Bro Is So Scrunkly Wunkly Goobly Doobly

Their dynamic is everything to me

happy birthday to my son 🐯💐

The Mikhaels, I guess?

vnc mikhael was subjected to horrifying abuse, and before the vampire of the blue moon (luna) rescued him, he did not have any idea of what a family was supposed to be. he simply clung to the nearest sane person he could at the time i.e. vanitas. once he did get a taste of "home", it was almost immediately snatched away from him. he is one who desperately wishes to find a place to belong (as seen by his insistence on returning things to how they used to be) and yet one who is forced to wander the world alone.

hsr mikhael, however, feels like someone born for greatness. adopted by legendary seafarers, discovered his passion for watchmaking while working as an apprentice, and ultimately joined the express to roam the world. the one true symbol of freedom. and yet, at the end, he chose to stay back in penacony, chose to bind himself to a planet because he was simply that desperate to save it. one who was destined to wander yet found a place to belong to.

both vnc mikhael and hsr mikhael have a close connection to the word "Father". vnc mikhael is attached to the word as a kid himself, using the term with affection for luna, showcasing that he is still stuck in childhood, still stuck in the early stages of his life unravelling on stage. hsr mikhael has moved from attaching the word to his father, his inspiration, and actually been bestowed the title "Father of Penacony" for himself. it signifies his story has run it's course, he has come full circle.

another thing is, their nicknames. misha. they both hold equally special positions in their own way. vnc mikhael is referred to as misha by luna, a loving nickname that has warmth connected to it. hsr mikhael has a fragment of his memories which form the misha we are familiar with, representing his childhood dreams. though both of them are different, they are also quite similar in the sense that the nicknames and the circumstances in which they are used carry a sweet, sweet innocence.

i dunno, as someone in both fandoms i was delighted by them sharing names and even appearances to a certain extent, and then even more intrigued by the parallels they share. i think they're very neat :)

whc2 spoilers!!

just put the reunion in the bag bro

(said thru sobs)

i jsut think its so funny and interesting and hmmmmm that ratio meets sunday and has one conversation with him basically and goes 'oh yeah this guy is the same breed of crazy as aventurine (who needs therapy yesterday)' and then sunday is control/fate/future and aventurine is chaos/luck+chance/present. both of them hiding their true selves/feelings behind facades, and it being commented on directly in the narrative. they both even have/had a sister they depend on. like they're PERFECT narrative foils. they're perfect reflections of each other.

getonanago enjoyers today i offer you a case of "any song can be about your favs if you try hard enough" :)

tv girl - the blonde!

starting off with satosugu as teenagers, "whisper filthy things into their ears" standing as the distinct sense of youth, how everything was new and fun and felt like it would last forever you know? all sneaky kisses and missions together and thinking themselves untouchable by others.

and then it immediately melts into the phase AFTER getou left, tying into gojo "standing out in the rain" i.e. the initial conviction that getou wouldn't do something like this, wouldn't leave him alone, followed by "keep it up very long just to prove somebody wrong" i.e. gojo continuing his duties desperately despite not particularly caring for strangers' lives himself, just to prove to getou and himself that there is meaning here.

"sang a lonesome song" because it didn't really end at getou did it? nanami left too. and god knows gojo would be the type to distance himself from shoko etc as well at that time, because what's the point if everyone will leave anyway? but then you fast forward some more and suddenly gojo's an adult and nanami's back and then the song gets almost,, softer? in a way? the whole "ra-pa-pa-pa" part. like encouraging gojo to open up once more, to show that maybe his heart has enough space for two, maybe it always did.

or something. ya know.

People who hate Frodo Baggins are my enemy. "He didn't do anything and was useless"--yeah, okay, so what you're not understanding is that he was the sacrificial lamb. He endured physical, mental, and emotional torment that got worse and worse as his will broke. Everyone knew this. EVERYONE KNEW THIS. That's why everyone was devastated about it. Because Frodo was the most innocent among them, that was the entire point. He represented ordinary peaceful people being destroyed by the horrors of war. And as a hobbit he also represented some of the last vestiges of magic in what was basically a post magic apocalypse.

Frodo was basically an innocent puppy thrown into the Torment Nexus so that EVERYONE ELSE could maybe have a hope of surviving. And he did that willingly. HE DID IT OF HIS OWN FREE WILL, KNOWING IT WOULD RUIN HIM.

Frodo haters won't see the light of heaven

wow i wonder what this could possibly mean

catching up on hxh really makes me realise i forgot how brilliant of a writer togashi is. the way he's able to bring together so many characters, each with their unique goals, personalities, and abilities, and make ten different plot points converge in a beautiful web is absolutely crazy. while i do think that his hiatus helps him to some degree, i do NOT tolerate people who cannot recognize the massive creativity that goes into this manga. hxh is goddamn complicated, and every character in it is done justice in the way they're portrayed. some of the most mind boggling abilities i could never even imagine have been introduced by togashi while complying WITH the rules of the complex nen system (contamination, cat's name, bungee gum, rising sun, bodhisattva, emperor time, love dial and so many more are increasingly unique abilities which showcase how massive and nuanced togashi's power system is). every arc is consistently gripping with a healthy focus on action AND politics, wherein togashi forces you to face some of the worst deeds of society (with kakin empire being the most recent and perhaps the most disgusting example), and that is no easy feat. plus the way he's constantly able to resist the classic good triumphs evil narration, instead choosing to showcase gray characters who simply happen to have goals aligned with the "good side" and who still leave a trail of destruction in their wake?? selfishness is an extremely common theme throughout the characters, whether it's Gon's actions in Chimera Arc, Killua's possessiveness, Leorio's motivations, Kurapika's rage and grief that threatens to overpower even himself, or hell even Phantom Troupe's actions, and it really sticks with me as a reader. seriously, what an inspiration.

The way Reki has been skating for longer than Joe or Cherry.