Since I Mentioned That There Are Times When Kim Could Have Gotten Character Development If The Creators

In a series of completely unrelated coincidences, the same family moves into a haunted house, attracts the attention of a local poltergeist, purchases an evil ventriloquist dummy, activates a witch’s curse, and adopts the newborn antichrist, all in the same week.

I can't change the names and sell my fanfic because it was written under the premise that people already have the requisite background knowledge to enjoy it.

They already know who everyone is and how they're all connected to each other, what the plot is, what all the locations are, etc.

If I changed the names and tried to sell it, I'd have to also write the backstory.

The summary of my first story is this:

I wish I could say that my breakup with Kim was sudden. Or that it was entirely my fault. Or that it was completely my decision, un-influenced by anything or anyone else. But none of that is true. But like all good stories, we start at the beginning…

Which gets people interested because they know who Kim and Ron are and that they dated, and want to know what caused them to breakup.

However, if I changed the names:

I wish I could say that my breakup with Katie was sudden. Or that it was entirely my fault. Or that it was completely my decision, un-influenced by anything or anyone else. But none of that is true. But like all good stories, we start at the beginning…

You get a terrible romance with a lot of drama that no one wants to read, due in no small part to them not knowing who these characters are and why they should care about their breakup.

Even if your fanfic is an AU like mine, it's still entwined with canon.

And simply changing the names wouldn't be enough to fix that.

And, of course, the insistence on monetizing every hobby someone has is toxic, too.

Hobbies are meant to be fun. Not work.

It really is crazy how if you mention you write fanfiction with people outside fandom, they're always like "you should change the names and try to sell it." It misses the point (fun), but more importantly to me, I get slightly (and I know irrationally) insulted on a craft level. Excuse me, my fanfic is entwined with the canon, thank you very much. I wish sometimes less entwined. You wouldn't believe the stupid bullshit some of my fics have to include because of canon.

Some additional thoughts:

I wish we were able to get tender moments between Kim and Ron in S4

In fact we already have a few of them, only for them to get cut short usually in comedic effect by another character or the show tries to undermine the moment by making a quick jab usually at the expense of Ron’s character.

I feel that paradoxically in S4 Ron had the most amount of character development and plenty of heartwarming moments, but the show still makes him the butt of the joke on those scenes, so despite having the most development his character is portrayed very dumb during some scenes.

Like in the scene in the episode Clothed minded where Ron tells Kim that her clothes is not what makes her Kim possible, she is the one who is amazing, Kim looking so happy and reassured about what he said and then the scene tries to make it “funny” by having Ron panic and go back on what he said, completely ruining and undermining the scene.

I’m not saying Ron isn’t allowed to be silly, is just that Ron being the comic relief and the butt of the joke no longer seems fitting for his character at that point, because he has developed well beyond that character archetype.

That doesn’t happen when Ron tells Kim “she is beautiful” and this is one of the most memorable KimRon scenes in the series.

I understand why this was done, they were afraid of putting too much romance, they didn’t want to scare the kids away, they had to make it funny and appealing to the little Kids somehow.

But I wish the show allowed for more personal, emotional and tender moments between the two. Sometimes I feel like S3 handled this aspect better than S4.

I’m sorry about all of the ask, I know you are not even a KimRon shipper, but you are one of the few people who has openly talked about the flaws of the show and about the way Kim was handled and this is one of the only ways I think I can safely address all of this issues and feeling I’ve had about the show for a long time.

Hope I didn’t overwhelmed you with all of the sudden influx of asks. Thanks for listening.

What do you think? Do you agree or disagree with any of my points?

Yeah, Ron outgrew the "goofy sidekick" archetype way before season 4. Maybe partway through season 2.

I have a post on how Ron deserved to be treated better by the narrative where I list the times Ron's done something truly amazing and it actually begins pretty early in the series. It's just so rarely acknowledged.

But, despite showing pretty early on what he's capable of, he was still the butt of many jokes, and the narrative never acknowledged that he grew out of that. It never really allowed him to grow out of it.

Simultaneously, the narrative never acknowledged that Kim might be flawed so she was never allowed to grow.

I understand how you feel; there are certain places on the internet where, if you try to criticize Kim Possible - the show or the character - you get a bunch of hate.

I don't know if it's because the nostalgia is too strong or what, but it can make someone afraid to criticize the show. But trust me, we're not the only ones who have issues with it.

I still have people disagreeing with me here, but at least I'm not getting hated on. People here are much more open to discussion about the flaws of the show.

(Or maybe I just got lucky this time. Who knows?)

I agree with all of your points, actually. I may not ship KimRon, but that's because their relationship was handled poorly, even before they started dating.

After they started dating, there should've been more tender and emotional moments between them. It sucks that we didn't see that very often. Or that, when it did happen, it was interrupted by something "funny" happening, usually at Ron's expense.

It felt like they weren't in a serious relationship because the relationship wasn't allowed to be serious.

I don't mind all the asks. I actually appreciate them. You're totally allowed to send me your thoughts about Kim Possible. I like having discussions with people about it. And I will do my best to reply to all of them.

As much as I've criticized the writing of Kim Possible at times, I do have to agree that they resolved this issue better than Miraculous did.

Of course, that's because they actually resolved the issue.

Miraculous did not.

And after five seasons, we should already have good team dynamics.

And we don't.

It's all massively disappointing and underwhelming.

The Best Friend Showdown

Season four had many, many flaws. One of the big ones was the Rena Rouge vs Chat Noir conflict where Ladybug starts relying on Alya more and more, basically using her to replace Master Fu. We get a sense that Chat Noir feels inferior to Rena Rouge because of this change, but it’s never directly addressed. The most we get is this conversation from Hack-San:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right. 

Which is actually a really weird bit of dialogue because - as far as I can tell - nothing in the episode revealed that Scarabella knew Ladybug's identity. She hands out miraculous all the time and no one knows who she really is. Why would this time be different? Ladybug could just show up in costume, explain what's up, and then hand off the earrings while using yet another miraculous.

Anyway, the Rena Rouge vs Chat Noir conflict is “resolved” by Rena Rouge being outed again (and I guess that matters this time), leading her to give up her miraculous so that Gabriel can’t steal it away, which of course leads Gabriel to steal it away and fully disempower Ladybug’s larger team, leaving Chat Noir her only teammate.

How satisfying! This is such good, character-driven story telling!

It’s not. This is plot contrivances to the max with no meaningful character beats, but we’re not here to talk about that. We’re here to do one of my favorite things: gush about a relevant Kim Possible episode! Today’s topic is episode 12 of season one: Pain King vs. Cleopatra, the episode that introduces Kim’s female BFF, Monique!

This was a bit of a shocker for me because I didn’t realize that Kim and Monique weren’t pre-series friends. Turns out that, much like Alya, Monique is a new girl, which isn’t a bad call. This was a nice way to delay Monique’s introduction for a few episodes so that the writers could focus on establishing Kim’s relationship with other key members of the cast like her partner, Ron. Spacing out your intros is the way to go whenever you can pull it off as it’s a kindness to your audience that keeps them from feeling overwhelmed, making it more likely that they’ll remember your cast.

The other, more important similarity between Alya and Monique is that, when Kim’s hero partner and life-long friend finds out about Monique, he is less than thrilled:

Kim: I barely got to see them. Right after I hooked up with Monique, the museum was robbed by some glowing-headed animal guy. Ron: Oh, that's nice. Ron: Wait a minute, who's Monique? Kim New friend, really great. Anyway, the thief stole an enchanted ancient talisman. Ron: Whoa, whoa, back up! How can I not know about a new friend? Kim: I met her at Club Banana, then again at the museum before I chased the glowing robber. Ron: So what's she like? Kim: The robber? Ron: The friend, Kim, the "new friend".

Throughout the episode, Kim and Monique continue to bond without Ron, leaving Ron feeling left out:

Ron: Seein' a pattern here, Rufus: Kim does her thing, I do my thing, and pretty soon - we're doing different things.

Which leads him to get a little territorial:

Kim Ron! What are you doing here? Ron: Can I dine with my best friend and her new friend? Kim: Uuh, Ron, Monique, and vice versa. Ron: Bearclaw? Monique: No, thanks, I'm vegetarian. Ron: Uhm, I'm pretty sure it's imitation bear? Kim: She's joking, Ron. Ron: Good one, hahaha, ha, good one. So, did Kim tell you that I'm her sidekick? Cause that role is definitely taken by me. Monique: Riiiight. Well, in... you know I better get to class. Later, Kim. Um, n-nice meeting you, Ron. Ron: Likewise, I'm sure! Kim: What is your problem? You're acting really weird. Ron: Well, let's see. You went to the museum with Monique, not me. Monique was with you this morning, not me. Hmm, pattern? Kim: Yeah. You. Weird. Ron: No, we're drifting apart because you're excluding me. Kim: I am not excluding you. It's just that you and Monique are... different.

Noticing some similarities to Miraculous here?

So how does Kim Possible resolve this conflict?

Well, the plot of this episode resolves around Kim Possible’s version of professional wrestling, the GWA. There’s a competition going on that Kim has no interest in watching (mood), but when Kim mentions the GWA to Monique:

Monique: Why didn't you bring [Ron] along? Kim: Unless someone put a waiter in a headlock, this is definitely not Ron's scene. Besides, he had a date with "Steel Toe". Monique: He scored tickets to Mayhem in Middleton? The GWA rocks! Kim: What?

It turns out that Monique and Ron have a shared interest! Multiple shared interests, in fact! Interests that Kim does not share:

Monique: You know, I still can't believe you met Pain King and Steel Toe. Ron: I can't believe you're into wrestling. Kim: I can't believe I know either one of you.

By the end of the episode, the conflict is resolved not with Kim having to pick a BFF or with Monique somehow being demoted, but by showing that this didn’t need to be a conflict at all. Kim can have multiple close friends that she shares different interests with without any of those friends being lesser. Those friends can, in turn, have their own friendships that don’t always involve her.

It’s a genuinely lovely resolution that makes me love this little friend group because it now has added complexity. Monique and Ron are friends in their own right! Kim is not the center of the universe in spite of her main character status!

I also love that Kim isn’t vilified for having other friends or portrayed as constantly leaving Ron out of things that he'd want to do in favor of Monique. Ron genuinely would not enjoy most of the things that the girls love to do together. At the same time, Ron’s feeling aren’t treated as totally irrational either and Kim even admits to ditching him. It’s a genuine, complex conflict that is super common when someone enters a new relationship be it platonic or romantic.

Obviously Kim Possible’s version of this conflict feels far less complex than Miraculous’ because Kim Possible understood that Ron should be Kim’s one-and-only partner, so his position was really never threatened. Monique does not want to be an action hero and is never given the sort narrative weight that elevates her to Ron’s level or higher, but that doesn't matter. The basic lesson here is still relevant and super important for the intended audience of both of these shows.

There did not need to be a Rena Rouge vs Chat Noir conflict that never got properly resolved. Miraculous could have made these two friends and no, Scarabella doesn't count because Chat Noir has no idea that Scarabella is Rena Rouge/Furtive. Their relationship ended at the end of Hack-San. He didn't even know that Rena Furtive was a thing until she was in the process of being benched and that's the problem.

Kim Possible is not a team show, Miraculous is, and yet Kim Possible has better team dynamics than Miraculous. Monique could have joined Kim's team at the end of Pain King vs. Cleopatra and it would have felt natural because both Kim and Ron had welcomed Monique and formed a genuine bond with her. This is a true friend group that Miraculous can only dream of even though they've been adding new superheroes since season two.

We're going into a season with a full, massive team and yet that team has no established dynamics on the hero side. It's not a functional team! None of these characters have meaningful relationships with each other as heroes save for Alya and Nino since they know each other’s secret identities. The only relationships Miraculous cares about are the various romances and everyone's relationship to Marinette and everyone suffers for it.

The show would not have been harmed by Rena Rouge, Chat Noir, and Ladybug being a team. It was the thing I kept think after watching the Kim Possible episode. Since the team is the end game, why aren't we seeing them? It would have been so nice to have Hack-San end with Ladybug introducing Chat Noir to Rena Furtive instead of a nonsense discussion about an issue the episode didn't even address.

So, it's not as though a fashion show isn't cool or anything, it's just that...

I feel like assigning each group to do a fashion show for their end of semester project is...limiting.

For example:

Ruby is a Mixed Media and Graphic Design focus. I literally cannot tell what her contribution to their final runway was.

(Someone tell me if they know what it is.)

Sunny's animations were good, but they weren't all that she could do. She could do more if she wasn't limited to doing a fashion show. A short film or animated music video would be cool.

And that's not even getting into some of the other people who's shows we didn't see.

What would Daria Roselyn, a Music Focus, and Georgia Bloom, a Performing Arts focus, do for a fashion show? Model?

What about Emi Vanda? Did she paint a set? Make props?

We don't even know who was in Colin's group, or what he did for his runway.

The point is, making everyone do a runway for their end of semester project can be limiting.

It also requires every group to have at least one Fashion focus, which seems a bit...unlikely.

A better system would be...well, it's complicated, but I'll do my best to explain it.

Everyone gets assigned a group. (I don't like this, but I'll leave it for now.)

The group has to agree on a project and submit their idea to a group supervisor for approval. (Our main girls would probably still do a fashion show.)

Their project proposal must say what each group member is going to contribute.

If it's approved, they get to start on it. If it's not approved, they have to make the changes their supervisor asks of them.

There's a deadline to get their proposals approved. If they're not approved by then, they'll be assigned a project. (I'm sure Miss Wright would have a few ideas.)

Regular check-ins would proceed as normal, with everyone showing the progress they made on their part of the project.

By the end of the semester, they have to have their project finished.

This could lead to some interesting ideas for projects, such as:

A museum exhibition

A clothing display

A mini concert

A short play

More ideas

This could be interesting. It could be fun to hear about groups doing something other than a fashion show.

And, like I said, giving the students a chance to pick their projects for themselves would give them better opportunities to show what they can do.

The most frustrating thing about Kim is how she's immune to criticism. Her apologies are almost always met with the other person apologizing, even when they shouldn't have to.

"But Kim apologizes and learns her lesson! She grows and matures past those things! It's not fair to hold it against her forever!"

Does she? Let's review:

"Bueno Nacho" - Apologizes for getting mad at Ron for outshining her at the job. Not for forging an application for him or guilting him into taking the job in the first place.

Bonus: This is the first of Kim's apologies, and she consistently apologizes for the most minor transgression of the episode, ignoring all the other ones.

"Attack of the Killer Bebes" - Says she'll support Ron because he's her best friend, but doesn't actually apologize.

"The New Ron" - Apologizes for saying Ron needs a new haircut. Not for forcing him into one. Not for not caring how much he hated it. Not for stealing his hat. Not for humiliating him. Tries to throw in a lesson at the end that it's what's on the inside that counts, ignoring that fact that she was the one who forced him to change in the first place.

Bonus: Once again, Kim only apologizes for the most minor transgression.

Bonus+: There's a scene where Kim gets mad at Ron for "abandoning" Rufus, but, having watched the episode recently, I can say that's not what happened; Ron, despite not having pockets, still carried Rufus around with him, Rufus wandered off on his own. Ron probably wasn't too worried because Rufus does that frequently. And he does gently chastise Rufus for wandering off anyways. Thus, Kim's anger at Ron was not justified, and likely just because she was looking for an excuse.

"Coach Possible" - Never actually apologizes for driving her brothers' soccer team so hard they cry. Doesn't apologize, but does get fired from a job she didn't want in the first place, and mopes about it.

"October 31st" - Doesn't apologize for the lying or putting other people in danger. Doesn't acknowledge that she was putting other people in danger.

Bonus: How would Monique's family react to finding out one of Monique's party guests destroyed their garage door? Probably not happy, and banning Kim from their property until she can pay off the replacement wouldn't seem unreasonable.

Bonus+: I doubt the people asking Kim to retrieve the Centurion Project would've been happy to find out how it got stuck to her in the first place. I imagine Kim would be getting much fewer retrieval jobs after that.

"The Twin Factor" - Doesn't apologize for using mind control on her brothers. Tries to justify it and, though her parents clearly disapprove, isn't punished for it.

"The Ron Factor" - This would have been a great episode about Kim learning she takes Ron for granted and apologizing, but instead, despite doing practically nothing in this episode, she still has credit handed to her.

Bonus: The Global Justice scientists said the results of their study into "The Ron Factor" were complete and that Ron was a non-factor, but there's a movie about how Ron is vital to Kim's success, so clearly this is false. Perhaps they meant they couldn't replicate it?

"Adventures in Rufus-Sitting" - Lies to Ron about how it went watching Rufus. Doesn't apologize for not taking it seriously. Doesn't apologize for accidentally endangering Rufus. Just lies to him about how it went.

Bonus: My sister has mentioned to me that how someone treats a pet says a lot about how they view the pet's owner. So Kim's treatment of Rufus says a lot about her opinion of Ron.

"Return to Wannaweep" - Doesn't apologize for not taking Ron's concerns seriously or sabotaging Bonnie. Even Dr. Lurkin apologizes for not taking Ron's concerns seriously. And then Ron tries to give a lesson about how if Bonnie and Kim weren't so busy competing with each other, one of them could have won the Spirit Stick, as though Kim and Bonnie are equally to blame for it.

Bonus: Someone who hasn't known Ron as long as Kim has, has enough respect for Ron to apologize to him, when Kim consistently fails to do so.

"Bonding" - Apologizes to Bonnie for an unintentional comment about Bonnie's weight, quicker than she's ever apologized to Ron, and more sincerely as well.

Bonus: Despite not actually intending to insult Bonnie, Kim still has enough respect for her to apologize. More than she usually does for Ron, her "best friend".

"Fashion Victim" - Apologizes to Monique for being jealous, but not the things she did that could have cost Monique her future in the fashion industry.

Bonus: If Monique was hassling Kim to break an NDA and trying to get a tech guy to find a loophole so she could, would we think Monique should be forgiven so easily?

And consistently doesn't apologize to Ron for dismissing his fears, concerns, and feelings.

So, Kim apologizing to Ron is very rare, almost non-existent.

It's been mentioned to me that some relationships don't require explicit apologies or that love means never having to say you're sorry.

I say that's stupid.

If you care about someone, and you hurt them, you should want to apologize and make things right. Even if it seems like you don't need to say it, you should still show you're remorseful in some way.

And Kim doesn't.

Did... Did Nathalie stealth use That Guy's emotions to make Animaestro or does she just have such perfect control over the Peacock that he didn't need to be anything more than inspiration?

Honestly, does anyone really get how the Peacock works on it's own? I just assume that if Emilie can make An Adrien based off her own or Gabriel's emotions, it's not unthinkable that Nathalie wouldn't even need the director to be involved in creating a Sentimonster from his emotions or just in his likeness.

Unfortunately, all the examples we physically get to see In Canon has Mayura channeling through an akuma or through Hawkmoth himself, making them packaged deals.

Megamind 2 Concept

So, it's a few years after the end of the first movie. Megamind is starting to feel the same burnout Metroman felt.

Roxanne and Minion are trying to be supportive, but they don't really know how to help.

He's also moving into a more "heroic" lair, and is trying out more heroic suits. (White and blue instead of black and blue.)

Anyways, the container that held the powers given to Titan is being transported, admittedly not very carefully, when it breaks, releasing the powers into the city and granting other people powers.

Now, the powers had been harvested from Metroman's DNA. The thing about DNA is that it degrades over time. So, a few years prior it would have given people exact copies of Metroman's powers, it doesn't do that this time.

There are gaps in the DNA that's granting powers, and the recipient's DNA fills in the gaps, altering the powers they're granted.

This also means it'll be harder to remove them.

There will be a scene where Megamind and Minion need help, and Metroman shows up to save them.

Obviously, people are at first elated that Metroman is alive, but then react angrily at realizing he just left them.

Roxanne will give a great speech about how the public never cared about Megamind or Metroman, and they should be ashamed of themselves for it.

There will also be a few characters who want to be heroes, but are granted powers that are seemingly useless. Eventually, they realize their powers are more than that, they are more than that, and figure out all that their powers are capable of.

Metroman tells Megamind that he doesn't need a "heroic" lair or costume, that he's a better hero as himself than when he's trying to be like Metroman.

They defeat a big bad who'd been rallying up superpowered criminals for a big fight.

The final scene shows that the new lair has design elements from Megamind and Metroman. It would also show that they have more people with powers to track down and potentially fight.

The new team is called Megamind and the Metro Men.

And it could lead into a TV series if necessary.

Yeah, I think the creators don't really understand who's deserving of sympathy.

I mean, Gabriel is so obsessed with his goal that he's willing to put Adrien in danger. That's not a father deserving of sympathy.

He's so controlling that he's going to pick his son's girlfriend for him. He doesn't deserve sympathy for that.

And they forget that Emilie having been missing for only a year means she couldn't have possibly been the saint mom she was supposed to be.

Adrien never had a party before? Gabriel's a dick, sure, but Emilie was also around most of the time, and she wasn't throwing him a party either.

Adrien's never been to public school or had friends? That sucks! Why didn't Emilie let him do that?

The writers tell us Emilie was a saint, but based on what's actually in the show, she was far from it.

I wonder what change would've you make Gabriel if he was an actual effective sympathetic villain the show seem to think instead of the pathetic display of canon. On the other note, what would've you make to actually have Emilie be this saint like character the show keep saying she is

To start, there'd have to be lines that Gabriel just *wouldn't* cross. No akumas that target his son, for starters, no "Chat Blanc" scenario where he finds out Chat's identity and then beats the shit out of him, and no making ridiculous decisions for Adrien like deciding his girlfriend.

Season 5 Gabriel cannot exist, it was actually inSANE of the writer's to put the worst version of him on display...and then play him off as the hero. Like, wut? WHAT?!

I fully admit that in the earlier seasons, I didn't consider Gabriel an abuser. I considered him a dick, but abuser felt too...top shelf of a word to use, though I also contend that his behavior felt like the starting signs. Mostly I just considered him pathetic and like Kids Tv Exaggerated Version of a Strict Parent.

But Season 5??? Uh, yeah, no discussion, this guy is an abusive dickbag and can burn in hell.

Just make it so the reason Hawkmoth fails as often as he does is because sometimes he holds back. Sometimes he gets close to the line and remembers his wife and just can't make himself do something SO heinous that his wife would be disappointed.

As for ACTUALLY selling the Emilie is a Saint Mom, it's super easy. Just have flashbacks. Where she's interacting with her husband and child and sorta not girlfriend? Like, they revealed these video recordings of Emilie in SEASON 5! It took FIVE SEASONS for us to hear Emilie's voice from Emilie herself! (Amelie doesn't count)

And, uh, maybe as a writer think about what you're implying with the things you include in your story. Like, maybe EITHER have Adrien not ever have a birthday party OR have his mom missing for only a year, so it doesn't seem like Emilie *also* didn't care about his birthday. Just, you know. Little things like that that don't accidentally inform us of her character.

It's so frustrating because we have characters like Marc and Nathaniel and Rose with powers that fit their personalities and interests and they don't get to use them very much.

Instead, we get a season where the villains get to use the powers, and they get to be much more creative with them.

It's frustrating. The villains were using the powers better than their chosen holders.

Nathaniel used Genesis to make a wand, but Nathalie used it to make a box of supplies.

Marc used Sublimation to give himself the power to always score a goal, but Tomoe used it to give herself an enhanced sense of smell, and Gabriel used it to give himself invisibility and flight.

Rose used it to make Juleka and Gigantitan calm down, but Mr. Damocles used it to distract multiple people and Miss Bustier used it to start a revolution.

The villains were using the powers more creatively than the heroes were.

(Note, it's not just a problem with these three, but they were the ones that best explained the problem.)

This makes it seem like the chosen holders aren't cut out to be heroes, despite what Ladybug says.

If Marinette and the villains are using the powers better than them, what's the point of them?

They could have been more, but the creators didn't want to work for that.

They want us to believe that these people are perfect for their Miraculouses because they said so, even when the show itself contradicts it.

And, honestly, that's terrible writing and unfair to the characters.

Ladybug Vs Avatar's use of the supporting cast and the problem thereof.

I'm not sure if this has been covered before, but there's a serious problem with Marinette being the be-all end-all of everything in Miaculous.

And it's not just because "she's stressed" or "it's all on her". Her being the most important, talented and plot-relevant character in every situation is.

Let's make a comparison to the Gold Standard:

In Avatar the Last Airbender, Aang is the axis of the story. He holds incredible powers beyond anyone else, can bend every element and could conceivably end the entire conflict that plagues his world with relative ease- which he eventually does.

However, for 99% of the story he cannot do so. Because Aang is untrained, he cannot access that divine win-button of the Avatar State at will, and using it carried enormous risks to himself and those around him- making it functionally unusable for common conflicts. Furthermore while he does technically have the capacity to use all four elements, he had only mastered one and needed to learn the remaining three.

Indeed, Aang has outright difficulty with learning Earthbending despite his innate talents and while he's a quick study for the other two, he doesn't demonstrate the same effectiveness with water and fire as Katara and Zuko.

This means that Aang cannot do certain things as well as the others in his team. This means that for the majority of the story, even though his first and preferred element provides him with useful abilities" Aang has weaknesses that he needs others to cover and provide for.

Enter Katara, Sokka, Toph and Zuko.

Katara is a waterbender who teaches Aang and later advances her powers to include the all-important power of healing and the disturbingly effective (though situational) Bloodbending.

Toph is an earthbender who is also one of Aang's teachers, and whose tremor sense later allows her to both detect liars and invent Metalbending.

Sokka is seemingly just the comic relief normie. However his technical mindset allows him to serve as the general of the group, and even plan and lead in that role for entire armies later in the show.

Even Zuko who joins later and becomes less a teacher but a fellow student alongside Aaang in firebending is a skilled infiltrator and melee weapon expert. (This is less of a case than the others since it's not used as much, but it's more of a concrete example than his insights into the fire nation and his potential utility as a replacement Fire Lord).

They each provide far more than those short summaries, but it's important to note that in each case, even when Aang does learn the elements and starts growing into his role as the Avatar: he never gains the full range of abilities that his team offers. He never assumes the fully strategic mindset of Sokka, and even though it's downright implausible that no Avatar before him never learnt healing, he never demonstrates that ability or any Metalbending prowess even in the Avatar state.

There's also the enemy trio of Azula, Ty Lee and Mai. Azula is a powerful firebending genius, but Mai's prowess with her throwing weapons are a close match- and Ty Lee's chi-blocking can outright cripple enemy benders for any given fight when combined with her insane agility: something that not even Azula can do with her firebending. They are an incredibly dangerous combination and when Azula loses them, she becomes far less effective for their absence.

In both teams despite the leader being a powerful, talented bender who is objectively the strongst person on their respective side: there's no doubt about each member of the team contributing something that said leader cannot.

-

Now let's look at Miraculous:

Marinette is the "Greatest Ladybug" of all time despite being fourteen, only having had the earrings for less than a year, and having a list of predecessors that go back literally thousands of years and include Joan of Arc.

She is also the Guardian of the Miracle Box. Specifically she is the Guardian of The Mother Box that is the most important of all the boxes, despite there being at least a full Temple's worth of actually trained candidates somewhere in Tibet who should be far and above more capable than her or her mentor Fu. However, her supposed superior Su-Han seems entirely convinced that she's already surpassed any teachings his order has by how often she breaks said teachings in his face only for him to roll over like a dog. There's not been a single time when Marinette has been confronted by some shortcoming in her responsibilities as a Guardian where she has had to learn anything from the multi-millennia old Order of Gurdians.

Marinette has also worn almost every single Miraculous in her Box at the same time, a feat that supposedly risked serious harm to her but merely made her woozy for an afternoon (if that). As of the season five Finale, she has also unified her earrings with her partner's ring: a scenario that in earlier seasons seemed to imply great risk: yet she was able to use the powers flawlessly.

As Ladybug, she is also the lone hero who has unlocked any new advanced powers with her Miraculous (unless you also include the arbitrary "adulthood" that she and Chat Noir achieved that allows them multiple uses of their Miraculous before detransforming), and on the occasions when she's used anyone else's powers has shown no sign of being any less capable than they are with them.

Ladybug does everything as well if not better than everyone else.

Marinette can not only unify with any Miraculous she needs for a given mission, she can use the powers as effectively as their "dedicated holder" can and without any restrictions. Unlike the majority of the cast who are still under the child-power limit. She can even unify with multiple miraculous at the same time without any drawbacks.

And without those drawbacks, without anyone on the cast being able to use the power of their Miraculous more effectively than Marinette: everyone else on the team is more or less superfluous.

Sure, Marinette has tossed out the Miraculous to her team like candy now. But when you get down to it: the real lesson that she should have learnt from Strikeback to just put some damn security on her Yo-yo/The Box. Because this just means that she has to wait for the hero in question to show up when she could have just pulled off whatever plan she has in mind herself.

And that superfluous label includes Chat Noir.

As frustrating as it is to come to the this conclusion: as of right now, there's no real reason for Adrien Agreste to be anything but a temporary holder. Certainly you can point to his experience with Plagg's power, and a few examples that seem to imply he can do more with it (in his second outing he was able to reconstruct part of the Eiffel Tower into a makeshift extension to catch someone from). Things that imply that if he perhaps received any actual training in the show like Marinette did from Fu, any guidance whatsoever from the Order or their Grimoire he might be able to achieve more.

But there's no solid evidence to expect that Marinette wouldn't be as effective, and the narrative precedent does not lend itself to the idea that anyone could overshadow Ladybug as a holder even of their own Miraculous. If anything, the sheer ability Marinette showed as Bug Noire implies that her having a partner instead of just keeping the ring herself is a detriment to any given situation.

If you can justify exposing the ring to potential capture in the first place considering that there seems to be no requirement to do. By all rights the practical thing to do is just keeping Plagg in the box instead of risking reality.

Of course we wanted to be generous, Adrien could still be of some use. He's the resident meatshield and narrative jobber. So long as he has a Miraculous he could continue faithfully serving in those roles, eating up mind-control beams and taking hits for Bug Noire so she can save the day as usual.

But everyone else on the Miraculous team might as well turn in their furry super-suits and go home.

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You couldn't get a more black white depiction of the value of others outside of the protagonist. in Avatar, Aang is literally a semi-divine being who still needs to be humble and learn while the others around him still have useful special talents and prowess that he can't simply attain at will.

While in Miraculous, there's only one person of actual true competence. From Paris to Shanghai, Marinette alone is the capable one- barring the odd episode in the limelight (Alya and Felix stand up and take a bow. Adrien can stay seated).

There is a word for a character that is impossibly more capable than any other in spite of all reason and logic. And Marinette is increasingly fitting that mold as the show goes on. There's also a term for characters that ultimately contribute nothing good or bad to a story; wasted space. You can't have an entire ensemble of characters as part of the cast and have them provide nothing if they're supposed to have even a smidge of narrative value without making them something the story would be better off without.

Just as you can't just have one person at the centre of everything, make them capable of everything and not eventually have the story they're in turn into (at best) a power fantasy.

And it's a shame. Because Miraculous seemed like it could have been a lot more.