First and last images in this group* — « Líber », Coderch & Malavia, 74 cm., 2020.
Some notes on this piece (because it intrigued me):
Joan Coderch (1959- ) and Javier Malavia (1970- ) are Valencia-based sculptors who have been working together in a collaborative partnership known as Coderch & Malavia since 2015 (1, 2). Their Instagram account identifies this sculpture as a 2020 work in white and brown patinated bronze called « Líber » (3), probably signifying “free” in Valencian Catalan. The sculpture stands 78 centimeters (30.75 inches) tall and was produced as “Li[í?]ber (White)” in an edition of eight (4). In addition to the 8-piece edition in white and brown patina, the sculptors also apparently produced an edition of eight, “Li[í?]ber (Black),” in bronze with black patina (5, 6).
* When I first encountered this reblogged post, only the very first image showed. The other sculptures are (from top to bottom): « El tejido del tiempo (Tissue of Time) », “Clio’s Dream,” “The Flight of the Swan,” “Haiku,” and “Moonlight Shadow.”
1. https://www.coderchmalavia.com/en/about-us/
2. https://mymodernmet.com/coderch-malavia-figurative-sculptures/
3. https://www.instagram.com/p/CDLj52Jnm27/?igshid=fsbjzoc42ean
4. https://www.galeriemokum.com/artists/31-coderch-%26-malavia/works/1111-coderch-malavia-liber-white-2020/
5. https://test.artcld.com/art/liber-black-patina-by-coderch-malavia
6. https://www.sothebys.com/en/buy/interiors/art/_liber-4f8b
Frozen in Time.Spanish Sculptors, Coderch & Malavia.
you and me earth and moon
and our melting sky so full of shadows
aflame we’ll meet again quietly like this
let the world wonder our longing
we’ll tiptoe a little closer and kiss.
© SoulReserve 2018
(c) Sealanehill, 2017
Rotting from the Inside Out. Brandywine, MD, 9/2/2018.
the leaves of tea at the bottom of the cup, reveal patterns, a makebelieve story of us, images swirl rinsed with tea, familiar, fragrant a horde of fragile memories, delicate as the porcelain of my moods, and a heart lost in a million thoughts of you.
© SoulReserve 2017
Read to Me, My Darling. Handmade collage. Torn magazine and catalog illustrations (NY Times T Magazine 3/5/2017 and Anthropologie lookbook 4/2017), tissue paper, acrylic paint, and gold paint pen on a white sketchbook page, with artist and studio seals. ~7.5x10 inches (~19x25 cm), 4/16/2017.
A young Monica Bellucci as Stella Maris, Our Lady of the Sea.
I see her from afar, Sitting alone in the early day, Tracing gossamer thoughts And hearing the whispers Of her heart. Her muse is the One Who is not there, The One who is Inaccessible, Yet whose presence Is so real that He stirs the deepest passion Of her womanly soul. Thoughts shape images, Murmurs, words And she sings Of smoke and fire, Incandescent and all-consuming, Of drink so concentrated One sip intoxicates. I listen, taken by her music Toward her heart’s Center, Hoping for invisibility, That my presence not Disturb her muse, Hoping to be unseen By her consort, Shiva, Should he return While she is in her Bliss. ©sealanehill, 2017 For @soulreserve
A non-sorted terrigenous deposit of large clasts in a matrix of fines.
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