an unwanted promotion
“omg you’re so creative. how do you get your ideas” i hallucinate a single scene in the taco bell drive thru and then spend 13 months trying to write it
It's like angel and demon on her shoulders, but they are her birth parents.
Haven’t done one of these in a while! To be fair… haven’t written smth I was excited to share in a while. Here’s this!! Lmk what you think 🥰🥰
Cody continues to stare, unseeing, out the viewport.
“I don’t know these stars,” he murmurs finally.
Kenobi says nothing. Cody knows he’s listening all the same.
“When I… grew up, on Kamino. There were rare cloudless nights. The seas would still for maybe only a few hours at a time, and the clouds would part around these brilliant points of light in a pitch black sky.”
He closes his eyes. He can just about see it; the rain-slicked platform, the cadets all hushing each other as they hurried outside, hoping no longnecks would catch them, no trainers would see them. Hoping that Fett himself was asleep, that his own cadet had been enough of a handful that day that Fett wouldn’t catch them either, all of them breaking rules.
“We would find our way around the biggest stars, first. The brightest. The ones that were always there. Those were our trainers. The guiding stars to direct us to where we needed to look. And then… we started naming the other stars. And we named them after ourselves. After each other. Our batchers, our squaddies, anyone. There were so many stars in the sky… but there were so many of us, too, what felt like enough to give each of those stars a name. The command formation has me, Bly, Fox, Wolffe, and Ponds, about two fingers’ width up from the star that was Alpha-17.
“Each of those names on that report—” Strato. Pusher. Scald. Cinder. Fuck, he knew where each of their stars was.
His eyes snap open again. Unfamiliar stars fall past him. It’s a cold sort of comfort, to distance himself from the urge to scream that rises in his throat.
“Cody,” Kenobi whispers, near silent.
He drops his forehead to his knees. “A swath of the sky has gone dark,” he replies. “And there’s nothing I can do.”
Crosshair I churned out a week ago ✨
Bleeding:
Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.
It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.
Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.
blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.
it’s slow. use this to your advantage! more sad writer times hehehe.
Stab wounds:
I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.
also, bleeding takes FOREVER to stop, as mentioned above.
if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)
whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites
Concussion:
despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.
if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.
Fever:
you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.
ACTUAL SYMPTOMS:
sluggishness
seizures (severe)
inability to speak clearly
feeling chilly/shivering
nausea
pain
delirium
symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.
ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.
fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.
keep writing u sadistic nerds xox love you
ALSO I FORGOT LEMME ADD ON:
YOU DIE AT 85F
sorry I forgot. at that point for a sustained period of time you're too cold to survive.
pt 2
also please stop traumadumping in the notes/tags, that's not the point of this post. it's really upsetting to see on my feed, so i'm muting the notifs for this post. if you have a question about this post, dm me, but i don't want a constant influx of traumatic stories. xox
You know ever since I started rewatching ATLA I've been wondering if the Star Wars fans who consistently complained about "filler" episodes in The Bad Batch ever actually watched that show. A HUGE chunk of the character development in ATLA occurred during the less plot-centric episodes, to the point where most of the "filler" eps were necessary to the overall story. Without them the characters wouldn't have felt as fleshed out. ATLA had a massive influence on a lot of animated shows that came after it (Tangled: The Series is one that comes to mind) in terms of how it handled its storytelling. The Star Wars animated shows, TBB included, were no exception. TBB followed a similar formula of alternating between plot-heavy episodes and character development episodes, so as an already-established ATLA fan by the time the show premiered, I took no issue with the "detour" eps that just explored the characters and their relationships. Or just let them vibe in their environment before jumping back into the heavier material. These "fans" strike me as people who would've whined about the "Tales from Ba Sing Se" episode being "pointless" or complained about the "everybody (except Toph) gets a life-changing sidequest with Zuko" storyline or, the ultimate crime, raged over Appa having his own episode about getting separated from the Gaang. All of these episodes were important to developing the characters and expanding on their relationships in a way that made the show feel more complete, so imo none of them were extraneous. A lot of the "filler" eps in TBB were the same way - I don't think I'd have cared as much about the characters OR the plot if it hadn't taken its time to sit with said characters and encourage the audience to care. The thing that ATLA is often praised for is the same thing that TBB was/is demonized for by certain pockets of the fandom, and idk it just really annoys me
LOOK AT HIM HE LOOKS THE EXACT SAME AS HE DID 18 YEARS AGO
Hayden Christensen as Anakin Skywalker you will always be loved.
on the run
i think all quiet on the western front and the lord of the rings are in direct conversation with each other, as in theyre the retelling of the same war with one saying here’s what happened, we all died, and it did not matter at all and another going hush little boy, of course we won, of course your friends came back