"He Is The Hero He Had Been Waiting For Centuries"

"He is the hero he had been waiting for centuries"

Thanks I'm sobbing now

One Thing I Absolutely Love About Astarion’s Redemption Arc Is The Complexity Of His Relationship With

One thing I absolutely love about Astarion’s redemption arc is the complexity of his relationship with the figure of the hero.

Astarion is a vampire, a monster, and also a victim (as well as, in a way, a perpetrator, due to his forced obedience to Cazador). He is the first person in desperate need of a hero to save him and the last person suited for the role of a hero.

He prayed to every god for salvation, even for death, and even that was denied to him. He resents heroes and the powerful, and when confronted with the idea that both have a duty to protect the weak, he scornfully responds that no, they’ve done a terrible job—that in 200 years, no one saved him from torture, and that it was the mind flayers, other monsters, who finally freed him. And that, in reality, the powerful only use their strength to bend others to their will and serve their own selfish interests. It’s in this same conversation that Astarion declares his desire to be better than Cazador—stronger, more powerful—though the player likely meant kinder, more noble.

Yet, despite everything he says, despite his disapproval of every heroic action taken in Act 1, Astarion is irreversibly drawn to the figure of the hero. First and foremost, he seeks their protection, though still through the warped lens of his past under Cazador’s cruel talons. Secondly, he is extremely sensitive to kindness, understanding, acceptance—to being treated like a person, just as a true hero would treat him.

And then, this is something I particularly noticed while playing as Karlach—Astarion is fascinated by Wyll, who is, in many ways, the quintessential hero of the party. He even admits that if he had to choose one of them to feed on, it would be Wyll, because he is sweet and righteous, just. Which is a contradiction, because the very traits that draw Astarion to him are the same ones that make him want to drain him dry. Love and hate, all in one.

With this in mind, even the conversation after meeting Aurelia and Leon takes on a deeper meaning. The player sees something in Astarion, but he still refuses to recognize it, to admit it, and rightfully says he can’t be what we see in him—a good person, a righteous, understanding, even heroic figure. And yet, the player sees through him…

And it’s breathtaking when, during the ritual, just before stabbing Cazador, Astarion says those very same words: "You're right. I can be better than him." But this time, he doesn’t mean stronger or more powerful. No, this time, he means it exactly as it was first presented to him and so bitterly rejected. And he means it with all his heart.

And in doing so, in freeing all his siblings and all the poor souls imprisoned there, Astarion commits a truly heroic act. He does for others what he once desperately hoped for himself, what he prayed for—becoming the hero he needed. Because at the same time, he is freeing himself—from his chains, from his narrow worldview that saw everything in terms of power and dominance. For the first time, he is free to live outside of the path that someone else forced upon him.

And that’s exactly why, in my opinion, the next morning, it’s right to tell him that yes, we were the heroes who stood by his side, but we only gave him a push. Because, in the end, he saved himself.

He is the hero he had been waiting for centuries!

And that thought makes my heart race! ❤️

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More Posts from Rivereverie and Others

1 month ago

I’ve been trying to get some good dialogue scene screenshots of Astarion, and my field research suggests that he has these modes only: 

Literal model

"Depraved carnal lust"

Sad cat

Actual gremlin


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2 months ago

Just a thought on Astarion

Obsessed with how Astarion is "cursed to walk in the shadows forever" but his character has celestial motifs. He notably has very pale skin and silvery white hair, obviously, his name has the word star in it (argue over the linguistic origins of his name all you want, it still has star vibes), and the flowers on his grave look like stars as well. His story is about him saving himself, and the fact that he has iconography representing light in his endless night is beautiful actually.


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2 months ago

I can't believe I feel like I need to say this, but Wyll's writer doesn't deserve as much hate as they've been getting.

They're not in charge of making literally every single creative decision for Wyll.

It was not just Wyll's writer who decided to rewrite Wyll from the Early Access Wyll Eltan into Wyll Ravengard.

It's not Wyll's writer who gave Wyll the standard Warlock outfit instead of a custom starting outfit like every other origin character gets.

It's not Wyll's writer who gave Wyll one of the standard hairstyles, instead of a custom one. And it's not Wyll's writer who made Wyll's hair with that very poorly done and inaccurate hair texture.

It's not Wyll's writer who decided to barely put Wyll in the art book.

It's not just Wyll's writer who decided he wasn't getting a sex scene like every other origin character gets.

It's not Wyll's writer who cut the Upper city, where (allegedly) a lot of Wyll's arc was supposed to happen, causing Wyll to (allegedly) be hastily heavily rewritten again.

Wyll was not written in a vacuum. A video game is not made by just one person calling the shots—these decisions would have been made by the creative team at large. As a whole Larian Studios did not put as much time/money/effort into Wyll as they put into the other Origin characters.

And look, I know this is purely conjecture, but if I were Wyll's writer and had an entire story planned and already largely written and ready to go (e.g. EA Wyll) only to be told that I needed go back and entirely rewrite that character, I would lose a lot of love for that character. If I were then told I needed to go back again, and hastily re-write that character's main Arc so it could fit into a different area of the story, I'd be fucking livid (e.g. cutting the Upper City). This doesn't excuse Wyll's writer, but it does explain.

All I'm saying is, if you're going to blame Wyll's writer, blame them for the thing they actually had control over: Wyll's writing!

And guys, c'mon, at least act better than crabs in a bucket. Stop saying that Character X's content should be cut because it's unfair that Wyll got so little. Stop attacking fans of other characters. Dragging other people down isn't going to help any of us get out of this bucket.


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2 months ago

Current mood:

Current Mood:

Yes, that's poor Gale who fell into the lava and is melting.


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2 weeks ago

I need more of Astarion being an absolute undead fucking weirdo. No more suave charming elf man NO this man forgets to breathe for prolonged periods of time and randomly gasps or croaks because he can't speak without air in his lungs. He lurks in dark corners with weird reflective eyes and doesn't move until you notice him. He's SUPER into the scent of his lover and buries his face in their neck or chest while taking in a BIG snorf. He gets very affectionate when he notices his partner is on their period or is bleeding from other causes. He doesn't make noise when approaching someone and often scares the shit out of them because he just silently shows up behind them. He's addicted to the warmth of his partner and rubs his body against them like a cat. He makes animalistic grunts and moans while he feeds. He forgets to blink and just stares at people with wide eyes while they talk. He stares at his lovers pulse point instead of looking in their eyes. He growls when displeased. Sometimes he smiles just a tad too wide. He watches his lover sleep and waits for them to wake up for them to find him just staring them down, unblinking. He's a fucking freak and I love him to bits I need more weirdo Astarion.


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1 month ago

Was Astarion lying in this scene?

So there's a line that stands out to me from one of Astarion's act 1 scenes, when he admits that the player character was his first taste of blood from a person. When I first saw this scene and ever since, I've felt a bit conflicted about it, because I'm not sure whether or not he's lying. I do believe that Cazador wouldn't ever let him ever drink a person's blood, because he wants to degrade and torment him as much as he can, but it seems very possible that Astarion might have bitten one of his victims in the past, given that he was so starved. He'd certainly be punished horribly for it, but I think there's a definite possibility it happened at least once. The whole "you were my first" line came across to me as potentially a part of his manipulation, because that just sounds exactly like pandering straight to the player character's desires, trying to make us feel special. But the way that the line is delivered also puzzles me, because with the way he kind of mutters and looks to the side, it seems like he could be genuine here. But Neil Newbon is a legend and maybe he's just that good at portraying a well-delivered lie. I'm not sure if this topic ever comes up again, but it seemed pretty significant in terms of just how meaningful that first bite was, on multiple levels. I'm curious to know what others think and if I'm missing anything.


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3 weeks ago

No longer using the idiom "elephant in the room". From now on it's "let's address the exsanguinated boar in the room"


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1 month ago
I Abuse My Power In Photo Mode To Make Them Have A Picnic.

I abuse my power in photo mode to make them have a picnic.


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2 weeks ago

Just a personal post about my experience on this site

The only social media I’ve ever really used my whole life has been YouTube and Pinterest, and I only joined Tumblr a few months ago because my sibling encouraged me to. The internet has always kind of been an overwhelming place for me; too many people, too many ideas. And I used to get really insecure when interacting with or even perceiving fandom. I struggled a lot with the feeling of “I really love this piece of media/character, and the fact that other people love it too makes me feel like it’s somehow an intrusion upon my profoundly personal connection with this thing” (thankfully I've mostly grown out of that). Online spaces made the world feel too big and me feel too small. Maybe a part of the reason I joined Tumblr was to combat that. I often felt a little like the odd one out in that the internet was never this place of community and connection for me like it is for so many others. I’ve always just felt overwhelmed by it. Now, I’ve curated a nice little corner of the internet for myself, although I do have to keep things in check sometimes and not overwhelm myself through overexposure to content.

Since joining the site and creating this blog, I’ve learned a lot. I have a lot of bad days when I second-guess my wording in every post I make (which I know is silly, because I just make fandom content and random stuff that only a few people will ever see, so the stakes are incredibly low, but anxiety doesn’t care). I have days where the world still feels too big and it's overwhelming to look at posts. But I’ve also begun to learn to express myself more, and that’s vital for me, especially as an autistic person learning to unmask more in my daily life. It feels silly to say that being on this site has been a rollercoaster, but that’s the truth of how I feel. This whole experience has forced me to confront my issues with self-expression, my relationship with external validation and people-pleasing, rejection-sensitive dysphoria, and figuring out healthy self-regulation. Again I feel very silly saying all this about Tumblr of all things. But it’s true.

That's not even to mention how freeing and encouraging it has felt to see how shamelessly people express themselves on here. It's a landscape of radical self-expression, fearless passion, and a kind of transparency I haven't really seen anywhere else. As someone who has repressed myself all my life and am doing the work to unmask more... I can only look on in awe. It's nothing short of inspiring and beautiful, in all it's unfiltered, deranged glory. Thank you to all the people who are openly unhinged on here, because it makes this a safe space for everyone else to express themselves, too. I aspire to that.

All this has also shown me that people are much kinder than I always expect them to be. People here listen to what I have to say, and most are so encouraging and welcoming. Having a few mutuals who always at least like my posts makes me feel… seen. Like I exist and someone else cares at least enough to take a second to give a little positivity. (Shout out to my very kind mutuals. You all always brighten my day when we get to chat in the comments. It genuinely means a lot to me). Not to be too vulnerable, but I've always struggled a lot to make friends, and while I may not be there yet, it’s been lovely to connect with anyone at all. Just getting to like and comment on other people’s posts feels like a nice bit of socialization in my day, however small it may be. It's really encouraging. Makes me feel more human, I suppose.

I guess what I’m trying to say is that I went outside my comfort zone in joining this site, and really realized that (shockingly) going outside your comfort zone does in fact lead to growth. That is, when you don’t push too far and end up overwhelmed. I’m looking forward to growing more. Making posts about things I care about, or just nonsense. Writing fanfiction. Being feral about bg3 and other art I love. It’s all really been pushing me in a good way. Maybe someone else relates.


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2 weeks ago

10 Quiet Ways Your Character Is Breaking Their Own Heart (And Pretending It's Fine)

These are the betrayals that aren’t loud. They don’t come with fireworks or screaming matches. These are the small, slow deaths. The ones that your character lets happen... while smiling politely.

» They say yes when they desperately want to say no. Every. Damn. Time. They show up when they're exhausted. They agree to things they hate. They make themselves smaller, softer, easier, because "good people" don’t make waves, right? (Spoiler: they're drowning.)

» They keep chasing people who only love them halfway. It's not even subtle anymore. They know these people leave them on "read," show up late, make them feel like an afterthought. But they cling anyway, spinning every scrap of affection into a story about hope. (It’s not hope. It’s hunger.)

» They refuse to believe good things are meant for them. They’ll hype everyone else up. They’ll believe in everyone else's dreams. But when something finally good lands in their lap? They’ll panic. Push it away. Tell themselves it was a fluke. (Because being disappointed feels safer than being lucky.)

» They’re waiting for closure that will never come. An apology. An explanation. A miracle where someone says, "You were right, and I was wrong, and I’m so sorry." They wait years. Decades. Lifetimes. But deep down, they know: some people never come back. Some stories just end without punctuation.

» They’re hoarding all their "almosts" like treasures. The job they almost got. The love that almost worked. The version of themselves they almost became. They replay those maybes like a greatest hits album. (Meanwhile, real life is slipping by while they mourn possibilities.)

» They’re performing a version of success they secretly hate. Look at the Instagram. Look at the LinkedIn updates. Look at the shiny exterior. It looks like winning. But every trophy they collect feels heavier, not lighter. Every promotion tastes a little more like ash. (Turns out, chasing someone else's dream is still losing.)

» They forgive people who aren’t sorry. Not because they’re enlightened. Not because they’ve healed. But because it’s easier to pretend it didn’t hurt than to sit with the fact that it did—and that the person responsible doesn't care. (Some wounds scar better when you stop pretending they were accidents.)

» They punish themselves for still being soft. The world told them, again and again, that soft things get broken. And they believed it. So every time they feel too much? Every time they cry or hope or trust? They tell themselves they’re weak. Stupid. Embarrassing. (They're not. They're just still alive.)

» They downplay their own magic. They call their talents "lucky breaks." Their beauty "average." Their intelligence "no big deal." They shrug off compliments like they're dangerous. Because deep down, they've been taught that being remarkable makes you a target.

» They cling to the idea that if they just work harder, they'll finally be enough. They believe in meritocracy like it’s a religion. That if they hustle hard enough, self-sacrifice deep enough, burn themselves to ash perfectly enough, someone, somewhere, will finally say, "You're worthy now." (They were always worthy. The system is just broken.)


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rivereverie - Ranting to the void
Ranting to the void

Just my current hyperfixations and whatever else I can't get out of my head✧˖⁺。˚⋆˙ A practice in self-expression ˖⁺。˚⋆˙ ✧writer ✧ she/they ✧ autistic ✧ pansexual ✧ demisexual

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