He Was Too Rich; Like Fine Chocolate, Deprivation And Excess Of Him Toed The Same Thin Line.

Keiynan Lonsdale: Can't believe I'm saying this...

My debut album 'RAINBOW BOY' will be released around the world - May 29th ❤

It's all L.O.V.E. baby 🌻🌈 !

Keiy

OUR FLAG MEANS DEATH

blackbeard in every episode | 1x04 discomfort in a married state

tell me the tale of the lost boys with hollow eyes and aching hearts who went astray so long ago they no longer remember what home is

cursed to forever wander through a lonely world | r.h. (via jeremysknox)

MASON GOODING IN LOVE, VICTOR

By clicking the source link below, you will be redirected to a total of #93 gifs of actor Mason Gooding as Andrew in season one, episodes one to three of the show Love, Victor. Mason is of African American & European descent (I found this on one source, so I can’t be positive, so if anyone knows for sure the specifics, let me know!), please cast him accordingly. All gifs were made from scratch by me and are intended for roleplaying purposes. Please do not repost/claim as your own. Please like or reblog this post if you find these helpful, as this lets me know to make more in the future.

TRIGGER WARNINGS: N/A ★ CLICK THE SOURCE LINK BELOW

i was gonna wait until tomorrow, but here it goes: castiel deserved better. he deserved a spot in that finale. a physical spot. a chance to see him at peace. even if he wasn’t with dean. just a moment to see him happy in the “Heaven he deserved.” two mentions in the finale episode for one of the MAIN characters is not satisfactory. it’s lazy storytelling. and cowardly.

it literally doesn’t make any sense. family became MORE than these two brothers over the seasons. it became MORE than their relationship. i’m sorry. it just did. and ALL of that beautiful work j2 did in the barn scene was ruined by that ending. sorry.

ALSO. WHAT THE HELL IS THE POINT OF CAS’ BIG SPEECH ABOUT LOVE AND HAPPINESS IN 15x18 IF WE DON’T GET DEAN’S RESPONSE??? SO WE HINT AND JOKE AT THEIR RELATIONSHIP SINCE S4, BUT NEVER FOLLOW THROUGH??? WHAT WAS THE REASON? HOMOPHOBIA??? GIVE ME A FUCKING BREAK, CW. FOR FFS.

somebody in that room should’ve said IT’S BEEN OVER A DECADE. MAKE THE HUNTER AND THE ANGEL CANON, YOU COWARDS.

it’s infuriating. every scene. every word. every theme. and for what? THAT ‘bros4life/super-het/we mention the angel twice’ ending?

how disappointing.

justinmin @gq

one of my greatest hits, tbh

take me with you. : road trip plot where muse a and muse b are like college roommates/best friends x1000 like they practically spend every moment with each other and everything and stay up all night watching reruns of their favorite shows, sharing almost every meal bc they’re cheap like that and don’t mind, having shitty jobs with huge dreams and all that. muse a has a long distance high school sweetheart bf/gf who moved across country for school/job and when their relationship starts to strain, muse a reallllly feels strongly about driving across country to see them to try and fix things (they also might suspect the person is cheating on them). flying ain’t an option bc they’re intensely scared of being in the air & also they have no car. that’s where their partner in crime, muse b comes in. muse b has the car, soundtrack, and the navigational skills, muse a has the money, the lively company, and the snacks. they ditch classes for about a week or something and plan it out vaguely but end up just bullshitting the rest of the trip there. 

attention: this is the MEAT of the plot!!!!! they go clubbing, visit lame museums, become extras in a movie, get kicked out of zoos/parks or some shit, stay in crappy motels, get stalked by someone who muse b is convinced a total psycho, attend festivals and act like total kids, are forced to take lots and lots and LOTS of detours, end up fixing the car once or twice, go camping in an abandoned barn/middle of nowhere/other shady place, crash random weddings, get arrested, almost start the apocalypse, and so much more. 

of course tons of weird, sexual tension and maybe even some things happen on the trip that they don’t wanna speak about which kind of adds some tension there (hell tbh they might not even reach their destination and decide to turn around) BUT if they make it to where they need to go in a matter of what was supposed to be a week trip ( now probably 2 or 3), muse a goes looking for their long distance bae when they get there and then gets their heart broken while muse b is there to help pick up the pieces. and then muse b picks this time when they’re gong back home to confess how they’ve always loved muse a but the past week(s) they’ve started to really, really fall in love with them and they don’t wanna ruin what they have and blah blah. muse a is confused, vulnerable but can’t deny that they’ve always felt this stronger connection with muse b compared to everyone else in their lives. then the two of them start to figure out their lives from there and learn how to love and give and GROW and accept and celebrate and so many fluffy and angsty things. FUCK. 

bonus points if: 

it’s a f/f or m/m plot and they have to do a lot of coming out to each other and then to family and friends back home

muse a does not feel the same way when muse b confesses their love at first and they have a really big, emotional, enlightening blow-upppp

when/if they get back home, muse b’s ex comes back in their life and becomes an obstacle between them and muse a

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Being a hopeless romantic is deeply, hauntingly masochistic.

- a passing thought...// Eve of Summer.