Me The Literal Instant I Have An Original/mildly Introspective And/or Philosophical Thought: Now How

social interaction is a game to ron and 9/10ths of the time he's winning, he's being a goddamn sleuth, he's having the absolute time of his life

social interaction is a game to draco and it stresses him tf out--if he makes one wrong move he keels over and dies

me: [feels literally anything]

me: oh stop being melodramatic, you.

[buries it and feels even more awful]

some art posters I'd put up in my dream home

draco is incredibly touch starved, obviously (we're going off of pure canon where it's clear he has no real friends, and his parents aren't exactly . . huggers), and so what ends up happening eventually is that ron just takes to petting him like he's a damn dog:

i'd like to highlight specially the scenes above where ppl just freaking, rub a hand over the entirety of will's face, bc first off wth, and second off draco would LIVE for that shit he is so pathetic wet car.

and they cuddle. obviously. draco is clingy asf. as they bond he takes to standing with his arm around ron's waist whenever they're next to each other, specifically bc ron's taller and he thinks thats awesome, actually

released ch5 of inspiral from its cage 😌 at long last:

In which Ron is consulted on his opinions on aesthetics for some reason,,,,,,

comedic highlights in this post! this is the most sitcom-y chapter so far, and can honestly be read alone if you rlly like the trio + nev + patil twins and their chaotic friendship! also for chess players, hairstyling enjoyers, and lee jordan appreciators

Okay, I finally saw Hamlet performed live yesterday, and let me tell you some of the production choices were *chef's kiss*

King's ghost wore a crown, but upside down,

There was an open grave on the stage the entire play, that leads to to a trapdoor stage exit. Hamlet exited the stage by falling into it no less then 5 times

Everybody was dressed in modern clothes and Hamlet wore a jacket, but as my friends cleverly pointed out to me, he only wears it when he "performs" the role of the prince. When he's alone or with Horatio, he dons it off

Speaking of Horatio, he was kinda just there for a lot of the play? He lurked in backgrounds of a lot of scenes. (Or in foregrounds. In the beginning scene with Claudius and the queen he just sat on the chair at the front of the stage and ate lunch)

When Rosencrantz and Guildenstern arrived, Hamlet has only done the jacket half way, and shook their hands with his one arm that is in the jacket

When Rosencrantz told Hamlet the actors have came with them, Hamlet's demeanor changed from snarky to completely overjoyed and he kissed him on the mouth for a full minute

When the actors for the play in the play were supposed to arrive, 20th century fox music started playing

Hamlet forces Rosencrantz and Guildenstern to pinky swear

When Ophelia was returning Hamlet's letters, she also returned a vinyl that he gave her, that he later breaks into pieces in front of her

When Polonius talks about how he used to act, he demonstrates his 'acting skills' by re-playing his death as Caesar, immensely overplaying it. Contrastingly, his own death an act later is quick and lacking fanfare. He simply utters "He killed me" and falls to the ground dead, making it his probably shortest set of lines he had in the play.

During the meta-play, a wedding cake is brought onto the stage, that the actors in the meta play use as a prop. Once the cake was discarded aside, Claudius sneakily stole a bite from it.

Claudius spat on old king's grave after his attempt at prayer

In the scene in Gertrude's chambers, Hamlet arrived shirtless and he had letters written across his torso that spelled S Y N (meaning "son" in my language, but the middle y had a dot over it, allowing it to be read as "sin" in a sort of double-language wordplay)

Also, Ophelia switched languages when she was singing her last song

The stage got progressively messier and messier with each act (mostly by the dirt from the grave)

The first gravedigger put on one hell of a singing performance

Hamlet took Yorick's skull and put it on a chair at the from on the stage, watching the audience until the very end

And the choice that rendered me speechless, that is, turning the lights completely off after "There's only silence" and have that be the last words of the play.

team voltron and aspects of alienation

I've seen aspects of "not-belonging" in analyses of Lance and Keith's characters and I'd like to shed light on how it's a sentiment that's very well nestled in every member of Voltron.

Starting off with the alienation (ha, get it) that is most flesh out in canon, we have Keith. From the very beginning the show, Voltron is divided into three factions: the Alteans, the Garrison trio, and Keith and Shiro. Keith has trouble mingling with the trio due to Lance's harsh front towards him, and has slight trouble mingling with the alteans due to cultural divisions and difference in views. Then he finds out he's half-Galran and Shiro is removed from the equation, which removes him further from the team. He gains a sense of disconnect from the team due to his heritage, his lack of bonds, and his belief that he's a failure of a leader.

Lance's disassociation from the team is more subtle. It comes from his views of inferiority and the idea that he doesn't contribute to Voltron. Unlike Keith, his sense of alienation comes more from what he does rather than who he is. He doesn't believe himself to be skilled enough, and when he throws himself into gaining skill, he finds that he's not achieving enough. He finds himself becoming more and more irrelevant as time passes, as if he is blending into the background.

The divide between Allura and the team is a storyline that we were robbed of. It's so plainly laid out for the writers to pursue- the cultural differences between Alteans and humans, the unity the humans feel towards each other that they extend to her in friendship to no avail, as she doesn't understand it. The other paladins will not know the part of the war that she knows. They will not know the loss she knows.

Perhaps she finds comfort in Coran. But even the split between her and Coran may grow as she becomes a paladin and he remains support for Voltron. They're still close and they still care for each other, but the way you fight in a war, the things you see, they can define and shape you. War looks different from different angles. Coran has never been in a pilots seat. Hes never been in the mind meld. And he doesn't need to do these things to have a bond with the people he cares about, but he still may feel the distance in his mind.

Hunk's sense of isolation from the team was also something we were robbed of, but were were also robbed of everything when it comes to Hunk. There is a huge difference in drive and fight when it comes to Hunk versus the rest of the paladins. He is unable to throw himself so deeply into the fight it just- it scares him! And I'm sure it scares everyone else too, but can Hunk see that? He sees the way everyone else stands tall and fights and goes into battle and training every single day, and he doesn't feel made for that. He doesn't want to do that. And it makes him feel guilty for not having the "passion" everyone else does even though his heart is in his actions, but at the same time he constantly feels sick.

Shiro is someone who has been both physically and emotionally distanced from Voltron. His kidnappings have shaped and transformed him- but it's not only that he's changed, Voltron has changed while he's gone too. Shiro has left and come back to an entirely different team filled with people who have changed so much because that's what war does, it changes you. There are months of Pidge, Hunk, Lance, Allura, and Coran that he's missed and years of Keith that he's missed. And they'll welcome him with open arms, but it doesn't change the fact that he doesn't feel like he knows them as well as they know each other.

Lastly, there's Pidge. Pidge is a fundamental anchor of Voltron as she produces so much technology to aid the war effort. She throws herself into her work so much that it consumes her, and this ends up eating away at her connections a little bit. There's also the fact that the technological battle she's fighting to combat Galran interfaces and invention rates is a fight that the rest of the team aren't exactly a part of. They can support her, but ultimately it is only she that can do the work she does. This puts a lot of pressure on her and compels her to do even more. She spends so much time working that she misses so much with the others.

The point I'm trying to make is not that Voltron isn't close or that they aren't a family, but that they themselves might not feel close to the team they love. And it's not a sense of isolation felt by one or two members, but instead by all of them equally. I think that dreamworks could've really worked with this dynamic to show the fact that war can make people grow apart (opposite to how a lot of media shows war bringing people together; both are themes that can be explored). Dreamworks could've also taken this opportunity to let the characters grow as individuals and then come together as an even stronger team.

*undooms your yuri* 🩸🫦

nodding my head and going "yes!" while reading problematic media so everyone knows i endorse everything happening and i think its awesome