Hieu Minh Nguyen, From “Outbound”

fear, sadness, hate and disappointment by sarah snook as siobhan roy

BARBARA KRUGER

Devin Kelly, from “All the Other Dogs Screaming” 

“All the madnesses, each and every blinding one, they can all be traced back to the gates. Those carved monstrosities, those clay and chalk portals, existing everywhere and nowhere and all at once. They open, things are born, they close. The opening is easy, a pushing out, an expansion, an inhalation: the dust of divinity released into the world. It has to be a temporary channel, though, a thing that is sealed afterward, because the gates stink of “knowledge, they cannot be left swinging wide like a slack mouth, leaking mindlessly. That would contaminate the human world—bodies are not meant to remember things from the other side. There are rules. But these are gods and they move like heated water, so the rules are softened and stretched. The gods do not care. It is not them, after all, that will pay the cost.”

Excerpt From Freshwater by Akwaeke Emezi

Vladimir Mayakovsky, Volodya: Selected Works; from ‘I love’, tr. George Reavey

alice munro, runaway

Megan talking about the reaction to W.A.P in her documentary

define hole / is a hole a real thing? / Marco Poloni, Black Hole, from The Majorana Experiment, 2010 / Flatfields Fotografien / What We Talk About When We Talk About Holes / Dark (2017-2020) / post / Disco Elysium / Twin Peaks: The Return (2017) / Donnie Darko (2001) / Kaveh Akbar, from “The Miracle,” Pilgrim Bell / post / Weizmann Institute of Science / Mathworld / post / post / post / post / Anne Boyer, from “Woman Sitting at the Machine,” in A Handbook of Disappointed Fate / Dennis Patrick Slattery, The Wounded Body: Remembering the Markings of Flesh / The Incredulity of Saint Thomas, Caravaggio, 1601–1602 (detail) / The Incredulity of St. Thomas, Bernardo Strozzi, 1582-1644 (detail) / Don McKay, from “Twinflower,” Field Marks: The Poetry of Don McKay, intro. Méira Cook (Wilfrid Laurier University Press, 2006) / thierryetherve / post / Gregory Orr, from How Beautiful the Beloved / Tomas Tranströmer, tr. by Robert Bly, from a poem titled “Track,” / Disco Elysium / Anne Carson, Economy of the Unlost / Pathologic 2 / Disco Elysium / Carl Phillips, from “Givingly”, Wild is the Wind / post / The Juniper Tree (Nietzchka Keene | 1990) / John Banville, Eclipse / Twin Peaks / Disco Elysium / VectorStock / True Detective / Night in the Woods

I also want to give credit to @arairah for being the lead hologist on this site and the intermediate source for a lot of this, thank you!

But when Kafka said Even in my strong times I wasn't very strong it broke something in me.