While some many questions were answered and not, I think I can help with at least one. The key with Quinn's zodiac on it was likely left by the endless to aid them on their quest much like Raj's frying pan and the mark on the wall for Estella. Our group just did not find it in this timeline.
Ooof, I don’t even know where to start…
I knew that trusting Rourke was an idiotic idea, but I tried it out of curiosity… Quinn is still dying, Sean isn’t happy (from what I can tell), Michelle is dealing with those fake friends again, Zahra’s our “roomie” but as cold as an iceberg, Estela was hella rude, didn’t see much of Craig, Raj, Grace, and Aleister. Lila’s alive, and a Rourke groupie again. And we don’t even get to see Jake and Mike… The only plus was starting a new friendship with Diego. #AllHailEmperorRourke
Staying on the island was also not great. Yeah, we get to stay with everyone on the island, live with our sexy husband/wife, but everyone seems like they weren’t really happy. The last thing they did was toast to their lost family members… Also upset that after getting married we don’t get to see a new house or whatever. I was looking forward to building a home on La Huerta.
The fact that we never got to see everyone reunite with their families pisses me off so much… Like I didn’t sacrifice myself to not see everyone’s future. I wanted the heart-wrenching reunion scenes! Jake seeing his mom and sister for the first time in years, Estela going back to her uncle, Sean seeing his mom again, and Quinn getting her parents back together. But, nope. (in my opinion) This was the best out of the 3. I knew I was gonna choose this anyway, because to me it just made the most sense. The voice message MC left was really sweet though i most definitely cried, and they all got together 5 years later on the island it looks like and toasted to MC. We didn’t really get as much of reaction (especially from our LI’s) as I’d hoped… But it was still worth it.
Somethings I still don’t get though:
Who was Diego crushing on in book one?
What was the point of the pirates and Kele?
Is Jake’s name cleared in the 3rd option? Does he not see his family again?
Why did I buy the bikini in the 3rd book if it doesn’t even replace that ugly purple one?
What was the deal with the Dolphin Key in the diamond scene? What does it do?
What was the deal with the robot spider on the boat?
What was the point in showing Taari disappearing at the end of book 2? They didn’t even mention it.
What was the point of the mezzberries (or whatever they’re called)?
Were they all just on a random beach in the 3rd option? If it was La Huerta, how is it still existing without Vaanu?
Estela and Zahra, Michelle and Jeanine, Lila and Aleister… Why?
What happened to Varyyn in the 1st option? Does Diego find out he’s still alive?? Or even remember him???
I feel like the whole finale was kind of… Lackluster? Idk, I just expected something more… A 4th option or some sort of surprise after the stats. A secret ending… Huh, I guess it’s really over…
I could not agree more. This story plot setup may have worked well for the other LIs but yeah, not with Kaitlyn. Like others have reiterated, This does not only effect Kaitlyn as her character says herself. She is not completely in the wrong here.
So it also puts her in a unique position. No, she did not discuss this with MC before agreeing with it. And no, belittling MC's writing was not a smart response. However, I am not sure how I will feel if she shows up and apologises for being completely in the wrong. Because again, she is not.
MC was not dead set on actually going to London anyway. She could still write in New York. They could do long distance. They could have brainstormed something! But no.
I will retain hope the writers still have this.. I have theories of what will happen.. but I am a little nervous all the same.
What I hate most about the breakup in The Senior, at least in regards to Kaitlyn, isn’t so much that it happened. I figured the Journal and the Parents was setting this up before a big come back to together moment later. No. What bothers me is why it happens. This MC is supposed to be a writer, a potential fiction writer if you decided to do that, and here she is just so unimaginative that she can’t possibly think of any other way this is solved other than breaking up with Kaitlyn?
Oh, and selfish too? Because Kaitlyn is right. This decision is no longer just theirs anymore. It wasn’t Kaitlyn signed in NYC, it was the band. Now Anissa, Rachel, and Amara are involved. And it’s an actual gig. Even if Kaitlyn sided with MC, the vote would be 3-2. How can the MC feel she has the right to choose for four other people.
Like, MC, you can write anywhere. But I’ve seen you when you “lose” Kaitlyn, twice, you aren’t happy.
“Nothing Seeker. It was nothing.”
After Adamant. Inspired but this post.
Today’s installment of why“but it has always been like this!” is a bullshit argument: @nitratediva lays down the law about the role of women in early Hollywood
Comparisons draw attention to themselves, like a single red tulip in a sea of yellow ones. They take the reader out of the scene for a moment, while you describe something that isn’t in it, like you’re pushing them out of the story. They require more thought than normal descriptions, as they ask the reader to think about the comparison, like an essay question in the middle of a multiple choice test. They make the image stand out, give it importance, a badge of honor of sorts.
Use too many comparisons and they become tedious.
Elevating every single description is like ending each sentence with an exclamation point. Eventually, the reader decides no one could possibly shout this much, and starts ignoring them.
For these reasons, you should only use metaphorical language when you really want to make an image stand out. Save them for important moments.
If you’re writing from the point of view of a character who’s only ever lived in a desert, having that character say, “her look was as cold as snow” doesn’t make much sense. That character isn’t likely to have experienced snow, so it wouldn’t be a reference point to them. They’d be more likely to compare the look to a “moonless desert night” or something along those lines.
Using a comparison that ties to the character’s history or the setting of the story also do work to build the world of the story. It gives you a chance to show the reader exactly what your character’s reference points are, and builds the story’s world. If your reader doesn’t know that desert nights can get cold, this comparison informs both the things its describing: the other character’s look and the desert at night.
Here’s a metaphor from The Hitchhiker’s Guide to the Galaxy:
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn’t exactly look like John Watson, but which those who knew him would find hauntingly familiar.
He was tall and he was gangled.
This is a bizarre comparison, but it’s also a bizarre story. What’s more, David Bowie is known for his persona “Ziggy Stardust” and songs like “Space Oddity.” Bringing him up in a book about a man from Earth traversing the galaxy makes sense. What’s more it increases both of those aspects of the story: its ties to space and its bizarre-ness. The comparison unifies the story and the language being used to tell the story.
Using comparisons that fit into the world ensures that everything is working to help tell the story you want to tell.
Or, match it to the way you want the thing being described to come across. It has to match what you want the reader to feel about the thing being described.
Here’s an example from Mental Floss’s “18 Metaphors & Analogies Found in Actual Student Papers” (although I think it’s actually from a bad metaphor writing contest):
She had a deep, throaty, genuine laugh, like that sound a dog makes just before it throws up.
You’re not imagining a laugh right now, are you? You’re imagining a dog throwing up. Whoever this girl is, you’re going to make sure never to tell a joke in front of her.
This is not getting the right point across.
Remember the David Bowies? Remember how the comparison was fun and bizarre, just like the tone of the book is fun and bizarre?
This is not David Bowies stacked on top of one another.
It’s not enough for a comparison to be accurate. It has to bring about the same emotions as the thing it’s describing.
If this is being told from the point of view of a character who hates the laughing character and we’re supposed to hate her and her laugh. It actually does work, but from the use of the word “genuine,” I don’t think this is the case.
Make sure you always pay attention to the tone of the comparison.
Don’t use a comparison that requires too much thought on the reader’s part. You never want anyone sparing even a moment on the question: “but how is x like y?”
Here’s another example from that Mental Floss list:
Long separated by cruel fate, the star-crossed lovers raced across the grassy field toward each other like two freight trains, one having left Cleveland at 6:36 p.m. traveling at 55 mph, the other from Topeka at 4:19 p.m. at a speed of 35 mph.
Again, this is a humorous example. It’s supposed to be bad, but many writers have made mistakes like it. They choose two images that don’t have enough in common for the reader to make an easy and obvious comparison between the two. Sometimes, the writer subconsciously acknowledges this, and expands the comparison to a paragraph, detailing the ways the two things are alike.
If you find yourself doing this, take a step back and ask yourself if this is really the best comparison to be using. The best comparisons are the simple ones. All the world’s a stage. Conscience is a man’s compass. Books are the mirrors of the soul.
What about that David Bowie quote, you ask? Douglas Adams broke this rule, but he broke it purposefully to get that bizarre quality to the language. He still avoids reader confusion, the reason for this rule, by bringing the comparison back to its point at the end: “he was tall and he was gangled.”
The best comparisons are fresh ones. No one wants to hear that she had “skin as white as snow” and lips “as red as roses” anymore. The slight understanding it brings to the description isn’t worth the reader’s groans when they realize you just made them read that again.
A cliche is a waste of space on the page. It’s not going to be the memorable line you want it to be. It’s not going to awe the reader.
Good similes in metaphors require some creative thinking.
In the vein of rosy lips and snow-colored skin, here’s a fun example from Harry Potter and the Chamber of Secrets. It’s the poem that Ginny wrote for Harry on Valentine’s Day:
His eyes are as green as a fresh pickled toad,
His hair is as dark as a blackboard.
I wish he was mine, he’s really divine,
The hero who conquered the Dark Lord.
These aren’t comparisons you’re like to have come across before and their originality comes from rules #2 and #3. Rowling needed comparisons that fit in Ginny’s frame of reference. She also needed comparisons that were humorously bad, as they’re being recited by a grumpy creature dressed in a diaper, who is sitting on Harry’s ankles, forcing him to listen.
As a witch at school, blackboards and fresh pickled toads fit Ginny’s frame of reference. Neither are particularly known for being nice to look at, so they fit the tone, too.
Using her character, setting, and tone, using, in other words, her story, Rowling was able to create similes that are unique and memorable.
It’s the same thing Adams did with his Bowie analogy.
If you, too, use your story to inform your language, writing new and wonderful similes and metaphors should be just as simple.
Do you ever just read something you wrote and it’s actually really good and you are like:
Last night I dreamed I unlocked a super secret mode in DA:I that let me play through the story as Cassandra.
Arms
Athletic Build
Back
Butts
Cheeks
Chest
Chins
Curvy Build
Ears
Eyebrows
Eyes
Faces
Facial Hair
Feet
Fingernails
Fingers
Hair
Hands
Head
Hips
Jaws
Knees
Legs
Lips
Muscular Build
Neck
Noses
Shoulders
Slender Build
Sickly Build
Skin
Stocky Build
Stomach
Teeth
Toenails
Toes
Underweight Build
Affectionate
Ambitious
Bossy
Brave
Calm
Cautious
Charismatic
Clever
Conceited
Courageous
Creative
Critical
Curious
Determined
Diplomatic
Dishonest
Disorganized
Eccentric
Excitable
Friendly
Funny
Generous
Glamorous
Guarded
Honest
Impulsive
Independent
Intelligent
Just
Kind
Loyal
Manipulative
Mature
Modest
Mysterious
Naïve
Optimistic
Prejudiced
Persistent
Proper
Responsible
Sensitive
Sentimental
Serious
Shy
Reckless
Stingy
Stubborn
Talented
Thoughtful
Thrifty
Visionary
Wise
Witty
Worry Wart
Wounded
A Knack for Languages
A Knack for Making Money
A Way with Animals
Archery
Astral Projection
Astrological Divination
Baking
Basic First Aid
Blending In
Carpentry
Charm
ESP (Clairvoyance)
Empathy
Enhanced Hearing
Enhanced Sense of Smell
Enhanced Taste Buds
Farming
Fishing
Foraging
Gaining the Trust of Others
Gaming
Gardening
Good Listening Skills
Haggling
Herbalism
Hospitality
Hot-Wiring a Car
High Pain Tolerance
Knife Throwing
Knowledge of Explosives
Lip-Reading
Lying
Making People Laugh
Mechanically Inclined
Mentalism
Mimicking
Multitasking
Musicality
Organization
Parkour
Photographic Memory
Predicting the Weather
Promotion
Psychokinesis
Reading People
Regeneration
Repurposing
Sculpting
Self-Defense
Sewing
Sharpshooting
Sleight-of-Hand
Strategic Thinking
Strong Breath Control
Super Strength
Survival Skills
Swift-footedness
Talking With The Dead
Throwing One’s Voice
Whittling
Wilderness Navigation
Wrestling
Elemental Abilities
Voices
Voice Types
Speech Patterns
Speech Impediment
List of Character Flaws
List of Archetypes
Hairstyles
Describing Body Types & How They Move Around
Secrets To Give Your Character
Request A Writing Help Post/Themed Playlist/Writing Tips!
Send Me Poetry To Feature On Our Instagram!
Receive Updates & Participate In Polls On Our Twitter!
Like us and share on Facebook!
Read More On Our Masterlist & See our Frequently Asked Questions!
Tag What You Want Me To See With #wordsnstuff!
Participate in monthly writing challenges!
you’re doing a great job, seriously
guess what? the game even helps you on training your English skills, how amazing is that??? seriously, for free
don’t worry about missing some quick time events just because you misunderstood (or didn’t comprehend at all) a word, really, you’re managing to understand 99% so you’re a star!!!
just so we remember that even though we can miss some references sometimes, we should neither forget nor be afraid of being an active part of the fandom
you’re doing amazing, everyone
Without Making Your Character Feel Too Self Aware
Showing Emotion Without Telling About It
Emotions Associated With Body Language
Telling Readers What The Character Doesn’t Want To Show
Hiding Emotions
Expressing Cardinal Emotions: Masculine vs. Feminine
Writing Extreme Emotion Without Melodrama
Specific Emotions
Conveying Shock
Conveying Embarrassment
Conveying Disappointment
Conveying Love/Attraction
Conveying Annoyance
Conveying Relief
Conveying Uncertainty
Conveying Impatience
Conveying Shame
Conveying Resentment
Conveying Panic
Conveying Guilt
Conveying Desperation
Conveying Sarcasm & Verbal Disrespect
Conveying Confusion
Conveying Stubbornness
Conveying Frustration
Conveying Indifference
Conveying Indignation
Conveying Confidence & Pride
Conveying Smugness
Conveying Enthusiasm
Conveying Curiosity
Conveying Hopefulness
Conveying Unease
Conveying Reluctance
Conveying Worry
Conveying Humility & Meekness
Conveying Happiness & Joy
Conveying Amusement
Conveying Disgust
Conveying Resignation
Conveying Jealousy
Conveying Anticipation
Conveying Contentment
Conveying Defeat
Conveying Excitement
Conveying Fear
Conveying Hatred
Conveying Hurt
Conveying Being Overwhelmed
Conveying Sadness & Grief
Conveying Satisfaction
Conveying Somberness
Conveying Sympathy & Empathy
Conveying Wariness
Conveying Defensiveness
Conveying Desire
Conveying Doubt
Conveying Energy
Conveying Exhaustion
Conveying Hunger
Conveying Loneliness
Conveying Physical Pain
A Role Model Who Disappoints
A Sibling’s Betrayal
A Speech Impediment
Becoming a Caregiver at an Early Age
Being Bullied
Being Fired or Laid Off
Being Held Captive
Being Mugged
Being Publicly Humiliated
Being Raised by Neglectful Parents
Being Raised by Overprotective Parents
Being So Beautiful It’s All People See
Being the Victim of a Vicious Rumor
Being Stalked
Being Trapped in a Collapsed Building
Being Unfairly Blamed For The Death of Another
Childhood Sexual Abuse (by a family member or known person)
Discovering One’s Parent is a Monster
Discovering One’s Sibling was Abused
Experiencing a Miscarriage or Stillbirth
Failing At School
Failing To Do The Right Thing
Financial Ruin Due To A Spouse’s Irresponsibility
Finding Out One’s Child Was Abused
Finding Out One Was Adopted
Getting Lost In a Natural Environment
Growing Up In A Cult
Growing Up in a Dangerous Neighborhood
Growing Up In Foster Care
Growing Up In The Public Eye
Growing Up In The Shadow of a Successful Sibling
Growing Up with a Sibling Who Has a Chronic Disability or Illness
Having Parents Who Favored One Child Over Another
Having To Kill Another Person To Survive
Infertility
Infidelity (emotional or physical)
Losing a Limb
Losing a Loved One To A Random Act of Violence
Making a Very Public Mistake
Overly Critical or Strict Parents
Physical Disfigurement
Rejection By One’s Peers
Telling The Truth But Not Being Believed
The Death of a Child On One’s Watch
Victimization via Identity Theft
Watching A Loved One Die
Wrongful Imprisonment
Spending Time In Jail
Suffering From a Learning Disability
Achieving Spiritual Enlightenment
Avoiding Certain Death
Avoiding Financial Ruin
Beating a Diagnosis or Condition
Being Acknowledged and Appreciated by Family
Being a Leader of Others
Being the Best At Something
Caring for an Aging Parent
Carrying on a Legacy
Catching The Bad Guy or Girl
Coming To Grips With Mental Illness
Discovering One’s True Self
Escaping a Dangerous Life one Doesn’t Want
Escaping a Killer
Escaping a Widespread Disaster
Escaping Confinement
Escaping Homelessness
Escaping Invaders
Finding Friendship or Companionship
Finding a Lifelong Partner
Having a Child
Helping a Loved One See They Are Hurting Themselves and Others
Obtaining Shelter From The Elements
Overcoming Abuse and Learning To Trust
Overcoming Addiction
Protecting One’s Home or Property
Pursuing Justice For Oneself or Others
Realizing a Dream
Reconciling with an Estranged Family Member
Rescuing a Loved One From a Captor
Restoring A Name or Reputation
Righting a Deep Wrong
Seeking Out One’s Biological Roots
Stopping an Event From Happening
Trying Again When One Has Previously Failed
Request A Writing Help Post/Themed Playlist/Writing Tips!
Send Me Poetry To Feature On Our Instagram!
Receive Updates & Participate In Polls On Our Twitter!
Like us and share on Facebook!
Read More On Our Masterlist & See our Frequently Asked Questions!
Tag What You Want Me To See With #wordsnstuff!
Participate in monthly writing challenges!
Sofia. She/her. Writer, thinker, listener, trans woman, and supporter of the Oxford Comma.
172 posts