David Tennant Reads The Bookshop Scene From Good Omens During Playing In The Dark: Neil Gaiman And The

Behold! Nice and Accurate Piano Adaptaion of Good Omens opening theme courtesy of my brilliant music theory teacher and dear friend Sergey Bogomolov. The version generally found online is obviously incorrect so l am incredibly greatfull for this edit. Also - can I hear a wahoo?

Elisabeth Ohlson Wallin

Sometimes you just have to doodle those weird thoughts from the shower…

Looking in the mirror be like 'how could something this ugly be designed by God'

#SouthernPansyDIIYS ‘handcuffs’

I just wanted to draw frills, really.

‘Rear Window’ by Jordi Huisman

Pride & Prejudice (2005)

Good Omens | 2.06 - "Every day" (2023)

Good Omens Script Book Deleted Scenes

I have just spent the last 3-4 hours scouring the internet for the 5 deleted scenes that were spread between limited edition copies of the Good Omens script book so I could print them and put them into my signed, 1st edition, copy of the script book.

Through much trial and piecing together pictures of the pages from Google Images, I managed to find and type up all of the scenes. I figured that since I couldn’t find a place with all the deleted scenes in one I may as well share what I wasted 4 hours of my life on for others who care to read the deleted scenes in one place. The only scene I didn’t type up was the 4 Horsemen scene since it’s included in every book. Considering Gaiman himself had assumed that all copies of the book would have all the scenes I don’t feel too bad doing this.

You can read the scenes here: 

https://docs.google.com/document/d/1diJukGVVYlWJSnJ_Mq5dKjtC2DjHNU5ND8n3gR3-BRQ/edit?usp=sharing

If the link doesn’t work, please let me know. 

Also, if you find any typos that I missed that doesn’t seem like a Gaiman-esque purposeful typo let me know. 

I want you to write for pleasure—to play. Just listen to the sounds and rhythms of the sentences you write and play with them, like a kid with a kazoo. This isn’t “free writing,” but it’s similar in that you’re relaxing control: you’re encouraging the words themselves—the sounds of them, the beats and echoes—to lead you on. For the moment, forget all the good advice that says good style is invisible, good art conceals art. Show off! Use the whole orchestra our wonderful language offers us! Write it for children, if that’s the way you can give yourself permission to do it. Write it for your ancestors. Use any narrating voice you like. If you’re familiar with a dialect or accent, use it instead of vanilla English. Be very noisy, or be hushed. Try to reproduce the action in the jerky or flowing movement of the words. Make what happens happen in the sounds of the words, the rhythms of the sentences. Have fun, cut loose, play around, repeat, invent, feel free.

Ursula K. Le Guin, Steering The Craft

❤ YES YES YES  ❤