The Only Moment Of The Whole Show Where Kim Looks Distressful (almost About To Cry) In The Whole Show

Megamind 2 Concept

So, it's a few years after the end of the first movie. Megamind is starting to feel the same burnout Metroman felt.

Roxanne and Minion are trying to be supportive, but they don't really know how to help.

He's also moving into a more "heroic" lair, and is trying out more heroic suits. (White and blue instead of black and blue.)

Anyways, the container that held the powers given to Titan is being transported, admittedly not very carefully, when it breaks, releasing the powers into the city and granting other people powers.

Now, the powers had been harvested from Metroman's DNA. The thing about DNA is that it degrades over time. So, a few years prior it would have given people exact copies of Metroman's powers, it doesn't do that this time.

There are gaps in the DNA that's granting powers, and the recipient's DNA fills in the gaps, altering the powers they're granted.

This also means it'll be harder to remove them.

There will be a scene where Megamind and Minion need help, and Metroman shows up to save them.

Obviously, people are at first elated that Metroman is alive, but then react angrily at realizing he just left them.

Roxanne will give a great speech about how the public never cared about Megamind or Metroman, and they should be ashamed of themselves for it.

There will also be a few characters who want to be heroes, but are granted powers that are seemingly useless. Eventually, they realize their powers are more than that, they are more than that, and figure out all that their powers are capable of.

Metroman tells Megamind that he doesn't need a "heroic" lair or costume, that he's a better hero as himself than when he's trying to be like Metroman.

They defeat a big bad who'd been rallying up superpowered criminals for a big fight.

The final scene shows that the new lair has design elements from Megamind and Metroman. It would also show that they have more people with powers to track down and potentially fight.

The new team is called Megamind and the Metro Men.

And it could lead into a TV series if necessary.

Wow, thanks! I genuinely appreciate the reply.

As for Kim's flaws being potential, I actually do agree with you. Those flaws could have led to interesting character development. The problem is that they didn't.

Kim never really stops being controlling. She never stops being jealous. And she only really starts treating Ron as a partner better after they start dating.

I would have loved it if those flaws had led to Kim growing and developing as a character, but they didn't. From the beginning, Kim was supposed to be perfect, so they rarely acknowledged her flaws, and didn't have her grow and learn from them.

This was, in part, caused by the show having an episodic nature; each episode stood alone and you didn't need to watch previous ones to understand the plot. It was detrimental to character development.

And, while I doubt the creators were misogynists, I'm not surprised that two grown men had trouble writing teenaged girls, as that problem still persists to this day.

I agree, Kim's flaws were potential. Unfortunately, they didn't actually lead to anything, and I feel like it's perfectly valid to complain about that.

But you managed to articulate my main point about Ron better than I could have, and I do enjoy you taking the time to interact with my posts! It means a lot to me, even if we don't agree.

You have a lot of gripes about Kim as a character? What about Ron though? Do you think they handled his character better then the rest?

Oh, good question! Yes, and no.

No because Ron is portrayed as a loser and a freak, the butt of many jokes within the series.

And so many people, females included, find themselves relating to Ron more than Kim, so it's a little bit insulting that the character most like them was the "loser" of the show.

And yes, because Ron actually got more character development than Kim.

And, while Ron has been known to be selfish at times, it doesn't usually cause harm to others.

There was "Ill Suited" where he stole Kim's battle suit to join the football team, but he had no way of knowing he could be putting others in danger as he had no idea Dementor was after the suit or had a way to control it.

And Kim called him out for it.

Whenever Ron is behaving badly, neither Kim nor the narrative will hesitate to call him out on it.

Most often, Ron puts Kim's interests before his own. And he certainly treats Kim better than she treats him.

So, Ron is treated as a joke, and often puts Kim's needs ahead of his own. When he behaves badly, he is called out on it. And for this reason, I think he was handled both better and worse than Kim

I can't change the names and sell my fanfic because it was written under the premise that people already have the requisite background knowledge to enjoy it.

They already know who everyone is and how they're all connected to each other, what the plot is, what all the locations are, etc.

If I changed the names and tried to sell it, I'd have to also write the backstory.

The summary of my first story is this:

I wish I could say that my breakup with Kim was sudden. Or that it was entirely my fault. Or that it was completely my decision, un-influenced by anything or anyone else. But none of that is true. But like all good stories, we start at the beginning…

Which gets people interested because they know who Kim and Ron are and that they dated, and want to know what caused them to breakup.

However, if I changed the names:

I wish I could say that my breakup with Katie was sudden. Or that it was entirely my fault. Or that it was completely my decision, un-influenced by anything or anyone else. But none of that is true. But like all good stories, we start at the beginning…

You get a terrible romance with a lot of drama that no one wants to read, due in no small part to them not knowing who these characters are and why they should care about their breakup.

Even if your fanfic is an AU like mine, it's still entwined with canon.

And simply changing the names wouldn't be enough to fix that.

And, of course, the insistence on monetizing every hobby someone has is toxic, too.

Hobbies are meant to be fun. Not work.

It really is crazy how if you mention you write fanfiction with people outside fandom, they're always like "you should change the names and try to sell it." It misses the point (fun), but more importantly to me, I get slightly (and I know irrationally) insulted on a craft level. Excuse me, my fanfic is entwined with the canon, thank you very much. I wish sometimes less entwined. You wouldn't believe the stupid bullshit some of my fics have to include because of canon.

Also, even Ghoulia's texts were in "zombie", which isn't actually a great representation of non-verbal people.

The non-verbal people I knew, keeping in mind they were nowhere near as intelligent as Ghoulia, were still able to type and write.

G1 Ghoulia didn't have that. It sucks that there's no non-verbal representation, but g1 Ghoulia wasn't a great representation.

And the creators acknowledge that. So they changed it. Because they want to do a non-verbal character authentically.

One of the show runners even stated that this was the reason.

And, I still believe Ghoulia does represent some kind of disability.

In "Growing Ghoulia" she talks about how difficult it is for zombies to earn points at monster high because they're not as fast as other monsters.

That sounds familiar...

In "Flaunt Your Skeleton" we learn that Ghoulia has anxiety tics and, in "Dawn of the Dread" her anxiety manifests as a monster.

So, Ghoulia might not be non-verbal anymore, but she's still a good representation of disability.

People can be upset that she's no longer non-verbal, but she's still a great character.

And here's hoping that, when they include a non-verbal character, we love them as much as we love g1 Ghoulia.

Alright, time to share some thoughts. This is going to be about Monster High g3, specifically Ghoulia.

Now, I understand why people are upset that she can talk in this generation as there's now no representation for nonverbal characters, but I do love that they veered away stereotypical zombies that are super slow and can only communicate with grunts & other noises that aren't recognizable as words. But, more importantly, she wasn't intended to be representative of nonverbal people.

Now, I'm not saying that nonverbal shouldn't relate to her, that's not something anyone has control over. What I'm saying is this: the writers for the new generation likely decided to give her the ability to speak so that they could explore her character more, and so that when they eventually do add a nonverbal character, they can be sure to do it right & consult with nonverbal people about their lived experiences.

For example: when the live-action movie came out, I related to Frankie's struggles with social situations, but the creators said they're not autistic. (And my twin explained that Frankie's only 2 weeks old & it's hard to diagnose autism before 3 years). I was a little heartbroken, as they were the only character I sort of related to. Note: were.

And then g3 Twyla made her debut, and then had an episode about growing up, and it was like someone put my lived experience on the screen. I felt so seen & understood, as did many autistic fans of the show.

So, while I understand that the current lack of nonverbal representation is frustrating, I'm sure(ly hoping) that they will make a nonverbal character, and that they're just making sure they can make them accurate and not written as a harmful stereotype.

One thing about Rainbow High that drives me crazy is that River Kendall is supposed to be the teal colored character, my favorite color, but he doesn't actually wear teal.

So, to make myself a little less mad about it, I made an edit where he's actually wearing teal. I left his letterman jacket as is.

And, just for fun, River in teal with his hair the same color as his eyebrows.

Obviously, I know they're not perfect, but I still think they're pretty good.

I know that the narrative itself always validated Ron’s importance, but I always felt bad about how little credit he got from the other characters, specially from the villains it felt unfair sometimes.

I know is mostly because he is the comic relief character and that’s his role, but many of the jabs done against him, felt incredible unfair like closing his restaurant, other characters never recognized how important his contribution to Team possible were.

Perhaps this is where the sentiment of Ron being underserving of Kim comes from? people see him being treated as unimportant or as a fool by other characters and assume that’s what he is, but there are plenty of episodes demonstrating this isn’t the case.

Yeah, there are a lot of episodes that show Ron is more than a fool. I have a whole post about it.

And, yeah, watching the other characters treat him like a loser probably influences the viewers' opinions of him.

Luckily, a lot of people know better.

I cannot imagine how Ron is undeserving of Kim.

He's supportive, kind, and forgiving.

(Maybe a little too forgiving, in my opinion.)

He's also got impressive skills when he chooses to use them.

And might be a genius, if his evil self in "Bad Boy" was anything to go off.

(The general consensus is: yes, it is.)

So, anyone who says Ron doesn't deserve Kim hasn't watched the show.

First thought:

This one of the hardest parts of writing an AU.

For Chloe to face consequences, Andre would have to be less willing to break rules and laws for her.

But that leads to the problem of how did her reign of terror even last so long in the first place?

If the teachers don't need to worry about losing their jobs for disciplining Chloe, then how could she have gotten away with so much?

I have ideas, but putting it all together in a way that works is difficult.

Second thought:

This is a super annoying thing about canon: Andre and Gabriel are redeemable, but Chloe and Lila aren't.

Two grown adults are redeemable, but teenage girls aren't.

Neither Andre or Gabriel is shown doing anything worthy of redemption, but, sure, they get a pass.

Chloe is a literal child who is shown, on occasion, to feel bad for hurting others, but she's somehow irredeemable.

Lila's debut episode just had her lying about knowing celebrities which, though bad, doesn't make her the villain they turned her into.

(I have changes for her in my AU too.)

The men writing this show think grown adult men who hurt children are redeemable, but not literal children.

Gee, I wonder why that is? /s

What are your thoughts on what happened to Chloe at the end of Season 5? Do you plan on watching Season 6?

Like as IF that's the last we'll see of her.

I was gonna wait to give my review of Season 5 - I wanted a release date for Season 6 and then drop them like a count down leading up to the new season - which is why I haven't delved in much and talked about my opinions.

But Chloe's ending was bullshit, and we all know it. Not because she leaves Paris, not because she loses the few friends and connections she has, and not even because she's a massive brat who finally gets some form of comeuppance.

But because of the form that comeuppance comes in.

Why on God's Green Earth is ANDRE the one? ANDRE is the one to drag her ass out of Paris and condemn her publicly and gets to act like the big hero, doing the right thing and putting Chloe in her place? ANDRE. The one who GAVE her her place and covered it in gold leaf and never once until this whack-job of a season considered that a bad thing?!

Appropriate, appropriate face Caline.

The absolute absurdity of them to write THIS MAN in any sort of correct light, the one who from Day 1, Season 1 has been a solid and complete background for why Chloe is...Chloe. Who spoiled and abused his power to make sure she never felt an ounce of consequences or remorse or backlash. How dare they try and pull this move on us when they could remove Audrey from the story entirely and no one would second guess Chloe's entire personality or upbringing?

These writers have somehow convinced themselves that Andre is not only without any guilt in the outcome of this situation, but that he's redeemable! Redeemable through the act of shipping off his daughter, whom he's been nothing but devoted to, and sending her off to a boarding school with her (AS HE ADMITS) just as awful mother as her chaperone, while he abducts casually replaces her with his new better daughter, Zoé.

I'm sure that won't have an adverse effect on your child who is used to absolute and unconditional love for her whole life, you are definitely a good person who's finally figured out how to do the right thing.

/s

These writers have somehow convinced themselves that Chloe is absolutely hopeless and evil and has reached the point of no return, but ANDRE. Andre's fine.

And Gabriel too, apparently. Hm, seems to be a theme with these worthless male parents and getting off scott free....

I have received a lot of backlash for criticizing Kim Possible as it was one of the most popular "girl power" shows of the time.

Not just here but in other internet spaces as well.

And, truly, I admit that, at the time, I admired Kim.

Emphasis: at the time.

But, as people tend to do, I grew up. I got older, learned more about the world, learned more about people, girls especially, and, when I started rewatching Kim Possible, came to a horrifying revelation:

Kim Possible is not a "girl power" show, it's just a show about a powerful girl.

What does a girl power show look like?

Well, it's best to explain with examples.

I'll keep them limited to crime-fighting shows that were on the air at around the same time Kim Possible was.

Shows being used as examples include:

Teen Titans

X-Men: Evolution

Winx Club

So, what is it that makes these shows girl power shows, but not Kim Possible?

Well, there's a lot, so it's best to grab a snack and a drink, this could be a while.

Let's begin:

Multiple Heroines

Teen Titans starts out with two awesome heroines, Raven and Starfire, and adds more to the cast later - Kole, Bumblebee, Terra, Argent, etc.

X-Men: Evolution had multiple heroines from the beginning, with more added later. And one of the original heroines was an older female mentor that everyone, including boys, looked up to.

Winx Club is a female-led show with five, later six, awesome female leads and powerful females in mentor roles that are admired and respected by men and women alike.

But Kim Possible only has one heroine for girls to look up to - Kim herself.

Sure, Yori's impressive, but she's not really her own character as she's meant to aid in Ron's development.

And while Dr. Director could be cool, we don't actually see her do more than delegate, which, while important, is hard for people to look up to.

And the professional heroes, Team Impossible, are an entirely male group.

Kim Possible only has one female for little girls to look up to.

So, if, for some reason, you find yourself not looking up to Kim, then you're out of luck with this show, because there's not any other girl for you to look up to.

It's not a girl power show if there's only one girl to look up to.

Complex Thoughts and Feelings

The girls of Teen Titans are shown with varied and complex thoughts and emotions. Starfire uses her feelings to fuel her powers, and, even though she's apathetic, there are multiple episodes that address that Raven has complex thoughts and feelings but has to keep them under control because of her powers.

In X-Men: Evolution all the characters, especially the girls, are shown with complex thoughts and feelings.

In Winx Club the girls are shown with thoughts and feelings, and it's established that their feelings fuel their magic.

But in Kim Possible, Kim's thoughts and feelings aren't very complex. Kim is shown to dislike something, or have strong opinions about something, but anything deeper is rarely explored.

When Kim didn't want Ron to be the mascot in "Attack of the Killer Bebes", there's no reason given.

When she's jealous of Yori in "Gorilla Fist", it's only hinted that it's because of her romantic feelings for Ron.

And she certainly doesn't actually talk about her feelings afterwards.

Her underlying thoughts, feelings, and motivations are rarely explored.

A girl power show should explore the thoughts and feelings of it's main character.

Competent Heroes

In Teen Titans, the Doom Patrol are in fact skilled and competent, even if they "die" a lot.

In X-Men: Evolution, the older heroes are actually good at what they do.

In Winx Club, the Specialists aren't considered less competent, they're just trained differently. And the older heroes are, in fact, very skilled.

In those shows, the more experienced and professional heroes are actually shown to be competent.

In Kim Possible, Agent Du and Team Impossible are (supposed to be) less skilled than Kim.

(Though, really, the laser web thing isn't a fair assessment of ability if they're not starting from the same place.)

While I get that Kim is supposed to be the hero, it'd be more impressive if the professional heroes were actually portrayed as good at their jobs.

The other shows don't require dumbing down the professionals to make the heroines shine, so Kim Possible shouldn't need that either.

A girl power show shouldn't need the professionals dumbed down for the girl to shine.

Independence

In the other shows, each girl is a formidable force on their own.

Maybe not able to take down every bad guy on their own, but certainly able to hold their own in a fight.

But in Kim Possible, Kim is dependent on Ron and Wade to succeed.

(As shown in "Bueno Nacho" and "A Sitch in Time".)

She is completely incapable of handling missions on her own, making her unable to be a stand-alone hero.

The main character of a girl power show should be capable of doing things without her sidekicks.

Kindness

In the other shows, the main heroines are shown to be kind to others, even those outside their immediate friend group.

A few missteps along the way, but rarely ever having malicious intentions.

Not never, but rarely.

And especially no ill intent towards their friends.

Being kind takes a lot of strength at times, so a heroine who is kind is strong and worth looking up to.

(Seriously, kindness is powerful. The world needs more of it.)

But Kim isn't very kind to her loved ones.

Don't get me wrong, she saves the world and does other things to help people, but the way she treats those closest to her is not kind, and not worth looking up to.

Hyper-competitive, bossy, controlling, condescending, judgmental, etc. These aren't actually behaviors we want little girls emulating.

A kind heroine is more powerful than a bossy, controlling, judgmental, overly-competitive one.

Acknowledgment

In the other shows, the heroines acknowledge their teammates' contributions, and don't feel jealous or threatened when one of them is better than them at something.

In Winx Club, Stella, a character who could have been a stereotypical vain, spoiled princess, is constantly praising her friends on their accomplishments.

In X-Men: Evolution, the girls acknowledge each other's strengths and skills.

And in Teen Titans, Starfire is constantly showing her friends affection and believing in their abilities. Raven too, but not quite as enthusiastically.

But in Kim Possible, Kim refuses to acknowledge Ron as important to her success, and never gives him credit for his contributions.

(Well, not to his face.)

And, while she might praise Wade when he does something cool, she clearly doesn't value him very much, as shown by her comment in "The Truth Hurts" and her disregard for his warnings in "Queen Bebe".

A role model has no problems acknowledging the contributions of others and respects her teammates.

Training

In the other shows, the heroines are shown training in the use of their powers.

But in Kim Possible, Kim is naturally good at everything.

Okay, maybe not driving or cooking, but Kung Fu and cheerleading, to name a few.

The only time we see Kim practice anything is cheerleading, but "A Sitch in Time" revealed that she was an expert from the beginning.

She was good enough at Kung Fu to impress Hirotaka, a life-long student of Kung Fu, despite saying herself that she only dabbles in it, and she's never seen training in it.

It's not even mentioned that she had any actual training in it.

And, honestly, "naturally good at everything" is hard to emulate. It's not easy to look up to "impossibly talented" when you're older.

A heroine who fails and keeps trying is more admirable than one who never fails.

Varied Interests

In the other shows, the female characters don't all have the same interests.

Teen Titans has Raven interested in things like books while Starfire is interested in cute animals.

X-Men: Evolution has Jean do basketball and soccer, Kitty enjoys theater and parties, and Rogue likes literature, to name a few.

Winx Club has Stella into fashion, Musa is interested in music, Tecna likes technology, Aisha likes sports, and Flora likes nature.

But in Kim Possible, the girls are all interested in the same things; boys, boy bands, pop music, fashion, celebrities, etc.

(Aside from Monique's interests in wrestling and extreme sports, which never get brought up more than once each.)

Despite Kim herself doing Kung Fu and other extreme sports on the regular, the other girls are shown to only be interested in stereotypical teenage girl things.

(Again, aside from Monique's interests that are only mentioned once each.)

(And also aside from Zita, who is stated as being interested in video games and on the swim team, but disappears after her second episode until "Graduation".)

A girl power show would have girls with a variety of interests, not just the stereotypical ones.

Romantic Relationships

The other shows have great romantic relationships.

In Teen Titans, Robin/Starfire had build-up, despite their interest in each other being obvious from the beginning.

In X-Men: Evolution, Jean/Scott had build-up despite their feelings being clear from the beginning, and Kurt/Kitty were never more than friends with them both ending up in relationships with other people.

In Winx Club, all the relationships took time to build up, and some don't stay together forever but neither half is entirely demonized for it.

But there wasn't a lot of build-up for Kim/Ron, with Kim insulting Ron for suggesting people might think they date and Ron expressing discomfort at the idea of dating Kim.

A girl power show should have a proper build up to a romantic relationship.

Lack of a Fool

In the other shows, there is no one "fool" character who is a majority of the humor.

There is no one character who is the butt of all the jokes.

Sure, Teen Titans has Beast Boy, who's pretty humorous and funny, but his abilities and skills as a hero are still acknowledged and respected.

And plenty of the humor comes from other characters as well.

X-Men: Evolution has Nightcrawler, who certainly jokes around a lot, but he's still taken seriously in serious moments.

And other characters contribute to the humor of the show to.

But in Kim Possible, Ron isn't taken seriously.

Ron, despite having many moments where he shows impressive skills, isn't taken seriously as a hero.

His feelings are also rarely taken seriously, even about things that are pretty serious.

And Ron is responsible for 90% of the show's humor, often at his expense.

Ron is meant to be a bumbling, clumsy, inept, incompetent character to emphasize how much Kim shines.

But a real girl power show doesn't need that, because the heroine(s) shine anyways.

Summary

Unlike some of the other "girl power" shows of the time, Kim Possible decided the only thing that's important is that Kim is capable of fighting bad guys.

But a strong female character is so much more than fighting bad guys.

Now, I'm not saying the other shows listed handled everything perfectly. I know some things were handled poorly, but in terms of "girl power", they were still handling it better than Kim Possible.

And, shockingly, only one of them was even intended to be a "girl power" show.

I guess a better girl power show would have girls as people first, icons second.

This is probably the closest to what the Isle is, but it's worth mentioning that The Isle is still a prison.

And, in real life, when a baby is born in prison, the baby is removed from the prison and either given to relatives of the mother or placed in foster care.

In Descendants, when kids were born on The Isle, which is basically a prison, the kids were left on The Isle, despite the conditions not being good.

No one even checked to make sure the conditions were suitable for children.

No one thought "hey, we should check and see if The Isle has what it needs to take care of kids" or "we should probably not leave kids on The Isle since their parents can't take care of them."

Sure, Adam agreed they were innocent, when they were sixteen. He agreed they were innocent when Ben was making his first proclamation as King.

He had, at least, sixteen years to decide the kids were innocent enough to leave The Isle.

Sixteen years to decide to give them a chance at a better life.

And he didn't choose to do it, Ben decided to invoke his power as King to do it.

Or, in other words, he didn't do it until it was no longer his choice anyways.

I mean, sure, he could've kept arguing, but there was no changing Ben's mind, and in a month, he wouldn't have had the power to do anything anyways.

It's also worth mentioning, everyone knew about the kids.

Ben said that every time he looked out at The Isle, he felt like the kids had been abandoned.

Everyone knew about the kids. No one was surprised they existed.

But no one cared enough to make they had what they needed.

Ben's right; the kids had been abandoned.

And it would've been nice to see them call the people of Auradon out for it.

The most unbelievable thing about Disney's Descendants is that the princes and princesses, people who are known for being kind and compassionate, would be okay with literal children living on The Isle, despite knowing what things are like on The Isle, just because their parents are villains.

Like, I'll believe they decided to put their dangerous villains there to protect everyone.

(Not villains like LeFou and Smee though, because they're just not worth the trouble.)

But you expect me to believe that no one thought it wouldn't be fair to punish the kids for their parents' crimes? That people who are known for being kind thought this was fair?

Sorry, not buying it.

And it's not that they didn't know, because everyone knew the villains had kids, so they just, somehow, honestly thought this was a good idea.

But I don't believe it.

I understand that it has to be that way for plot reasons. My proposed change would be a very simple one:

They didn't know there were kids on The Isle.

They only found out shortly before Ben was going to be coronated, because Belle and Adam wanted to check on The Isle one more time before it became Ben's responsibility.

Thus, Ben immediately decides to invite some VKs to Auradon for a better life, but Belle and Adam are concerned that the VKs might be a lot like their parents. He agrees to only invite a few at first, but he's confident that they're not evil, just in terrible conditions.

So, it's not as though a fashion show isn't cool or anything, it's just that...

I feel like assigning each group to do a fashion show for their end of semester project is...limiting.

For example:

Ruby is a Mixed Media and Graphic Design focus. I literally cannot tell what her contribution to their final runway was.

(Someone tell me if they know what it is.)

Sunny's animations were good, but they weren't all that she could do. She could do more if she wasn't limited to doing a fashion show. A short film or animated music video would be cool.

And that's not even getting into some of the other people who's shows we didn't see.

What would Daria Roselyn, a Music Focus, and Georgia Bloom, a Performing Arts focus, do for a fashion show? Model?

What about Emi Vanda? Did she paint a set? Make props?

We don't even know who was in Colin's group, or what he did for his runway.

The point is, making everyone do a runway for their end of semester project can be limiting.

It also requires every group to have at least one Fashion focus, which seems a bit...unlikely.

A better system would be...well, it's complicated, but I'll do my best to explain it.

Everyone gets assigned a group. (I don't like this, but I'll leave it for now.)

The group has to agree on a project and submit their idea to a group supervisor for approval. (Our main girls would probably still do a fashion show.)

Their project proposal must say what each group member is going to contribute.

If it's approved, they get to start on it. If it's not approved, they have to make the changes their supervisor asks of them.

There's a deadline to get their proposals approved. If they're not approved by then, they'll be assigned a project. (I'm sure Miss Wright would have a few ideas.)

Regular check-ins would proceed as normal, with everyone showing the progress they made on their part of the project.

By the end of the semester, they have to have their project finished.

This could lead to some interesting ideas for projects, such as:

A museum exhibition

A clothing display

A mini concert

A short play

More ideas

This could be interesting. It could be fun to hear about groups doing something other than a fashion show.

And, like I said, giving the students a chance to pick their projects for themselves would give them better opportunities to show what they can do.