Hey, everybody!!!! I'm working on a rewrite of the Star Wars sequel trilogy, and I'm trying to get lots of people's thoughts on what Star Wars is to them and what really makes Star Wars *Star Wars*, ya know?
I'm really curious, because for me, most of Disney's Star Wars content has really just not felt like Star Wars. I really did not like the sequel trilogy or most of the live action shows, but I absolutely adore TCW, TBB, and Andor, because they all really hit whatever it is that is Star Wars to me.
Anyway, I would love to hear your thoughts!! Also, no hate to anyone who does love the sequel trilogy or other Disney Star Wars content, I would love to hear what it is about it that makes you love it and makes it feel like Star Wars to you!
When I was working on this, I saw that @superiorsniper sneaked in, abolutely in character without any interaction. I think you felt that I just worked on Lula in your face š Thatās it ā welcome, enjoy and get Lulaād for superior grumpyness šš«¶š¼
This time I tracked time again on this piece. It took me 1 hour and 19 minutes. Iām getting better š
yeah you thought that this was the end?
Crosshair I churned out a week ago āØ
part of what makes tragedies tragic is the story being preventable from the outside but unpreventable from the inside
yes im rewatching tcw again mind ur business
forgot to say that, without Howl chasing girls and Sophie resenting him for it, the film completely erases part of the point of Sophie being old. Ā Wynne Jones is using an idea that Beauvoir talked about - that being an old woman is both tragic (as we lose male attention/attractiveness) and freeing (as we are freed from the male gaze). Ā the idea is that with being old comes liberation, and the true meaning of what it is to be a woman, as society no longer forces gender norms on us.
Sophie is free from Howlās attentions and therefore safe from harm (a big part of the book is the fact that Sophie believes he eats womenās hearts, and him chasing girls proves this to her). Ā she takes solace in the fact that sheās old, and finds it freeing. Ā when she learns more about Howl (notably: that he doesnāt eat hearts and that heās not evil), she starts to curse her age and resent him chasing girls. Ā BUT she remains old OF HER OWN VOLITION - Howl notes that sheās perpetuating the spell by wishing to remain āin disguiseā. Ā there are SO many layers to this, and lots to do with gender politics - if sheās still old Sophie canāt get hurt, she likes the freedom, etc. Ā but of course on a personal level being old is her denying her feelings for Howl, and also a representation of her low self esteem - being old is a defence mechanism and protection, both on a gender level and a personal one.
and the film kinda⦠loses this? Ā the only thing that remains is being old = low self esteem. Ā which really sucks. Ā because thereās SO MUCH MORE to Sophie being old in the book (perspective I already mentioned), and a HUGE amount of this is gender politics. Ā that the film just erases.
everyone be quiet i'm manifesting
Any guy can be a babygirl but it takes a man five elite clone commandos to be a single mother
Sith lovers need to just accept that balance occurs when all the Sith are killed.
on the run