OC Questions - Personal Principles

Godslayer for the wip game

It’s a Sky meets the chain fic I’ve been working on for literal months that definitely got taken off the back burner and just placed on the fucking counter for a bit alsmddk. Basically I just wanted to really highlight how while Sky is genuinely very sweet and kind, he has a certain Vibe to him thats almost unsettling and you can FEEL the power coming off him. He’s dangerous, but CHOOSES to be kind. And when some of the more magically inclined members of the chain feel the power coming off him they’re a bit wary of him, namely Time Wars and Legend

Warriors had been wary of Sky from the day he first met him. He’d been the last one to join the group, putting their numbers at nine now. The captain wasn’t fooled by the nineteen year old’s bright smiles or warm hugs, he could feel the ancient energy radiating off of him. He could sense he was in the presence of something older than the kingdom of Hyrule itself, something powerful and potentially dangerous.

Of course some of the others hadn’t believed him.

“Sky?” Wind scoffed, jabbing a thumb in the sky knight’s direction. The skyloftian was humming a sweet little melody, smiling to himself as he carved Wild a new cooking spoon.

“Wind, I’m telling you,” Warriors said, deathly serious. “He’s dangerous.”

i love sky he should be allowed to be sweet but also batshit

How to Write Defiance: A Quick Guide for Writers

Whether they're standing against authority or resisting the status quo, the actions of defiant characters can add layers of depth to your story. Here are some quick tips on how to effectively write defiance in your characters.

Behaviour

Question authority and break rules

Don't easily back down from challenges

Rebellious and do the unexpected

May appear stubborn to others

Don't easily conform to norms

Value their independence and freedom

Resilient in the face of adversity

Assertive and direct

Courageous in the face of danger

Act based on their principles and beliefs

Interactions

Direct and stand their ground during disagreements

Don't shy away from tough conversations

Don't let others manipulate or control them

Not afraid to express their opinions

May challenge others' viewpoints during discussions

Stand up for what they believe in

Protective of those they care about

May be argumentative or confrontational

Don't give in easily during negotiations

Can be inspiring, encouraging others to stand with them

Body language

Head high with a strong posture

Serious or determined expression

Maintain steady and direct eye contact

Use expansive, open body language

Do not shy away from physical confrontation

Cross their arms to show resistance

Move with purpose and determination

Not easily intimidated by the physical presence of others

Clench their fists when frustrated or angry

Adopt a challenging stance

Attitude

Not easily swayed by popular opinion

Confident in their own abilities

Persevere no matter how tough the situation gets

Believe strongly in their cause or principles

Refuse to be victims

Unruffled by criticism or opposition

Disregard rules they don't agree with

Risk-takers who often choose difficult paths

Value transparency and honesty

Can come across as proud or arrogant

Positive story outcomes

They may succeed in overturning an unjust system

They can inspire others to stand up against injustice

They achieve their goals through sheer determination

They may help someone break free from oppression

They can contribute to a significant societal change

Negative story outcomes

Their defiance can get them into trouble

They may alienate themselves from others with their behaviour

They can face severe consequences for breaking the rules

Their relationships may suffer due to their stubbornness

They can be misunderstood and labelled as troublemakers

Helpful Synonyms

Rebellious

Nonconformist

Contrary

Dissident

Contrarian

Unruly

Insurgent

Uncooperative

Unmanageable

Mutinous

Intransigent

Insubordinate

Recalcitrant

Resistant

Obstinate

Obstreperous

Noncompliant

Indomitable

Unyielding

Fractious

Character Writing Exercises

I was going to make this a tagging game & include my taglist, but it's pretty involved and I don't want anyone to feel pressured to do it if it's a chore/they don't want to/it's not helpful to them.

Below are some exercises I find really, really useful for pulling brand new characters out of my ass. Barring that, they're fun to do for existing characters as well!

Paint a picture of a character by describing their bedroom while they’re not in it.

Whip up a new one right now, fall back on a tried and true OC. Or a canon character; I’m not the boss of you.

Shuffle a playlist on your music player of choice. For whichever song plays, describe what you “see” with your imagination.

For those of you who struggle to “see” imagined things, just tell me what’s goin’ on in that beautiful noodle of yours. Also, please tell me the song so I can listen to it while I read this part!

Describe a character by turning out their pockets.

what has it got in its pocketses?

An abandoned and unlocked phone (or wallet, if you wanna go back a coupla decades) has been discovered in a ratty little diner bathroom. What’s in there? What does it tell us about its owner?

Think photos, payment methods, notes, messages, Internet searches, receipts, etc. If cell phones and Waffle Houses aren't things in your character's world, pretend they are.

If you do all or some of these, please tag me because I would be overjoyed to read them!

*gets down on one knee* I want to make a shared oc universe with you

how to grow the fuck up

things to ask yourself when designing a female character:

how much blood is she covered in

are her eyes filled with madness

can she rip things to shreds with her fingernails

I'm almost 30 and still amazed you can just walk into a library and pull a book off a shelf and read it, don't even need to ask anyone, can just sit down and read book for free until closing time. There is nothing that free anywhere else that isn't serreptitiouly religious or requiring registration. that's how stuff should be. Libraries are so good

when the sibling rivalry goes too far

3 Steps to Improve Your Characters and Make Them Three-Dimensional

So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason. 

I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.

1) What is this character’s fundamental belief- either about the world or themself?

2) Where does this belief come from?

3) How does this belief hinder them, and are they capable of growing past it?

Alright, here’s what the process looks like in action. 

Let’s say I have a character I need to flesh out for my story.

Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.

What is this character's fundamental belief?

Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.

Where does this belief come from?

Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.

How does this belief hinder them, and are they capable of growing past it?

Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.

Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.

She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.

Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.

Main Takeaways

And there you have it!

You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.

Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.

Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.

Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.

Happy writing y'all!