Richard Hugo, Essay on Poetic Theory: The Triggering Town
this is what it means to be human
Everything, Mary Oliver
The Breathing, Denise Levertov
A Prayer by Antoine de Saint-Exupéry
The Laughing Heart by Charles Bukowski
Like a Small Café, That’s Love by Mahmoud Darwish (translated by Mohammad Shaheen)
Having a Coke with You by Frank O’Hara
Eating Together by Li-Young Lee
The Orange by Wendy Cope
The Quiet Machine, Ada Limón
To Go Mad, Paruyr Sevak
Our Beautiful Life When It’s Filled with Shrieks by Christopher Citro
Hammond B3 Organ Cistern, Gabrielle Calvocoressi
Peace XVIII, Khalil Gibran
Your Unripe Love, Paruyr Sevak (from “Anthology of Armenian poetry")
Here and Now by Peter Balakian
Ich finde dich (I find you) by Rainer Maria Rilke
The Thing Is by Ellen Bass
One Art by Elizabeth Bishop
Miss you. Would like to take a walk with you. by Gabrielle Calvocoressi
I Want to Write Something So Simply by Mary Oliver
What's Not to Love by Brendan Constantine
Where does such tenderness come from? by Marina Tsvetaeva
You Are Tired (I Think) by E. E. Cummings
Living With the News by W.S.Merwin
What the Living Do by Marie Howe
Frédéric Bazille, Young Woman with Peonies (1870)
“These are the days that must happen to you.”
— Walt Whitman (via perfectquote)
— Ocean Vuong in conversation with Spencer Quong
(Favourite female characters: Holly Golightly.)
Yes, I think that she was aromantic or at least in the aro spectrum. She was only with the man at the end of story, because it was 1959 and her character was kind of problematic itself. I love her so much. She is endearing and while a traumatised character, Holly was goofy and perceptive enough.
I hate that I still want male validation
“Deep in my heart I know I am a loner. I have tried to blend in with the world and be sociable, but the more people I meet the more disappointed I am. So, I’ve learned to enjoy myself, my family, and a few good friends.”
— Steven Aitchison
D’Pharaoh Woon-A-Tai, the first indigenous actor nominated in any lead category, attends the 2024 Emmys with a red handprint over his mouth, the symbol for Missing and Murdered Indigenous Women (MMIW). September 15, 2024.
Every lover’s got a little dagger in their hands…Communications and Media Scholar📚
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