Notice something in common in these photos?
It’s not what you think
I gave it away in the third pic
That’s right! None of these cops are wearing badges or name tags! I wonder why… seems like it’d be important to wear those, since it’s even illegal not to in other states…
at what point do american children realise it’s weird for them to pledge allegiance to their flag and country every day at school and that not all countries do that and how long after that discovery do they realise how creepy it is
why is this something no one talks about because it concerns me on a very deep level
Badass Women of Avatar
Update of this post Inspired by this post
YES PLANET FITNESS. (x)(x)
me: my job sucks
people: why don't you do what you enjoy
me: capitalism has determined that what I enjoy has no value
people: ??? ??????????
I’m not very popular on here but I wanted to see if I could make a point. every url will be written in a notebook to show my father. REBLOG IF YOU BELIEVE TATTOOS SHOULD BE ALLOWED IN THE WORK PLACE AND NOT DISCRIMINATED AGAINST
Petition to make me the next captain America
Hey guys, I’m getting a lot of asks about the same things, mostly questions about how to make comics, how to “break into comics” (haha, oh dear), working with publishers, that kind of thing. I’ve done some blogging on many of the subjects, so instead of repeatedly replying in private with links to those posts, I’m going to do a master post thingie with links to all my blogging about how I work. Hopefully some of you will find some helpful nuggets in there! I remember when I first started trying to transition into making comics for a living, and there wasn’t much information about that online. I spent a lot of time wailing about it on a locked livejournal. XD But anyway, I hope my blogs help a wee bit.
Disclaimer: these blog posts are all based on my own personal experiences as a cartoonist, and the advice therein might not work for everyone. The most awesome thing about comics is that there is no one way to make them, nor is there one direct route into becoming a full-time cartoonist. The more pro cartoonists I meet, the more it drives home how different our methods and origin stories are.
Anyway, here you are! (With all of these, scroll past the placeholder image at the top of the post.)
1) How I make my comics, start to finish (traditional penciling)
1A) How I make my comics start to finish, now with digital penciling!
2) Finding the art tools that are right for you.
3) Working with collaborators.
4) Acting in comics.
5) The financial reality of a full time cartoonist.
6) Making a successful graphic novel pitch.
7) Adapting a prose novel to comics, part 1.
8) Adapting a prose novel to comics, part 2.
9) Very simple tips for drawing a comic that will be published.
10) Working with editors from a cartoonist’s perspective.
10) b) Working with editors from an editor’s perspective (by my First Second editor, Calista Brill).
11) On “Drawing Styles.”
12) Dealing with discouragement (this is probably the most popular thing I’ve ever written XD).
13) On Comic Conventions.
14) On Being a Pro and Finishing that Comic When You Don’t Want To
15) How I Write My Comics
Okay, I think that’s it! Whew! The remainder of the Friends With Boys blogging archive is here. It has some other bloggings that aren’t advice-related (mostly ramblings about comics I like), if you’re interested. If you have any other comic-related subjects you’d like me to blog about, feel free to drop a suggestion in the ask box.
I hope this was helpful. Share and enjoy!
Updated 08/12/15