Me And My Homies Who Know Why Loki Feels So Guilty And Peter Has So Many Concerns About Falling Rocks

Strawberry Fish

I drew them again after so many years!

Ash and Eiji's first meeting felt like two universes colliding. You can feel the entire room shift even when there's nothing to shake it, and see the colors turn a bit brighter than usual. The moment they locked eyes it feels uncertain yet they were so sure of each other at the same time.

I guess Ash is somewhat guarded since Ibe's there. Knowing how he can't trust adults so much. Yet the next scenes that come after their first eye contact, Ash is interested, testy or maybe teasing even towards Eiji. To say the least they were both interested in each other. Curious.

“a burning hill” by mitski

Garden of Light is so weird like imagine you go to visit your uncles friend Eiji’s house because your dad won’t accept your gender Identity but you get kidnapped by this tall dude who is your uncles friend’s friend. And then your uncle’s friend’s best friend’s father figure’s son comes over and he’s all like “yo, remember ash? got any pictures?” and Eiji’s all like “what? Pfft no way” and you’re like “hey let’s go to the library” but that really triggered your uncles friend. So you talk to the tall guy and your like “who the fuck is ash” and then he’s all like “oh yeah that’s somebody Eiji loves but they dead now” so your like “oh ok she seems cute” and he’s like “no you dumb bitch Eiji is gay” and then everyone is crying, a computer is verbally harassed, and you’re like “damn I just wanted to go to the library” 

actually take this before i sleep because it makes me SICK in the best way

Eiji lost his found family as quickly as he found it.

Goodnight.

Can we talked about how gentle and worried Eiji was to Ash in episode 20

Through all the madness of falling in love ...

Speedpaint and image ID below the cut!

[ID: A digital painting with an atmosphere similar to the second ending of the anime Banana Fish. The camera is from Ash's perspective, watching Eiji, who is facing the sun. However, unlike in the RED ending where Ash is in Eiji's shadow, Eiji is holding Ash's hand and leading him toward the light, through the rye field. END ID]

[ID: A timelapse of the previous painting being drawn digitally, with no audio. END ID]