Sorry But I Find It Extremely Funny That The Love Interest We Focus On The Most In The Movies :

i jsut think its so funny and interesting and hmmmmm that ratio meets sunday and has one conversation with him basically and goes 'oh yeah this guy is the same breed of crazy as aventurine (who needs therapy yesterday)' and then sunday is control/fate/future and aventurine is chaos/luck+chance/present. both of them hiding their true selves/feelings behind facades, and it being commented on directly in the narrative. they both even have/had a sister they depend on. like they're PERFECT narrative foils. they're perfect reflections of each other.

when all of life’s accounts have been settled up….

who do i need to sacrifice so i can get these two in a wlw film filled with fluff & pastel sarees?

what if instead of fnaf we had gnaf (galvanized nights at freddy's) and the animatronics assembled to become bunk beds instead of biting children in half

vanitas vanitatum et omnia vanitas

the wind rises, we must try to live!

an attempt at analysis.

1. The Poem

The Graveyard by the Sea by Paul Valéry is where this line originates from, specifically "Le vent se lève... il faut tenter de vivre!" It is, to put it simply, a poem talking about life, death, and the changes brought by time.

Here is a translation of the poem. At the start, we face an almost hypnotizing view of the unchanging sea, mentions of "perfect peace" and dissolving into this scenery i.e. life after death. However, as we proceed, looking at the graveyard as well as the people buried there, we're faced with the realisation that there is no true life after death. Dissolving into something else, by default, strips us of our individuality. As such, we snap back to reality, and the still sea breaks apart with waves. There is a plea to try and live in the amount of time we have left.

Here are two other interpretations. The one dealing with the poem is fascinating to me, specifically this part :

"It feels like he is saying look, I wrote you this poem about dying, and now you will do with it as you wish and I just have to go figure out a way to live my life."

There's a lack (?) of connection here — we are deliberately left alone to figure out what we'll do with the poem and how we'll progress afterwards as the poet leaves. The exit itself is bizarre, because it feels like less of a desperate "plea" to live, and more of a shot in the dark attempt to survive.

2. The Movie

As I see it, there are two major ways of looking at this line in context of the movie.

The first is fairly straightforward (at first glance, that is). Despite whatever challenges you face, you must continue to hold onto things you deem important. However, the way you look at this interpretation changes depending on the way you look at Jiro.

What are the challenges? Is an entire World War simply an obstacle in front of Jiro's dream? Is his wife an obstacle as well, considering he chooses his career over her at the end? How pure is Jiro's dream anyway? Is he not being overly selfish? Is he not being childish and cruel, remaining in a world of fantasy and refusing to acknowledge the deep wounds his creation will cause? What, then, is the point of the message of this film? Is it not inherently negative and self-absorbed? But then again, does it matter who makes the planes? If not Jiro, surely it would have been someone else? So, do you hold onto things dear to you despite being perceived as morally wrong or do you lead boring lives devoid of passion?

This opens up a never ending debate, one that I feel is based heavily on how willing you are to humanize different sides of the same war.

The second way of looking at this line is taking into account what Caproni says.

"Artists are only creative for ten years."

Throughout the movie, Jiro has tall dreams, something specific that he wants to achieve, to create. Caproni's words come as a warning. Ten years have started ticking along even as they speak. Jiro, you must try to make the most out of the prime of your life, you must try to amount to something, you must try to fulfill your dreams and leave your mark on this world!

3. The Personal

As an "outsider", or as someone who isn't faced by the moral dilemmas of the film, I'm not obliged to interpret this phrase strictly within it's context.

To me, "the wind rises, we must try to live!" is an expression of pure freedom. It is the one quote that has stuck with me the most. I do not know what I want out of life, nor do I have the same passion as Jiro. And yet, as it happens, I take flight all the same.

The wind that rises is too strong, steering me along to someplace I'm unaware of, and perhaps I'm only riding the current temporarily before I plummet down, but it's okay. It's okay because I am trying to live, I am trying to learn how to flap my wings, and whether it ends in failure or success, it'll be my life all the same.

This is only the tip of the iceberg. I'm sure people have their own interpretations as well, and I'd love to read them :)

catching up on hxh really makes me realise i forgot how brilliant of a writer togashi is. the way he's able to bring together so many characters, each with their unique goals, personalities, and abilities, and make ten different plot points converge in a beautiful web is absolutely crazy. while i do think that his hiatus helps him to some degree, i do NOT tolerate people who cannot recognize the massive creativity that goes into this manga. hxh is goddamn complicated, and every character in it is done justice in the way they're portrayed. some of the most mind boggling abilities i could never even imagine have been introduced by togashi while complying WITH the rules of the complex nen system (contamination, cat's name, bungee gum, rising sun, bodhisattva, emperor time, love dial and so many more are increasingly unique abilities which showcase how massive and nuanced togashi's power system is). every arc is consistently gripping with a healthy focus on action AND politics, wherein togashi forces you to face some of the worst deeds of society (with kakin empire being the most recent and perhaps the most disgusting example), and that is no easy feat. plus the way he's constantly able to resist the classic good triumphs evil narration, instead choosing to showcase gray characters who simply happen to have goals aligned with the "good side" and who still leave a trail of destruction in their wake?? selfishness is an extremely common theme throughout the characters, whether it's Gon's actions in Chimera Arc, Killua's possessiveness, Leorio's motivations, Kurapika's rage and grief that threatens to overpower even himself, or hell even Phantom Troupe's actions, and it really sticks with me as a reader. seriously, what an inspiration.

The power of water is its ability to take any shape

sometimes my pinterest glitches tf out and today it turned this

into this

lore accurate i must say

every once in a while i remember about ao no flag and i take 999 psychic damage thinking about how we never got to see taichi and touma get together