Hey I Made A Bracket For The Choices Love Interests! (plus Poppy And Olivia To Make The Numbers Even,

I had a baby with Shale in camp and I cried.

Gee, I wonder why 😅

Dragon Age Story Generator. @a-shakespearean-in-paris & @kagetsukai thought you’d find this fun!

I miss her.

Estella wearing a flower crown

writing tip: don’t tell us your character’s backstory. don’t tell us what your character is thinking. don’t tell us what your character is doing. don’t tell us anything. the reader should simply look at a blank page and be suddenly overcome with emotion.

while i get and agree with the fact that gay people should probably play gay people and gay stories are best written by gay people, the fervor to prove that “straight people shouldn’t play gay characters!!” is what the interviewer used to forcibly out lee pace so like

idk maybe slow your roll and realize that like… actors can be closeted, content creators can be closeted, and tbh this “you can only write your own experiences, never write someone else’s” rhetoric is also a bigot’s fucking wet dream?? like the perfect excuse to never write diverse characters?? and to say that they have nothing in common with people who don’t look/love/exist the same way as them??

yeah, the author of simon vs the homo sapien’s agenda is a cis straight woman, which means love, simon (though directed by a married gay man with multiple gay characters played by gay/bi actors) is based on a novel written by a straight woman… but this straight woman literally ends her book acknowledging the LGBT teens who helped her write the book and make sure she was writing it appropriately.

this is the content we want

listen… EVERY SINGLE piece of media EVER involves some level of writing about experiences that are not your own, especially if it’s diverse. even bland stories just about white people involves an author writing about genders that are not their own. if you want a story with characters of color, white authors are going to have to write about those perspectives. if you want gay characters in every story, straight authors are gonna have to write about those perspectives. even LGBT narratives might involve gay authors writing about bi characters or cis authors writing about trans characters.

what we HOPE FOR when they do that is that they talk to people… actually belonging to those groups to learn what is and isn’t appropriate and true to life. which is what the author of simon vs the homo sapien’s agenda did.

it’s exactly what she did. she literally worked in a support group for LGBT and GNC kids, saw they did not have cute love stories written for them after they told her this, and then worked with them to give them the love story they craved.

this is a good thing. this is progress for lgbt people. this is the path we need to walk towards getting LGBT content created by LGBT authors.

when you attempt to take the ~moral ground on protesting this film, all you’re doing is telling people who fund these projects that gay products don’t sell. they don’t get the nuance of what you’re going for. and, chances are, you’re looking like a fucking hypocrite, because i can promise you most of the canon gay characters you stan profit a cishet somehow (if they’re even canon).

so, y’unno, as someone who has read simon vs the homo sapien’s agenda AND seen the fucking movie let me tell you!! it’s fine!! it’s diverse beyond having gay character, it’s written respectively, and it hit home on a lot of experiences i WISH i had as a gay teen. it’s corny, it’s silly, and it’s all i ever would have wanted at 13, 14, 15

if you don’t want to see it, just fucking say so! but don’t act like you’re doing it on moral grounds. you can just… not like a movie or not want to see it without it being some moral victory.

see you space cowboy

Anon, keep in mind that she has spent her whole life being prepared for courtly life without any care for money. Like jbzxls said, she is in an environment where those skills shine. Take her out of her element and she will likely struggle like the rest of us.

Sent by anonymous

I love Hana, but it’s getting kind of ridiculous that she’s so good at every single thing she does. No one is that talented at EVERYTHING. 

POST/CONFESSIONS DO NOT REFLECT THE MOD’S PERSONAL OPINIONS!

Just a quick reminder

Not everyone will like your fic. Write it anyway. 

Not everyone will like your art. Keep drawing. 

Not everyone will like your moodboards/edits/vids. Make more. 

Pursue your craft because it makes you happy, and just know that there are people out there who adore everything you create and can’t wait for more. And there are fans that haven’t found you yet, but your content will change their life. 

Keep creating, okay? 

I love you guys. And I support you all so hard. 

Agreed. Plus there are no details about the specific job itself. It could just be a management job. I was considered a manager when I got my first supervisor position. I highly doubt she is the store manager.

Sent by anonymous

‘i wish the freshman/the sophomore was more realistic. like today’s chapter, becca’s been working at uskea for, like, what? three months, tops? and she just lands the management position just like that. realism, who? it’s her very first job and she has no prior work experience, and yet? like, i get she’s been working hard to be a good employee, but that alone isn’t going to get you a management position after only three months (at most). it’s not that i want characters to suffer unnecessarily or anything, but i would like there to be some realistic consequences within this universe of rose petals and conveniences. i feel like it would have been better for becca to not get the management job, because that’s what would have actually happened irl in most situations, and i think it would help her realize even more that sometimes life just doesn’t go the way we want it, and sometimes it’s disappointing, but that we can still carry on and do our best in spite of that. but instead it feels like becca’s life lessons ring kind of hollow because everyone in the freshman sophomore universe always gets what they want in the end, they always win, they’re always deliriously happy and never disappointed and it’s just not realistic. again, i’m not saying i want everyone to suddenly suffer or only be ravaged with pain consequence after painful consequence, but it’s a bit too perfect of a world for the tfts cast, and it reads kind of boring and trite sometimes.’

POST/CONFESSIONS DO NOT REFLECT THE MOD’S PERSONAL OPINIONS!

Just like old times

Your Character’s Personality

Personality is the most important thing about your character.

So, whenever I see character sheets, most people just put a little paragraph for that section. If you’re struggling and don’t know what your character should say or do, what decisions they should make, I guarantee you that this is the problem.

You know your character’s name, age, race, sexuality, height, weight, eye color, hair color, their parents’ and siblings’ names. But these are not the things that truly matter about them.

Traits: 

pick traits that don’t necessarily go together. For example, someone who is controlling, aggressive and vain can also be generous, sensitive and soft-spoken. Characters need to have at least one flaw that really impacts how they interact with others. Positive traits can work as flaws, too. It is advised that you pick at least ten traits

people are complex, full of contradictions, and please forgive me if this makes anyone uncomfortable, but even bullies can be “nice” people. Anyone can be a “bad” person, even someone who is polite, kind, helpful or timid can also be narcissistic, annoying, inconsiderate and a liar. People are not just “evil” or “good”

Beliefs:

ideas or thoughts that your character has or thinks about the world, society, others or themselves, even without proof or evidence, or which may or may not be true. Beliefs can contradict their values, motives, self-image, etc. For example, the belief that they are an awesome and responsible person when their traits are lazy, irresponsible and shallow. Their self-image and any beliefs they have about themselves may or may not be similar/the same. They might have a poor self-image, but still believe they’re better than everybody else

Values:

what your character thinks is important. Usually influenced by beliefs, their self-image, their history, etc. Some values may contradict their beliefs, wants, traits, or even other values. For example, your character may value being respect, but one of their traits is disrespectful. It is advised you list at least two values, and know which one they value more. For example, your character values justice and family. Their sister tells them she just stole $200 from her teacher’s wallet. Do they tell on her, or do they let her keep the money: justice, or family? Either way, your character probably has some negative feelings, guilt, anger, etc., over betraying their other value

Motives:

what your character wants. It can be abstract or something tangible. For example, wanting to be adored or wanting that job to pay for their father’s medication. Motives can contradict their beliefs, traits, values, behavior, or even other motives. For example, your character may want to be a good person, but their traits are selfish, manipulative, and narcissistic. Motives can be long term or short term. Everyone has wants, whether they realize it or not. You can write “they don’t know what they want,” but you should know. It is advised that you list at least one abstract want

Recurring Feelings:

feelings that they have throughout most of their life. If you put them down as a trait, it is likely they are also recurring feelings. For example, depressed, lonely, happy, etc.

Self Image:

what the character thinks of themselves: their self-esteem. Some character are proud of themselves, others are ashamed of themselves, etc. They may think they are not good enough, or think they are the smartest person in the world. Their self-image can contradict their beliefs, traits, values, behavior, motives, etc. For example, if their self-image is poor, they can still be a cheerful or optimistic person. If they have a positive self-image, they can still be a depressed or negative person. How they picture themselves may or may not be true: maybe they think they’re a horrible person, when they are, in fact, very considerate, helpful, kind, generous, patient, etc. They still have flaws, but flaws don’t necessarily make you a terrible person

Behavior:

how the character’s traits, values, beliefs, self-image, etc., are outwardly displayed: how they act. For example, two characters may have the trait “angry” but they all probably express it differently. One character may be quiet and want to be left alone when they are angry, the other could become verbally aggressive. If your character is a liar, do they pause before lying, or do they suddenly speak very carefully when they normally don’t? Someone who is inconsiderate may have issues with boundaries or eat the last piece of pizza in the fridge when they knew it wasn’t theirs. Behavior is extremely important and it is advised you think long and hard about your character’s actions and what exactly it shows about them

Demeanor:

their general mood and disposition. Maybe they’re usually quiet, cheerful, moody, or irritable, etc.

Posture:

a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Posture is how the character carries themselves. For example, perhaps they swing their arms and keep their shoulders back while they walk, which seems to be the posture of a confident person, so when they sit, their legs are probably open. Another character may slump and have their arms folded when they’re sitting, and when they’re walking, perhaps they drag their feet and look at the ground

Speech Pattern:

a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Speech patterns can be words that your character uses frequently, if they speak clearly, what sort of grammar they use, if they have a wide vocabulary, a small vocabulary, if it’s sophisticated, crude, stammering, repeating themselves, etc. I personally don’t have a very wide vocabulary, if you could tell

Hobbies:

a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Hobbies can include things like drawing, writing, playing an instrument, collecting rocks, collecting tea cups, etc.

Quirks:

a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Quirks are behaviors that are unique to your character. For example, I personally always put my socks on inside out and check the ceiling for spiders a few times a day

Likes:

a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes are usually connected to the rest of their personality, but not necessarily. For example, if your character likes to do other people’s homework, maybe it’s because they want to be appreciated

Dislikes:

a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes can also contradict the rest of their personality. For example, maybe one of your character’s traits is dishonest, but they dislike liars

History:

your character’s past that has key events that influence and shape their beliefs, values, behavior, wants, self-image, etc. Events written down should imply or explain why they are the way they are. For example, if your character is distrustful, maybe they were lied to a lot by their parents when they were a child. Maybe they were in a relationship for twenty years and found out their partner was cheating on them the whole time. If their motive/want is to have positive attention, maybe their parents just didn’t praise them enough and focused too much on the negative

On Mental and Physical Disabilities or Illnesses

if your character experienced a trauma, it needs to have an affect on your character. Maybe they became more angry or impatient or critical of others. Maybe their beliefs on people changed to become “even bullies can be ‘nice’ people: anyone can be a ‘bad’ person”

people are not their illness or disability: it should not be their defining trait. I have health anxiety, but I’m still idealistic, lazy, considerate, impatient and occasionally spiteful; I still want to become an author; I still believe that people are generally good; I still value doing what make me feel comfortable; I still have a positive self-image; I’m still a person. You should fill out your character’s personality at least half-way before you even touch on the possibility of your character having a disability or illness

Generally everything about your character should connect, but hey, even twins that grew up in the same exact household have different personalities; they value different things, have different beliefs. Maybe one of them watched a movie that had a huge impact on them.

Not everything needs to be explained. Someone can be picky or fussy ever since they were little for no reason at all. Someone can be a negative person even if they grew up in a happy home.

I believe this is a thought out layout for making well-rounded OCs, antagonists and protagonists, whether they’re being created for a roleplay or for a book. This layout is also helpful for studying Canon Characters if you’re looking to accurately roleplay as them or write them in fanfiction or whatever.

I’m really excited to post this, so hopefully I didn’t miss anything important…

If you have any questions, feel free to send a message.

- Chick