That summer.
-- Cape Cod, 1985
Night
Eiji asking to hold Ashs gun when they first met was a metaphor for consent.
It feels like it's been years since I posted one of these; my bad
Almond Milk: Barista Sing falls for a haughty new customer. Rating: General Audiences
Chaos Theory: Ash's posthumous impact on the people who cared about him. Rating: Teen Audiences
Dusk Til Dawn: Howl's Moving Castle AU. Fun Fact: I watched HMC for the first time, just so I could read and understand this fic, and it was worth it. Rating: Teen Audiences
golden fly-boy: Eiji makes it to the Olympics, with Ash by his side. Rating: Teen Audiences
The Hands of a lover, and other synonyms for comfort: Ash may not be able to define his relationship with Eiji, but he knows that it doesn't hurt. Rating: Teen Audiences
If you'll return to my side: After breaking up with Eiji, Ash goes to Max and Jessica for advice. Rating: General Audiences
porgi, amor, qualche ristoro: While enjoying the winter holidays in Izumo, a commercial triggers bad memories for Ash. Rating: Mature (mentions of Ash's past trauma/CSA, description of severe anxiety attack)
Postcards: Ash Lynx is dead; Eiji starts recieving random postcards from him. Rating: Mature (mentions of past abuse/assault, graphic depictions of violence). I highly recommend subscribing to Special Agent Rick Henry, FBI, which is this fic's companion piece, written from Ash's perspective.
The Song of a Dull Knife: a jet-lagged Eiji rushes to visit Ash in the hospital. Rating: Teen Audiences
What Is and What Can Never Be: The only way to save Eiji is for Ash Lynx to die, and Ash knows it. Rating: Teen Audiences (not as sad as it sounds, I swear)
Previous List
Make sure to check all tags before reading these; I try to give summaries so that you know what you're getting into, but double check. And if you can, give a comment/Kudos for any fics you liked. Enjoy!
Bonus: here's some official art to cry over
Through all the madness of falling in love ...
Speedpaint and image ID below the cut!
[ID: A digital painting with an atmosphere similar to the second ending of the anime Banana Fish. The camera is from Ash's perspective, watching Eiji, who is facing the sun. However, unlike in the RED ending where Ash is in Eiji's shadow, Eiji is holding Ash's hand and leading him toward the light, through the rye field. END ID]
[ID: A timelapse of the previous painting being drawn digitally, with no audio. END ID]
At the bar
ash lynx / mike waters (river phoenix)
made me think of them.
behind the scenes of hirokazu kore-eda's monster (2023)