. Observers always need to use safe solar eclipse glasses or filters on telescopes, binoculars and cameras.
Also this month, there are two minor meteor showers, both with about 5 swift and bright meteors per hour at their peak, which will be near dawn. The first is the Aurigid shower on Sept. 1. The new moon on the first means the sky will be nice and dark for the Aurigids.
The second shower is the Epsilon Perseids on Sept. 9. The first quarter moon sets on the 9th at midnight, just in time for the best viewing of the Perseids.
There are many nice pair-ups between the moon and planets this month. You can see the moon between Venus and Jupiter on Sept. 2, and above Venus on the 3rd, right after sunset low on the West-Southwest horizon. On the 15th the nearly full moon pairs up with Neptune, two weeks after its opposition, when the 8th planet is closest to Earth in its orbit around the sun.
Watch the full September “What’s Up” video for more:
Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com.
We are writers, my love. We don’t cry, We bleed on paper.
@inksomniac (via wnq-writers)
An interview with James from The Telegraph. And photos from his home! I do love a guy with a splendid bookshelf (I just love books and bookshelves, it does tell you a lot,). Photos by Victoria Brinkshaw.
James Norton, 30, is an actor best known for his roles in ITV’s Grantchester and the BBC’s Happy Valley, for which he was nominated for a Bafta. Norton was raised in North Yorkshire and read theology at Fitzwilliam College, Cambridge, before pursuing acting at Rada. He will play the artist Duncan Grant in Life In Squares, a new drama about the Bloomsbury Group, starting on BBC Two on July 27. Norton lives in Peckham, south London.
Routine I get up around nine o’clock on a regular day and five or six if I am shooting. I cannot function without a good breakfast: porridge in the winter and muesli in the summer. I grew up in the countryside so I feel guilty if I am inside too much. As a result, every day I have to go out and do something, like riding my bike. Someone once told me I am always trying to overtake London, and they’re probably right. I can get quite manic.
Religion I have always been drawn to Eastern religions. I don’t practise anything, but as an outsider I find their way of thinking fascinating. Before university I travelled around India and Nepal learning about Hinduism and Buddhism, which I went on to structure my theology degree around. On a later return trip, an ex-girlfriend bought me this mandala [above left]. It’s a Buddhist meditation tool; the idea is to use the repetitious pattern to focus your mind.
Tailoring I’ve always liked vintage clothing. A friend of mine runs a pop-up shop nearby that I help stock the menswear section for; it means I can buy what I want and sell it if it doesn’t fit. I make sure to find a flea market wherever I am shooting. I found this herringbone coat in Doncaster. They would be amazed how sought after things like that are in London.
Bookshelf One of the great privileges of being an actor is that you get to engage with little snapshots of humanity for a while, like Duncan Grant and the Bloomsbury Group. Often this involves reading a few novels and studies as research, so my bookshelf has become a record of my career.
Stage debut The first character I ever played was Gwen Stefani in a school miming competition in 1998. I was utterly terrified at first, and just stood there demurely tapping my foot, but then everyone began cheering. All of a sudden I started enjoying it, strutting up and down the stage and lapping up the applause. I completely forgot about it, but a few years ago my old French teacher sent me the DVD. It captures the moment I realised I wanted to act in front of people.
Tuck box I went to boarding school from the age of 11 and loved it. When you’re a boarder your tuck box is the most important thing you own. Tuck was currency, so a well-stocked and well-locked supply was essential. I still have my original box, which now contains 25 years of jumbled-up postcards, letters and theatre tickets. It has become a store for anything that is important to me.
Rambling Maybe it’s something to do with turning 30, but I recently became a member of both the National Trust and the Ramblers. I love it. Last year I climbed the Brecon Beacons, Lake District and South Downs. I like the idea of being able to get out of London and climb a hill.
Diving in Acting is quite a neurotic profession: you spend a lot of time in your own head and have to be fully concentrating – otherwise you’re wasting everybody’s time. It lacks the meditative repetition of a regular job, so I like to get away as much as possible. Since I was a kid I have loved wild swimming. There’s something about jumping into a big body of water that I find very calming and refreshing. I’ve got books on it, and take road trips to find the best spots.
Twang I spent the first 18 years of my life in Yorkshire, but I no longer sound like it. I find occasionally I have to justify myself to people – mostly other Yorkshiremen. I still visit quite a lot, and when I’m home the accent creeps back in. Doing Happy Valley was a blessing, as Tommy had a West Riding accent that I could easily slip into.
Cooking At university at first all I ate was beans on toast, but that had changed by my final year when I lived with a big group of friends. We often ate together, and I got more and more into cooking. I wouldn’t say I do fine dining, but I love getting people round a table for a feast. My sister gave me this cooking pot, which is ideal as I always end up making three times the amount I need.
Bracelet There was a girl at Cambridge who directed my first few shows, a couple of which went to Edinburgh semi-professionally. She was older and became a bit of a mentor, convincing me that acting could be a career rather than just something I mess about with for a few years. She gave me a bracelet for my 19th birthday, then saw me a year later and swapped it for hers. I’m quite sentimental, so a decade on I still wear it every day in gratitude to her.
Directing At some point I’d like to transition into directing. On set I spend a lot of time watching the technical craft of filmmaking, and it’s made me realise how much more I have to learn. As an actor you are effectively one brushstroke in a painting, which is liberating at times, but at others I find myself wishing I could have a greater role in the overall storytelling. Maybe I’m just a control freak.
Happy Birthday Pyotr Ilyich Tchaikovsky!
Composer: Pyotr Ilyich Tchaikovsky (1840 - 1893)
Work: Allegretto moderato from String Sextet in D minor “Souvenir de Florence” (1890)
Performer: Rostislav Dubinsky, Yaroslav Alexandrov, Dmitri Shebalin, Valentin Berlinsky, Genrikh Talalyan, Mstislav Rostropovich
“He still asks about you, you know.” She gets a pang of longing and hurt in her chest. “I know.” She whispers “Do you ever think about getting in contact again?” She’s silent for a moment. “I would love nothing more than to run to him.” She says, smiling, thinking back to him. “But so much happened. So much hurt. I was broken after it ended. I can’t risk having to say goodbye again, it destroyed me for a long time. So would I want to? I would love nothing more. Will I? No.”
(via melindacarolinee)
The Song (1907). William Merritt Chase (American, 1849-1916). Oil on canvas. Crystal Bridges Museum of American Art.
The woman in white perhaps has been working diligently at the table covered with books and papers. The piano music and song from her companion has moved her. She pushes back from her work, put her head down to listen, and receives a pleasant respite from her labours.
Cool modern country cabinets.
Bloglovin’
It may be the season of cheerful carols and twinkling lights, but the holidays also bring about a melancholy mood that has inspired some of the world’s greatest filmmakers. This week on the Criterion Channel at FilmStruck, our new series Blue Christmas gathers an international selection of films that explore the clashing emotions at the heart of the yuletide spirit, including Jacques Demy’s gorgeous musical romance The Umbrellas of Cherbourg, Guillermo del Toro’s emotionally captivating fantasy Cronos, and Luis García Berlanga’s stinging satire Plácido. Watch our teaser below, and head over to the Channel to dive into the seven-film lineup.
On the Channel: Blue Christmas