K2 Red Telephone Box 1926
The noble Red Telephone Box is a British institution, inspiring warm thoughts and a distinctively British style across the generations. Britain's very first red booth design was the cast-iron K2, which very quickly became ubiquitous throughout London and the surrounding areas throughout the 1920s and 1930s.
Britain’s Red Telephone Boxes continued to take inspiration from the K2 throughout the entire payphone era, and copies and tributes to the design can still be found in phone booths around the world today.
Acrylic on canvas, 5x7″. From my series of paintings of historical telephones.
This past Wednesday I volunteered to add something unique to the thank-you gifts we gave to Off the Hook listeners who pledged their support during our final fundraising episode of the season. During the show I drew a series of telephones, all different, all off the hook, one after another in a live marathon. Everyone who donated to WBAI during the show's live broadcast will be receiving a random one of these.
This was lots of fun. I did better than I thought I might both time and quality wise, and the fundraising was successful with many awesome folks supporting our listener-funded exploits.
You can listen to the episode by going to this archive page and selecting the May 18, 2011 link.
Signed, dated, and numbered series. Archival ink on heavy paper, 7x10".
Studio photos by Mike, first-five photo by dot.ret
chiaestevez:
I definitely put my faith in Blast Hardcheese.
I made this remix at least 100 years ago, it never fails to make me happy that other folks keep circulating it, making it into videos like this, etc. It's the reason I ended up choosing the domain SpaceMutiny.com for my music.
In response to the current kerfuffle going on in Neil Gaiman's corner of the Internet, the affable @mistressmousey suggested her artist acquaintances draw this elusive creature known as the pencil-necked little weasel.
So sorry, etc.
An excerpt from my lies-about-Doctor-Who book.
An excerpt from Doctor Huh?!, a book in progress.
3 September, 2004: The Making of a Logo
“Right,” said Russell T Davies, pouring himself another mug of tea before turning back to his art team. “Now, on to the next issue; the logo. Suggestions?”
“Let’s reuse the Diamond Logo,” said junior...
One thing I've been coming back to a lot recently is a song by Information Society called "Where the I Divides."
This is me getting some emotional stuff through my system by singing it to myself, accompanied only by a soft drizzle and some late-night/early-morning city traffic outside my apartment window.
I didn’t want to draw David Bowie today. I don’t feel capable of accurately portraying anything close to what his work has done for me over the course of my entire life. My drawing hand had other ideas, no other drawings would work until I got this onto the screen.
I haven’t felt this personally screwed up over the passing of an artist I’d never met since Freddie Mercury in 1991.
Digital portrait of my best friend Grey Frequency, in the style of Shepard Fairey's OBEY. See what I did there?
I originally made this for the desktop library on the New York City 2600 website I run with Grey, surprising her with it. It quickly became my favorite thing to cause computers in public places to display. I heartily endorse your doing the same with it, especially if Grey is nearby.
I decided to try my hand at Troll Physics. Let's all do this and party in space!
For those unfamiliar with Troll Science/Troll Physics: SFW / NSFW
Motorola MicroTAC 9800X 1989
The MicroTAC 9800X was not only the smallest and lightest mobile phone of its time, it was the first to feature the trend-setting "clamshell" type design where a mouthpiece flipped to cover the keypad when not in use.
Featuring a dot-matrix LED display, very advanced for the day, the MicroTAC and its immediate variants remained in production well into the 1990s and formed the basis for much of the world’s idea of what a "cellular phone" looked like.
Acrylic on canvas, 5x7″. From my series of paintings of historical telephones.
Hello there. I'm Rob. This used to be my art blog until I left Tumblr; here's why you won't see me around here anymore. This is my website, you can find the rest of what I do from there. Here's a bunch of social media I do still use. Here's how to contact me directly if you wish, please feel free. All my original artwork posted on this Tumblr is released under Creative Commons Attribution-ShareAlike license. Feel free to reuse, remix, etc. any of my stuff under the terms of this license.
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